Academic literature on the topic 'Seti Monuments Architecture'
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Journal articles on the topic "Seti Monuments Architecture"
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Marian, Maria-Liliana. "THE TRADITIONAL MOLDOVAN DWELLING FROM THE SEC. XVIII-XX FROM THE PERSPECTIVE OF THE CONSTRUCTION MATERIALS AND SOLUTIONS USED." Journal of Social Sciences 4, no. 3 (2021): 71–78. http://dx.doi.org/10.52326/jss.utm.2021.4(3).08.
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The article represents a research of the traditional houses from the Republic of Moldova specific to the period XVIII - XX centuries. Life, always conditioned by life, is a major program that, in the vernacular architecture of the Republic of Moldova, plays the role of the function of continuity. The main objectives of this article are to bring in heritage practice, beneficial information, both for the historical monument and for architects, specialists and the general public interested in the future of heritage objects, locally or nationally and how they influence the factors of decision involved. The slow transformations, recorded over the last two thousand years, in which we distinguish evidence of its evolution, are the result of slow transformations, both of techniques and instructional materials, as well as of the specific occupations and way of life sec. XVIII - XX. Starting from the semi-buried dwellings, the surface houses with a single level, constituted the architectural solutions with the widest spread on the whole territory of the country, until the middle of the century. XX. The architecture of traditional residential buildings - plan, size and appearance - were influenced by physical, social, historical, geographical conditions, the natural environment and the specifics of the household. The knowledge of the architecture of the traditional house contributes to the reconstruction of some aspects of the ancient culture, inextricably linked to the problem of the continuity of the local population on these lands. In the architecture of the traditional house, the normative thinking, common at the technical level of the society, is combined with the adaptation to the individual requirements. The lack of this information, especially important for those interested in the fate of the architectural heritage, can cause serious damage to the historical monument, namely the loss of structural elements, functional and stylistic elements, elements of composition, volume and structure. The ambiguities can distort the real value of the monuments and even the loss of the value of architectural heritage, so the historical monument becomes vulnerable in the future.
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Tamáska, Máté. "Contrast as Aesthetic Value in the Townscape : Modernity and Preservation in the 1960s and 1970s in Hungary." socio.hu 10, Special Issue (2020): 75–94. http://dx.doi.org/10.18030/socio.hu.2020en.75.
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The 1960s and 1970s represent a period of housing estate construction in Europe, and this urban architectural model greatly affected the former socialist countries, including Hungary. It seems logical therefore that monument and townscape protection could not find its place in that period of building boom. Nevertheless, Hungarian monument protection flowered in those decades. The reason for this was that the search for “contrast” was one of the leading paradigms in modern urban aesthetics, and this contrast also highlighted development: the remaining architectural monuments and urban zones as relics emphasized the different characteristics of the modern town as opposed to the old one. Thus, while urban architects were working on creating the “new townscape”, experts of monument protection had a wide range of license in their field to preserve the historical milieu as a contrast to the modern one. Naturally, this historical milieu had the stamp of the aesthetical paradigms of modern architecture as well. Therefore the old houses were interpreted as the antitype of modern design, the static and rationality were stressed, instead of the decoration and social representation of old structures. This paper attempts to verify empirically the above thesis by analyzing three Hungarian sites: the completely reconstructed Budapest-Óbuda, Komárom as municipal center and semi-new town in the 1960s and 1970s, and Esztergom as a historical town.
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Delegou, Ekaterini T., Georgia Mourgi, Elisavet Tsilimantou, Charalabos Ioannidis, and Antonia Moropoulou. "A Multidisciplinary Approach for Historic Buildings Diagnosis: The Case Study of the Kaisariani Monastery." Heritage 2, no. 2 (2019): 1211–32. http://dx.doi.org/10.3390/heritage2020079.
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In this work, a multi-disciplinary approach regarding diagnostic study processes is presented, using as an example the Catholicon of Kaisariani Monastery in Attica, Greece. Kaisariani Monastery is considered one of the most important Byzantine architectural complexes in Greece. The Catholicon of Kaisariani Monastery was built during the middle Byzantine period, and has undergone many reconstructions during the centuries. It is a semi-complex, four-columned, cross-in-square church, with a cloisonné masonry. The suggested diagnostic processes included the creation of multidisciplinary thematic maps in Computer Aided Design (CAD) environment, which incorporated: (a) data of historical and architectural documentation; (b) data of geometric documentation; and (c) data of building materials characterization and decay diagnosis. The historical and general architectural data were acquired by thorough bibliographical/archival research. Geometric documentation data were acquired by three-dimensional (3D) laser scanner for the creation of the Catholicon section drawings, whereas image based photogrammetric techniques were utilized for the creation of a 3D textured model, from which orthoimages and architectural drawings of the Catholicon façades were developed. In parallel, characterization of building materials and identification of decay patterns took place after the onsite application of the nondestructive techniques of digital microscopy, infrared thermography and ground penetrating radar. These vast array kinds of data were elaborated and integrated into the architectural drawings, developing thematic maps that record and represent the current preservation state of the monument, a concerning major construction phases, the most important conservation intervention projects, building materials and decay. Furthermore, data quantification regarding the extent of building materials and decay at each monument’s façade took place. Therefore, correlation and better understanding of the environmental impact on building materials according to façade orientation and historical data, e.g., construction phases, was accomplished. In conclusion, the presented processes are multidisciplinary tasks that require collaboration among architects, surveyor engineers and materials scientists/engineers. They are also prerequisites for the planning and application of compatible and efficient conservation/restoration interventions, for the ultimate goal of the sustainable protection of a monument.
