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Dissertations / Theses on the topic 'Sergei Prokofiev'

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Published: 4 June 2021
Last updated: 30 January 2023

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1

Howell, Chelsea Gayle. "Multidisciplinary performance issues in Sergei Prokofiev's Trapèze." Diss., Restricted to subscribing institutions, 2007. http://proquest.umi.com/pqdweb?did=1459902831&sid=1&Fmt=2&clientId=1564&RQT=309&VName=PQD.

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2

Orlov, Vladimir Sergeevich. "Soviet cantatas and oratorios by Sergei Prokofiev in their social and cultural context." Thesis, University of Cambridge, 2011. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.609314.

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3

Wilson, Deborah Annette. "Prokofiev’s Romeo and Juliet: history of a compromise." The Ohio State University, 2003. http://rave.ohiolink.edu/etdc/view?acc_num=osu1061231843.

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4

Morrison, Simon. "Sergei Prokofiev's Semyon Kotko as a representative example of socialist realism." Thesis, McGill University, 1992. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=26048.

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Shortly after returning to Moscow in 1936, Prokofiev composed his first Soviet opera, Semyon Kotko (Opus 81). The libretto was taken from Valentin Kataev's novel I am a Son of the Working People, a tale of revolution and war in a small Ukrainian village and one that adheres to the tenets of Socialist Realism. Kataev encouraged Prokofiev to set this text in a highly conservative song style. Prokofiev was also influenced in the project by Vsevolod Meyerhold, an innovative artist who advocated using continuous declamation as a means of achieving "dramatic truth" in music.<br>This essay examines t
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5

Kim, Sooyoung. "Perspectives on the Symbiosis of Traditional and Modernist Techniques in Four Violin Compositions by Sergei Prokofiev." University of Cincinnati / OhioLINK, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1275918892.

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6

Erlanson, Ernst. "Varför spelar du som du gör? : En studie om relationen mellan interpretation och förklaringar." Thesis, Karlstads universitet, Institutionen för konstnärliga studier (from 2013), 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:kau:diva-75429.

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I föreliggande studie undersöks relationen mellan ”förklaringar” och musikalisk interpretation. Mer specifikt frågan varför jag spelar Prokofievs 6:e pianosonat på ett visst sätt. Alla interpreter gör olika val vid förberedelsen och framförandet av ett musikaliskt verk. Många av de valen handlar om tempo, dynamik, frasering men även andra musikaliska parametrar. Denna studie undersöker till vilken grad sådana val går att basera på analytiska ”förklaringar” rörande musikens struktur. Med hjälp av teoretiska perspektiv från Leonard Meyer och Karl Popper undersöker jag ett antal passager som delv
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Sologub, Olga. "Sergei Prokofiev's Piano Sonata No. 8, Op. 84 and Symphony No. 5, Op. 100 : Neo-Riemannian and Kholopovian perspectives." Thesis, University of Manchester, 2014. https://www.research.manchester.ac.uk/portal/en/theses/sergei-prokofievs-piano-sonata-no-8-op-84-and-symphony-no-5-op-100-neoriemannian-and-kholopovian-perspectives(1e3b29e4-2086-4f12-bd5b-ea02635bbccd).html.

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Sergei Prokofiev is among the ranks of early-twentieth century composers whose music endures in the concert hall and whose life has attracted much musicological research. Fewer studies, however, have undertaken an analytical investigation into his music, and the body of scholarly work on the musical theoretical issues raised by his compositions does not rival that exploring the music of such major contemporaries as Igor Stravinsky and Béla Bartók. Existing Anglo-American contributions to the field of Prokofiev theory have mostly employed the tools of common-practice musical analysis, many of t
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8

Guillaumier, Christina. "From piano to stage : a genealogy of musical ideas in the piano works of Sergei Prokofiev (1900-c.1920)." Thesis, University of St Andrews, 2010. http://hdl.handle.net/10023/6451.

