Academic literature on the topic 'Sensorial Experience'

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Journal articles on the topic "Sensorial Experience"

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Dinvaut, Annemarie. "Croquages de langue en formation d’enseignants." Voix Plurielles 11, no. 1 (2014): 75–88. http://dx.doi.org/10.26522/vp.v11i1.919.

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Le sensoriel et l’expression plastique sont-ils des outils de formation pertinents pour aller à la rencontre de l’altérité et de la diversité linguistique et culturelle ? Nous nous proposons de répondre à cette question en analysant des productions d’étudiants : ceux-ci rendent compte de leur fréquentation d’une langue par une création plastique qui privilégie les aspects sensoriels de cette expérience. Ce double processus les amène à une réflexion métalinguistique et à une posture d’accueil du plurilinguisme.
 
 We sketch our languages and develop teaching skills
 
 Abstra
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Rathod, Madhura. "RICH SENSORIAL EXPERIENCE OF ARCHITECTURE." International Journal of Advanced Research 5, no. 12 (2017): 1529–36. http://dx.doi.org/10.21474/ijar01/6116.

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Vidauskytė, Lina. "RELIGINĖ PATIRTIS: HIEROFANIJA AR HIEROFONIJA?" Religija ir kultūra 10 (January 1, 2012): 105–13. http://dx.doi.org/10.15388/relig.2012.0.2737.

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Oralinėje tradicijoje žmogaus sensorika yra orientuota kitaip, nei vizualinėje kultūroje. Pirmenybė yra teikiama balsui, akustinėms, ritminėms audialinės juslės savybėms. Ši sensorinė kombinacija veikia visose srityse, nes tokia yra būtinybė. Religijoje balsas taip pat atlieka lemiamą vaidmenį. Dievas kreipiasi į žmogų, kaip ir žmogus kreipiasi į Dievą. Tačiau ši kadaise pamatinė audialinė religinė patirtis buvo išstumta rašto kultūros. Straipsnyje keliamas religijotyroje plačiai vartojamos sąvokos „hierofanija“ adekvatumo įvardijant religinės patirties specifiką klausimas.Pagrindiniai žodžiai
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Dalmoro, Marlon, Giuliana Isabella, Stefânia Ordovás de Almeida, and João Pedro dos Santos Fleck. "Developing a holistic understanding of consumers’ experiences." European Journal of Marketing 53, no. 10 (2019): 2054–79. http://dx.doi.org/10.1108/ejm-10-2016-0586.

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Purpose This paper aims to investigate how the physical and sensory environmental triggers interact with subjective consumer evaluations in the production of shopping experiences, an under-investigated theme, despite its relevance. Design/methodology/approach An interpretative multi-method approach was used by combining video observation with camera eyeglasses and in-depth interviews with 30 customers of a department store. Findings Results offer a holistic framework with four-dimensional axial combination involving physical comfort, psychological comfort, physical product evaluation and senso
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Hrga, Iztok, and Tjaša Frumen. "Costume as a shared sensorial experience." Studies in Costume & Performance 6, no. 2 (2021): 217–31. http://dx.doi.org/10.1386/scp_00048_1.

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This research report discusses the creation of a costume for the spectator that stimulates sensorial experiences of internalized feelings. Under the project title Sense my Thoughts, we constructed two wearable prototypes: one for the performer and the other one for the spectator. Wearable electronics embedded both in the performer’s and the spectator’s garments allow the spectator to become directly connected with the performer’s emotional experience through costume. This enables the spectators to identify with the onstage character through a personal connection and immerse themselves in the p
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Almeida, Brenda Caroline Silva de, Luzia Iara Pfeifer, and Lucieny Almohalha. "Perfil sensorial de crianças pequenas com histórico de prematuridade/Sensory profile of young children with a history of prematuriy." Revista Interinstitucional Brasileira de Terapia Ocupacional - REVISBRATO 6, no. 3 (2022): 1075–88. http://dx.doi.org/10.47222/2526-3544.rbto47403.

