Relevant bibliographies by topics / Sergej Rachmaninov

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  2. Dissertations / Theses
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  5. Conference papers

Academic literature on the topic 'Sergej Rachmaninov'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 February 2022

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Journal articles on the topic "Sergej Rachmaninov"

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Quraishi, I. "Aleko. Sergei Rachmaninov." Opera Quarterly 13, no. 4 (1997): 201–4. http://dx.doi.org/10.1093/oq/13.4.201.

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Merzlov, A. N. "VOCAL CYCLE BY SERGEY RACHMANINOV "SIX POEMS" FOR VOICE AND PIANO, OR. 38: FEATURES OF MUSIC CONTENT AND FORM." Arts education and science 1, no. 1 (2021): 68–79. http://dx.doi.org/10.36871/hon.202101008.

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Cycle "Six Poems", op. 38 (1916) is chronologically the last chamber vocal work in the works of Rachmaninoff. This work differs in many respects from the composer's previous vocal opuses. Throughout his life, Rachmaninov only once designated the genre of the chamber vocal form as a "poem" - this is how the opus was titled in the first editions. The artistic perspective of the composition, its main literary and musical images are quite typical for the culture of the modern era - a direction with which the work of the composer is usually not usually associated. The article provides a detailed an
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Dziadek, Magdalena, and Michał Jaczyński. "Sergei Rachmaninoff’s performances of in Poland." Prace Naukowe Akademii im. Jana Długosza w Częstochowie. Edukacja Muzyczna 11 (2016): 81–96. http://dx.doi.org/10.16926/em.2016.11.04.

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Wolf, P. "Creativity and chronic disease Sergei Rachmaninov (1873-1943)." Western Journal of Medicine 175, no. 5 (2001): 354. http://dx.doi.org/10.1136/ewjm.175.5.354.

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Zvereva, Svetlana. "Russian Dresden of the 1920s and 1930s: Profiles of musical, church and social life." Muzikologija, no. 30 (2021): 35–56. http://dx.doi.org/10.2298/muz2130035z.

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This article addresses the theme of Russian music in the German city of Dresden as it initially related to the virtuosi who had arrived from Russia. After the Revolution of 1917, the roles of Russian emigres, such as Issay Dobrowen, Sergei Rachmaninov, Sergei Jaroff with his Don Cossack Choir, Maria Chebotaryova-Vyrubova and others, grew in significance. On the strength of Russian emigre newspapers, archival documents, reference and research literature, individual events involving Russian music in this city during the inter-war years have been re-created and placed in a broad socio-cultural co
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Demchenko, Alexander I. "The Musical Legacy of Sergei Rachmaninoff." ICONI, no. 1 (2019): 198–210. http://dx.doi.org/10.33779/2658-4824.2019.1.198-210.

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“The musical legacy of Sergei Rachmaninoff” — this is the first lecture from the authorial cycle of Doctor of Arts, Professor Alexander Demchenko “The Classics of 20th Century Russian Music.” Its following sections will be dedicated to such composers as Igor Stravinsky, Sergei Prokofiev, Nikolai Myaskovsky, Dmitri Shostakovich, Aram Khachaturian, Georgiy Sviridov, odion Shchedrin and Alfred Schnittke. The lecture is supposed to include listening to a number of musical fragments chosen to give a general perception of the range of the composer’s artistic explorations. The preferential performanc
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Campbell, Stuart. "The Russian Paris of Sergei Rachmaninoff." Muzikologija, no. 30 (2021): 75–104. http://dx.doi.org/10.2298/muz2130075c.

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This article addresses Rachmaninoff?s activities in Paris, both a musical capital of the world and unrivalled cultural centre of the Russian emigration until 1940. It looks at the small number of concerts performed by the pianist there and places them in the context of the French press. It attempts to understand his ambiguous personal relationship to the city, the activity of his publishing company ?TAIR?, and finally assesses the extent of the composer?s charitable endeavours for the Russian community. The article concludes Rachmaninoff was of monumental significance for the ?Russian? Paris.
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Merzlov, Arseniy N. "Sergei Rachmaninoff and Mikhail Vrubel: Creative Parallels." ICONI, no. 1 (2019): 141–46. http://dx.doi.org/10.33779/2658-4824.2019.1.141-146.

