Academic literature on the topic 'Sepolkro'

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Journal articles on the topic "Sepolkro"

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Foscolo, Ugo. "Dei Sepolcri." Translation and Literature 4, no. 1 (1995): 76–91. http://dx.doi.org/10.3366/tal.1995.4.1.76.

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Foscolo, Ugo. "Dei Sepolcri." Translation and Literature 4, Part_1 (1995): 76–91. http://dx.doi.org/10.3366/tal.1995.4.part_1.76.

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Ferchiou, Naidè. "Le Mausolée de Q. Apuleus Maxssimus à El Amrouni." Papers of the British School at Rome 57 (November 1989): 47–76. http://dx.doi.org/10.1017/s0068246200009089.

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IL MAUSOLEO DI Q. APULEUS MAXSSIMUS A EL AMROUNIIl mausoleo di El Amrouni (Tunisia), nel mostrare associati elementi pertinenti ad ambiti culturali tra loro differenti, fornisce una testimonianza di grande interesse per la conoscenza della “civilizzazione del limes”. Il proprietario del sepolcro e la sua famiglia, di origine indigena, sono ricordati in due iscrizioni: una in latino, l'altra in neopunico. Il monumento, in forma di torre, presenta grandi bassorilievi con scene mitologiche di ispirazione greco-latina piuttosto che non semitica od orientale (Orfeo con animali selvaggi; Orfeo agli
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Lentz, Gleiton. "Dei Sepolcri/Os Sepulcros." Alea : Estudos Neolatinos 11, no. 2 (2009): 361–81. http://dx.doi.org/10.1590/s1517-106x2009000200013.

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Boccazzi, Gaudenzio. "L’Itinerario al Santo Sepolcro di Antonio da Crema." Studia Orientalia Christiana 25 (January 1995): 69–88. http://dx.doi.org/10.1484/j.socc.3.195.

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Garbarino, O. "Il Santo Sepolcro di Gerusalemme. Appunti di ricerca storico-architettonica." Liber Annuus 55 (January 2005): 239–314. http://dx.doi.org/10.1484/j.la.2.303620.

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Foletti, Ivan. "Germigny-des-Prés, il Santo Sepolcro е la Gerusalemme Celeste". Convivium 1, № 1 (2014): 32–49. http://dx.doi.org/10.1484/j.convi.5.103402.

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Dziuba, Andrzej F. "Valter GUADAGNO, Cavalieri del Sepolcro. Storia e significati della milizia nell’ordine equestre del santo sepolcro di Gerusalemme, Edizioni Settimo Sigllo, Manocalzati 2017, ss. 302." Collectanea Theologica 88, no. 4 (2019): 238–42. http://dx.doi.org/10.21697/ct.2018.88.4.15.

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Brose, Margaret. "The politics of mourning in Foscolo'sdei sepolcri." European Romantic Review 9, no. 1 (1998): 1–34. http://dx.doi.org/10.1080/10509589808570037.

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Prominczel, Johannes. "Die so genannten Sepolcri von Marc'Antonio Ziani." Musicologica Brunensia 49, no. 1 (2014): 61–72. http://dx.doi.org/10.5817/mb2014-1-5.

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Dissertations / Theses on the topic "Sepolkro"

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Fabi, Marco, Andrea Lucchi, and Chiara Monterumisi. "Area archeologica di Classe : memoria e identità di un luogo sepolto." Master's thesis, Alma Mater Studiorum - Università di Bologna, 2011. http://amslaurea.unibo.it/2220/.

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Il progetto è incentrato sulla riqualificazione dell’area occupata dai vecchi stabilimenti dell’Eridania a Forlì risalenti al 1900, ora di proprietà della Cooperativa Muratori di Verucchio. L’area è situata in una zona a Nord del centro storico, adiacente alla linea ferroviaria. Attualmente verte in stato di forte abbandono dal 1973, anno della chiusura dello stabilimento: è la più vasta area dismessa in prossimità del centro storico, una ferita aperta nel cuore della città. Le dimensioni e la vicinanza al centro cittadino costituiscono il maggiore potenziale dell’area che si presta per qu
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Tříletý, Petr. "Analýza sepolker Jiřího Ignáce Linka." Master's thesis, 2016. http://www.nusl.cz/ntk/nusl-354051.

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The author of the thesis wants to examine the applicability of the concept of galant style as presented by Robert Gjerdingen in his treatise Music in the Galant Style (2007). As a musical material which he wants to analyze by using the mentioned concept he chooses three extant sepolcros by a schoolmaster from Bakov nad Jizerou Jiří Ignác Linek (1725-1791). Further, he deals with a thesis by Eva Tomandlová (1934- 2010) written in the late 1950's that had these sepolcros as its subject. Thus, at presenting Gjerdingen's approach and its specific possibilities, the author can make use of compariso
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Books on the topic "Sepolkro"

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Foscolo, Ugo. Dei sepolcri. Cinque vie, 1985.

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Pecchioli, Arrigo. I Cavalieri del Santo Sepolcro. Libreria Romana, 1991.

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Crema, Antonio da. Itinerario al Santo Sepolcro: 1486. Pacini, 1996.

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Cardini, Franco. Il guardiano del Santo Sepolcro. Mondadori, 2000.