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This thesis is a study of Prokofiev's musical ideas as they emerge in his early writing for piano. It is concerned with elucidating the connections between Prokofiev's pianistic technique and his compositional technique. In doing so, the study explores the genealogy of composer's musical gestures and thematic ideas. Both his playing and his compositional styles have been labelled as distinctive: the thesis attempts to deconstruct that distinctiveness by pinpointing the origins of the composer's playing and compositional styles, tracing their gradual evolution into a mature idiom. The first cha
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9

Roth, Emily Renee. "An examination of major works for concert band and chamber ensembles: Down a Country Lane by Aaron Copland, Two Pieces from Lieutenant Kije by Sergei Prokofiev, and Suite in B-flat by Richard Strauss." Kansas State University, 2015. http://hdl.handle.net/2097/19089.

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Master of Music<br>Department of Music, Theatre, and Dance<br>Frank C. Tracz<br>The following report is a detailed analysis on the following three pieces: Suite in B-flat by Richard Strauss for woodwind chamber ensemble, Two Pieces from Lieutenant Kije by Sergei Prokofiev for brass and percussion ensemble, and a finally Down a Country Lane by Aaron Copland for concert band. The goal of the analysis is to provide rehearsal information for educational purposes. Aspects of the compositions studied include: background information on the composer and composition, a historical perspective, technical
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10

Liu, Wenjing. "Prokofiev's Tales of old grandmother, Op. 31: a performance and pedagogical guide." Diss., University of Iowa, 2016. https://ir.uiowa.edu/etd/3132.

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Tales of Old Grandmother, Op. 31 by Prokofiev is based on a fairy tale theme. It can be considered as both a most valuable pedagogical piece for young students and as a piece for the concert repertoire. However, this piece was under-appreciated by most piano performers and piano pedagogues for many years, even though it was praised by several well-known composers and was often played by other pianists and Prokofiev himself. The main aim of this study is to promote the Tales so that they will be performed and taught more often. All of the complex harmonic language, unique unforgettable lyricism
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11

Moron, Nicolas. "Une incantation mise en musique : édition critique de "Sept, ils sont sept" de Serge Prokofiev." Thesis, Tours, 2011. http://www.theses.fr/2011TOUR2003.

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La partition de "Sept, ils sont sept" pour ténor solo, chœur et orchestre ayant été imprimée en Russie en 1922 sans l'accord du compositeur, la question de l'authenticité du texte musical de cette œuvre, méconnue et néanmoins l'une les plus chères à Prokofiev, est fondamentale. L'origine de l'incantation mésopotamienne transcrite par le poète Constantin Balmont, à partir de laquelle Prokofiev rédigea le texte mis en musique, a pu être retracée en confrontant les ouvrages du poète aux écrits du compositeur. Des liens ignorés jusqu'à présent ont ainsi pu être tissés, et les rôles successifs joué
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Neto, Maira Urbano. "Estudo comparativo entre edições da sonata OP.94 para flauta e piano de Sergei Prokofiev: subsídios para a escolha da edição e interpretação da peça." Universidade Federal de Minas Gerais, 2007. http://hdl.handle.net/1843/AAGS-7ZWMYH.

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Sergei Prokofiev's Sonata OP. 94, originally written for flute and piano, has been transcribed by the composer for violin and piano, soon after its premiere. The transcription had a strong influence over the subsequent editions of flute sonata. This article presents a comparative analysis of several editions of Sonata ( both for flute and piano and for violin and piano) in order to demonstrate and describe the differences and similarities between editions, as well as offer resources for well-infored choices regarding the edition and interpretations of this piece - a work of such relevance for
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13

Ruttle, Mark. "Aspects of a Late Style in Sergei Rachmaninoff's Variations on a Theme of Corelli, Op. 42: a Lecture Recital, together with Three Recitals of Selected Works of J. Brahms, L. v. Beethoven, F. Chopin, C. Debussy, Zoltan Kodaly, M. Moussorgsky, and S. Prokofiev." Thesis, University of North Texas, 1989. https://digital.library.unt.edu/ark:/67531/metadc330593/.