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Susilowati, Nenggih. "Ukiran Motif Kerawang Gayo, Gambaran Seni Kriya Kayu yang Nyaris Hilang." Berkala Arkeologi Sangkhakala 12, no. 23 (2018): 64–79. http://dx.doi.org/10.24832/bas.v12i23.205.
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AbstractAs the time flow, Gayo people hadn’t built the traditional houses yet. Around late 19 to begin 20 century, the old building known as archaeological remains that had to be conservated. The architectured or it’s carved indicated the culture development of the past. That building also had known as a monument which indicated that at that time there’s an artistic skill and the glory of its art.
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Zeballos-Velarde, Carlos, Carlos Rodriguez Quiroz, Daniel Herrera Bustinza, and Edwin Rios Pacheco. "Surveying Heritage with Affordable Yet Accurate Methods. A Study Case from Agrequipa, Peru." International Journal of Environmental Science & Sustainable Development 5, no. 1 (2020): 14. http://dx.doi.org/10.21625/essd.v5i1.714.
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One of the key aspects to keep adequate management and preservation of the built heritage is to maintain an adequate registry of the monuments. In many cases, state-of-the-art technologies are being used to develop accurate and rapid surveys, which utilize sophisticated high-cost equipment. However, in developing countries that possess a rich heritage, many of these technologies are beyond the reach of their possibilities, having to rely on manual, inefficient and inaccurate systems that are still used.This research shows several alternatives of relatively low-cost techniques that allow a reliable data collection of built heritage, without losing the richness of the details of the historical architecture. To do this, a comparison is made between different methods of manual, semi-automatic and automatic data collection, analyzing their costs and benefits. Subsequently, a comparative survey is carried out using the most efficient and affordable methods, proposing a methodology that leads to the improvement of surveys in historical buildings without this entailing a significant increase in costs.
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Amelina, Svitlana M. "Aufgabentypen bei der Didaktisierung von Materialien zu den Spuren der deutschen in der Geschichte von Kiew." Освітній вимір 54, no. 2 (2020): 7–19. http://dx.doi.org/10.31812/educdim.v54i2.3851.
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The article is devoted to the problem of didactization of linguistic and historical materials about the activities of German immigrants in the territory of Kyiv. The main focus is on the choice and justification of the types of tasks for using these materials during German classes. It is determined that semi-open and open types of tasks are optimal in the process of didactization of these materials. A number of tasks have been developed on the basis of materials on the contribution of German architects to the design and construction of recognized architectural monuments of Kyiv. It has been found that the proposed assignments are appropriate to use for students at B1 + level in accordance with the Common European Guidelines for Language Education. The developed tasks are based on the following principles: communicative orientation, activity orientation, intercultural sensitization, and scaffolding.
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Good, Robert. "Double staircases and the vertical distribution of housing in Venice 1450–1600." Architectural Research Quarterly 13, no. 1 (2009): 73–86. http://dx.doi.org/10.1017/s135913550999011x.
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This paper presents changes in the vertical circulation and organisation of merchant palaces, and their influence on multi-family architecture in Venice from 1450 to 1600. Just prior to this period buildings underwent a substantial change in the vertical distribution of floors; this marked the transfer of the commercial-residence casa fondaco prototype into a more complex multi-level building with two semi-autonomous piani nobili palatial apartments. The resulting vertical expansion led to a departure away from the external courtyard staircase as the primary means of vertical circulation. Many Late Gothic palatial buildings incorporated double courtyard staircases that provided individual access to each palatial apartment. However, this scheme consumed a great deal of developable land resulting in the widespread utilisation of interior monumental dog-leg staircases by the Early Renaissance. This simplified internal staircase fitted cleanly into the existing structural logic of both new and remodelled palace buildings.
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Markiewicz, Jakub, Sławomir Łapiński, Patryk Kot, et al. "The Quality Assessment of Different Geolocalisation Methods for a Sensor System to Monitor Structural Health of Monumental Objects." Sensors 20, no. 10 (2020): 2915. http://dx.doi.org/10.3390/s20102915.
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Cultural heritage objects are affected by a wide range of factors causing their deterioration and decay over time such as ground deformations, changes in hydrographic conditions, vibrations or excess of moisture, which can cause scratches and cracks formation in the case of historic buildings. The electromagnetic spectroscopy has been widely used for non-destructive structural health monitoring of concrete structures. However, the limitation of this technology is a lack of geolocalisation in the space for multispectral architectural documentation. The aim of this study is to examine different geolocalisation methods in order to determine the position of the sensor system, which will then allow to georeference the results of measurements performed by this device and apply corrections to the sensor response, which is a crucial element required for further data processing related to the object structure and its features. The classical surveying, terrestrial laser scanning (TLS), and Structure-from-Motion (SfM) photogrammetry methods were used in this investigation at three test sites. The methods were reviewed and investigated. The results indicated that TLS technique should be applied for simple structures and plain textures, while the SfM technique should be used for marble-based and other translucent or semi-translucent structures in order to achieve the highest accuracy for geolocalisation of the proposed sensor system.
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Russo, M., and G. Heide. "Shell rings of the southeast US." Antiquity 75, no. 289 (2001): 491–92. http://dx.doi.org/10.1017/s0003598x00088591.
