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Journal articles on the topic 'Sepolkro'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

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1

Foscolo, Ugo. "Dei Sepolcri." Translation and Literature 4, no. 1 (1995): 76–91. http://dx.doi.org/10.3366/tal.1995.4.1.76.

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2

Foscolo, Ugo. "Dei Sepolcri." Translation and Literature 4, Part_1 (1995): 76–91. http://dx.doi.org/10.3366/tal.1995.4.part_1.76.

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3

Ferchiou, Naidè. "Le Mausolée de Q. Apuleus Maxssimus à El Amrouni." Papers of the British School at Rome 57 (November 1989): 47–76. http://dx.doi.org/10.1017/s0068246200009089.

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IL MAUSOLEO DI Q. APULEUS MAXSSIMUS A EL AMROUNIIl mausoleo di El Amrouni (Tunisia), nel mostrare associati elementi pertinenti ad ambiti culturali tra loro differenti, fornisce una testimonianza di grande interesse per la conoscenza della “civilizzazione del limes”. Il proprietario del sepolcro e la sua famiglia, di origine indigena, sono ricordati in due iscrizioni: una in latino, l'altra in neopunico. Il monumento, in forma di torre, presenta grandi bassorilievi con scene mitologiche di ispirazione greco-latina piuttosto che non semitica od orientale (Orfeo con animali selvaggi; Orfeo agli

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4

Lentz, Gleiton. "Dei Sepolcri/Os Sepulcros." Alea : Estudos Neolatinos 11, no. 2 (2009): 361–81. http://dx.doi.org/10.1590/s1517-106x2009000200013.

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5

Boccazzi, Gaudenzio. "L’Itinerario al Santo Sepolcro di Antonio da Crema." Studia Orientalia Christiana 25 (January 1995): 69–88. http://dx.doi.org/10.1484/j.socc.3.195.

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6

Garbarino, O. "Il Santo Sepolcro di Gerusalemme. Appunti di ricerca storico-architettonica." Liber Annuus 55 (January 2005): 239–314. http://dx.doi.org/10.1484/j.la.2.303620.

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7

Foletti, Ivan. "Germigny-des-Prés, il Santo Sepolcro е la Gerusalemme Celeste". Convivium 1, № 1 (2014): 32–49. http://dx.doi.org/10.1484/j.convi.5.103402.

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8

Dziuba, Andrzej F. "Valter GUADAGNO, Cavalieri del Sepolcro. Storia e significati della milizia nell’ordine equestre del santo sepolcro di Gerusalemme, Edizioni Settimo Sigllo, Manocalzati 2017, ss. 302." Collectanea Theologica 88, no. 4 (2019): 238–42. http://dx.doi.org/10.21697/ct.2018.88.4.15.

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9

Brose, Margaret. "The politics of mourning in Foscolo'sdei sepolcri." European Romantic Review 9, no. 1 (1998): 1–34. http://dx.doi.org/10.1080/10509589808570037.

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10

Prominczel, Johannes. "Die so genannten Sepolcri von Marc'Antonio Ziani." Musicologica Brunensia 49, no. 1 (2014): 61–72. http://dx.doi.org/10.5817/mb2014-1-5.

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11

Beseran, Pere. "Dalla vetrata al sepolcro: iconografia francescana in Catalogna (secoli XIII-XIV)." IKON 3 (January 2010): 71–80. http://dx.doi.org/10.1484/j.ikon.3.67.

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12

Coarelli, Filippo. "P. Faianius Plebeius, Forum Novum and Tacitus." Papers of the British School at Rome 73 (November 2005): 85–98. http://dx.doi.org/10.1017/s0068246200002981.

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P. FAIANIUS PLEBEIUS, FORUM NOVUM E TACITOUn'iscrizionedi Forum Novum(CILIX 4786) menziona l'attività evergetica di un P. Faianius Plebeius, personaggio eminente e magistrato del municipio all'inizio dell'impero. Si tratta esclusivamente di opere idrauliche (un acquedotto, fontane), in gran parte realizzate a spese di Faianius, utilizzando l'acqua di sorgenti di sua proprietà. Il percorso dell'acquedotto, in parte conservato, permette di identificare il sito di queste sorgenti e il fundus relativo, di cui fanno parte una villa e un grande sepolcro ad esedra. La rarità del gentilizio e una seri

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13

Piemontese, Angelo Michele. "I Sepolcri Antichi Repertoriati Nella Cosmografia di Hamadāni." Oriente Moderno 85, no. 2-3 (2005): 523–35. http://dx.doi.org/10.1163/22138617-0850203019.