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Introdução: O bebê prematuro é considerado de alto risco para atrasos no desenvolvimento, uma vez que está exposto a fatores biológicos e/ou ambientais, muitas vezes, pouco congruentes com sua maturidade neurobiológica. Objetivo: Descrever o perfil sensorial, identificar as respostas aos estímulos sensoriais e os padrões sensoriais de crianças pequenas com histórico de prematuridade. Método: Estudo exploratório-descritivo, realizado com 43 pais de crianças com idade entre 7 e 35 meses, que apresentaram histórico de prematuridade com ou sem comorbidades, utilizando um roteiro semiestruturado, e
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Izzah, Nurul, Suwandi Sumartias, and Susie Perbawasari. "Enhancing Brand Loyalty: From Sensorial Experience to Affective Experience." Jurnal Komunikasi Ikatan Sarjana Komunikasi Indonesia 8, no. 2 (2023): 426–36. http://dx.doi.org/10.25008/jkiski.v8i2.915.

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This research discusses a café in Makassar city called Pyur For You café, which provides an exciting experience to its consumers. This research analyzes how brand loyalty can form through sensory experience and affective experience. This research is a qualitative case study with informants from Pyur For You café consumers selected randomly and met directly in the café area. This research involved three consumers who have come to the café repeatedly and recommended the café to their relatives. From the findings of this research, consumers of Pyur For You cafe have received a sensory experience
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차은지 and 한정엽. "Virtual Reality contents : a full sensorial experience." Journal of Korea Intitute of Spatial Design 11, no. 5 (2016): 9–17. http://dx.doi.org/10.35216/kisd.2016.11.5.9.

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Price, Katherine. "Embodied Experience." Ethnographic Encounters Journal 13, no. 1 (2025): 48–52. https://doi.org/10.15664/eej.v13.i0.2921.

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In this essay, the author explores the anthropological method of autoethnography during a walk along East Sands. Focusing on the sensorial experience, the article draws connections between the senses and memory. With these findings, the author analyzes the idea of the ‘field’ and how these interactions influenced their experience with the ‘field.’
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Paramita, Kristanti Dewi, Resza Riskiyanto, and Arnis Rochma Harani. "Exhibiting Material Localities Through Embodied Sensorial Performance." Journal of Architectural Design and Urbanism 7, no. 1 (2025): 31–40. https://doi.org/10.14710/jadu.v7i1.25323.

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This study investigates the embodied sensorial performance in material exhibition design as a way to enhance visitors’ experience about local cultures. Exhibitions and installations designed in museum or gallery context often incorporate a sensorial approach to increase engagement and to cater specific needs of society. This study takes particular interest in expanding such discussion, highlighting how a sensorial approach can be used in a more active way to experience localities, particularly in relation with food material.The study explores such sensorial aspects through reflecting towards a
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Dissertations / Theses on the topic "Sensorial Experience"

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JALAL, LANA DALAWR. "QUALITY OF EXPERIENCE METHODS AND MODELS FOR MULTI-SENSORIAL MEDIA." Doctoral thesis, Università degli Studi di Cagliari, 2019. http://hdl.handle.net/11584/260391.

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In this work, the evaluation of the Quality of Experience (QoE), i.e., “the degree of delight or annoyance of the user of an application or service” for multi-sensorial media has been investigated. An IoT based architecture for multi-sensorial media delivery to TV users in a home entertainment scenario proposed and the synchronization requirement between media and devices analyzed and the architecture of the system defined accordingly. Furthermore, a prototype is implemented in a real smart home scenario with real customary devices, which allowed a subjective test measurement campaign to asse
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CRABTREE, BENJAMIN S. "CORPOREAL NARRATIVES: ARCHITECTURE OF EXPERIENCE." University of Cincinnati / OhioLINK, 2006. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1147897305.