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This document identifies elements of a stylistic change which occurred in several of the pieces Rachmaninoff wrote during the last years of his life. These elements reflect a progressive trend in his music, which certainly maintained in spite of the change, its characteristic sound. The Variations on a Theme of Corelli, Op. 42 illustrate these new developments in their lean, angular unison sonorities, stripped of chordal padding and virtuosic display, in their percussive, staccato and incisive ostinato rhythmic figures, astringent chromatic harmony and modern air of detachment. The Rhapsody on
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14

Couch, Roy L. "Comparison and Contrast of Performance Practice for the Tuba in Igor Stravinsky's The Rite of Spring, Dmitri Shostakovich's Symphony No. 5 in D major, Op. 47, and Sergei Prokofiev's Symphony No. 5 in B flat major, Op. 100." Thesis, connect to online resource, 2006. http://www.unt.edu/etd/all/May2006/couch%5Froy%5Flee/index.htm.

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Thesis (D.M.A.)--University of North Texas, 2006.<br>System requirements: Adobe Acrobat Reader. Accompanied by 4 recitals, recorded June 25, 2001, Nov. 18, 2002, Mar. 21, 2005, and Feb. 20, 2006. Includes bibliographical references (p. 44-48).
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15

Assay, Eshghpour Michelle. "Hamlet in the Stalin Era and Beyond : Stage and Score." Thesis, Paris 4, 2017. http://www.theses.fr/2017PA040020.

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Hamlet a longtemps été une partie inséparable de l'identité nationale russe. Cependant, les mises en scène d’Hamlet en Union soviétique (surtout en Russie) durant l'époque de Staline présentèrent des problèmes spécifiques liés aux doctrines idéologiques imposées sur les arts et la culture en général ainsi qu’aux idées reçues concernant l’opinion personnelle de Staline envers de la tragédie. Les deux mises en scènes principales d’Hamlet en Russie au cours de cette période ont été celles réalisées par Nikolai Akimov (1932) et Sergei Radlov (1938). Un réexamen approfondi de ces mises en scène, en
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Albasini, Garaulet Olga. "Piano and memory : Strategies to memorize piano music." Thesis, Kungl. Musikhögskolan, Institutionen för klassisk musik, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-3331.

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This study was carried out in order to discover new strategies to memorize piano music. There are six different types of memory involved in performing: auditory, kinesthetic, visual, analytical, nominal and emotional. There are two main ways of practicing: playing practice and non-playing practice. I tried to find out if the order in which we use these two kinds of practice affects the quality of the memorization. During one week I practiced three different pieces following three different methods: 1 Using only playing practice; 2 using first playing practice and then non-playing practice; 3 u
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17

Ožana, Petr. "Sergej Prokofjev (klavírní dílo)." Master's thesis, Akademie múzických umění v Praze.Hudební a taneční fakulta. Knihovna, 2013. http://www.nusl.cz/ntk/nusl-177788.

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The base of this work is analysis of Prokofiev´s piano compositions. It isn´t a scientific work. It´s rather analysis of form, melody and harmony in context with his others piano works. At chapter about surroundings dislocation generation of piano concertos I am based on the author´s testation a with him I try to find his ideas right in this work. Also I introduce the poem wich is inspired by the conceptus of this work, was written by poet Balmont. At the last chapter I tout about a view on Prokofiev like friend pianist, colleague, composer by the eyes his contemporaries both his students and
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18

Dogaru, Gabriela. "À la mémoire de Serge Prokofieff : Francis Poulencs oboesonat jämförd med utdrag ur Prokofjevs musik." Thesis, Kungl. Musikhögskolan, Institutionen för klassisk musik, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-3967.