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14

Marangon, Giorgia. "L'imagination de Jacques Delille: antecedente de I Sepolcri de Ugo Foscolo." Philologia Hispalensis 1, no. 20 (2006): 1–15. http://dx.doi.org/10.12795/ph.2006.v20.i01.01.

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15

Lindon, John. "Englishing Foscolo's Sepolcri (with a bicentenary translation)." Italianist 28, no. 1 (2008): 162–76. http://dx.doi.org/10.1179/026143408784670613.

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16

Michl, Jakub. "Musical Events at the Prague Convent of Elizabethan Nuns in 1776." Musicalia 8, no. 1-2 (2016): 139–48. http://dx.doi.org/10.1515/muscz-2017-0006.

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Abstract In 1776, the convent of Elizabethan Nuns in Prague’s New Town was commemorating the fiftieth anniversary of two events: the profession of the former Mother Superior M. Deodata a Presentatione B. V. Mariae OSE (née Anna Justina von Klausniz) and the laying of the foundation stone of the convent building. The celebrations of this dual anniversary were also reflected in the institution’s musical life. There was a performance at the convent of a congratulatory cantata with a libretto by the ex-Jesuit Rochus Elinger, and music was composed for it by the local choirmaster M. Juliana a Septe

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17

Marangon, Giorgia. "The elegy written in a country churchyard de Thomas Gray en los Sepolcri de Foscolo a través de las traducciones de M. Cesarotti y G. Torelli." TRANS. Revista de Traductología, no. 10 (October 25, 2016): 137. http://dx.doi.org/10.24310/trans.2006.v0i10.1091.

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En este artículo se analizan las influencias que han tenido las traducciones italianas de M. Cesarotti y G. Torelli de la Elegy written in a Country Churchyard de Thomas Gray sobre el poema I Sepolcri de Ugo Foscolo. Un atento análisis temático y textual de la obra original de Gray y de las versiones traducidas de la misma con el “Carme” del poeta italiano pone de manifiesto la, a veces sorprendente, influencia de las temáticas sepulcrales tratadas por el inglés en la literatura y poesía no sólo italiana sino europea.

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18

Gorni, Guglielmo. "Armi « in forma di trofeo » sul sepolcro di Clorinda (Gerusalemme Liberata XII 94-95)." Italique, no. IV (December 1, 2001): 103–21. http://dx.doi.org/10.4000/italique.180.

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19

Bertolotti, Costanza. "Le rovine della Repubblica. Reportage, veduta e religione dei sepolcri." Mélanges de l'École française de Rome. Italie et Méditerranée, no. 130-1 (January 1, 2018): 97–104. http://dx.doi.org/10.4000/mefrim.3653.

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20

Zanini, Paolo. "La Milizia di Terra Santa dell'estate 1948." MONDO CONTEMPORANEO, no. 1 (July 2012): 67–89. http://dx.doi.org/10.3280/mon2012-001003.

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Il saggio ricostruisce la vicenda della Milizia di Terra Santa, svoltasi a margine della prima guerra arabo-israeliana nell'estate 1948. Di fronte ai pericoli che incombevano sui Luoghi santi di Gerusalemme, in alcuni ambienti cattolici sorse l'idea di inviare una spedizione di volontari cristiani a difesa dei santuari. Tutte le proposte in tal senso, avanzate dall'Ordine di Malta, dai Cavalieri del Santo Sepolcro e dalla delegazione romana di Terra Santa, fallirono e nessuna delle progettate spedizioni ebbe un'attuazione pratica. Ciň nonostante, questi episodi, e in particolare quello della M

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21

Banker, James R. "The Program for the Sassetta Altarpiece in the Church of S. Francesco in Borgo S. Sepolcro." I Tatti Studies in the Italian Renaissance 4 (January 1991): 11–58. http://dx.doi.org/10.2307/4603669.

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22

Priotto, Michelangelo. "L’itinerario geografico-teologico di Abramo. II: Dalle Querce di Mamre al sepolcro di Macpela (Gn 14,1–25,18)." Liber Annuus 68 (January 2018): 9–33. http://dx.doi.org/10.1484/j.la.4.2019031.

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23

Rosenberg, Charles M. "Reviews of Books:The Culture of San Sepolcro during the Youth of Piero della Francesca James R. Banker." American Historical Review 109, no. 1 (2004): 273–74. http://dx.doi.org/10.1086/530303.

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24

Freeman-Grenville, G. S. P. "The Basilica of the Holy Sepulchre Jerusalem: History and Future." Journal of the Royal Asiatic Society of Great Britain & Ireland 119, no. 2 (1987): 187–207. http://dx.doi.org/10.1017/s0035869x00140614.