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Eriksson, Elin, and Niklas Larsson. "A Multi-Sensory Brand-Experience : Sensorial interplay and its impact on consumers' touch behaviour." Thesis, Linnéuniversitetet, Ekonomihögskolan, ELNU, 2011. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-12153.

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The purpose of this thesis is to explore to what extent different styling elements can be used within a retail store and how sensorial cues can affect customers buying behaviour by creating a multi-sensory brand-experience. Further, this project aims at contributing to the development of new knowledge regarding a multi-sensory brand-experience through the performance of an experiment. A quantitative research method with a deductive research approach has been used for this study, where theoretical concepts have been described and from which a number of hypotheses have derived as means to test t
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Inglis, Grant. "Discovering How To RE|Move: A secondary sensorial circulation system for the University of Cincinnati." University of Cincinnati / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1397234170.

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Mendes, Inês Jardim de Gouveia. "Projetar com luz : a luz como directriz na concepção espacial do Centro de Dia do Casal Novo." Master's thesis, Universidade de Lisboa. Faculdade de Arquitetura, 2015. http://hdl.handle.net/10400.5/8952.

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KRIVANKA, SARAH M. "SENSITIVE MATERIAL." University of Cincinnati / OhioLINK, 2007. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1179208847.

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Källeskog, Jessika. "Boundaries of Matter : The experience of space and object through the abstract to the tangible." Thesis, Konstfack, Inredningsarkitektur & Möbeldesign, 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:konstfack:diva-4101.

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Boundaries and Matter - The intangible and the corporeal A space dedicated to contemplation in a public realm With a philosophical approach to the topics I aim to absorb the dynamics in the meeting between the intangible and the physical. In the urban contemporary environment that we live in I see a need for a physical context that contrasts the flow of information and inputs that we are exposed to.From this point of view I have created a concept of a space for contemplation, as a reply for both visual as well as mental boundaries that connects both the abstraction of the mind to the corporeal
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Mendoza, Zoila. "the strength of the sounding paths: the Walk and Music in Qoyllurit’i." Pontificia Universidad Católica del Perú, 2012. http://repositorio.pucp.edu.pe/index/handle/123456789/80639.

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En este trabajo exploro la relación intrínseca que existe para los pobladores del distrito de Pomacanchi, Cusco, entre el caminar al santuario del Señor de Qoyllurit’i y la música que los acompaña. Mi atención se centra en la relación con la melodía chakiri wayri y, en menor medida, con la del alawaru. En esta relación intrínseca entre música y camino se revela, por un lado, la primacía que para los pobladores andinos tiene la unidad de lo visual y lo auditivo en los procesos cognitivos. Por otro, al explorar esta relación en el contexto de la caminata, una tercera dimensión sensorial clave en
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Martínez, Rosalía. "Music, movements and colors in Andean fiesta. Bolivian examples." Pontificia Universidad Católica del Perú, 2015. http://repositorio.pucp.edu.pe/index/handle/123456789/79171.

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En la fiesta andina, la música suele tanto oírse como verse. Esta dimensión multisensorial de la situación musical no es únicamente el resultado de una yuxtaposición de elementos sonoros y visuales. el análisis de las articulaciones que los campesinos indígenas de la zona de sucre (Bolivia) construyen entre sonidos, movimientos y colores revela la presencia de organizaciones singulares de la experiencia sensible que se caracterizan tanto por su espesor sensorial como por la manera en la cual se encuentran conectadas con otros campos del conocimiento. Estas formas de intersección culturalmente
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Delemazure, Olivier, Olivier Mallégol, and Vincent Laplanche. "The effect of the senses on consumers experience in clothing stores." Thesis, Linnéuniversitetet, Institutionen för marknadsföring (MF), 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-75540.