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À la mémoire de Serge Prokofieff står högst upp på första sidan av Oboesonaten, FP 185 av Francis Poulenc. Stycket komponerades år 1962 och är Poulencs sista komposition, som han aldrig har fått möjligheten att höra innan han dog samma år. Under åren har Poulenc tillägnat sina verk till många vänner och bekanta. Sitt sista verk tillägnar han sin vän som han beundrar väldigt mycket, dvs. Prokofjev. Detta är en vinkel som jag länge har velat fördjupa mig i. Under studieåren har många lärare dragit kopplingar mellan oboesonaten och vissa verk av Prokofjev, som t.ex. balet
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19

Rosík, Alexej. "Sergej Prokofjev a jeho komorní tvorba." Master's thesis, Akademie múzických umění v Praze. Hudební fakulta AMU. Knihovna, 2010. http://www.nusl.cz/ntk/nusl-79392.

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I was very interested in Sergej Prokofjev music when I had studied his Sonata for violin and piano D - major, op. 94.I make a short evalution of his life and publication in this work. In more details I decribe his chamber music work, Violin sonata D - major, op. 94 , orchestra and vocal pieces too. In conclusion I present the full list of his composition.
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20

Poldjaeva, Jelena. "Bibliographie zu Leben und Werk von Sergei Prokofjew." Universitätsbibliothek Leipzig, 2017. http://nbn-resolving.de/urn:nbn:de:bsz:15-qucosa-220814.

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21

Levický, Martin. "Sergej Prokofjev: Sonáty č.6, 7 a 8." Master's thesis, Akademie múzických umění v Praze. Hudební fakulta AMU. Knihovna, 2009. http://www.nusl.cz/ntk/nusl-79089.

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This work deals with Prokofievs piano sonatas from the WW II period. The introduction explains my chice of this topic and describes my relation to Prokofjevs works in general. The first chapter is a brief biography of Prokofjev, that focuses on his piano works. The main part of this work is dedicated to the analysis of the sonatas No. 6, 7 and 8. These compositions are being studied from three perspectives: the listener´s, the composer´s and the performer´s. In conclusion, this work mentions a famous interpretation by Sviatoslav Richter.
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22

Bartig, Kevin Michael Fauser Annegret. "Composing for the red screen Sergei Prokofiev's film music /." Chapel Hill, N.C. : University of North Carolina at Chapel Hill, 2008. http://dc.lib.unc.edu/u?/etd,2221.

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Thesis (Ph. D.)--University of North Carolina at Chapel Hill, 2008.<br>Title from electronic title page (viewed Jun. 26, 2009). "... in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Music." Discipline: Music; Department/School: Music.
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Morrison, Simon. "Sergei Prokofiev's «Semyon Kotko» as a Representative Example of Socialist Realism." Bärenreiter Verlag, 1998. https://slub.qucosa.de/id/qucosa%3A37150.

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24

Edqvist, Tove. "Sonatformens framväxt : ur analys av första satsen från Sergej Prokofjevs sonat för flöjt och piano." Thesis, Kungl. Musikhögskolan, Institutionen för klassisk musik, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-2590.

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25

Al-Ashhabová, Marie. "Klavírní koncerty S. Prokofjeva." Master's thesis, Akademie múzických umění v Praze.Hudební a taneční fakulta. Knihovna, 2014. http://www.nusl.cz/ntk/nusl-177889.

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This thesis focuses on the piano concertos by Sergei Prokofiev. It is aimed not only at the composer's works for piano and orchestra, but also at the life of this unique artist. It refers not only to the beauty and timelessness of these pieces, but also at the factors behing creating these piano concertos. The work is divided into five main chapters - each chapter includes a piano concerto. I add a brief biography of the composer for better orientation of the reader in a given topic at the beginning.
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26

Liu, Tzu-Yi. "An Analytical Perspective of the Developing Aesthetic Concepts in Sergey Prokofiev's Choses en soi, Op. 45." Thesis, University of North Texas, 2017. https://digital.library.unt.edu/ark:/67531/metadc1062899/.