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The article offered to your attention is dedicated to the interrelations between Sergei Rachmaninoff and Mikhail Vrubel. Turning directly to the legacies of the two artists, it is possible to observe a definite and continued “creative dialogue” between them manifested in the artistic themes in images to which Rachmaninoff and Vrubel consistently turned. Most prominent among them are the images of the Lilac and Goethe’s “Faust”. The author examines the peculiarities of their interpretations by the two artists in such works as Rachmaninoff’s song “The Lilac” opus 21 No. 5 and the First Piano Son
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Cannata, David Butler, and Maria Biesold. "Sergej Rachmaninoff, 1873-1943, zwischen Moskau und New York: Eine Kunstlerbiographie." Notes 50, no. 2 (1993): 591. http://dx.doi.org/10.2307/898471.

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Sobol, Walentyna. "Геній i втраченa батьківщинa". Studia Ucrainica Varsoviensia 6 (20 квітня 2018): 387–96. http://dx.doi.org/10.5604/01.3001.0011.7994.

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This ar ticle aims at presenting the fate of two brilliant musicians and composers – Alexander Koshitsa (1875–1944) and Sergei Rachmaninov (1873–1943). The author of this article traces historical patterns of the tragedy of these genii who were forced to emigrate, could not return to their homeland but made it famous through their phenomenal talent shown in the world. The article analyzes materials presented in the archives of Alexander and Tatiana Koshitziv in Winnipeg, as well as the latest scientifi c research. The author concludes that Alexander Koshits and his choir had a mission of propa
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Dissertations / Theses on the topic "Sergej Rachmaninov"

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Doti, Jacopo <1984&gt. "L'apprendistato e il debutto operistico di Sergej Rachmaninov." Doctoral thesis, Alma Mater Studiorum - Università di Bologna, 2014. http://amsdottorato.unibo.it/6576/.

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All’ascolto dell’incompiuto Matrimonio di Musorgskij, Borodin aveva sentenziato lapidariamente: «une chose manquée». Uguale commento viene riservato tuttora alla produzione operistica di Sergej Rachmaninov. In questo caso però non ci troviamo di fronte a un teatro rivoluzionario che si trova costretto a fare un passo indietro rispetto ai principi programmatici di cui si vuol far portatore, bensì a un potenziale inespresso, a un profilo drammaturgico mai giunto a piena maturazione. L’evidente eterogeneità della produzione operistica lasciataci in eredità dal compositore non permette infatti di
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Nordmark, Linus. ""Bra musik finns ju redan" : En processbeskrivning av hur man drar nytta av en annan tonsättares mästerverk." Thesis, Luleå tekniska universitet, Institutionen för konst, kommunikation och lärande, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:ltu:diva-64034.

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Det här arbetet är en processbeskrivning av hur jag komponerat pianostycket Preludium i Db-dur. Arbetet innefattar en omsorgsfull och omfattande djupdykning i musikaliska teman och utvalda motiviska element från ett preludium av Sergej Rachmaninov, Preludium nr. 4 i D-dur (op. 23, 1903). Valet att göra den här undersökningen grundar sig i ett brinnande intresse för den klassiska pianorepertoaren, såväl som en intensiv fascination över hur ett välkomponerat musikverk är uppbyggt. Som kompositör är det vissa frågor jag ställer mig nästan dagligen när jag lyssnar på musik som tilltalar mig: Varfö
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Švehláková, Zdeňka. "Klavírní dílo S. Rachmaninova se zaměřením na cyklus Moments Musicaux." Master's thesis, Akademie múzických umění v Praze.Hudební a taneční fakulta. Knihovna, 2014. http://www.nusl.cz/ntk/nusl-177955.