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Shell rings are circular and semi-circular deposits of shell (mostly oyster, Crassostrea virginica), faunal bone, artefacts and soil constructed along the Florida, Georgia and South Carolina coasts of the southeastern United States.Rings in Georgia and South Carolina date to c. 4200–3200 BP and range in size from 1 to 3 m tall and 22 to 83 m across. These little-studied sites have been suggested to be the remains of gaming arenas, astronomical observatories, torture chambers, houses of state, and fish traps. Most archaeologists view the sites as the subsistence remains of egalitarian hunter/fisher encampments. The rings’ generally symmetrical, circular shapes are seen as reflective of the equal status among their societal members wherein no individual or family held a unique or favoured position over another. The general absence of exotic or prestige artefacts, elaborate burials and ceremonial mounds has reinforced the concept that these Late Archaic shell rings reflect rudimentary hunter/fisher cultures. Ironically, shell rings have also been cited as the earliest evidence for the rise of hierarchical social development in North America (Russo 1991; Russo & Saunders 1999). Shell rings have yielded evidence of the earliest permanent year-round occupations, the earliest development of pottery and the earliest examples of large-scale monumental architecture. Consequentially the function of shell rings remains an open question.
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Mikheienko, K. "Arched gables (zakomara) temple of the ХІІ century. Regional traditions". Research and methodological works of the National Academy of Visual Arts and Architecture, № 27 (27 лютого 2019): 33–43. http://dx.doi.org/10.33838/naoma.27.2018.33-43.
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Speaking about an originality of the early stages of development of Ancient Rus architecture in comparison with Byzantine architecture, the first thing mentioned is the usage of several domes. However, the decorative arched gables (zakomara), that became attribute of Ancient Rus arched gables temple, yet unknown in Byzantium, are almost not being mentioned. St. Sofia Cathedral in Novgorod represents the initial formation stage of such type of temple (A. Komech). The earliest decorative arched gable (zakomara) found has been preserved in this Novgorod cathedral. The process of formation of the arched gables temple happened in Kyiv in the second half of the ХІ century. St. Michael's Golden-Domed cathedral and Trinity gateway church of the Pechersk monastery in Kyiv are indicative of complete forms of arched gables temple. These two temples were constructed almost at the same time at the beginning of the ХІI century, but they represent the initial stages of different directions of the arched gables temple development. Both temples have one dome. But St. Michael's Cathedral has the form of a parallelepiped, statics of which is emphasized on the meander located at the level chorus (but for the east apses) and also horizontal ranks of windows and niches on all its facades. Trinity church has a vertical volume without any horizontal partitioning. Temples, similar in composition to Dormition cathedral of the Pechersk monastery and St. Michael's Golden-Domed cathedral in Kyiv, were built in Chernihiv at the first quarter of the ХІІ century. Chernihiv temples, unlike Kyiv temples, were built only from brick in the «оpus isodos» building technique, using Romanesque structural components and decorative elements (cross vaults, semi-columns on lesenes, lombard band, perspective portals). In Novgorod after completion of the St. Sophia cathedral the tradition of stone construction was renewed at the beginning of the ХІІ century. The remained Novgorod temples of this period have complete arched gables forms with vertical layout of the volumes and several domes. During the XІІ century, there are two kinds of the Novgorod variant of the zakomara temple in Pskov and Staraya Ladoga. Walls of the Novgorod, Pskov, and Staraya Ladoga temples were built in mixed building technique from brick and stone. In the Vladimiro-Suzdalsky principality from the middle of the XІІ century, the temples presented a connection of several composite variants of the arched gables type and other options of the Romanesque building technique (hewn quadrants of limestone) and the Romanesque decorative elements. The Chernihiv variant of arched gables temple became interregional, but kinds of Novgorod variant and Vladimiro-Suzdal variant were local. Temples, similar to the Chernihiv temples, were built in Kyiv, Kanev, Vladimir-Volynsk, Smolensk, Pereiaslav from the second quarter of the ХІІ century. This variant of arched gables temple prevailed until the end of the XІІ century when it was displaced by a new interregional tower-shaped temple type with the step raised arches. Arched gables temple represented the main way of development of Ancient Rus architecture of the XІІ century, but there were other traditions which are presented by single remained or partially remained monuments.
Dissertations / Theses on the topic "Seti Monuments Architecture"
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Brand, Peter James. "The monuments of Seti I and their historical significance epigraphic, art historical and historical analysis /." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk2/tape17/PQDD_0009/NQ35116.pdf.
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González, Gil Emma. "El Recinto templario de Sethy I en Abydos: Aspectos arquitectónicos, simbólicos e iconográficos adscritos a los cultos divinos escenificados en el templo de Sethy I." Doctoral thesis, Universitat de Barcelona, 2016. http://hdl.handle.net/10803/397700.
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Esta tesis expone la historia del yacimiento de Abydos y su relevancia como cen-tro religioso y místico hasta la época romana. Al mismo tiempo, presenta la cró-nica de todos aquellos personajes que visitaron el templo de Sethy I, ubicado en este enclave, desde la antigüedad y hasta finales del siglo xix, dejando constancia de su paso en distintas publicaciones llenas de comentarios y apreciaciones. La información se complementa con la exposición de todas las actuaciones arqueo-lógicas y demás intervenciones realizadas en el santuario a partir del siglo xx hasta la actualidad. A continuación, se lleva a cabo una descripción del recinto templario de Sethy I haciendo hincapié en sus aspectos arquitectónicos, simbó-licos e iconográficos adscritos a los cultos representados en los diferentes sectores que componen este edificio sagrado. A partir de los elementos constitutivos del mismo y de la gran relevancia mística del lugar con Osiris, se establecen toda una serie de hipótesis focalizadas en el singular aspecto que presenta el templo, así como en la finalidad última de su construcción asociada al Osireion.
