Dissertations / Theses on the topic 'Serie˜le publicaties'

Preceded by a statement, thesis by publication of the following works: 1. Statement in support of application for Ph.D. by published work. 2. The traumatisation of children'(1999) Ch. 19 from The Handbook of Child and Adolescent Psychotherapy: Psychoanalytic Approaches. Eds Lanyado and Home. London: Routledge. 3. 'Surviving Trauma dilemmas in the psychotherapy of traumatized children' (1985). British Journal of Psychotherapy Vol 2 (1). 4. 'Variations on the theme of transference and counter-transference in the treatment of a ten year old boy' (1989). Journal of Child Psychotherapy Vol 15 (2). 5. 'Putting theory into practice: struggling with perversion and chaos in the analytic process'. (1991) Journal of Child Psychotherapy Vol 17 (1). 6. 'Understanding boys who sexually abuse other children: a clinical illustration'. (1995). Psychoanalytic Psychotherapy Vol 9 (3). 7. 'Winnicott's children: the holding environment and therapeutic communication in brief and non-intensive work'. (1996) Journal of Child Psychotherapy Vol 22 (3). 8. 'Fenomeni transtzional e cambiamento psychico: il ruolo del transfert e della relazione 'attuale' nel passaggio dall'affidamento al'adozione.' (2000) (Transitional phenomena and psychic change: the roles of transference and the 'present relationship' as seen in the therapy of children moving from fostering to adoption) Richard e Piggle 8.3.2000. 9. 'Holding and letting go: some thoughts about the process of ending therapy'. (1999) Journal of Child Psychotherapy Vol 25 (3). 10. 'Daring to try again: the hope and pain of forming new attachments' (2001) Therapeutic Communities Vol 22 (1). 11. 'The symbolism of the story of Lot and his wife: the function of the 'present relationship' and non-interpretative aspects of the therapeutic relationship in facilitating change'. (2001). Journal of Child Psychotherapy Vol 27 (1).

Preceded by a supporting statement, chapters reflecting on key publications by the author in child and adult psychotherapy. Chapter 1. 'Oedipal issues at 4 and 44' (1995) Chapter 2. ' Soiling children; the oedipal configuration' (1996) Chapter 3. 'Individual psychotherapy for children in care' (1996) Chapter 4. 'Parent-infant psychotherapy. A review article' (1997) Chapter 5. 'Brief work with under-fives: a psychoanalytic approach' (1999) Chapter 6. 'Fathers in parent-infant psychotherapy' (1999) Chapter 7. 'Facing reality - work with a 4 year old and a 34 year old' (1999) Chapter 8. 'Making the case for dedicated infant mental health services' (2000) Chapter 9. 'The use of stories as autistic objects' (2001) Chapter 10. 'The aims of child psychotherapy: a Kleinian perspective' (2001).

This doctoral thesis examines the literary series [collection litteraire], considered at one and the same time as a form of publication defined and redefined by the publisher since the invention of the printing press and as a paratextual component that has the ability to act on the process of reading the text: An original aspect of this work is that it combines in the same analysis fields of knowledge that are rarely studied together: the history of the book and of publishing, the sociology of literature and in particular the theory of the literary institution, the theory of paratextuality and reader response theory. This thesis examines separately the two dimensions of the topic but follows a logical progression that concludes with a third section. The first section explores the hypothesis that the literary series is the outcome of a long process of definition and specialization which has accompanied the evolution of French publishing and literature. It then goes on to examine cases illustrating the "convergence" of the two, such as the "Bibliotheque Bleue", the "Bibliotheque universelle des romans", the "Bibliotheque Charpentier", the collections of livraisons illustrees published in the 1850's, the "Collection Michel Levy" and a few collections published by Flammarion and Fayard. Following a rereading of the Genettien paratexte (1987) that reviews and further refines the parameters of the concept (its boundaries, its components and their functions) in order to increase its scope of action, the second section explores in depth the essence of the encounter between the series and literature itself and proposes a theory of the series which positions it in relation to a community of readers and recognizes a different functioning, different risks and effects depending on whether it is destined for a specialized public or the general public. Finally, the third section picks up the historical thread that the first section suspended at the beginning of the 20th century

