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Relevant bibliographies by topics / Serbian Historical drama

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Academic literature on the topic 'Serbian Historical drama'

Author: Grafiati

Published: 4 June 2021

Last updated: 28 July 2025

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Journal articles on the topic "Serbian Historical drama"

1

Pejčić, Aleksandar. "The dramas of Manojlo Đorđević Prizrenac on the Serbian stage." Zbornik radova Filozofskog fakulteta u Pristini 54, no. 2 (2024): 113–32. http://dx.doi.org/10.5937/zrffp54-50364.

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The paper interprets and evaluates the dramas performed by Manojlo Đorđević Prizrenac: Slobodarka, Zlatna grivna, and Jasmina and Irena. The first part of the paper focuses on the key poetic, dramaturgical, and genre features of these dramas, demonstrating that Prizrenac was a good playwright who mastered this demanding form very early on. The dominant meaning layers of each drama were interpreted separately (action, plot, space, and conception of characters) from a structural, semiological, and cultural point of view. The final part of the paper examines the reception of criticism as well as

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2

Bulat, Snežana R., and Nebojša M. Kartalija. "LIK KRALjICE JAKVINTE U ISTORIJI I DRAMSKIM OSTVARENjIMA JOVANA SUBOTIĆA." Nasledje Kragujevac XIX, no. 52 (2022): 311–26. http://dx.doi.org/10.46793/naskg2252.311b.

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The opposition during the creation of the characters of a wife of a ruler from the Kingdom of Duklja, appears in many Serbian historical dramas. At one side stands Kosara, a loyal wife of king Vladimir, a true heroine, and on the other, Jakvinta, the wife of king Bodin, taken to the edge of hell by various playwrights. The primary subject of this paper is the portrayal of Queen Jakvinta’s character in historical writings and in Jovan Subotić’s dramas. The impact of historical writings on the drama biography of Queen Jakvinta will be determined. Research attention will be paid to the transforma

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3

Vasić Rakočević, Branislava V. "RADOMIR KONSTANTINOVIĆ AND RADIO DRAMA." Folia linguistica et litteraria XII, no. 34 (2021): 139–47. http://dx.doi.org/10.31902/fll.34.2021.8.

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This paper begins with an overview of literary work of Radomir Konstantinović. The experimental character of his novels demonstrates the specificity of his literary modus operandi, as a unique phenomenon in Serbian literary scene during the fifth decade of the 20th century. His work will mark a turning point in the transition from modernism to postmodernism. His radio dramas, as well, represent a very specific part of his work mostly due to historical position of this genre. Since his radio dramas are first fully published in 2019. this paper traces a path for further research in this area.

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4

Mosusova, Nadezda. "The wedding and death of Milos Obilic: From The Fairy’s veil to The Fatherland." Muzikologija, no. 25 (2018): 119–31. http://dx.doi.org/10.2298/muz1825119m.

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The prominent Serbian and Yugoslav composer Petar Konjovic (1883-1970) wrote five operas between 1900 and 1960. Konjovic?s operatic opus represents his homeland and his spiritual spectrum: in the first place, indelible memories of his childhood and youth focused on the Serbian National Theatre in Novi Sad, in particular its heroic repertoire of Serbian literature. Consequently, three out of five of Konjovic?s music dramas are derived from Serbian epic and theatre plays. In addition to Ivo Vojnovic?s Death of the Jugovic Mother, these are Dragutin Ilic?s Wedding ofMilos Obilic and Laza Kostic?s

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5

Abrasowicz, Gabriela. "Dziecięce odgrywanie traumy we współczesnym teatrze serbskim." Miscellanea Posttotalitariana Wratislaviensia 6 (October 10, 2017): 93–105. http://dx.doi.org/10.19195/2353-8546.6.8.

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Children’s traumatic enactment in contemporary Serbian theatreThe problem of traumatic codes in post-Yugoslav theater is increasingly attracting attention of many researches. Dramas written by Serbian authors: Biljana Srbljanović, Milan Marković and Tanja Šljivar depict the historical background and tragedies from children’s point of view. The youngest citizens, the voices of the traumatized culture, participate in the process of re-enacting incriminating events through inoffensive plays and games.This article considers idiosyncrasies of representation of trauma in Serbian theater and drama th

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6

Mosusova, Nadezda. "Prince of zeta by Petar Konjovic: Opera in five/four acts on the 125th anniversary of the composer's birth." Muzikologija, no. 8 (2008): 151–63. http://dx.doi.org/10.2298/muz0808151m.