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In 1972 Fr Charles Coüasnon, O.P., gave the Schweich Lectures to the British Academy on this subject. As consultant architect to the restoration work he seemed well qualified to do so. But work continued until 1980, and it was not until 1982 that Fr Virgilio Corbo, O.F.M., published a definitive account of the work, Il Santo Sepolcro di Gerusalemme, in three handsome volumes. I did not succeed in obtaining a copy until 1984. Thus it was not surprising that Canon Ronald Brownrigg's Come, See the Place: the ideal companion for all travellers to the Holy Land, 1985, still treats Fr Couasnon as ha

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25

Masini, Nicola, Raffaele Persico, Enzo Rizzo, et al. "Integrated techniques for analysis and monitoring of historical monuments: the case of San Giovanni al Sepolcro in Brindisi, southern Italy." Near Surface Geophysics 8, no. 5 (2010): 423–32. http://dx.doi.org/10.3997/1873-0604.2010012.

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26

Moore, Kathryn Blair. "The Disappearance of an Author and the Emergence of a Genre: Niccolò da Poggibonsi and Pilgrimage Guidebooks between Manuscript and Print*." Renaissance Quarterly 66, no. 2 (2013): 357–411. http://dx.doi.org/10.1086/671582.

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While the anonymous Viaggio da Venetia al Sancto Sepolchro et al Monte Sinai, first published in Venice in 1518, was the most popular Holy Land guidebook in Renaissance Italy, the historical origins of the book have never been fully understood. From four illustrated versions of an earlier manuscript guide, the Libro d’Oltramare (1346–50), one can hypothesize about both the text and its author. The ultimate prototype for the Viaggio da Venetia was very likely one or more of these illustrated manuscripts, and the original author of both the text and illustrations was the Franciscan pilgrim Nicco

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27

Bodner, Neta B. "Why are there Two Medieval Copies of the Holy Sepulcher in Pisa? A Comparative Analysis of San Sepolcro and the Baptistery." Viator 48, no. 3 (2017): 103–24. http://dx.doi.org/10.1484/j.viator.5.116350.

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28

Holes, C. "Arabian Gulf hiyya biyya, Jewish Babylonian farfisa, Christian Sicilian sepolcri: Popular Customs with a Common Origin?" Journal of Semitic Studies 49, no. 2 (2004): 275–87. http://dx.doi.org/10.1093/jss/49.2.275.

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29

Stefaniak, Regina. "Replicating Mysteries of the Passion: Rosso's Dead Christ with Angels." Renaissance Quarterly 45, no. 4 (1992): 677–738. http://dx.doi.org/10.2307/2862634.

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During his sojourn in Rome from 1524 to 1527, Rosso painted a panel of a dead Christ with angels for his friend Leonardo Tornabuoni, bishop of Borgo San Sepolcro. Vasari saw the painting in the house of Giovanni della Casa at mid-century, but subsequently it was lost from general sight until the 1950s, when it was acquired by the Boston Museum of Fine Arts (Fig. 1). The panel has been assessed by art historians as one of signal importance, at once a high water mark in Rosso's own work and masterpiece of the early Roman maniera, a painting remarkable for its great beauty and artfulness, compose

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30

DI COSMO, Antonio Pio. "Le vesti e la nudità del sovrano che si consegna al sepolcro. La monarchia di Sicilia e le strategie d'approccio alla cesura dell'evento morte." Medievalismo, no. 29 (December 18, 2019): 97–139. http://dx.doi.org/10.6018/medievalismo.406841.

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El documento analiza el papel desempeñado por los status symbols en el funeral de los reyes de Sicilia. Esta investigación aplica el conocimiento arqueológico, antropológico y histórico, para contar la acción de la corte siciliana, que resuelve las cuestiones sobre los problemas de representación del funeral real. De esta forma, se evalúan las estrategias de comunicación orientadas al timor reventiae, que configuran las costumbres funerarias de los soberanos de Sicilia. Por lo tanto, se abre un nuevo horizonte de investigación para la fenomenología del dolor. This contribution analyses the rol

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31

Freemanová, Michaela. "Three points of a triangle : Italian, Latin and German oratorios and sepolcros in the early 18th century Central Europe." Musicologica Brunensia 49, no. 1 (2014): 175–87. http://dx.doi.org/10.5817/mb2014-1-11.

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32

Cooper, Donal. "‘Qui Perusii in archa saxea tumulatus’: the shrine of Beato Egidio in San Francesco al Prato, Perugia." Papers of the British School at Rome 69 (November 2001): 223–44. http://dx.doi.org/10.1017/s0068246200001811.