Système adapté pour les stations de petites et moyennes capacités de moins de 100. 000 EH, le séchage solaire s’est rapidement imposé comme une solution efficace de déshydratation des boues permettant de répondre aux attentes des collectivités dans le respect des contraintes réglementaires. Toutefois les règles de dimensionnement et de conception de ce procédé restent d’une part très empiriques, et d’autre part trop rudimentaires pour traduire la complexité des phénomènes physiques mis en jeu. Cette thèse s’inscrit donc dans une optique d’amélioration et d’optimisation des méthodes de dimensionnement et de conception du séchage solaire des boues, en mettant l’accent sur le développement et l’utilisation d’outils de simulation numérique. Après une présentation générale de la problématique des boues résiduaires urbaines en France et de celle du séchage solaire des boues, quelques notions essentielles à l’étude du séchage sont présentées dans le chapitre II. Après une revue des différents types d’eau que l’on trouve dans les boues, le concept d’isotherme de sorption est présenté. Les modes de transport d’eau pendant le séchage sont ensuite rappelés. La fin du chapitre se concentre sur la modélisation de la cinétique du séchage. Le développement d’un modèle numérique simulant le transfert d’eau de la boue lors du séchage solaire sous serre est abordé dans le chapitre III de ce travail. Une mise en équations des différents phénomènes complexes est effectuée. Le modèle développé est constitué de trois équations de bilan d’énergie et d’une de transfert de matière, couplées et non linéaires. Une approche de résolution numérique du problème est également présentée. L’ensemble des dispositifs expérimentaux et des méthodes utilisées tout au long de ce travail est décrit dans le chapitre IV. Basée principalement sur l’utilisation de deux types de modèles réduits (modèles I et II), placés dans une enceinte climatique, la méthode expérimentale fait appel à un plan d’expérience mené en deux étapes, de manière à mieux appréhender le couplage très complexe des différents transferts thermiques et massiques. Le chapitre V est consacré à la validation du modèle numérique. Le premier volet de ce chapitre expose les résultats expérimentaux des paramètres de la boue intervenant dans la modélisation. Des formulations semi-empiriques concernant ces grandeurs (isothermes de désorption et chaleur spécifique massique) ont été proposées. Dans le second volet, les résultats numériques sont confrontés à ceux des expériences. La comparaison s’est avérée souvent très satisfaisante, tant au niveau des transferts couplés de chaleur et de masse qu’au niveau de l’évaluation des vitesses de séchage. Néanmoins, plusieurs phénomènes échappant à la formulation macroscopique et mono dimensionnelle du code ont été évoqués pour expliquer certains écarts entre les simulations et le comportement observé. Le chapitre VI aborde la problématique de l’extrapolation du modèle développé à une installation à l’échelle réelle. La première étape est ainsi consacrée à coupler ce modèle à un générateur de données qui permet de reconstituer au pas horaire une journée climatique « type ». Enfin, quelques paramètres nécessaires à l’extrapolation sont évoqués. Le travail se termine par une conclusion rassemblant l’ensemble des résultats et par l’énoncé de perspectives qui pourraient constituer une suite intéressante à cette étude, notamment la prise en compte des variations spatiales et l’adaptation du modèle dans l’objectif du développement d’un outil de dimensionnement ou d’optimisation de sites industriels
Solar drying method has quickly stood out as an effective solution for the dehydration of the sludge produced by waste water treatment plants built for less than 100. 000 pop. Eq. It allows small communities to fill up the lawful constraints. However the design rules of this process remain empirical and do not take in account the complexity of the involved physical phenomena. Thus, this thesis presents an improvement and an optimization of the design using numerical simulation tools. After a general presentation of the problems of urban residual sludge in France and those concerning solar drying of sludge, some essential concepts in the study of the drying are presented in chapter II. After a review of the various types of water that can be found in sludge, the concept of sorption isotherm is introduced. The ways of transport of water during the drying are then pointed out. The end of the chapter focuses on the modelling of the kinetics of drying. The development of a numerical model, simulating the transfer of sludge water during the solar drying under greenhouse, is described in chapter III. A setting of the equations of the various complex phenomena is carried out. The developed model consists in writing three equations of assessment of energy and one of transfer of matter, coupled and nonlinear. A numerical approach of resolution of the problem is also presented. Experimental devices and methods used throughout this work are described in chapter IV. Based mainly on the use of two types of small-scale models (model I and II), placed in a climatic chamber, the experimental method calls upon an experimental design carried out in two stages, so as to better apprehend the very complex coupling of the various thermal and mass transfers. Chapter V is devoted to the validation of the numerical model. The first part of this chapter exposes the experimental results of the parameters of sludge involved in modelling. Semi-empirical formulations concerning these sizes (isothermal of desorption and mass specific heat) were proposed. In the second part, the numerical results are compared with those of the experiments. The comparisons are often very satisfactory, as well for the transfers coupled of heat and mass as with the evaluation speeds of drying. Nevertheless, several phenomena escaping from the macroscopic and monodimensional formulation are mentioned to explain some differences between simulations and the observed behaviour. Chapter VI approaches the problems of the extrapolation of the developed model to an installation on a real scale. The first stage is devoted to couple this model with a generator of data, which makes it possible to reconstitute with a time step a climatic day "type". Finally, some parameters necessary to extrapolation are mentioned. This Work ends by a conclusion collecting all the results and the statement of prospects, which could constitute an interesting continuation with this study, in particular to take into account the space variations, and the adaptation of the model aiming the development of a tool of dimensioning or optimization of industrial site

