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1

Giorgio, Cremonini, and Frasnedi Fabrizio, eds. Nell'universo del senso. Bologna: Il Mulino, 1986.

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2

Ronald, Paul. Senso: Un film di Luchino Visconti = un film de Luchino Visconti. Cesena: Il ponte vecchio, 2004.

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3

Giacomo, Agosti, Mangione Costanza, and Museo civico di Padova, eds. Camillo Boito e il sistema delle arti: Dallo storicismo ottocentesco al melodramma cinematografico di Luchino Visconti : atti degli incontri di studio promossi dall'Accademia di Brera. Padova: Il Poligrafo, 2002.

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4

Torre, Antonia La. Senso ontologico, mimesis e rappresentazione: Analisi letteraria della scrittura filmica di Pier Paolo Pasolini e Cesare Zavattini. Roma: Aracne, 2022.

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5

Partridge, C. J. Senso: Visconti's film and Boito's novella : a case study in the relation between literature and film. Lewiston [N.Y.]: E. Mellen Press, 1992.

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6

1957-, Høeg Peter, ed. Smilla's sense of snow: The making of a film by Bille August adapted from the novel by Peter Høeg. New York: Noonday Press, Farrar, Straus and Giroux, 1997.

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7

editor, Kondō Kazuto 1989, Morita Noriko 1984 editor, and Ōtsuka Eiji 1958 editor, eds. Zaiya no eigagaku: Senjika, sengo eigajin to no taiwa. Tōkyō: Ōta Shuppan, 2021.

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8

Thompson, Emma. Sense and sensibility: [screenplay]. [London?: Hollywood Scripts?], 1994.

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9

Imamura, Shohei. Senso to nihon eiga. Tokyo: Iwanami Shoten, 1995.

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10

Itakura, Fumiaki. Adachi Nobuo: Sengo no eiga sakka. [Kumamoto-shi]: [Kumamoto Daigaku], 2002.

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11

Imamura, Shohei. Sengo eiga no tenkai. Tokyo: Iwanama Shoten, 1995.

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12

Kawamoto, Saburō. Ima hitotabi no sengo Nihon eiga. Tōkyō: Iwanami Shoten, 1994.

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13

Nierop, Leon Van. Seeing sense: On film analysis. Pretoria: J.L. van Schaik Academic, 1998.

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14

Toyoda, Toshiaki. 7.24, eiga sensō, 2019-2021. Tōkyō: Kabushiki Kaisha Kōdansha, 2021.

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15

author, Conti Valentina, ed. Il tempo dei sensi, il tempo dello sguardo: Cinema e vino nel Piceno. Ancona: ae affinità elettive, 2017.

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16

Ōshima, Nagisa. Sengo 50-nen, eiga 100-nen. Nagoya-shi: Fūbaisha, 1995.

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17

Garwood, Ian. The sense of film narration. Edinburgh, [Scotland]: Edinburgh University Press, 2015.

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18

Federico, Martina. Uno sguardo più attento: I dispositivi di senso dei testi cinematografici. Roma: Aracne, 2013.

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19

Itō, Akihiko. Eiga no naraku: Hokuriku dairi sensō jiken. Tōkyō: Kokusho Kankōkai, 2014.

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20

Setogawa, Sōta. Sensō eigakan. Tōkyō: Shakai Shisōsha, 1998.

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21

Trolle, Karin. Frøken Smillas fornemmelse for sne: Bogen om Bille Augusts film efter Peter Høegs roman. København: Munksgaard, 1996.

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22

Patrizia, Calefato, ed. Moda e cinema: Macchine di senso : scritture del corpo. Ancona: Costa & Nolan, 1999.

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23

Tatarowa, Irina. Ergo sum: Poszukiwania sensu istnienia w polskim i radzieckim filmie 1960-1990. Warszawa: Neriton, 2004.

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24

Arief, M. Sarief. Permasalahan sensor dan pertanggungjawaban etika produksi. Edited by Kahariady Manimbang 1960-, Hadiyat Yayan 1971-, and Indonesia. Badan Pertimbangan Perfilman Nasional. [Jakarta]: Badan Pertimbangan Perfilman Nasional, 1997.

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25

Kawamoto, Saburō. Kimi uruwashiku: Sengo Nihon eiga joyū san. Tōkyō: Bungei Shunjū, 2000.