De este modo, el primer capítulo se centra en la presentación del yacimiento de Abydos en su conjunto, así como en el desarrollo del enclave, a nivel religioso, durante toda la historia del antiguo Egipto hasta la presencia del mundo romano. Un segundo capítulo versa acerca de Osiris y su estrecha vinculación con Abydos, destacando en los ritos mistéricos. El tercer capítulo presenta, de modo sucinto, al artífice del templo, así como su época, además de destacar la importancia que Sethy I otorgó a su templo abydiense. El cuarto capítulo expone la historia de las investigaciones del santuario de Sethy I en Abydos y su redescubrimiento.
Una vez establecida la historia del templo, así como las actuaciones realizadas para su recuperación, los capítulos quinto y sexto se centran en la exposición e interpretación de los aspectos arquitectónicos, simbólicos e iconográficos que ofrece el recinto templario. Un último capítulo, el séptimo, recoge las conclusio-nes generales focalizadas en la finalidad última de este espacio sagrado, además de aportar toda una serie de premisas sobre la envergadura del rito osiriaco aso-ciado al soberano, así como sus implicaciones.<br>This thesis presents the history of the site of Abydos and its relevance as a religious and mystical center until Roman times. At the same time, it presents the chronicle of those personages who visited the temple of Seti I, located in this enclave, from ancient times until the end of the nineteenth century, leaving evidence of their presence in various publications full of comments and insights. The information is supplemented by the exposure of the all archaeological actions and other interventions carried out in the sanctuary from the twentieth century to the present.
Then it carried out a description of the Templar enclosure of Sethy I emphasizing its architectural, symbolic and iconographic aspects attached to the cults represented in the various sectors that make up this sacred building. From the constituent elements of the temple and the great mystical significance of the place with the god Osiris, a number of hypotheses focused on the singular aspects presented by the temple and with the ultimate purpose of its construction associated with the Osireion.
Thus, the first chapter focuses on the presentation of the site of Abydos as a whole as well as in the development of the enclave, a religious level, throughout the history of ancient Egypt to the presence of the Roman world. A second chapter is about Osiris and his close ties with Abydos, highlighting the mystery rites. The third chapter presents succinctly, the architect of the temple, as well as his time, in addition to highlighting the importance of Seti I for his Abydos’s temple. The fourth chapter presents the history of investigations of the sanctuary of Seti I at Abydos and its rediscovery.
Once established the history of the temple and the action taken for his recovery, the fifth and sixth chapters focus on the presenting and interpretation of architectural, symbolic and iconographic aspects offered in the temple.
A last chapter, the seventh, sets out the general conclusions focused on the ultimate objective of this sacred space, in addition to providing a range of assumptions about the importance of the Osirian rite associated with the sovereign, and its implications.
Books on the topic "Seti Monuments Architecture"
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Schmidt, Klaus. Göbekli Tepe: A Neolithic Site in Southeastern Anatolia. Edited by Gregory McMahon and Sharon Steadman. Oxford University Press, 2012. http://dx.doi.org/10.1093/oxfordhb/9780195376142.013.0042.
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This article discusses findings from excavations at Göbekli Tepe. Though only partially excavated, it has become increasingly obvious that these findings may contribute significantly to our understanding of the transition from a subsistence pattern based exclusively on hunting and foraging at the end of the Pleistocene to the appearance of agriculture and animal husbandry in the course of the early Holocene. Göbekli Tepe is unique not only in its location on top of a hill and in its monumental architecture, but also its diverse set of objects of art, ranging from small stone figurines, through sculptures and statues of animals, to decorated megaliths, all of which set it apart. The most characteristic feature of the monuments of Göbekli Tepe are the monumental T-shaped pillars. These are arranged in round or oval enclosures, always with a pair of free-standing pillars in the center. It is highly probable that the T-shaped pillars are meant to represent anthropomorphic beings.
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Garipzanov, Ildar. Public Monuments and the Monogrammatic Display of Authority in the Post-Roman World. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198815013.003.0007.
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This chapter examines the monogrammatic display of authority in public buildings, and churches in particular—a practice that was established in the sixth century—and sets the three most influential architectural examples of that tradition in Constantinople within their contemporary Byzantine political and cultural contexts, namely St Polyeuktos, Sts Sergius and Bacchus, and Hagia Sophia. The final section of this chapter examines the continued use of personal monograms on capitals, chancel screens, and mosaics by early Byzantine emperors, as well as the appropriation of that imperial practice by early medieval ecclesiastical hierarchs in various parts of the post-Roman world—such as Constantinople and several cities in Asia Minor, Tomis in Romania, Zvart’nots in Armenia, Rome and Ravenna in Italy, as well as Grado, Porec, and Solin in the North Adriatic.
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Urquízar-Herrera, Antonio. Conquest and Plunder. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198797456.003.0002.
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Chapter 1 explores the discourse underlying the medieval interpretation of Islamic monumental architecture. The interaction between the idea of buildings as trophies and the tension surrounding their potential destruction, conservation, and transformation offers a convenient framework for subsequent analysis of the strategies behind the appropriation of the surviving edifices. The chapter sets out the general background by way of a review of the writings of Ambrosio de Morales in relation to the Christian architectonic transformation of Córdoba Mosque. Then, Rodrigo Jiménez de Rada and his medieval idea of restoration as applied to the Christian conquest of Islamic Spain, as well as its consequences in the Humanist interpretation of Islamic buildings, are explained.