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The purpose of this study is to analyze the compositional techniques in Choses en soi op.45, by Sergey Prokofiev, and to explore the new aesthetic concepts he claimed to include in this composition. Through the examination of the compositional elements and discussion of its salient characteristics.
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27

Kuklová, Eva. "Sergej Prokofjev a rozbor jeho Sonáty D dur pro flétnu a klavír č. 2." Master's thesis, Akademie múzických umění v Praze. Hudební fakulta AMU. Knihovna, 2007. http://www.nusl.cz/ntk/nusl-78685.

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This Master's thesis treatising of life and extensive work meaningful russia composer, Sergej Prokofjev. The first parts of work deal with his life, artistic progress, with his individual influance to artistic wordwide spheres and about his most advanced works too. For nearing Prokofjev's composer style I had choice Sonate for flute and piano n.2 in the second parts of the work.
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Godau, Isabel. "Kampen mot vanan : En undersökning om att förändra tekniskt inlärda vanor med hjälp av Sergej Prokofjevs andra violinkonsert." Thesis, Kungl. Musikhögskolan, Institutionen för klassisk musik, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-3435.

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Detta är en skriftlig undersökning och reflektion inom konstnärligt självständigt arbete på kandidatnivå. Syftet med undersökningen är att diskutera kring tekniskt invanda mönster, om det är möjligt att förändra dessa och i så fall hur dessa vanor kan förebyggas och åtgärdas. Som hjälpmedel för undersökningen används Sergej Prokofjevs andra violinkonsert i g-moll, i vilken det finns många tekniska svårigheter som hör ihop med de aspekter som behandlas. För att undersöka detta används olika metoder såsom förändringar i vardagen, olika övningssätt och mental träning. Det genomförs även en interv
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Tseng, Li-Han Eliza. "Sergey Prokofiev’s Complete Solo Cello Repertory: The Compositional History and Performance Guide." University of Cincinnati / OhioLINK, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1554213587575424.

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Cristão, Rui Pedro Mendes. "Sonata para violino e piano OP.94 bis de Sergey Prokofiev: história e análise comparativa com versão original." Master's thesis, Universidade de Évora, 2012. http://hdl.handle.net/10174/11792.

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Na realização do Mestrado em Música – Interpretação – Violino foi proposta a elaboração de um Trabalho de Projeto, no qual os alunos escolheriam o tema a abordar. O tema escolhido e que melhor define a opção para este trabalho é “Sonata para violino e piano op.94 bis de Sergey Prokofiev: história e análise comparativa com a versão original”. O seguinte trabalho centra-se na análise e comparação de duas sonatas: a sonata para flauta e piano e a sua transcrição para violino e piano, elaboradas pelo compositor russo, Sergey Prokofiev. Este documento inicia-se com um breve foco da vida e obra do c
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Petchenina, Ludmila. "Une expérience de mise en musique de la prose à travers les deux versions du "Joueur" de Serge Prokofiev." Paris 4, 2006. http://www.theses.fr/2006PA040127.

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La mise en musique des textes en prose devient une pratique courante dans le répertoire vocal du début du XXe siècle. Orienté sur le modèle d’un opéra dit « littéraire », Prokofiev a l’ambition de créer un drame musical moderne. Depuis les années 1910 il adopte une méthode originale fondée essentiellement sur le traitement musical des textes de sa plume élaborés à partir des sources littéraires en prose narrative. Ce choix suscite une question légitime portant sur le caractère de la dimension musicale de son œuvre lyrique dont la spécificité est déterminée par la présence d’un matériau qui, co
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Yan, Jishuang. "Prokofiev's Eclectic Approach in his Violin Concerto No. 2 in G Minor." Thesis, University of North Texas, 2019. https://digital.library.unt.edu/ark:/67531/metadc1505201/.