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This Diploma´s thesis is focused on a composer Sergej Vasiljevic Rachmaninov. It contains his biography and the list of his piano works. The main part of the work is focused on the piano cycle Moments musical, which consists of six compositions. The thesis includes a formal analysis and recommendation how to play and practice this work. The final part of the thesis is devoted to the recordings of this cycle. It contains the list of the recordings and the comparison of the three representative pianists. There is also a piece of information about all of them.
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Cheng, Ruby. "Rachmaninoff the composer-pianist aspects of pianism in his Piano concerto no. 3 in D minor /." Diss., Restricted to subscribing institutions, 2009. http://proquest.umi.com/pqdweb?did=1835512501&sid=1&Fmt=2&clientId=1564&RQT=309&VName=PQD.

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Caillet, Laurent. "L'œuvre pour piano de Serge Rachmaninov (1873-1943) : langage et style." Paris 4, 2007. http://www.theses.fr/2007PA040244.

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Serge Rachmaninov, compositeur, pianiste et chef d'orchestre russe (1873-1943), occupe dans la musique du début du XXe siècle une situation paradoxale. Resté à l'écart des courants musicaux de son temps, Rachmaninov a toutefois développé une esthétique d'une originalité surprenante, dont le style se distingue au sein de la musique russe. En prenant en compte l'intégralité du corpus pour piano et des enregistrements discographiques de l'interprète, nous avons tenté de répertorier les diverses constantes de son langage musical et de son style pianistique. Usant de procédés d'écriture caractérist
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Timoščuk, Roman. "Přehled klavírního díla Sergeje Rachmaninova, jeho tématika a psychologické aspekty." Master's thesis, Akademie múzických umění v Praze. Hudební fakulta AMU. Knihovna, 2006. http://www.nusl.cz/ntk/nusl-78802.

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Lundtvedt, Natalya V. "Rachmaninoff and Russian pianism performance issues in the Piano concerto in C minor, opus 18 / by Natalya V. Lundtvedt." Diss., Restricted to subscribing institutions, 2009. http://proquest.umi.com/pqdweb?did=1581455111&sid=1&Fmt=2&clientId=1564&RQT=309&VName=PQD.

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Collins, Dana Livingston. "Form, harmony, and tonality in S. Rakhmaninov's three symphonies." Diss., The University of Arizona, 1988. http://hdl.handle.net/10150/184555.

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Sergey Rakhmaninov wrote three symphonies in different periods of his life. The First Symphony in D Minor, opus 13 (1895) reflects his style as an apprentice and beginning composer; the Second Symphony in E Minor, opus 21 (1907), his mature style of the early 1900's; and the Third Symphony in A Minor, opus 44 (1936), his style at the end of his life in the United States. Each symphony is representative of his musical style at its time of composition. In addition, the evolution of his musical language can be traced through a study of various components of these three works. Structural, harmonic
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Ivanova, Anastassia. "Sergei Rachmaninoff`s piano concertos the odyssey of a stylistic evolution /." College Park, Md. : University of Maryland, 2006. http://hdl.handle.net/1903/3544.

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Thesis (D.M.A.) -- University of Maryland, College Park, 2006.<br>Thesis research directed by: Music. Title from t.p. of PDF. Includes bibliographical references. Published by UMI Dissertation Services, Ann Arbor, Mich. Also available in paper.
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Swanevelder, J. de Ville. "'n Analitiese ondersoek van sewe van Sergei Rachmaninof se Preludes, opp. 23 en 32." Master's thesis, University of Cape Town, 2002. http://hdl.handle.net/11427/15430.