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Petar Konjovic (Curug, May 5, 1883 - Belgrade, October 1, 1970) stands out among Serbian composers as an author of instrumental and vocal compositions. Studies at the Prague Conservatory (1904-1906) acquainted Konjovic with Czech music, Wagner's opus, and the Russian national-romantic school, which contributed to the evolution of his talent for both music and stage, enabling him to express his ideas more explicitly in operatic works. It was in the Prague that the second opera - Prince of Zeta - was conceived, with new musical vividness and dramatic appeal (first version composed 1906-1926, the

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7

Vasic, Aleksandar. "The beginnings of Serbian music historiography: Serbian music periodicals between the world wars." Muzikologija, no. 12 (2012): 143–64. http://dx.doi.org/10.2298/muz120227007v.

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The transition of the 19th into the 20th century in Serbian music history was a period of music criticism, journalism and essay writing. At that time, Serbian musicology had not yet been developed as an academic discipline. After WWI there were many more academic writings on this subject; therefore, the interwar period represents the beginning of Serbian music historiography. This paper analyses Serbian interwar music magazines as source material for the history of Serbian musicology. The following music magazines were published in Belgrade at the time: Muzicki glasnik (Music Herald, 1922), Mu

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8

Vasin, Goran. "Serbs in the Centre of the Hungarian State: The Diocese of Buda in the long Nineteenth Century." Central-European Studies 2021, no. 4(13) (2021): 115–30. http://dx.doi.org/10.31168/2619-0877.2021.4.5.

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The nineteenth century history of the Buda Diocese, one of the most important administrative-territorial units of the Serbian Orthodox Karlovci Metropolis, was filled with turbulent and dynamic events, as was that of the Serbs within the Habsburg monarchy. Since the diocese was located in the very centre of the Hungarian part of the empire, its position was difficult and significantly affected by events taking place on the central political stage of the country. The number of Serbs living on the territory of the monarchy was not large, which limited their opportunities and available resources.

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9

Peno, Vesna. "Word and melody in the opus of Momcilo and Svetomir Nastasijevic." Muzikologija, no. 15 (2013): 91–104. http://dx.doi.org/10.2298/muz1315091p.

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In the house of artistically gifted family Nastasijevic where renowned Belgrade artists used to gather together during the twenties and thirties of the previous century, music was nothing but an excuse for regular meetings. The art of sound represented a backbone of one system of poetics in the shaping of which Nastasijevic brothers as well as their close contemporaries and faithful friends truly found the common ground. Rethinking the music phenomenon brought them close to their otherwise remote relatives by thought - to Greek philosophers, but also to French and especially Russian symbolists

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10

Yarmak, V. "ADDITIONAL MEANS OF ENHANCING THE EXPRESSIVENESS OF PRETERIT VERB FORMS IN THE SERBIAN LITERARY DISCOURSE." Comparative studies of Slavic languages and literatures. In memory of Academician Leonid Bulakhovsky, no. 35 (2019): 153–61. http://dx.doi.org/10.17721/2075-437x.2019.35.16.

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The article deals with an outstanding role of secondary means of enhancing the stylistic expressiveness of preterit verb forms in the Serbian literary discourse on a large diachronic cut, which, along with explicit means, enrich their figurative potential. Such factors include the negative particle не; the negative amplifying particle ни; the particles ено, ето, год, ала; the conjunction junction и; the adverb баш; the preterit forms based on verbs with prefixes or polyprefixed verbs etc. Not only semantic and formal peculiarities of tense verb forms, but also their morphologic and word-format

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Books on the topic "Serbian Historical drama"

1

Ljubinković, Nenad. Nastajanje nove srpske države: Zbornik radova sa naučnog skupa i povodom njega. Institut za književnost i umetnost Skupštine opštine Velika Plana, 2000.

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2

Batakovic, Dusan T. Serbia's Kosovo Drama: A historical perspective. Cigoja, 2012.

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Conference papers on the topic "Serbian Historical drama"

1

Marić, Ana. "Utemeljivački mitovi u slovačkoj i srpskoj drami." In Současná česká a srbská slavistická bádání. Masaryk University Press, 2025. https://doi.org/10.5817/cz.muni.p280-0684-2024-17.

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The paper focuses on the analysis of dramatic texts on historical themes that deal with the so-called founding myths of the Slovak and Serbian people. Mytho-motorics or mythologization represents the creation of myths based on historical facts (with minor or drastic deviations) in order to establish the image that a community has of itself and defining it’s values. It serves to create a fixed image that is transmitted from generation to generation and creates national identity in collective memory. This image is subject to transformation, because it is subject to reexamination in each subseque

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