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Prokofiev had a specific approach to the modernist aesthetic that is worthy of a special study from a new perspective: eclecticism. There are two distinguishable views on his achievement in modern music. One is the Western version, which sees his eclectic approach as not innovative enough in comparison with modern composers such as Stravinsky. The other view is from the traditional Soviet approach, which holds Prokofiev in the highest esteem. These sources largely ignore Prokofiev's Paris and American periods. Such an oversimplification is likely to have reflected political circumstance. Neith
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Zora, Viktoria. "Sergei Prokofiev's Violin Sonatas Op. 80 and 94bis : a historical and comparative study of manuscripts, early editions and interpretations by David Oistrakh and Joseph Szigeti." Thesis, Goldsmiths College (University of London), 2017. http://research.gold.ac.uk/20535/.

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The thesis investigates Sergei Prokofiev’s Violin Sonatas (Op. 80 and Op. 94bis) within the historical contexts of their years of composition (1938-46), dissemination (1944-48) and publication (1946-51) in the Soviet Union, the USA and, partially, the UK. It therefore considers Sergei Prokofiev’s Soviet years (1936-53) from a new perspective and unfolds the Western dissemination history of the Violin Sonatas and Prokofiev’s relationship with Western musicians during the Second World War and the Stalinist era. Moreover, the thesis sheds light upon the Soviet and Western cultural and diplomatic
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Gregorio, Joseph. "Concerto for Piano and Orchestra and Sonata Form in Sergey Prokofiev's First Piano Concerto: An Analysis from the Perspective of Hepokoski and Darcy's Sonata Theory." Diss., Temple University Libraries, 2018. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/540539.

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Music Composition;<br>D.M.A.;<br>This dissertation comprises two parts: an original composition, Concerto for Piano and Orchestra; and an essay that analyzes the form of Prokofiev’s Piano Concerto No. 1 in D-flat Major, op. 10. Concerto for Piano and Orchestra is cast in three movements and scored in two versions: In “Version A,” members of the orchestra are at times called on to use their voices to sustain the phonemes [m], [ŋ], and [v] on pitch and to create an intense whisper on the vowel [æ]. “Version B” is an alternative realization that uses instruments only. The first movement, unable
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Kiely, Yagan M. "An exploration of octatonicism: From Liszt to Takemitsu." Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2022. https://ro.ecu.edu.au/theses/2534.

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The octatonic pitch set can be found in the works of many composers since the early nineteenth century, often with different characteristics of the pitch set being exploited by the composers. Much of the literature on octatonicism relates to specific instances in compositions or a specific composer’s approach to it rather than exploring octatonicism from a more holistic perspective. This dissertation serves as a holistic resource for the characteristics of the octatonic pitch set; whether as a scale, especially with regards to common practice harmony; or an unordered set. It does this by consi
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Stratkauskas, David Vincent Edwin. "Tonical ambiguity in three pieces by Sergei Prokofiev." Thesis, 1996. http://hdl.handle.net/2429/6071.

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There is much that is traditional in the compositional style of Sergei Prokofiev, invoking the stylistic spirit of the preceding two hundred years. One familiar element is the harmonic vocabulary, as evidenced by the frequent use of simple triadic sonorities, but these seemingly simple sonorities are frequently instilled with a sense of multiple meaning, and help to facilitate a tonal style which differs from the classical norm. In this style, the conditions of monotonality do not necessarily apply; there is often a sense of the coexistence of several "tonical" possibilities. An examinat
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Zimmerman, Daniel J. "Families without clusters in the early works of Sergei Prokofiev /." 2002. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&res_dat=xri:pqdiss&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&rft_dat=xri:pqdiss:3060287.

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"Changing uses of sonata form in selected works by Sergei Prokofiev." 1997. http://library.cuhk.edu.hk/record=b5889273.