This thesis examines Andrew Lang’s Fairy Book series (1889-1910) as a material and cultural commodity, thereby re-evaluating neglected or overlooked aspects of its significance as a printed collection of fairy tales. First, it defines the publishing context for fairy-tale collections printed in Britain prior to the publication of The Blue Fairy Book in 1889. As such, Chapter One addresses pervasive claims that Lang’s series systematically revived a waning interest in fairy tales. The chapter first offers context for Lang’s series by providing a bibliographic history of the classic fairy tales – most of which are included in The Blue Fairy Book – in English from 1691 to 1889. It then focuses specifically on the decade of the 1880s to examine types of fairy-tale collections that were available in print prior to the series’ first volume and suggests that the fairy tale as a publishing phenomenon was more prominent in the late nineteenth century than has been assumed. Chapter Two seeks to establish how the diverse literary, cultural, and intellectual course of Lang’s career made him particularly suitable to edit a collection of fairy tales. His academic interests in literature as well as his ongoing study of fairy tales influenced his editorial strategies for The Blue Fairy Book, which then provided a model for the remainder of the series. Chapter Three examines the phenomenon of the “literary series” through an exploration of paratextual elements, such as Longmans’ production, branding, and marketing strategies as well as Henry J. Ford’s book illustrations and designs. The seasonal context in which the books were published provides a further framework for situating Lang’s series within the history of publishing fairy tales in Britain. Chapter Four considers the series’ printings and sales numbers, along with themes that are present throughout the published reception of the series. While Longmans capitalizes on Lang’s name in their branding strategies, in the popular press Lang’s name became synonymous with fairy-tale narratives. Furthermore, the series’ immediate reception challenges more recent scholarly positions regarding the very significant group of translators who contributed towards the series. Finally, Chapter Five recognizes the colonial context of the period and positions interest in fairy tales within the wider nineteenth-century phenomenon of collecting objects and narratives from across the Empire. It further demonstrates how narratives of race and colonialism influenced both text and illustration in the Fairy Books. The conclusion consists of a brief overview of Fairy Book editions that have been produced from 1910 to the present. Not only did the series achieve immediate popularity during its initial publication, but it has also remained in print for over a century. Through an exploration of the series as a material, publishing phenomenon, and by attending closely to presentational devices, this thesis re-examines the cultural significance of Lang’s Fairy Books.

Reproduction de : Thèse de doctorat : Informatique : Université de Nice-Sophia Antipolis : 1996.
Résumés en français et en anglais. En annexe articles en anglais. L'Impr. INRIA a attribué un n° de coll, TU 386 associé à un code-barres en 4e de couv. Bibliogr. p. 79-82.

