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Relevant bibliographies by topics / Series:Indiana Jones (Moliterni)

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Academic literature on the topic 'Series:Indiana Jones (Moliterni)'

Author: Grafiati

Published: 26 July 2024

Last updated: 31 July 2025

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Journal articles on the topic "Series:Indiana Jones (Moliterni)"

1

Krasina, Elena A., Eugeniy S. Rybinok, and Alia Moctar. "Film Naming: Book Titles and Film Titles." RUDN Journal of Language Studies, Semiotics and Semantics 11, no. 2 (2020): 330–40. http://dx.doi.org/10.22363/2313-2299-2020-11-2-330-340.

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The studies of a film text as a polycoded textual phenomena involve the studies of its integral components, such as film story and screenplay, reflecting storyline or plot of a literary text that serves as a precedential text to filming and as an immediate constituent of a film itself. Film title combines the features of a book or story title and functions as a precedential phenomenon as well, but is an integral part of the process of film promotion and release, and in cinematographic sphere it’s of crucial importance. In fact, the original book or story titles used to change especially with t

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2

Kosmarski, A.A. "Between Indiana Jones and a doctor without borders: a problematization of the "field" in contemporary linguistics." Sociology of Power, no. 3 (June 7, 2021): 238–53. https://doi.org/10.22394/2074-0492-2021-3-238-253.

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This paper is devoted to the problematization of field linguistics, a discipline, as defined by A.E. Kibrik, which develops and practices methods of obtaining information about a language unknown to the researcher on the basis of working with the language’s speakers. We examine the discipline’s colonial genealogy (XVI-XIX centuries), the marginalization of field methods and the subdiscipline in linguistics of the 1960s and 1980s, due to the flowering ofstructural and generative linguistics, and the rediscovery of the field, already on a new level, due to the understanding of the ne

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3

Kiss, Ádám László. "The Stalinist Soviet Union in the Disney Animated Cartoon Tale Spin." Hungarian Journal of English and American Studies 29, no. 2 (2023): 430–54. http://dx.doi.org/10.30608/hjeas/2023/29/2/12.

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Abstract The Disney animated cartoon television series TaleSpin was released in 1990, at the end of a decade that started with an escalation of the Cold War between the United States and the Soviet Union, and ended in the abolition of nuclear weapons, which foreshadowed the eventual downfall of the USSR in 1991. This “adventure-plus comedy” American series successfully combines sources not only from within the studio (the 1967 Disney animated version of The Jungle Book), but also from adventure films outside the studio (Casablanca, Indiana Jones movies), and most interestingly, it weaves in a

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4

Kocurek, Carly A. "Becoming Lara." Feminist Media Histories 11, no. 3 (2025): 118–35. https://doi.org/10.1525/fmh.2025.11.3.118.

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Lara Croft is always young, trapped in a liminal age: young enough to be treated like a helpless girl but old enough to be eroticized as an object of sexual desire. This multimedia piece considers how and why Croft has stayed young throughout the Tomb Raider game and media franchise. Perpetual youth saves the character from the invisibility of middle age while simultaneously keeping her neatly framed by the male gaze. This project, “Becoming Lara,” proceeds from a single question: Who might Lara Croft become if she, like Indiana Jones, aged? This fictional magazine spread frames Croft as she m

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Michel Fariña, Juan Jorge. "Reseña de libro: El ojo maravilloso. (Des)encuentros entre psicoanálisis y cine." Ética y Cine Journal 7, no. 3 (2017): 79. http://dx.doi.org/10.31056/2250.5415.v7.n3.19628.

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<p>¿Es filmable el psicoanálisis? Ante la proliferación de películas y series que buscan recrear en la pantalla la figura de analistas y pacientes, la pregunta se torna ineludible. Para abordar esta delicada cuestión, a la vez clínica y estética, acaba de aparecer el libro más esperado: <em>El ojo maravilloso: (des)encuentros entre psicoanálisis y cine</em>. Fruto de una investigación rigurosa de décadas, la obra de Eduardo Laso viene a coronar su sólida formación en psicoanálisis, epistemología y ética, junto a su pasión por el cine. Docente durante muchos años de la cátedra

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Feisst, Debbie. "Everything Dinosaurs by B. Hoena." Deakin Review of Children's Literature 4, no. 1 (2014). http://dx.doi.org/10.20361/g27g8p.

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Hoena, Blake. Everything Dinosaurs. Illus. Franco Tempesta. Washington: National Geographic Society, 2014. Print.This colourful, glossy and magazine-like title in the National Geographic Kids’ Everything series will please almost any young would-be paleontologist. Written specifically for the 8-12 year old audience, it is chock full of photographs, images, facts, maps and activities expertly compiled by a large team of National Geographic staff. It has boldly designed graphics and as a high-interest non-fiction title, will appeal to reluctant readers.Children will enjoy the appealing images, b

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Lyons, Siobhan. "From the Elephant Man to Barbie Girl: Dissecting the Freak from the Margins to the Mainstream." M/C Journal 23, no. 5 (2020). http://dx.doi.org/10.5204/mcj.1687.