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‘QUI PERUSII IN ARCHA SAXEA TUMULATUS’: LA TOMBA DEL BEATO EGIDIO NELLA CHIESA DI SAN FRANCESCO AL PRATO, PERUGIAL'autore presenta una nuova ricostruzione della tomba del Beato Egidio (†1262), il terzo compagno di San Francesco ed una delle figure più importanti della prima storia francescana. La tomba di Egidio a San Francesco al Prato, Perugia, ha acquisito una notevole considerazione nello studio del primo patrocinio francescano grazie sia all'uso di un sarcofago paleocristiano che all'indiscutibile influenza di quest'arca sulla pala d'altare dipinta su entrambi i lati per la chiesa dal Mae

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33

Nevola, Fabrizio. "Machtelt Israëls, ed. Sassetta: The Borgo San Sepolcro Altarpiece. 2 vols. Florence: Villa I Tatti, 2009. 624 pp. index. illus. bibl. $1.0. ISBN: 978–0–674–03523–2." Renaissance Quarterly 63, no. 2 (2010): 589–91. http://dx.doi.org/10.1086/655262.

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34

Dziuba, Andrzej F. "Apostolstwo i solidarność : Zakon Rycerski Grobu Bożego w Jerozolimie." Prawo Kanoniczne 39, no. 3-4 (1996): 199–214. http://dx.doi.org/10.21697/pk.1996.39.3-4.07.

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L’Ordine di antica origine, costituito, riordinato, ampliato ed arricchito di privilegi dai Sommi Pontefici. Rioganizzato da Pio IX (1847 e 1868) e da Leone XIII (1888); San Pio X (1907) riservo al Sommo Pontefice il Gran Magistero, e Pio XI uni ad esso L’Opera della Preservazione della Fede in Palestine. Successivamente Pio XII (1940) diede all’Ordine un Cardinale come „Patrono”; il 14 sett. 1949 istitui un Cardinale come „Gran Maestro dell’Ordine”, affidandogli il governo del medesimo, e fïssando la Sede centrale dell’Ordine Equestre in Roma, mentre la sede storica è a Gerusalemme. Giovanni

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35

Perutková, Jana. "Oratorios performed at the holy sepulchre in the Bohemian lands and Austria in the 18th century (Part I) : methodological questions on the sepolcro in the period of ca. 1700–1760." Musicologica Brunensia, no. 1 (2018): 79–96. http://dx.doi.org/10.5817/mb2018-1-6.

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36

Wilkinson, John. "Il Santo Sepolcro di Gerusalemme. 3 vols. By Virgilio C. Corbo. 21·5 × 28 cm. Pp. 235, 68 plans + 208 pls. Jerusalem: Studium Biblicum Franciscanum (Collectio Major, 29), 1983. $184·00." Antiquaries Journal 65, no. 1 (1985): 183. http://dx.doi.org/10.1017/s0003581500025105.

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37

Kent, Dale. "The Culture of San Sepolcro during the Youth of Piero della Francesca. By James R. Banker. Studies in Medieval and Early Modern Civilization. Edited by, Marvin B. Becker. Ann Arbor: University of Michigan Press, 2003. Pp. x+277. $62.50." Journal of Modern History 77, no. 2 (2005): 449–51. http://dx.doi.org/10.1086/431851.

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38

Perutková, Jana. "Oratorios performed at the Holy sepulchre in the Bohemian Lands and Austria in the 18th century (part II) : on the issue of transferring sepolcri and the possibilities of their semi-staged or staged performance." Musicologica Brunensia, Supplementum (2018): 339–53. http://dx.doi.org/10.5817/mb2018-s-23.