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Bibliography: leaves 68-70.<br>Ten spyte van toenemende belangstelling in die solo-klavierwerke van Sergei Rachmaninof, is daar nog steeds beperkte studies vir die bestudering daarvan beskikbaar. Die doel van hierdie studie is die ontleding van 'n aantal aspekte wat 'n invloed op die bestudering en uitvoering van sewe van Rachmaninof se Preludes,.Opp. 23 en 32, het. In die studie word die historiese gebeure rondom sy lewe bespreek, wat dien as agtergrond tot die komposissie van Rachmaninof se Preludes. Die bespreking oor die klawerbordprelude verwys na die onstaan van klawerbordpreludes, die p
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Books on the topic "Sergej Rachmaninov"

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Sergej Vasilʹevič Rachmaninov. L'epos, 2006.

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Sergej Rachmaninov: Il tataro. Zecchini, 2005.

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Top, Damien. Sergei Rachmaninov. Bleu Nuit Editeur, 2013.

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Rachmaninoff, Sergei. Rachmaninov's complete song texts: Russian texts of the complete songs of Sergei Vasilyevich Rachmaninov. Leyerle, 2000.

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Sergei Rachmaninoff: A bio-bibliography. Greenwood Press, 2001.

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1910-, Leyda Jay, and Satina Sophia 1879-1975, eds. Sergei Rachmaninoff: A lifetime in music. Indiana University Press, 2001.

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Palmieri, Robert. Sergei Vasil'evich Rachmaninoff: Aguide to research. Garland Pub., 1985.

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Sergei Vasilʹevich Rachmaninoff: A guide to research. Garland Pub., 1985.

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Rachmaninoff. Oxford University Press, 2000.

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Rachmaninoff. History Press, 2007.

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Book chapters on the topic "Sergej Rachmaninov"

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Biesold, Maria. "Rachmaninov, Sergej Vasil’evič." In Komponisten. J.B. Metzler, 2004. http://dx.doi.org/10.1007/978-3-476-02947-8_38.

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Biesold, Maria. "Rachmaninov, Sergej Vasil’evič." In Komponisten Lexikon. J.B. Metzler, 2003. http://dx.doi.org/10.1007/978-3-476-05274-2_240.

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Biesold, Maria. "Rachmaninov, Sergej Vasil’evič." In Metzler Komponisten Lexikon. J.B. Metzler, 1992. http://dx.doi.org/10.1007/978-3-476-03421-2_236.

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Martynenko, Gregory. "Structural Interaction of Poetry and Music Components in Songs by Sergei Rachmaninoff." In Communications in Computer and Information Science. Springer International Publishing, 2015. http://dx.doi.org/10.1007/978-3-319-27498-0_11.

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Martynenko, Gregory. "Singer’s Performance Style in Numbers and Dynamic Curves: A Case Study of “Spring Waters” by Sergei Rachmaninoff." In Communications in Computer and Information Science. Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-030-05594-3_6.

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"RACHMANINOV, SERGEY." In Music in the 20th Century (3 Vol Set). Routledge, 2016. http://dx.doi.org/10.4324/9781315702254-380.

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"Sergei Rachmaninoff." In Master Classes with Menahem Pressler. Indiana University Press, 2019. http://dx.doi.org/10.2307/j.ctvktrx3v.26.

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"SERGEI RACHMANINOFF." In The Classical Music Lover's Companion to Orchestral Music. Yale University Press, 2018. http://dx.doi.org/10.2307/j.ctv9b2wqr.47.

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Mitchell, Rebecca. "Sergei Rachmaninoff: The Unwilling Orpheus." In Nietzsche's Orphans. Yale University Press, 2016. http://dx.doi.org/10.12987/yale/9780300208894.003.0004.

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"Conclusion: I Now Present Sergei Rachmaninoff." In The Sculpted Ear. Penn State University Press, 2020. http://dx.doi.org/10.1515/9780271087511-011.

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Conference papers on the topic "Sergej Rachmaninov"

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Tsuchida, Sadakatsu. "On the Creative Power of Music (Performing Secrets and the State of “Godly Sorrow” of Sergei Rachmaninoff)." In 4th International Conference on Art Studies: Science, Experience, Education (ICASSEE 2020). Atlantis Press, 2020. http://dx.doi.org/10.2991/assehr.k.200907.053.

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