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by Wong Yat Sze, Yates.<br>Thesis (M.Phil.)--Chinese University of Hong Kong, 1997.<br>Includes bibliographical references (v. 1, leaves 90-98).<br>VOLUME 1<br>LIST OF APPENDICES --- p.ii<br>CHAPTER<br>Chapter I. --- INTRODUCTION --- p.1<br>Chapter II. --- A BIOGRAPHICAL SKETCH OF SERGEI PROKOFIEV --- p.5<br>Chapter III. --- THE CRITERIA FOR THE USE OF SONATA FORM IN --- p.12<br>TRADITIONAL MUSIC AND ITS EXPANDED USE IN THE TWENTIETH-CENTURY<br>Chapter IV. --- ANALYSIS OF SELECTED FIRST MOVEMENTS IN PROKOFIEV'S WORKS --- p.14<br>Chapter 1. --- "Piano Sonata No. 1 in F Minor, Op. 1 (1909)"
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Chen, Yu Han, and 陳毓涵. "A Study of Flute and Piano , Op.94 by Sergei Prokofiev." Thesis, 2011. http://ndltd.ncl.edu.tw/handle/33524494658558206222.

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Kim, Choah. "The choreographic character piece for piano solo: “Cinderella” by Sergei Prokofiev comparative study between ballet and piano transcriptions." Thesis, 2019. https://hdl.handle.net/2144/36074.

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This dissertation attempts to shed new light on the value of Sergei Prokofiev’s piano transcriptions from the ballet Cinderella, exploring his distinguished body of work through a comparative analysis of the ballet Cinderella and its piano transcriptions. Prokofiev reproduced his nineteen (19) transcription pieces in three sets—op. 95, op. 97, and op. 102—from the ballet, and they are distinctive in many significant aspects, including the organization within a movement, form, harmony, and textural modifications, when compared to the ballet and its piano reduction. In addition, the characters
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Zhou, Bo-ling, and 周柏伶. "A study of Sergei Prokofiev Sonata Op.94 (Transcribed by Kent Kennan for Clarinet and Piano)." Thesis, 2012. http://ndltd.ncl.edu.tw/handle/95s6g7.

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Wu, Pei-Jung, and 吳佩蓉. "The Analysis and Interpretation of Sonata for Solo Violin in D Major, Op. 115 by Sergei Prokofiev." Thesis, 2018. http://ndltd.ncl.edu.tw/handle/aa2u77.

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碩士<br>國立臺南藝術大學<br>音樂學系碩士班<br>106<br>Sergei Prokofiev (1891-1953) was a Russian composer, pianist and conductor. He was counted among the most representative composers of 20th century. Although he composed many different types of works, he only composed seven pieces of violin works in his life, suggesting that his violin works are not a lot. In this article, the author is going to focus on Sonata for Solo Violin in D Major, Op.115 as the subject of research and interpretation of performance. This research paper includes five chapters. The first chapter explains the motivation and purpose of wri
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Wang, Cheng-En, and 王承恩. "A Study of Martial Elements in the First and the Fourth Movements of Piano Sonata No. 6 by Sergei Prokofiev." Thesis, 2011. http://ndltd.ncl.edu.tw/handle/23661388547666281923.

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碩士<br>國立臺南藝術大學<br>音樂學系碩士班<br>99<br>Sergei Prokofiev (1891-1953) was an important Russian composer and pianist in the 20th century. Being a prolific composer, he made a lot of types of music. His piano works were especially popular to the public and indispensable in modern piano literature. The Piano Sonata No. 6 was composed during the World War II (1939-1945), it is closely related to the martial elements. “War Sonatas” was named in association with piano sonata No. 6, 7 and 8. The Piano Sonata No. 6 encompasses all of Prokofiev’s compositional characters: classical, modern, comical, ly
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Horng, Shih-Ting, and 洪士婷. "The reappearance of 20th century Baroque Sonata- Prokofiev Sergei Violin Sonata No.1 in F minor for Violin and Piano." Thesis, 2006. http://ndltd.ncl.edu.tw/handle/96943606877846188811.