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This research explores the sensory marketing and more specifically the effect of the senses on consumers experience in the clothing distribution sector. The purpose of this paper is to understand if all the senses have an effect on the customer experience in clothing stores. To do this a primary quantitative data has been collected through a questionnaire from clothing store customers to assess the effect of different senses on their consumer experiences. The results obtained by the analyzing of the questionnaire through regression analysis concluded that there are two senses that really stand
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Books on the topic "Sensorial Experience"

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Quinn, Mary B. Sense and Spectacle in the Age of Philip IV. Amsterdam University Press, 2024. https://doi.org/10.5117/9789048563050.

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This book accounts for the outpouring of celebrations in the Habsburg Empire upon the 1657 birth of Felipe Próspero, heir to Philip IV of Spain. These celebrations allow us to interrogate the shifting uses of performance in the empire’s center and periphery. Such spectacles could work to contain and manipulate public sentiment, but at other moments they questioned sanctioned power structures. A study of zarzuela texts, opera libretti, notated music, paintings, poems, and historical documents shows that an array of people took advantage of this festive moment to question the empire’s policies i
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Puentes, Óscar Quintero. Ángeles de la Recoleta: Una experiencia sensorial : fotografías. Universidad Pedagógica y Tecnológica de Colombia, 2010.

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Margot, Patrick. Symphony of the Difference: The Sensorial and Neurological Distinctions Synesthetes Experience. Independently Published, 2022.

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Senses in Interior Design: Sensorial Expressions and Experiences. Manchester University Press, 2023.

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Senses in Interior Design: Sensorial Expressions and Experiences. Manchester University Press, 2023.

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Senses in Interior Design: Sensorial Expressions and Experiences. Manchester University Press, 2023.

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elhariry, yasser, ed. Sounds Senses. Liverpool University Press, 2022. http://dx.doi.org/10.3828/liverpool/9781800856882.001.0001.

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Sounds Senses is about what happens to the francophone postcolonial condition when sound is taken as a point of departure for engaging cultural production. Offering a synthetic overview of sound studies, it dismantles the retinal paradigms and oculocentrism of francophone postcolonial studies. By shifting the sensory hermeneutics of perception from the visual, the textual, and the graphemic to the sonic, the auditory, and the phonemic, the book places cultural production that privileges or otherwise exaggerates æstheticized sensorial experiences at the forefront of francophone postcolonialism.
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Sensorium: Embodied Experience, Technology, and Contemporary Art. The MIT Press, 2006.

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Pinto-Coelho, Zara, ed. The City of the Senses, the Senses in the City. UMinho Editora/CECS, 2022. http://dx.doi.org/10.21814/uminho.ed.51.

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Urban-oriented sensory analysis has a long tradition within the social sciences. However, in communication and cultural studies research, the sensorial orientation is still incipient. This publication is part of an ongoing call by Passeio, the platform for the study of art and urban culture of the Communication and Society Research Centre, for an organicist vision of the city, underlining the need to re-signify the role of the senses in the experience of everyday contemporary urban life. This book includes theoretical and/or empirical contributions from researchers in sociology, communication
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Baird, J. A., and April Pudsey, eds. Housing in the Ancient Mediterranean World. Cambridge University Press, 2022. http://dx.doi.org/10.1017/9781108954983.

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One of the greatest benefits of studying the ancient Greek and Roman past is the ability to utilise different forms of evidence, in particular both written and archaeological sources. The contributors to this volume employ this evidence to examine ancient housing, and what might be learned of identities, families, and societies, but they also use it as a methodological locus from which to interrogate the complex relationship between different types of sources. Chapters range from the recreation of the house as it was conceived in Homeric poetry, to the decipherment of a painted Greek lekythos
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Book chapters on the topic "Sensorial Experience"

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Mengozzi, Chiara. "Letting the Planet Speak: Nonhuman Voices Through Narrative, Sound Art, and Technology." In Palgrave Studies in Otherness and Communication. Springer Nature Switzerland, 2024. https://doi.org/10.1007/978-3-031-73386-4_5.

