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Books on the topic 'Series de televisión – Chile'

Author: Grafiati

Published: 4 June 2021

Last updated: 10 February 2022

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1

Martínez, Belén Puebla, Elena Carrillo Pascual, and Ana Isabel Íñigo Jurado. Ficcionando: Series de televisión a la española. Madrid: Editorial Fragua, 2012.

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2

Virino, Concepción Cascajosa, ed. La Caja Lista: Televisión norteamericana de culto. Barcelona, Spain: Laertes S.A. Ediciones, 2007.

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3

Liu, Fengsheng, and Guangyuan Ma. Yang ge hai zi bu rong yi: No easy to raise a child. Jinan Shi: Qi lu dian zi yin xiang chu ban she, 2017.

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4

Diccionario de series españolas de televisión: Los cien mejores títulos. Madrid: Cacitel, 2009.

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5

Kittsteiner, María Cristina Busquets. El Consejo Nacional de Televisión a la luz de las garantías constitucionales. 2nd ed. [Santiago, Chile]: Jurídica, 2011.

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6

Altamirano, Juan Carlos. Así, así se mueve don Francisco: Un estudio sobre Sábados gigantes y la televisión. [Santiago, Chile?]: ILET, 1987.

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7

Martínez, Luz. Bestiario de la televisión colombiana: Episodios insólitos en 60 años de historia. Bogotá, Colombia: Aguilar, 2014.

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8

La representación de las mujeres en el cine y la televisión contemporáneos. Barcelona: Laertes, 2010.

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9

Televisión y literatura en la España de la transición, 1973-1982. Zaragoza: Institución "Fernando el Católico", 2010.

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10

Hombres en serie: Construcción de la masculinidad en los personajes de ficción seriada española de televisión. Madrid: Editorial Fragua, 2013.

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11

El guión para series de televisión. Servicio de Publicaciones, 2012.

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12

Bestiario de la televisión Colombiana. Bogota, Colombia: Aguilar - Penguin Random House Grupo Editorial, 2014.

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13

La Mejores Series de la Historia de la Televisión. Madrid, Spain: Cacitel, S.L., 2008.

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14

Chile (Visual Geography Americas Series). Bancroft Sage Pub, 2011.

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15

Series de televisión y literatura: El poder de la ficción. España: Comuniter, 2015.

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16

Cohee, Allison. Your Child in Film & Television (Self-Counsel Reference Series). Self-Counsel Press, 2003.

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17

Fernando Ángel Moreno (coord.) y Víctor Miguel Gallardo Barragán (coord.). Yo soy más de series: 60 series que cambiaron la historia de la televisión (Spanish Edition). VÍCTOR MIGUEL GALLARDO BARRAGÁN, 2015.

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18

Sedlar, John Rivera. Great Chile Relleno Book (Great Books Series). Ten Speed Press, 2002.

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19

Chile: A Country Study (Area Handbook Series). 3rd ed. Dept. of the Army, 1994.

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20

Collins. Collins Argentina and Chile Map (Independent Travel Series). American Map Corp, 2002.

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21

Collins Argentina and Chile Map (Independent Travel Series). American Map Corp, 2002.

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22

Bitar, Sergio. Chile: Experiment in Democracy (Inter-American Politics Series). Inst for the Study of Human Is, 1986.

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23

Huesmann, L. Rowell. Television and the Aggressive Child: A Cross-National Comparison (Communication Series). Lawrence Erlbaum Associates, 1986.

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24

Liebert, Robert L., and Joyce Sprafkin. The Early Window: Effects of Television on Children and Youth (Pergamon General Psychology Series). 3rd ed. Allyn & Bacon, 1988.

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25

Liebert, Robert L., and Joyce Sprafkin. The Early Window: Effects of Television on Children and Youth (Pergamon General Psychology Series). Allyn & Bacon, 1988.

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26

Mercedes, Medina, ed. Series de televisión: El caso de "Médico de familia", "Cuéntame cómo pasó" y "Los Serrano". Madrid: Ediciones Internacionales Universitarias, 2008.

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27

Nicolson-Lord, David. Planet Earth: The Making of an Epic Series. BBC Books, 2007.

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28

Nishime, Leilani. Aliens. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252038075.003.0004.

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This chapter examines the visual exclusion of multiracial Asians. It also looks at television and film's overt use of multiracial tropes to signal utopic/dystopic futures. The science-fiction television series Battlestar Galactica follows the logic of post-race, wherein racial differences are acknowledged but then ignored. The show's narrative hinges upon the survival of a child, Hera, the bi-species and multiracial child of the cyborg Athena (Korean American actress Grace Park) and the human Helo (Euro-American actor Tahmoh Penikett). Hera's representation resonates with images of the multiracial children of servicemen from the Korean War and Vietnam War, images that tie Asian adoption to concerns about the role of the United States as global citizens and global police. Yet as the story continues, attention moves from the adoptive child to the interracial relationship of her parents. This movement mimics similar shifts in the ways the United States imagines itself in relation to Asia, and how it rewrites its neocolonialism through the celebration of gender-normative heterosexual romance. Hera's role in the series requires her to be symbolically present but physically absent to give coherence to a story that evolves from one of conflict and colonialism to a tale of highly gendered immigration and assimilation.