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碩士<br>東吳大學<br>音樂學系<br>94<br>The reappearance of 20th century Baroque Sonata – Prokofiev Sergei, Violin Sonata No.1 in F minor for Violin and Piano Prokofiev, Sergei is one of the renowned representative composer in the 20th century. He has created two Violin Sonatas in his whole life. This “ Sonata No.1 in F minor for Violin & Piano” is following the form of 18th century Baroque Sonata as its guide of tunes also using the unique music grammar together with the incisive sound effect and ingeniously combined the music technique of the two centuries. Besides it has also echoed the creation p
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Vilímová, Sheila. "Baletní hudba 19. a 20. století na pohádkové motivy se zaměřením na P. I. Čajkovského a S. Prokofjeva." Master's thesis, 2018. http://www.nusl.cz/ntk/nusl-388242.

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The title of the diploma thesis: Fairy Tale Themed Ballet Music in the 19th and 20th Century Focused on the Works of P. I. Tchaikovsky and S. Prokofiev This diploma thesis deals with fairy tale motifs in ballet music of the 19th and 20th century. It focuses mainly on fairy tale ballets of Peter Ilyich Tchaikovsky and Sergei Prokofiev. The first chapter deals with fairy tale themes in ballet on a more general level and advances to the concrete inclusion of these themes in the socio- historical context of the 19th and 20th century. The second chapter briefly deals with the development of ballet
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E, Joukova Eugenia. "The songs and song cycles of Sergey Prokofiev (1930--1950) /." 2007. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqdiss&rft_dat=xri:pqdiss:3301158.

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Thesis (D.M.A.)--University of Illinois at Urbana-Champaign, 2007.<br>Includes abstract. Vita. Source: Dissertation Abstracts International, Volume: 69-02, Section: A, page: 0429. Adviser: William Kinderman. Includes bibliographical references (leaves 153-157) Available on microfilm from Pro Quest Information and Learning.
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Li, Ya-shan, and 李亞珊. "The Study of Sergey Prokofiev''s "Music for Children, op. 65"." Thesis, 2007. http://ndltd.ncl.edu.tw/handle/r3d72u.

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碩士<br>國立中山大學<br>音樂學系研究所<br>95<br>Music for Children op. 65, containing twelve entitled pieces, was composed by S. Prokofiev in 1935 with clearly pedagogical purpose. The styles of the pieces cover the five main categories (or “lines”, as the composer called) of Prokofiev music, including the classical, the modern, the toccata, the lyrical, and the grotesque. The musical content of each piece correlates with its title, and also provides picturesque imagination vividly by employing different piano techniques, such as scales, arpeggios, broken chords, leaps, hand-crossing, contrapuntal texture, l
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Yoiu, Jo-Lin, and 游卓霖. "The Study and Conducting Interpretation of Sergey Prokofiev''s "Classical Symphony"." Thesis, 2003. http://ndltd.ncl.edu.tw/handle/99617635330953196049.

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Shao-Yu, Chien, and 簡紹宇. "Sergey Prokofiev: Violin Concerto No. 1 in D major, op. 19." Thesis, 2009. http://ndltd.ncl.edu.tw/handle/k853v8.

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Hubková, Terezie. "Sergej Prokofjev - klavírní dílo pro malé i velké pianisty." Master's thesis, 2007. http://www.nusl.cz/ntk/nusl-271212.

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Sergei Prokofiev is one of the foremost composers of the 20th century. He was also an excellent pianist, and therefore it is not surprising that he devoted a great part of his work to the piano. I would like to put near both aspects of Prokofiev's production in my thesis, the piano music for advanced pianists and the compositions which we could use in classes at the music schools. From the first group I have chosen the monumental sonata cycle which is formed of nine piano sonatas. I would like to concentrate on the First Piano Sonata op. 1 and the second movement from the Fourth Piano Sonata o
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