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AbstractThe habitability of the planet Earth depends on countless organisms, entities, and processes, most of which lie beyond our immediate experience. Several literary critics have praised performative and sound art for its striking ability, compared to literary works, to bring the biotic and abiotic components of the Earth system into our perceptual and sensorial realm, without projecting human meanings onto them. But how does this sensorial experience translate into ecological-oriented political action?Comparing some important examples of sound art and narrative works, this chapter (i) ana
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Katajala-Peltomaa, Sari. "From Lived Reality to a Cultural Script: Punishment Miracles as an Experience." In Palgrave Studies in the History of Experience. Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-92140-8_2.

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AbstractIn this chapter the various levels of experience are scrutinized within the context of interaction with a saint, namely Saint Birgitta of Sweden. The focus lies on a case of a punishment miracle leading to demonic possession and eventually conversion to penance. The chapter combines the analysis of intimate sensorial elements, embodied enculturation, and a production of a cultural script scrutinizing how a model for experiencing was produced in the context of Vadstena Abbey’s miracle recording and later preaching.
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Barbosa-Fohrmann, Ana Paula. "Chapter 2: The Sensorial Experience of the Self with Alzheimer's." In Narrating Experiences of Alzheimer's Through the Arts. transcript Verlag, 2023. http://dx.doi.org/10.14361/9783839466803-005.

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Fabbris, Luigi, and Alfonso Piscitelli. "Cultural and sensorial correlates of Trebbiano wine consumption." In Proceedings e report. Firenze University Press and Genova University Press, 2023. http://dx.doi.org/10.36253/979-12-215-0106-3.12.

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In this paper we highlight the sensorial and cultural correlates of the consumption of Trebbiano wine produced in the Abruzzo region, Italy. The data have been collected through a questionnaire survey on a sample of 48 adults. The sample was conveniently selected among the participants at a scientific meeting held in Pescara in September 2018. The survey was part of a complex sensorial experiment concerning the preference of this white wine with respect to a series of other regional white wines. The collected data on Trebbiano wine consumption have been analysed through a path analytic regress
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Fabbris, Luigi, and Alfonso Piscitelli. "Experience, sensorial skills and personality qualifying a wine consumer as an expert." In Proceedings e report. Firenze University Press, 2021. http://dx.doi.org/10.36253/978-88-5518-461-8.43.

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This paper analyses the characteristics of wine consumers that may qualify them as wine experts. The wine evaluation expertise of consumers, as measured by various degrees of self-perceived ability, is hypothesised to causally depend on cognitive and non-cognitive characteristics of wine experience, on sensorial skills relevant for wine assessment and on wine consumption-related personality aspects. Our work consisted in measuring and analysing the relationships between the self-assessment of the ability to wine assessment given by a convenience sample of consumers and the qualification of the
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De Rosa, Annalinda, and Laura Galluzzo. "Aesthetics of Design for Social Innovation. Pathways for a Dialogue with Everyday Aesthetics." In Springer Series in Design and Innovation. Springer Nature Switzerland, 2023. http://dx.doi.org/10.1007/978-3-031-49811-4_46.

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AbstractThe paper presents “ADESSO - Aesthetics of Design for Social Innovation”, foundational research that aims at investigating the sensorial insights and the aesthetic experience related to services, relationships, environments, communication strategies, and spaces within Design for Social Innovation approaches, highlighting the impact on processes and outcomes.As Design for Social Innovation deals with all that design branches can do to promote and support social changes towards social and environmental sustainability, such processes are usually typified by a strong dematerialization of t
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Mondada, Lorenza. "Chapter 11. From the sensing body to language, and back." In Pragmatics and Translation. John Benjamins Publishing Company, 2023. http://dx.doi.org/10.1075/pbns.337.11mon.