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39

Junkelmann, Marcus. "Gladiators in action: recent works on practical aspects of gladiatorial combat - DARIO BATTAGLIA, RETIARIUS VS. SECUTOR ET SCISSOR: RICOSTRUZIONE EMPIRICA DELLE TECNICHE DI COMBATTIMENTO E DEGLI ARMAMENTI (Collana Ars Dimicandi “Così combattevano i gladiatori”; Ars Dimicandi Edizioni, Bergamo2002). Pp. 205, 6 photos, 169 figs. ISBN 978-88-90880-01. EUR. 14.90. - ÉRIC TEYSSIER and BRICE LOPEZ, GLADIATEURS. DES SOURCES À L'EXPÉRIMENTATION (Editions Errance, Paris2005). Pp. 156, 194 photos with 181 in colour, 12 figs. with 3 in colour. ISBN 2-87772-315-1. EUR. 29.00. - SUSANNA SHADRAKE, THE WORLD OF THE GLADIATOR (Tempus, Stroud2005). Pp. 256, 118 photos with 34 in colour, 39 figs., 3 maps. ISBN 0-7524-3442-X. £17.99. - ÉRIC TEYSSIER, LA MORT EN FACE. LE DOSSIER GLADIATEURS (Actes Sud; Errance, Arles2009). p. 537, 132 photos, 81 figs. ISBN 978-2-7427-8059-4. EUR. 33. - DARIO BATTAGLIA and LUCA VENTURA, DE REBUS GLADIATORIIS. DAL GYMNASION AL LUDUS ATTRAVERSO I SEPOLCRI (Associazione Ars Dimicandi; Rovello Porro [Co]2010) .Pp. 317, 94 photos, 227 figs., 5 “tavole tecniche”. ISBN 978-88-90880-1-8. EUR. 45." Journal of Roman Archaeology 23 (2010): 510–32. http://dx.doi.org/10.1017/s1047759400002658.

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40

Cordano, Federica. "Liside pitagorico, sepolto a Tebe." Gaia, no. 21 (November 1, 2018). http://dx.doi.org/10.4000/gaia.415.

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41

Cavassa, Laetitia, Bastien Lemaire, Guilhem Chapelin, Aline Lacombe, John-Marc Piffeteau, and Giuseppina Stelo. "Pompéi. L’atelier de potier de la via dei Sepolcri, 29." Chronique des activités archéologiques de l’École française de Rome, March 6, 2014. http://dx.doi.org/10.4000/cefr.1139.

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42

Cavassa, Laetitia, Bastien Lemaire, Guilhem Chapelin, and Aline Lacombe. "Pompéi. L’atelier de potier de la via dei Sepolcri, 28-30." Chronique des activités archéologiques de l’École française de Rome, January 21, 2015. http://dx.doi.org/10.4000/cefr.1279.

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43

Grifa, Celestino, Chiara Germinario, Alberto De Bonis, et al. "Archaeometric data from the Via dei Sepolcri ceramic workshop in Pompeii (Southern Italy)." Data in Brief, December 2020, 106706. http://dx.doi.org/10.1016/j.dib.2020.106706.

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44

D’Andrea, Francesca. "Il sepolcro del liberto Epaphroditus: una proposta di identificazione e nuovi spunti di riflessione sugli horti dell’Esquilino sud-orientale." Mélanges de l'École française de Rome. Antiquité, no. 130-1 (January 1, 2018). http://dx.doi.org/10.4000/mefra.4782.

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45

Vitolo, Paola. "Conventus iste fundatricis reginae tumulo non parum illustratur. Il sepolcro di Eleonora d’Angiò nella chiesa di San Francesco a Catania." Mélanges de l'École française de Rome. Moyen Âge, no. 129-2 (January 1, 2017). http://dx.doi.org/10.4000/mefrm.3651.

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46

Simoni, Karine. "Bruni, Arnaldo. Foscolo traduttore e poeta. Da Omero ai SepolcriDOI: 10.5007/2175-7968.2010v1n25p223." Cadernos de Tradução 1, no. 25 (2010). http://dx.doi.org/10.5007/2175-7968.2010v1n25p223.

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47

Nicolini, Lara. "Le nozze interrotte: il mito come exemplum e un problema testuale sepolto in Apuleio, met. 4.26.8." Philologus 160, no. 2 (2016). http://dx.doi.org/10.1515/phil-2016-5013.

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48

Dabell, Frank. "Frank Dabell. Review of "Piero della Francesca" by Marilyn Aronberg Lavin and "The Culture of San Sepolcro during the Youth of Piero della Francesca" by James K. Banker." caa.reviews, November 28, 2006. http://dx.doi.org/10.3202/caa.reviews.2006.125.

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49

Tufano, Luigi. "Linguaggi politici e rappresentazioni del potere nella nobiltà regnicola tra Trecento e Quattrocento : il mausoleo di Sergianni Caracciolo in S. Giovanni a Carbonara e i caratteri trionfalistici del sepolcro nobiliare." Mélanges de l’École française de Rome - Moyen Âge, no. 127-1 (February 2, 2015). http://dx.doi.org/10.4000/mefrm.2519.

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50

"James R. Banker. The Culture of San Sepolcro during the Youth of Piero della Francesca. (Studies in Medieval and Early Modern Civilization.) Ann Arbor: University of Michigan Press. 2003. Pp. x, 277. $62.50." American Historical Review, February 2004. http://dx.doi.org/10.1086/ahr/109.1.273.

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