Ce travail porte sur les constructions infinitives du français régies par les verbes de perception et les verbes factitifs faire et laisser et leur traduction en serbo-croate (BCMS). Il comporte un regard diachronique, une analyse syntaxique et sémantico-logique et une analyse du corpus des traductions dans les deux sens, à savoir du français en serbo-croate (BCMS) et du serbo-croate (BCMS) en français. Les vérifications diachroniques confirment l’enracinement des constructions étudiées dans la langue française depuis ses origines, tandis que l’analyse syntaxique et sémantico-logique permet de mieux appréhender la problématique de leur traduction en serbo-croate (BCMS). L’analyse du corpus des traductions part de la définition de la problématique confrontée par les traducteurs/interprètes provenant du manque des structures équivalentes en serbo-croate (BCMS) pour vérifier les principales modalités de traduction et souligner les avantages et les inconvénients de chacune, dans l’objectif d’aider les futurs traducteurs/interprètes et enseignants du français au Monténégro à surmonter l’obstacle que représentent ces tours syntaxiques si répandus
This study deals with infinitive constructions in French governed by verbs of perception and causative verbs faire and laisser, as well as their translation into Serbo-Croatian (BCMS). It contains a historical review, a syntactic and semantic-logical analysis and a translation corpora analysis in both directions: from French to Serbo-Croatian (BCMS) and from Serbo-Croatian (BCMS) to French. The historical verifications confirm the deep-rootedness of the concerned constructions in French language from its origins, while syntactic and semantic-logical analysis allows a better understanding of problems of their translation into Serbo-Croatian (BCMS). The translation corpora analysis starts from a definition of problems faced by translators/interpreters due to the lack of equivalent structures in Serbo-Croatian (BCMS), in order to verify the main translation modalities and to emphasize their respective advantages and disadvantages, with the intention to assist future French language translators/interpreters and teachers in Montenegro in overcoming difficulties caused by these widespread syntactic structures

碩士
南華大學
出版學研究所
91
This thesis defines the essence of a “book series” as “new book titles published as a part of a series or group with similar subject”. The definition distinguishes a book series from Western paperbacks, which represent a reprint and binding form of already published hardcovers, and Japanese “bunko”. Book series cater to the Taiwan’s sales channels and publishing ecology 1980s onwards. Publishers have since been operating field / subject publishing in the pattern of book series. Namely, book series reflect the special character of Taiwan’s market. 　　 　　Why does series publishing become unique phenomenon of Taiwan? We can find out the answer in Taiwan’s publishing environment of 1980s. Accompanying the development and growth of politics, economics and education, the demand and competition of book market expanded. The local publishing industry that started to burgeon since 1949 was stepping into a new stage: operating in specific fields and conceiving marketing strategies. Besides, the intermediary mechanism, the bookstore, was formed and the innate limit of Taiwan’s small market also contributed to the emergence of book series trend. 　　 　　For the publishers, the operation of series publishing is helpful to conceiving publishing plans and the execution of editing. Through the appearances of book series, we can read how publishers manipulate the power of editors’ interpretation. 　　 　　As to the function for selling, a series are displayed together or not depends on how every bookstore categorizes individual titles. However, a book series influences staff of bookstores subconsciously. It helps the staff to shelve books and facilitates them to identify and classify titles. Another benefit of book series is the potential of transforming into sets of books. In additional to develop the direct marketing channel, they also provide the cross-reading referrals and can be used as topics of book fairs.

博士
國立中央大學
中國文學研究所
96
The series publication of wen-ji which passed through from late 1950s into mid 1980s is the important treasury of Taiwanese literature. This series includes re-launch bi-hui, literature quarterly, literature bimonthly, wen-ji quarterly and wen-ji bimonthly. The writers from these are important sources to bring generous patterns of Taiwanese literature. The series publication of wen-ji and their writers perform a literary group of wen-ji. They enriched theories and articles of modernism and realism, awaked the argument and progress of them in Taiwanese literature, and also attested the chaos and transformation of regional literature and localization consciousness. In particular, the great contributors of this group are the editor of chief, theorists, and writers. The editor in chief is Wei Tian-Chong; the important theorists are Wang Mong-Ou, Hoh Shin, Yau E-Wei, Yah Ney, Liu Kau-Song, Shu Chan-Hwei, etc; the important writers are Chen Yin-Jen, Huang Chwen-Ming, Wang Jan-Hoh, Liu Da-Ren, Chee Den Shen, Yah Dee, Guo Fong, etc. The kind of materials allowably include traditional inheritance of native culture, blending of Chinese and western cultures, and conflict and reconciliation during importing other cultures. In addition, because the members of group come from different and specific background, they have plural irradiation and contribution in literature writings and culture researches. The series cease publication in mid of 1980s. But until now, Taiwanese literature researchers can’t ignore the achievements of publications and members of this series. However, merits and achievements of this group and their writings have fall on dead ears in past documents of Taiwanese literature. In this article, I deal with archives research. I observe and research the original texts. The goal of this article is made a proper summary of achieve for literature position and values of wen-ji.