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Tasting sessions are an exemplary setting to investigate how participants choose descriptors for expressing sensorial judgments, based upon their own sensorial experience, as well as on existing available terminologies in different languages. On the basis of video-recorded tasting sessions of amateurs and professionals, the study shows how participants navigate between different types of descriptions – vocalizations, lexical descriptors, and clausal descriptions – in different languages, within ordinary vs specialized professional repertoires. Based on multimodal conversation analysis and ethn
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Ahn, Sunghee. "Sensorial Sensory Gaps in XR: A Relational Process Model for Immersive Experience." In Lecture Notes in Computer Science. Springer Nature Switzerland, 2025. https://doi.org/10.1007/978-3-031-93160-4_16.

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Desille, Amandine. "On the Use of Visual Methods to Understand Local Immigration Politics." In IMISCOE Research Series. Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-67608-7_4.

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AbstractIn this chapter, I present the making of an ethnographic film, which I filmed during a research project in geography carried out from 2013 to 2017 and entitled Victory Day. The chapter provides a reflection on the use of film to capture political actions, specifically the ones targeting immigrant groups. It also shows the extent to which filmmaking relates to experiences of the participants involved, and to the sensorial experience of a place. With this, it builds on previous works that have highlighted the potential of moving images to represent the sensory, experiences and intersubje
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Gu, Sijia, Yue Lu, Yuwei Kong, Jiale Huang, and Weishun Xu. "Diversifying Emotional Experience by Layered Interfaces in Affective Interactive Installations." In Proceedings of the 2021 DigitalFUTURES. Springer Singapore, 2021. http://dx.doi.org/10.1007/978-981-16-5983-6_21.

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AbstractThis paper aims to improve users’ experience in affective interactive installations through the diversification of interfaces. With logically organized hierarchical experience, diverse interfaces with emotion data as inputs enhance users’ emotional interaction to be more natural and immersive. By using facial affect detection technology, an installation with diverse input interfaces was tested with an organic formal setting. Mechanical flowers and support structure based on the organic form were deployed as its physical output for a multitude of sensorial dimensions. With actions of th
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Conference papers on the topic "Sensorial Experience"

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Luís-Ferreira, Fernando, João Sarraipa, and Gary McManus. "Sensorial Experience Extensions in Learning Environments." In ASME 2017 International Mechanical Engineering Congress and Exposition. American Society of Mechanical Engineers, 2017. http://dx.doi.org/10.1115/imece2017-71983.

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Emerging technologies are providing a wide range of benefits for people in their different activities. That fact ranges from daily life activities, to business, teaching or simply for recreation. In what concerns to people with special needs there is a wide range of devices and applications that can be of use in addressing those needs and the will to progress in life. Observing in perspective, the support provided by technology can be seen as augmenting our sensorial experience by providing additional information as in the case of virtual reality and augmented reality. The devices provide addi
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de Oliveira Santos, Maiara, Marcelo dos Santos Forcato, and Anelise Guadagnin Dalberto. "SENSORIAL EXPERIENCE APPLIED TO PRODUCT DESIGN TEACHING." In 10th International Conference on Education and New Learning Technologies. IATED, 2018. http://dx.doi.org/10.21125/edulearn.2018.2635.

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Durão, Maria João, and Glen A. Robertson. "Embodied Space: a Sensorial Approach to Spatial Experience." In SPACE, PROPULSION & ENERGY SCIENCES INTERNATIONAL FORUM: SPESIF-2009. AIP, 2009. http://dx.doi.org/10.1063/1.3115544.

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Yuan, Zhenhui, Gheorghita Ghinea, and Gabriel-Miro Muntean. "Quality of experience study for multiple sensorial media delivery." In 2014 International Wireless Communications and Mobile Computing Conference (IWCMC). IEEE, 2014. http://dx.doi.org/10.1109/iwcmc.2014.6906515.

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Kurvinen, E. "Session details: Stigma and the sensorial experience of objects." In DPPI03: Conference on Designing Pleasurable Products and Interfaces 2003. ACM, 2003. http://dx.doi.org/10.1145/3245038.