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Introduction In The X-Files episode “Humbug”, agents Scully and Mulder travel to Florida to investigate a series of murders taking place in a community of sideshow performers, or freaks. At the episode’s end, one character, a self-made freak and human blockhead, muses on the future of the freak community:twenty-first century genetic engineering will not only eradicate the Siamese twins and the alligator-skinned people, but you’re going to be hard-pressed to find a slight overbite or a not-so-high cheek bone … . Nature abhors normality. It can’t go very long without creating a mutant. (“Humbug”

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Nijhawan, Amita. "Mindy Calling: Size, Beauty, Race in The Mindy Project." M/C Journal 18, no. 3 (2015). http://dx.doi.org/10.5204/mcj.938.

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When characters in the Fox Television sitcom The Mindy Project call Mindy Lahiri fat, Mindy sees it as a case of misidentification. She reminds the character that she is a “petite Asian woman,” that she has large, beautiful breasts, that she has nothing in common with fat people, and the terms “chubbster” and “BBW – Big Beautiful Woman” are offensive and do not apply to her. Mindy spends some of each episode on her love for food and more food, and her hatred of fitness regimes, while repeatedly falling for meticulously fit men. She dates, has a string of failed relationships, adventurous sexua

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Books on the topic "Series:Indiana Jones (Moliterni)"

1

Indiana Jones et le secret de la pyramide. Shell, 1994.

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Steine, Meagan. Young Indiana Jones & the Mask of the Madman (Young Indiana Jones Chronicles Series)). Random House Childrens Books, 1999.

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3

Martin, Ann M. Indiana Jones and the Cult of the Mummy's Crypt (Find Your Fate Adventure Series: No. 7). Ballantine Books, 1986.

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4

Dodd, Kerry. Encountering Material Culture Through Archaeological Fiction. Bloomsbury Publishing Plc, 2024. http://dx.doi.org/10.5040/9781350367456.

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Investigating the representation of artefacts, objects and ‘things’ in a range of predominantly Western archaeological fiction from the late Victorian period to the modern day, this book examines the narratives through which humanity represents its own material heritage in relation to notions of enchantment, exhibition, estrangement, adventure, tourism and waste. Kerry Dodd asserts that comprehending the structures through which material culture is presented within archaeological media reveals the structures that transform an object from rubbish to relic. Calling upon such indicative literatur

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Book chapters on the topic "Series:Indiana Jones (Moliterni)"

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Wilk, Stephen R. "Indiana Jones and the Temple of Light." In Sandbows and Black Lights. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780197518571.003.0018.

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The notion has made its way into the public consciousness that there is a mystery about how the ancient Egyptians could have provided light deep in their rock-cut tombs for artisans who carved and painted the rock to work by. There is no evidence, this theory says, of soot or other residue from torches on the ceilings. Did the ancient Egyptians use electric lights? Or did they use a series of cascaded mirrors to direct light into tombs? In a similar vein, did the classical Roman Baths of Caracalla have mirrors to direct light into them?

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2

"Shadowy Reflections: Nazis, Commies and Uncle Sam in the Indiana Jones Series." In Crafting Media Personas. BRILL, 2016. http://dx.doi.org/10.1163/9781848884120_004.

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Seçmen, Emre Ahmet. "Dial of Destiny (2023) and Far From the Whole Indiana Jones." In Advances in Media, Entertainment, and the Arts. IGI Global, 2024. http://dx.doi.org/10.4018/979-8-3693-1958-1.ch005.

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Sequels are a form of narrative that the cinema industry can never give up. In order to ensure the integrity of these films, the fact that the producers, directors, writers and actors work as inseparably as possible is a way of being extremely reliable for both the makers of the film and the audience. The Indiana Jones (1981-1989) series, based on a story by director George Lucas and designed as three films under the direction of Steven Spielberg, continued production as two sequels in 2007 and 2023. The fifth film has a structure that is far from the main content in terms of content, cinemato

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4

Whitehead, Kevin. "The Jazz Musician (and Fan) as Character 1959–2016." In Play the Way You Feel. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190847579.003.0010.

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This short chapter looks at instances of jazz musicians as characters in mainstream entertainment after 1992. Unreliable narrators tell tall jazz tales, in the film The Legend of 1900 and on TV series The Young Indiana Jones Chronicles. Two jazz musicians save the day in Tom Hanks’s rock movie That Thing You Do! A jazz snob taunts a 1960s folk musician in the Coen brothers’ Inside Llewyn Davis. The discussion also reaches back to some earlier fiction films in which jazz luminaries Louis Armstrong, Duke Ellington, and Anita O’Day perform in incongruously modest venues—ending with Benny Golson’s

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Lupack, Barbara Tepa. "Introduction." In Silent Serial Sensations. Cornell University Press, 2020. http://dx.doi.org/10.7591/cornell/9781501748189.003.0001.

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This introductory chapter provides an overview of the serial motion picture. Typically two-reel action-packed films that ran for ten, fifteen, or more installments, serials often ended with a cliffhanger and a promise “to be continued next week.” Episodically structured and suspensefully plotted, they not only served as the precursors of the popular installment dramas and crime procedurals that have become staples of modern network and cable television programming; they also anticipated the extended incremental storytelling methods and “thrilling episodes of inescapable fatality and hair-breat

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