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26

Thompson, Emma. Jane Austen's Sense & sensibility: The screenplay & diaries. London: Bloomsbury, 1995.

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27

Thompson, Emma. Jane Austen's Sense & sensibility: The screenplay. London: Bloomsbury, 1996.

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28

Kōyama, Seijirō. Umaretara sensō datta: Eiga kantoku Kōyama Seijirō jiden. Tōkyō: Shine Furontosha, 2008.

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29

Shimokawa, Masaharu. Nihon tōchika no Chōsen shinema gunzō: Sensō to kindai no dōjidaishi. Fukuoka-shi: Gen Shobō, 2019.

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30

Sakasai, Akito. "Yakeato" no sengo kūkanron. Tōkyō: Seikyūsha, 2018.

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31

1943-, Frederiksen Bodil Folke, and Sørensen Ninna Nyberg, eds. Beyond home and exile: Making sense of lives on the move. Roskilde, Denmark: The Graduate School, International Development Studies, Roskilde University, 2002.

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32

Imamura, Taihei. Sensō to eiga. Tōkyō: Yumani Shobō, 1991.

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33

Lucey, Paul. Story sense: Writing story and script for feature films and television. New York: McGraw-Hill, 1996.

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34

Anzinger, Martina. Gainborough pictures reframed, or, Raising Jane Austen for 1990s film: A film-historic and film-analytical study for the 1955 films Sense and sensibility and Persuasion. Frankfurt am Main: P. Lang, 2003.

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35

Fujitsu, Ryōta. Anime to sensō. Tōkyō: Nihon Hyōronsha, 2021.

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36

Morishita, Hiroshi. Kaijū kara yomu sengo popyurā karuchā: Tokusatsu eiga, SF janru keiseishi. Tōkyō: Seikyūsha, 2016.

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37

Fabbri, Raffaella. Ciak: Si gira la moda : cinema e moda, sistemi di senso e industrie di emozioni. Urbino: Quattro venti, 2006.

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38

1953-, Okumura Masaru, ed. Eiga to sensō: Toru yokubō, miru yokubō. Tōkyō: Shinwasha, 2009.

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39

1953-, Okumura Masaru, ed. Eiga to sensō: Toru yokubō, miru yokubō. Tōkyō: Shinwasha, 2009.

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40

1953-, Okumura Masaru, ed. Eiga to sensō: Toru yokubō, miru yokubō. Tōkyō: Shinwasha, 2009.

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41

(Indonesia), Lembaga Sensor Film. Sejarah sensor film di Indonesia, 1916-1940. [Jakarta]: Lembaga Sensor Film, Republik Indonesia, 2011.

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42

Müller, Marie Elisabeth. Passagen des Sinns: Eine medien-ästhetische Theorie serieller Darstellung. Würzburg: Königshausen & Neumann, 1999.

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43

Keeling, Kara. The witch's flight: The cinematic, the Black femme, and the image of common sense. Durham: Duke University Press, 2007.

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44

Kitamura, Kyōhei. Sutā joyū no bunka shakaigaku: Sengo Nihon ga yokubōshita seijo to majo. Tōkyō: Sakuhinsha, 2017.

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45

Osamu, Komatsu. Kenkō issen: Sengo jidaigeki eiga no kagayaki. Tōkyō: Shinwasha, 2013.

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46

Eiga Rinri Kitei Kanri Iinkai, ed. Sengo eirin kankei shiryōshū. Tōkyō: Kuresu Shuppan, 2019.

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47

Kenkyūkai, Sensō Shakaigaku. Sensō eiga no shakaigaku. Tōkyō: Mizuki Shorin, 2018.

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48

Eigasha, Kindai. Chirashi daizenshū: Gaikoku eiga no sengo 50-nen : kanzen hozonban. Tōkyō: Kindai Eigasha, 1995.

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49

Thompson, Emma. The Sense and sensibility screenplay & diaries: Bringing Jane Austen's novel to film. New York: Newmarket Press, 1995.

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50

Convegno L'impero dei sensi da Euripide a Ōshima (2008 Turin, Italy). L'impero dei sensi: Da Euripide a Ōshima. Bari: Edizioni di Pagina, 2009.

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