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Cardini, Franco. Il guardiano del Santo Sepolcro. Mondadori, 2000.

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Villani, Silvano. Il mistero del sepolcro vuoto. Elèuthera, 2000.

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Donatella, Martinelli, ed. Poesie, e, Sepolcri. A. Mondadori, 1987.

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Giovanni, Biancardi, and Cadioli Alberto, eds. Dei sepolcri: Carme. Il muro di Tessa, 2010.

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Sassetta. Sassetta: The Borgo San Sepolcro altarpiece. Villa I Tatti, the Harvard University Center for Italian Renaissance Studies, 2009.

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Machtelt, Israëls, ed. Sassetta: The Borgo San Sepolcro altarpiece. Villa I Tatti, the Harvard University Center for Italian Renaissance Studies, 2009.

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Book chapters on the topic "Sepolkro"

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KLL. "Foscolo, Ugo: Dei sepolcri." In Kindlers Literatur Lexikon (KLL). J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_3638-1.

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Seifert, Herbert. "Das Sepolcro – ein Spezifikum der kaiserlichen Hofkapelle." In Die Wiener Hofmusikkapelle III. Böhlau Verlag, 2011. http://dx.doi.org/10.7767/boehlau.9783205791423.163.

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Kempers, Bram. "Clergy and Laity Viewing Both Sides of Painted Altarpieces in Rome, Siena, San Sepolcro and Perugia." In Monuments & Memory: Christian Cult Buildings and Constructions of the Past. Brepols Publishers, 2016. http://dx.doi.org/10.1484/m.acsha-eb.4.2018022.

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Kendrick, Robert L. "Passion and Theater." In Fruits of the Cross. University of California Press, 2018. http://dx.doi.org/10.1525/california/9780520297579.003.0004.

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In ways even beyond France’s Louis XIV, the Habsburgs projected themselves via music theater, including sacred works. The sepolcri took place in a highly ritualized series of events during Holy Week, including liturgy, processions, and reenactments of Passion events, across Vienna as well as in the court chapels. Their origin can be linked to a wider Italian tradition of Passion theater, including deposition drama and laments over the dead Christ. Pieces were staged on both Holy Thursday and Good Friday, while normally new works were created each year for each day. In Viennese performances, both the architectonic conditions of the chapels, plus Ludovico Burnacini’s set designs (traceable from about 1670 onward) contributed to the perception of texts and the production of meaning. In this, the staged emblematics present in image and text also contributed to penance and recollection. The chapter closes with a consideration of a sepolcro, La Gara della Misericordia e la Giustizia, which reworks the medieval trope of the “contest between divine mercy and justice” in a way that would have had special resonance for its primary audience, the dowager empress, in whose chapel it was performed on Holy Thursday 1661.
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Kendrick, Robert L. "The Power of the Cross." In Fruits of the Cross. University of California Press, 2018. http://dx.doi.org/10.1525/california/9780520297579.003.0008.

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One reuse of a sepolcro in the mid-twentieth century was Bruno Maderna and Luigi Nono’s rediscovery of a 1705 work, an adaptation performed in 1950. This was the last piece that Leopold I would have heard before his death in 1705. The book concludes by revisiting the sepolcro with which it had opened, the 1697 La Virtù della Croce, a piece that moves in the direction of an individual ars moriendi.
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"Dai sepolcri agli altari." In Santuari e spazi confessionali nell’Italia tardoantica. Archaeopress Publishing Ltd, 2021. http://dx.doi.org/10.2307/j.ctv1r2xx9j.12.

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White, Harry. "The Sepolcro Oratorios of Fux: An Assessment." In Johann Joseph Fux and the music of the Austro-Italian Baroque. Routledge, 2017. http://dx.doi.org/10.4324/9781315092287-10.

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Viladesau, Richard. "The Aesthetic Mediation." In The Folly of the Cross. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190876005.003.0003.

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New texts and styles predominated in the period following Bach’s settings of the passion. In Protestant church music, more poetic and operatic settings became common, with more emotional stress. Roman Catholic passion music centered on the genre of the sepolcro, with meditations on the reactions of Jesus’ disciples to his suffering and death. The Romantic period produced only a few great works centered on the passion.
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"Index of Sepolcri by Short Title." In Fruits of the Cross. University of California Press, 2019. http://dx.doi.org/10.1525/9780520969872-017.

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Kendrick, Robert L. "Introduction." In Fruits of the Cross. University of California Press, 2018. http://dx.doi.org/10.1525/california/9780520297579.003.0003.

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The introduction uses the opening of a 1697 sepolcro, La Virtù della Croce, to introduce the thematics, dramatic means, performance situations, and visual images typical of the genre. It also explains the relationship of the main court figures to Passion devotion, and it sets out questions to be answered in later chapters about the role of allegorical characters in the dramas, the centrality of musical projection, and the dynasty’s investment—real and figurative—in multimedia penitential spectacle.
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Conference papers on the topic "Sepolkro"

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Zawisza, Slawomir, Piotr Prus, and Olga Herman. "Selected aspects of developing and protecting the landscape of Sepolno Krajenskie commune." In 20th International Scientific Conference "Economic Science for Rural Development 2019". Latvia University of Life Sciences and Technologies. Faculty of Economics and Social Development, 2019. http://dx.doi.org/10.22616/esrd.2019.083.

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