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Gensheimer, Maryl B. An Introduction to Baths in Rome and Methodologies of This Study. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190614782.003.0001.
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Given the fundamental importance of baths to daily life in ancient Rome, this chapter introduces the book and concentrates attention on the best preserved of Rome’s imperial thermae, the Baths of Caracalla, in order to unveil the cultural and sociopolitical forces that shaped monumental public spaces and their visual experience. By outlining the Baths’ architectural design and evocative decoration, this chapter foreshadows new insights into the multiple meanings underlying their embellishment and, therefore, the myriad ways in which imperial patronage can be understood. The chapter sets the stage by examining the importance of baths and bathing in ancient Rome generally before delving into the patronage of Rome’s imperial thermae and the Baths of Caracalla more specifically. Special attention is given to tracing the Baths of Caracalla’s ancient design and more modern history of excavation, as well as situating the author’s arguments and aims within recent scholarly contributions.
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Ray, Keith, and Julian Thomas. Neolithic Britain. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198823896.001.0001.
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The Neolithic in Britain was a period of fundamental change: human communities were transformed, collectively owning domesticated plants and animals, and inhabiting a richer world of material things: timber houses and halls, pottery vessels, polished flint and stone axes, and massive monuments of earth and stone. Equally important was the development of a suite of new social practices, and an emphasis on descent, continuity and inheritance. These innovations set in train social processes that culminated with the construction of Stonehenge, the most remarkable surviving structure from prehistoric Europe. Neolithic Britain provides an up to date, concise introduction to the period of British prehistory from c. 4000-2200 BCE. Written on the basis of a new appreciation of the chronology of the period, the result reflects both on the way that archaeologists write narratives of the Neolithic, and how Neolithic people constructed histories of their own. Incorporating new insights from the extraordinary pace of archaeological discoveries in recent years, a world emerges which is unfamiliar, complex and challenging, and yet played a decisive role in forging the landscape of contemporary Britain. Important recent developments have resulted in a dual realisation: firstly, highly focused research into individual site chronologies can indicate precise and particular time narratives; and secondly, this new awareness of time implies original insights about the fabric of Neolithic society, embracing matters of inheritance, kinship and social ties, and the 'descent' of cultural practices. Moreover, our understanding of Neolithic society has been radically affected by individual discoveries and investigative projects, whether in the Stonehenge area, on mainland Orkney, or in less well-known localities across the British Isles. The new perspective provided in this volume stems from a greater awareness of the ways in which unfolding events and transformations in societies depend upon the changing relations between individuals and groups, mediated by objects and architecture. This concise panorama into Neolithic Britain offers new conclusions and an academically-stimulating but accessible overview. It covers key material and social developments, and reflects on the nature of cultural practices, tradition, genealogy, and society across nearly two millennia.
Book chapters on the topic "Seti Monuments Architecture"
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Laurìa, Antonio, Valbona Flora, and Kamela Guza. "Three villages of Përmet: Bënjë, Kosinë and Leusë." In Studi e saggi. Firenze University Press, 2020. http://dx.doi.org/10.36253/978-88-5518-175-4.01.
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Part I of the book focusses on three villages in the Municipality of Përmet: Bënjë, Kosinë and Leusë. Bënjë, which lies entirely within the "Bredhi i Hotovës - Dangëlli" National Park, has undergone anthropization processes since prehistoric times. Due to its landscape and architectural value, it was recognised in 2016 as a “historical centre” and as such has come under the protection of the National Institute for the Cultural Heritage. There is little information concerning the history of Kosinë. The inhabitants show a strong connection with the Byzantine Church of the Dormition of Mary, but regrettably, it was impossible to go back to the origins of the current settlement. The village of Leusë, instead, existed before 1812, the year in which the Church of the Dormition of Mary was built. Today, the image of the village is a consequence of the partial reconstruction occured after the severe damage suffered during World War II. In the first chapters, the importance of the intangible heritage is stressed. Përmet’s food heritage is well-known on a national scale for its typical products (spirits, fruit preserves, dairy, meat, honey and bakery products), which result from the favourable climatic conditions and the rich biodiversity of the area. The tradition of the Tosk iso-polyphony, the hospitality of Përmet inhabitants and their historical devotion to religion, knowledge and study emerge with great strength together with the craftsmanship traditions and the exceptional skills of the itinerant and seasonal master builders. In the following chapters, the multiple aspects of the tangible heritage are analysed. The landscape in Përmet includes a vast variety of habitats, which have preserved to a large extent their original qualities. It is deeply marked by the Vjosa River and other several minor watercourses that crisscross the territory. A special attention is given to the historical built heritage of the villages, and specifically to three architectural assets (all listed as category I Cultural Monuments): the Katiu Bridge in Bënjë (an Ottoman bridge of the 18th century), the Church of the Dormition of Mary in Leusë (a Post-Byzantine building of the 19th century), and the Church of the Dormition of Mary in Kosinë (a Byzantine building of the end of the 12th century). For each of the aforementioned issues, the theoretical and historical analysis are closely bound to an evaluation of those features of the cultural heritage that could be enhanced to guarantee a sustainable tourism development of the area. Each chapter ends with a consistent set of specific intervention strategies. They are substantive tools for action aimed at public and private local actors.
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Shokoohy, Mehrdad, and Natalie H. Shokoohy. "Mansions, Semi-public Buildings and Later Monuments." In Bayana. Edinburgh University Press, 2020. http://dx.doi.org/10.3366/edinburgh/9781474460729.003.0009.
