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Books on the topic 'Serial experimentation'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

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1

Hecht, Daniel. Puppets: A novel. Bloomsbury, 2005.

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2

N, Simser Charlene, and Somers Michael A, eds. Experimentation and collaboration: Creating serials for a new millennium : proceedings of the North American Serials Interest Group, Inc. 12th Annual Conference, May 29-June 1, 1997, University of Michigan, Ann Arbor, Michigan. Haworth Press, 1998.

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Hecht, Daniel. Puppets. Blackstone Audiobooks, 2005.

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4

Puppets. Pocket Books, 2001.

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5

Hecht, Daniel. Puppets [UNABRIDGED]. Blackstone Audiobooks, 2005.

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6

Hecht, Daniel. Puppets [UNABRIDGED]. Blackstone Audiobooks, 2005.

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7

Brooker, Paul, and Margaret Hayward. Intel: Grove’s Only the Paranoid Survive. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198825395.003.0006.

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Andy Grove enhanced the microprocessor manufacturer Intel in the 1980s–90s by learning to adapt to the crises that he later termed ‘strategic inflection points’. The first section describes how and what CEO Grove learnt from these ‘inflection point’ adaptive crises. The second section describes his three-stage adaptive framework for dealing with these adaptive crises. It includes rapid adaptation and two other rational methods, diverse and institutionalized deliberation, plus a pre-deliberation experimental process that ‘delivers’ new product ideas. The third section focuses on this experiment

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8

Antsyferova, Olga, Konstantin Azadovski, Marina Arias-Vikhil, et al. LITERATURE AND IDEOLOGY. XX CENTURY. MAKS Press, 2016. http://dx.doi.org/10.24249/978-5-317-05287-4.

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The present edition continues а scientific series «Literature. ХХ Century» in memoriam of professor Leonid Andreev (Issue I – «Faces of the XXth Century», 2009; Issue 2 – «Literature and War. XX Century», 2013) issued by the Faculty of Philology, Lomonosov State University of Moscow (MGU). The contributors of the present edition consider various forms of interference of literature, literary studies and ideology. The issue includes articles both of general and concrete character; a special attention is paid to a dialogue in the ХХth сentury between literature and ideology in context of revoluti

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9

Hudson, Dale. Other Vampires, Other Hollywoods: Serialized Citizenship and Narrowcast Difference. Edinburgh University Press, 2018. http://dx.doi.org/10.3366/edinburgh/9781474423083.003.0008.

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This chapter explores an explosion of serialized vampires after television’s deregulation. Like newspapers and newscasts, serialized television can produce national audiences around topical issues about citizenship and difference. What cinema often excludes due to the financial risk, television can include by offshoring production and narrowcasting transmission. Although Buffy the Vampire Slayer (1997–2003) ushered in “girl power” and a place for same-sex relationships, it was criticized for its racial insensitivity. With greater racial/ethnic diversity, True Blood, The Vampire Diaries, and Th

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10

Valentini, Valentina. The Dramaturgy of Sound and Vocality in the Theatre of Socìetas Raffaello Sanzio. Edited by Yael Kaduri. Oxford University Press, 2016. http://dx.doi.org/10.1093/oxfordhb/9780199841547.013.29.

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This chapter examines the vocal and sonorous dramaturgy of a series of performances by the Italian experimental theatre company Socìetas Raffaello Sanzio, fromSanta Sofia(1986) to the cycleTragedia Endogonidia(2002–2004). The company aimed to create a new language calledGeneralissima, to satisfy the need for a re-foundation of theanti-logosof the word. Thus it experimented with the conflict that exists between voice and body and between the spoken word and action. The voice constitutes a terrain for experimentation, an adequate domain for the theatre to be regenerated, using the body to the si

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11

Bollington, Lucy, and Paul Merchant, eds. Latin American Culture and the Limits of the Human. University Press of Florida, 2020. http://dx.doi.org/10.5744/florida/9781683401490.001.0001.

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Latin American Culture and the Limits of the Human curates an important series of case studies of the posthuman imaginaries and nonhuman tropes employed in a broad range of Latin American cultural texts, from the narratives of Las Casas to new media and installation art in contemporary Mexico, Colombia, and Argentina. The book’s introduction highlights the ways the figure of the “limit” has functioned as an important site of aesthetic, ontological, and political experimentation and reworking in Latin American cultural production, and underlines the potentialities and possible risks associated

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12

Holub, Barbara, Klaus Himpsl-Gutermann, Katharina Mittlböck, Monika Musilek-Hofer, Andrea Varelija-Gerber, and Nina Grünberger, eds. lern.medien.werk.statt Hochschullernwerkstätten in der Digitalität. Verlag Julius Klinkhardt, 2021. http://dx.doi.org/10.35468/5904.

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The volume "lern.medien.werk.statt" is dedicated to the discussion of university learning workshops about their different concepts and their different self-image. In addition, the focus is explicitly on the topic of university learning workshops and digitality. Theoretical and conceptual connections between the discourses on learning workshops and media education will be explored, as well as possible incompatibilities, in an attempt to answer the following questions: - How can digital media be systematically integrated as tools to support free experimentation in learning workshops? - How can m

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13

Wilde, Oscar. The Complete Short Stories. Edited by John Sloan. Oxford University Press, 2010. http://dx.doi.org/10.1093/owc/9780199535064.001.0001.

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‘Wilde did not converse - he told tales.’ Oscar Wilde was already famous as a brilliant wit and raconteur when he first began to publish his short stories in the late 1880s. They have never lacked readers and admirers, George Orwell and W. B. Yeats among them. The stories give free rein to Wilde's originality, literary skill, and sophistication. They include poignant fairy-tales such as ‘The Happy Prince’ and ‘The Selfish Giant’, and the extravagant comedy and social observation of ‘Lord Arthur Savile's Crime’ and ‘The Canterville Ghost’. They also encompass the daring narrative experiments of

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14

Oksman, Tahneer, and Seamus O'Malley, eds. The Comics of Julie Doucet and Gabrielle Bell. University Press of Mississippi, 2018. http://dx.doi.org/10.14325/mississippi/9781496820570.001.0001.

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Julie Doucet, who started publishing in the late 1980s, is a cartoonist and artist best known for her semi-auto biographical works, as depicted in her Dirty Plotte series as well as My New York Diary. Coming into her own in the late 1990s, when she first started self-publishing her comics, Gabrielle Bell rose to prominence with her 2009 book of short story comics, Cecil and Jordan in New York, as well as her diary comics, which have been recurrently collected in full-length books. While each artist has a unique perspective, style, and world view, the essays in this book investigate these artis

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15

Psygkas, Athanasios. From the Democratic Deficit to a Democratic Surplus. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190632762.001.0001.

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The conventional account of a European Union (EU) “democratic deficit” misses part of the story. This book argues that member-state regulatory processes operating under EU mandates may actually have become more democratically accountable, not less. EU law creates entry points for stakeholder participation in the operation of national regulatory authorities; these avenues for public participation were formerly either not open or not institutionalized to this degree. In these cases, we see not a democratic deficit but a democratic surplus generated by EU law in the member states. Moreover, the d

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