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Hornsby, Adrian, and Rod Walsh. "Attaching the Value of Sensorial Experience to Pervasive Multimedia Applications." In 2010 7th IEEE Consumer Communications and Networking Conference (CCNC). IEEE, 2010. http://dx.doi.org/10.1109/ccnc.2010.5421685.

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Boukouvala, Niki. "From wine tasting to materials sensorial perception: A framework for materials experience." In DRS2022: Bilbao. Design Research Society, 2022. http://dx.doi.org/10.21606/drs.2022.460.

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Abudayyeh, Rana. "PATTERNED: Sensorial Material Effects and the Learning Machine." In 2019 ACSA Teachers Conference. ACSA Press, 2019. http://dx.doi.org/10.35483/acsa.teach.2019.30.

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Patterns, murals, reliefs, and various types of surface articulations have long been an integral part of design. Attitudes towards surface are reflective of a broader climate of spatial production, gauging the necessity and commodity of agglomeration within spaces specifically, and the agency of liminal territories within architecture at large. Commonly deposited on surfaces within prized programs (such as churches, palaces, and mosques), patterns and their respective aggregations reference through their inscriptions deities and assert the influence of various authorities. They are also tellin
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Balaminutti, Lara D., and Rachel Zuanon. "Sensorial Design applied to teaching-learning in Artistic Drawing." In LINK 2021. Tuwhera Open Access, 2021. http://dx.doi.org/10.24135/link2021.v2i1.133.

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The present research focuses on the Sensorial Design approach applied to the teaching-learning of artistic drawing. The Sensorial Design is subsidized by the SEE BEYOND method [LIMA JR. G.C.; ZUANON, R. 2017-2019], which is based on cognitive-behavioral neuroscience and neuroeducation studies to develop and apply didactic-pedagogical and didactic-andragogics resources aimed at teaching and learning of Design by students with and without visual impairment. In this approach, the practice of drawing is understood as an intrinsic element to the mental mechanisms of human beings and acting in their
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Vellingiri, Shanthi, and Prabhakaran Balakrishnan. "Modeling User Quality of Experience (QoE) through Position Discrepancy in Multi-Sensorial, Immersive, Collaborative Environments." In MMSys'17: Multimedia Systems Conference 2017. ACM, 2017. http://dx.doi.org/10.1145/3083187.3084018.

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Reports on the topic "Sensorial Experience"

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Mills, Kathy, Elizabeth Heck, Alinta Brown, Patricia Funnell, and Lesley Friend. Senses together : Multimodal literacy learning in primary education : Final project report. Institute for Learning Sciences and Teacher Education, Australian Catholic University, 2023. http://dx.doi.org/10.24268/acu.8zy8y.

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[Executive summary] Literacy studies have traditionally focussed on the seen. The other senses are typically under-recognised in literacy studies and research, where the visual sense has been previously prioritised. However, spoken and written language, images, gestures, touch, movement, and sound are part of everyday literacy practices. Communication is no longer focussed on visual texts but is a multisensory experience. Effective communication depends then on sensory orchestration, which unifies the body and its senses. Understanding sensory orchestration is crucial to literacy learning in t
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Rodriguez Chaparro, David Osvaldo, and Alejandro Zamorano Arancibia. Fundamentos de estética odontológica. Universidad Autónoma de Chile, 2022. http://dx.doi.org/10.32457/12728/10161202268.

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El concepto de estética en odontología ha recibido una fuerte atención desde la aparición de materiales que fueron capaces de reproducir las propiedades ópticas de los tejidos que restauraban, es así como la aparición de las resinas acrílicas y luego de los composites, fue generando un cambio, tanto en las posibilidades que tenían los clínicos, como en las expectativas de los pacientes, que fueron aumentando cada vez mas. En este aspecto, recordemos que hace algunos años, una restauración metálica era perfectamente validada en el sector anterior y hoy en día es prácticamente inconcebible. Se h
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