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Antecedents of the forms of mansions and semi-public buildings associated with Mughal architecture are seen decades earlier in Bayana. Examples surveyed and discussed include the Governor’s Mansion in the Fort, where architectural restraint is evident, to befit the status of the owner; a religious structure in Bayana town, possibly a Sufi khānaqāh; the La‘l Darwāza, a gateway in the Lodī garden city of Sikandra; the Imārat-i Bādgīr in the Fort (the Pavilion of Muḥammad Bakhshī) a forerunner of the multi-tiered pavilion of Fathpur Sikri; and two Jāt mansions, one in the Citadel and the other outside Bayana town.
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Thomas, Edmund. "Patrons and the Monumentality of Architecture." In Monumentality and the Roman Empire. Oxford University Press, 2007. http://dx.doi.org/10.1093/oso/9780199288632.003.0013.
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Architectural symbolism explains monumentality for only a small number of religious or imperial buildings, in their representations of the divine and the cosmic, or their insinuation of the semi-divine nature of the emperor. But for the majority of patrons of public buildings under the Roman Empire monumentality was not tied to such concepts, but was expressed on a more human level. Architecture contributed to the public image of individual patrons in the same way as did other ‘status symbols’. A Roman aristocrat’s house was a public monument; by contrast, the house of a disgraced man was destroyed. In what follows, I shall argue that the forms of architecture used in public as well as private buildings played an important role in promoting an owner’s social identity, and that they did so because of the ideas they embodied. For Seneca, the squared stone construction of the villa of Scipio Africanus at Liternum, with ‘towers raised on all sides to defend it’, was a physical embodiment of the idea that ‘a man’s home is his castle’. In the same way, the frequent mosaic pattern in private houses at Pompeii and other Roman colonies, especially in southern Gaul and northern Italy, of a labyrinth set within a walled circuit (Fig. 72), had a metaphoric purpose: it signalled that the house was both exclusive and impregnable, the work of a Daedalus-like master architect, and, as the aedificatio of the owner, a statement of his social rank. Because such a mosaic pattern could only be fully comprehended from the top of the building, preferably a high one, it had an inherent association with monumental architecture. Cicero chose a portico on his estates for its ‘dignity’ and a vault for its honour, while the younger Pliny in his villas at Laurentum and Tusci relished forms that he had ‘begun [himself ] or, if already begun, brought to completion and thoroughly adorned’; they included a white marble stibadium, a ‘tetrastyle’ arbour of cipollino columns, and a topiary of box which, like a monumental inscription, spelled his name and that of his architect.
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Sklair, Leslie. "Two Types of Iconic Architecture." In The Icon Project. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190464189.003.0007.
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The debate around iconic architecture has been undermined by the general failure to recognize that there are and probably always have been two forms of iconicity in terms of fame and symbolic/ aesthetic significance. These are (1) unique icons (buildings recognized as works of art in their own right) and (2) typical icons (buildings successfully copying elements of unique icons). My argument in this book is that the transnational capitalist class mobilizes these two distinct but related forms to promote an ideological message, identified here as the culture-ideology of consumerism. This is what I mean by the Icon Project. The rise of iconic architecture can be explained in parallel with the decline of monumental architecture. Since the end of the Second World War and the defeat of the fascist dictatorships in Europe and Japan, debate around monumentality as a public expression of architectural representation has moved on to new ground. Although it has by no means disappeared (conflating monumental with iconic is common), bombastic monumentality has become increasingly discredited as an architectural strategy for those in power. The breakup of the Soviet empire in the 1990s and the creation of new regimes in post-Soviet Eastern Europe and central Asia added some further, often contradictory, elements to the debate (Molnar 2013). Gradually, architectural iconicity began to replace monumentality as the central motif in these discussions. This chapter sets out to show how architectural iconicity has been socially produced by the corporate fraction of the transnational capitalist class in architecture and has begun to replace monumentality as a marker of the global hegemony of the dominant class. Iconicity in architecture (or indeed in any other field of endeavour) does not simply happen; it is the end result of deliberate practices created by specific people working in specific institutions. Architects often recall the local architectural icons of their childhood. Formal or informal socialization into the field of architecture appears to involve the recognition of architectural icons at all levels, brought to attention not only by teachers and mentors but also by the professional media of architecture and the general coverage of economic, political, and cultural news involving architecture and urban design in the mass media.
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Thomas, Edmund. "Principles of Monumental Form in Antiquity." In Monumentality and the Roman Empire. Oxford University Press, 2007. http://dx.doi.org/10.1093/oso/9780199288632.003.0010.
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Roman buildings are among the most impressive and conspicuous legacies of the ancient world. To the millions who visit their ruins and reconstructed forms every year they are an absorbing and fascinating sight, not only because of their physical size and beauty as works of art, but for their historical value as a suggestive reminder of the past. For Edward Gibbon, these architectural remains were evidence of cultural and economic prosperity and supported his conclusion that: ‘[i]f a man were called to fix the period during which the condition of the human race was most happy and prosperous, he would without hesitation name that which elapsed from the death of Domitian [AD 96] to the accession of Commodus [AD 180].’ Since Gibbon’s time, excavation and scholarly analysis have reinforced this impression. Most regions within the Roman Empire have produced archaeological evidence of imposing buildings from this period. Foundations, scattered finds of building materials and architectural decoration, and building inscriptions, together suggest that the volume of buildings erected at this time was substantially greater than the surviving structures might suggest. This book is about Roman monumental architecture erected under the Antonine emperors, particularly during the reigns of Antoninus Pius (AD 138–61) and Marcus Aurelius (AD 161–80). Although there have been many individual regional and site studies, there has never been a general synthesis which evaluates the architecture of the Antonine period as a whole in the light of the increasing quantity of evidence. The present book does not aim to provide that synthesis in the manner of a conventional art-historical analysis of forms and styles. Nor does it set out to analyse the technologies and materials of Roman buildings, the logistics or practicalities of their construction, or the processes of their design, aspects which have been well studied in recent years. It attempts, rather, to consider the significance of the architecture of this period for contemporaries. Its focus is the question of architectural meaning. In the ancient world, buildings were not only a backdrop and setting for social interaction but also a form of social language.