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29

Musters, George C. At Home with the Patagonians (Travellers, Explorers & Pioneers Series). Nonsuch Publishing, 2005.

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30

Chile 1910-1970 (The International Line-ups and Statistics Series). Soccer Books Ltd, 1999.

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31

Pascale, Celine-Marie. The Blue Corn Cookbook (Chile Pepper Cookbook Series, No 2). Out West Publishing, 1993.

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32

Chile 1971-1998 (The International Line-ups and Statistics Series). Soccer Books Ltd, 1999.

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33

Group, The Telecommunications Research. Trunking in Chile: A Strategic Entry Report, 1997 (Strategic Planning Series). Icon Group International, Inc., 2005.

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34

Group, The Chile Research. Executive Report on Strategies in Chile, 2000 edition (Strategic Planning Series). 2nd ed. Icon Group International, 2000.

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35

Arizmendi Correa, José Vicente. La televisión presidencialista en Colombia, 1954-1974. Editorial Pontificia Universidad Javeriana, 2021. http://dx.doi.org/10.11144/javeriana.9789587815979.

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Durante más de treinta años, la televisión colombiana padeció unos defectos de nacimiento y mala crianza que le impidieron desarrollarse y la convirtieron en un monstruo pesado y encerrado en sí mismo, centralista, inseguro y anticuado. A Colombia llegaron tarde la conexión a los satélites, las grabadoras de video, la televisión en color, los canales regionales y la libertad creativa para los generadores de contenidos. Por razones políticas, el país apostó infructuosamente a una fallida televisión educativa y cultural, un proyecto idealista e ingenuo que habría requerido cuantiosas fuentes de financiación con las que no se contaba. Los funcionarios gubernamentales tenían capacidad de escoger el tipo de telenovelas que debían producirse y hasta el estilo de las series estadounidenses que debían programarse. El origen de estos y otros males fue la relación malsana que se estableció desde un comienzo entre el medio y la Presidencia de la República. La televisión tardó más de tres décadas en cortar ese cordón umbilical que la ataba con el Poder Ejecutivo, una tara que surgió desde el momento en que aparecieron en pantalla las primeras imágenes.

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36

Group, The Packaging Research. Packaging Machinery in Chile: A Strategic Entry Report, 1997 (Strategic Planning Series). Icon Group International, Inc., 2005.

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37

Group, The Healthcare Research. Medical Equipment in Chile: A Strategic Entry Report, 1999 (Strategic Planning Series). Icon Group International, Inc., 2005.

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38

Group, The Telecommunications Research. Telecommunications Equipment in Chile: A Strategic Entry Report, 1995 (Strategic Planning Series). Icon Group International, Inc., 2005.

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39

The Consumer Products Research Group. Fitness Equipment in Chile: A Strategic Entry Report, 1997 (Strategic Planning Series). Icon Group International, Inc., 2005.

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40

Group, The Healthcare Research. Medical Equipment in Chile: A Strategic Entry Report, 1996 (Strategic Planning Series). Icon Group International, Inc., 2005.

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41

Group, The Telecommunications Research. Paging Equipment in Chile: A Strategic Entry Report, 1996 (Strategic Planning Series). Icon Group International, Inc., 2005.

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42

Group, The Packaging Research, and Packaging Research Group. Flexible Packaging in Chile: A Strategic Entry Report, 2000 (Strategic Planning Series). 2nd ed. Icon Group International, Inc., 2005.

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43

The Consumer Products Research Group. Pleasure Boats in Chile: A Strategic Entry Report, 1996 (Strategic Planning Series). Icon Group International, Inc., 2005.

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44

Group, The Manufacturing Research. Security Equipment in Chile: A Strategic Entry Report, 1995 (Strategic Planning Series). Icon Group International, Inc., 2005.

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45

Inc. Global Investment & Business Center. Chile: A Country Study Guide (World Country Study Guides Library Series, 35). 2nd ed. Intl Business Pubns USA, 2000.

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46

Group, The Telecommunications Research. Cellular Telecommunications in Chile: A Strategic Entry Report, 1996 (Strategic Planning Series). Icon Group International, Inc., 2005.

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47

Group, The Personal Care Research, and Personal Care Research Group. Cosmetics Industry in Chile: A Strategic Entry Report, 2000 (Strategic Planning Series). 2nd ed. Icon Group International, Inc., 2005.

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48

Group, The Personal Care Research. Cosmetics Industry in Chile: A Strategic Entry Report, 1996 (Strategic Planning Series). Icon Group International, Inc., 2005.

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49

Group, The Computers Research. Networking Software in Chile: A Strategic Entry Report, 1996 (Strategic Planning Series). Icon Group International, Inc., 2005.

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50

Group, The Construction Research. Building Products in Chile: A Strategic Entry Report, 1997 (Strategic Planning Series). Icon Group International, Inc., 2005.

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