碩士
國立臺北教育大學
社會與區域發展學系碩士班
99
This research aimed at analyzing the Multicultural Picture Book from the perspectives of the multicultural concepts,and analyzing the Multicultural Picture Book in the content and images on the forms ,how to present the concept of multi-culture. Through content analysis, to be utilized to reach the research purpose and to answer the research qestions.The research objectives－ New Taipei City Goverment publications " Multicultural Picture Books", added up to a number of 20 volumes for analysis. Using quantitative and qualitative analysis method, to discover the concept of picture books with a multicultural concept and value. Findings of this study are as follows：（a）In the proportion of multicultural concept , the Second Series were significantly higher than the Southeast Asia Series；the concept of affective level was highest, the concept of skill level was lowest；（b）In the Multicultural Picture Books on the forms , contents and images of the books operated in coordination and the forms were multiple, entertaining and creative；（c）Multicultural Picture Book emphasized cognitive and affective level, suitable for primary school children. The results of the present study suggest three dimensions:（a）Because of plain text content of picture books, readers need the instructors help direct to explore deeper concept；（b) Picture book story based mainly on ethnic culture, the future publications of the story content, may be appropriate to add gender and exceptional topics.（c）The authors should be invited widely.

Магистерская диссертация «Издательская составляющая мультипликационных брендов» состоит из двух частей. Магистерская диссертация содержит 59 страниц, 4 рисунка. В списке литературы содержится 32 библиографические единицы. Цель исследования – разработать критерии оценки качества изданий с использованием мультипликационных брендов. Объект исследования ‒ издания на основе мультипликационных брендов. Предмет – видовые, жанровые, структурно-содержательные и визуально-полиграфические особенности изданий на основе мультипликационных брендов. В первой главе были рассмотрены особенности издательской продукции с использованием мультипликационных брендов. Также рассмотрены определения понятий «бренд» и «мультипликационный», а также предложено понятие и определение мультипликационного бренда. Издания на основе мультипликационных брендов классифицированы по видам продукции. Во второй главе магистерской диссертации дана общая характеристика мультипликационных сериалов, проведено исследование потребительских предпочтений к мультипликационным брендам. В ходе опроса было выявлено, какие мультсериалы предпочитают потребители, какую издательскую продукцию на основе мультипликационных сериалов предпочитают, и какие критерии для целевой аудитории являются главными для приобретения данной издательской продукции. Результаты опроса были разделены по возрастным показателям целевой аудитории на три группы. На основе ответов респондентов определены критерии первой, второй и третьей степени важности. Отдельные положения проведенного исследования были представлены на международной научно-практической конференции «Книжное дело: достижения, проблемы, перспективы – VI», проходившей в апреле 2017 г.
The Master's thesis "Publishing Component of Animated Brands" consists of two parts. The master thesis contains 59 pages, 4 drawings. The list of references contains 32 bibliographic units. The purpose of the study is to develop criteria for assessing the quality of publications using animated brands. The object of the research is publications based on animated brands. Subject - Species, genre, structural and informative and visual-printing features of publications based on animated brands. The first chapter examined the features of publishing products using animated brands. Also considered the definitions of the concepts of "brand" and "animated" and proposed the concept and definition of an animated brand. Editions based on animated brands are classified by product. In the second chapter of the master's thesis, the general characteristics of animated series are given, and a study of consumer preferences for animated brands is conducted. The survey revealed which cartoon series consumers prefer, which publishing products based on animated TV series they prefer, and which criteria for the target audience are central to the acquisition of this publishing product. The survey results were divided by age indicators of the target audience into three groups. On the basis of the respondents' answers, criteria of first, second and third degree of importance are determined. Separate provisions of the study were presented at the international scientific-practical conference "Book Business: Achievements, Problems, Prospects - VI", held in April 2017.