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Miele, Chris. "E. A. Freeman and the Culture of the Gothic Revival." In Making History. British Academy, 2015. http://dx.doi.org/10.5871/bacad/9780197265871.003.0008.
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This essay looks at E. A. Freeman’s involvement in the Oxford Architectural Society, which provided him with the platform to develop as an architectural historian and writer. The varied interests of the OAS influenced Freeman’s approach to the history of medieval architecture alongside Thomas Arnold’s new philosophy of history. This contribution is set against the backdrop of Oxford in the 1840s and the rapid changes the City and University were experiencing. The OAS also provided Freeman with the opportunity to meet architects and even to act as a client in the restoration of Dorchester Abbey, which the OAS promoted from 1846, eventually using William Butterfield as architect. This experience encouraged Freeman to write about the theory of monument care, which is perhaps his most enduring contribution to the culture of the Gothic Revival.
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Thomas, Edmund. "General Conclusion." In Monumentality and the Roman Empire. Oxford University Press, 2007. http://dx.doi.org/10.1093/oso/9780199288632.003.0025.
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Lucian’s architectural descriptions reveal the moral and cultural pressures that were exerted on new building in the age of the Antonines. Legendary archetypes such as the Persian king’s golden plane tree and the palaces of Homeric epic offered a yardstick by which the monumentality of future buildings could be measured. But they also warned builders of the limits to be avoided. On the one hand, to make its mark in history, monumental architecture needed to exhibit a grandeur, exuberance, and brilliance that would inspire spectators with awe; on the other hand, there was perceived to be something ‘uncivilized’ about buildings which set out only to impress and which reduced viewers to irrational beings. Antonine architecture wanted to be seen as more ‘cultivated’ than that, and to appeal to viewers’ humanity and culture. There was a real dilemma here, one which has preoccupied many subsequent periods of architectural history: if the architecture of the past set the standard of monumentality, how truly ‘monumental’ could the buildings of the modern age be? Older works seemed ‘larger’ than new ones because they inspired more noteworthy memories. To Marcus Piso in the late Republic, the new Sullan senate-house seemed, despite its greater height, ‘smaller’ than its ancient predecessor, the Curia Hostilia, which, when he looked at it, brought him visions of famous senators of the past. Modern buildings, which, by definition, lacked associations, could, it seemed, only make an impression by being more imposing and on a scale too large to invite direct comparison; but, in that, they ran the risk of appearing inhuman. For example, the very first work of Antoninus Pius’ reign, the Tomb of Hadrian, produced a clear impression of monumental scale. The bronze chariot on the summit was said to be ‘so large . . . that a very fat man would be able to pass through the eye of each horse, but, to men on the ground, the horses and statue of Hadrian still look very small, because of the extreme height of the construction’.
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Potts, Charlotte R. "Conclusions." In Religious Architecture in Latium and Etruria, c. 900-500 BC. Oxford University Press, 2015. http://dx.doi.org/10.1093/oso/9780198722076.003.0016.
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This book began by stating that histories of religious architecture can be accounts of both buildings and people. This particular history, focused on the archaeological evidence for the development of cult buildings in early central Italy, has reconsidered traditional narratives about the form and function of Etrusco-Italic religious architecture and proposed an alternative reconstruction of how their architects and audiences may have interacted with one another in Rome, Latium, and Etruria between the ninth and the sixth centuries BC. Comparison with the construction of monumental temples elsewhere also indicated that settlements including Rome, Satricum, Pyrgi, and Tarquinia can perhaps be considered part of a network of Archaic Mediterranean settlements with material, commercial, and religious connections, and that monumental architecture may have been a mechanism for successful social interaction. This study has therefore supported the suggestion that the physical and social fabric of ancient communities were closely linked, and that regional studies of Latium and Etruria may furthermore benefit from being set in Italic and Mediterranean contexts. This concluding chapter briefly recapitulates the arguments made in the main body of the book and the significance of each of those arguments for studies of ancient architecture and society. It also assesses how these findings relate to broader debates about Archaic Italy. Finally, it acknowledges the limitations of this analysis and highlights opportunities for future research. Part I of this book demonstrated that ancient religious architecture was a protean phenomenon. Three chapters analysed the ambiguous evidence for Iron Age sacred huts, the range of different buildings types associated with ritual activities in the seventh century BC, and the emergence of a separate architectural language for religious buildings during the Archaic period. Detailed analyses of foundations and roofs revealed that as changes in technology and society led to the widespread use of more permanent building materials, the physical fabric of central Italic settlements was also increasingly marked by the use of particular architectural forms and decorations to differentiate cult buildings from other structures, setting them apart in a form of architectural consecration.
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Thomas, Edmund. "Buildings, Politics, and the Monumentality of Antonine Cities." In Monumentality and the Roman Empire. Oxford University Press, 2007. http://dx.doi.org/10.1093/oso/9780199288632.003.0016.
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We have seen how the forms of individual buildings under the Antonines reflected the desires of patrons or architects to achieve what we might call ‘monumentality’, often at the expense of other, less imposing buildings around them. But as these were public buildings they also reflected on the dignity of the city. Every town in the Roman Empire was an amalgam of many different single constructions that each represented the aspirations of their builders. So how far did entire Roman cities possess ‘monumentality’ in their own right, and how much did individual monumental buildings contribute to it? Did the monumentality of the city amount to more than the sum of its parts? And to what extent did monumental architecture, which for individual patrons and architects involved self-assertion and rivalry with others, express a spirit of inter-city rivalry that threatened the unity of Empire? Buildings have political meaning in many ways. Various facets of the political aspect of architecture in the ancient world have been set out by Wolfgang Sonne. First, the erection of a public building is itself a political and public activity, because it is a highly visible process and involves large numbers of workmen. The impact of this factor on popular awareness of architecture is often neglected, but the monuments of contractors employed during the building boom in Flavian and Trajanic Rome suggest that the physical aspects of construction, such as huge cranes and scaffolding structures, had themselves a certain monumentality. Second, the visual layout of public architecture can have political implications, especially the relative amounts of space given to public and private buildings and their distribution and size. In this way architecture shows how power is shared in a community. Third, some buildings are political in function, not only assemblybuildings like the Roman Curia Julia, but also audience-halls, public precincts, temples, theatres, and amphitheatres housing imperial rituals. Finally, architecture can be used as a medium of political propaganda: for example, public spaces like the Fora of Augustus and Trajan, adorned with deliberately chosen political statuary, or the imperial palaces of Augustus or Domitian.
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Targowski, Andrew. "The New Informated Business Architecture." In Electronic Enterprise. IGI Global, 2003. http://dx.doi.org/10.4018/978-1-93177-777-3.ch001.
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The fall of the Berlin Wall, the collapse of the Warsaw Pact, and the disintegration of the Soviet Union are certainly monumental events in the history of the human race as the 20th century nears its close. Monumental changes are taking place in business organizations and in the managers who run them. The business community is shifting its paradigms and the manner in which it does business. To avoid “Future Shock,” one must look beyond the trends of the past and discover the rules that will govern business in the Twenty-First Century, the Information Age. By knowing the nature of such changes and how to anticipate them, the strategist can elicit extraordinary leverage in shaping the future. Drucker (1980) in Managing Turbulent Times, writes that one of the most important skills during times of turbulence is anticipation. This chapter explores the effects of the information age (Figure 1) upon the global business enterprise which is shifting from an old paradigm to a new one, in the way Kuhn (1970) described paradigm shifts in science in The Structure of Scientific Revolutions. We will also suggest that since all major business dimensions have shifted paradigms, a new era in business requires a new set of rules.
Conference papers on the topic "Seti Monuments Architecture"
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De Gennaro, Tiziana, and Davide De Leo. "Il restauro del castello di Massafra (TA)." In FORTMED2020 - Defensive Architecture of the Mediterranean. Universitat Politàcnica de València, 2020. http://dx.doi.org/10.4995/fortmed2020.2020.11445.
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The restoration of Massafra’ Castle (TA)Massafra Castle’s restoration project aims to preserve and enhance the monument, redeeming it from the current state of partial abandonment, with the scope to return it to the community. First, an in-depth study of an historical research was carried out together with the analysis of the monument’ superficial and structural degradation to identify the adequate remedies. It was clear that “restoring only the stones” would have not been efficient and therefore finding a new purpose was necessary and essential. Finding a new scope for those kinds of architectures is a matter of great interest, because more than any other type of monuments, those are completely out of their historical context that gave them political, military and economic reason to be built. Therefore, following a sociological investigation, it emerged that the best solution would be create a connection between Massafra and cinematography: there are many cultural organizations in this area and most of them need more dedicated space. Massafra has already been chosen several times as a movie set by famous authors: Il Vangelo secondo Matteo by Pier Paolo Pasolini, Il Paese delle spose infelici by Pippo Mezzapesa and Amiche da morire by Giorgia Farina. This is how the MOVIE (Massafra Omni Vision between Innovation and Cultural Heritage) idea was born, a 360° cinema setting which is unique at a national level and that it would become part of larger cinematographic circuit already flourishing in the Apulia region. The project’s feasibility was then evaluated from a logistic-economic point of view. Furthermore, given the Castle’s location, the project proposes the reopening of ancient paths that connect the monument to the historical town centre and to the Ravine. The project also supports the restoration of rock settlements with its cave houses (currently completely collapsed) that surround the castle’s foundation to divulge hospitality.
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Rabie, Sara. "Heritage Recognition Between Evaluation and Monitoring." In 4th International Conference of Contemporary Affairs in Architecture and Urbanism – Full book proceedings of ICCAUA2020, 6-8 May 2020. Alanya Hamdullah Emin Paşa University, 2021. http://dx.doi.org/10.38027/iccaua2021166n5.
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The most controversial aspect in heritage conservation; is determining the values of monuments. Each value has attributes that can be shaped and consequently impact the society’s mindset and approach towards their heritage. The whole process starts with historians and conservators who can contextualize the monument and set up their conservation plans. However, this process doesn’t guarantee the recognition of real heritage values by the societies. Therefore, the after-plan phase is crucial in evaluating the conservation project’s effectiveness in various aspects. This paper questions the discipline of heritage recognition and the conservation project’s evaluation in Egypt where many conservation actions neglect their true values and alter the originality of monuments. Moreover, investigates the role of the Conservation project’s “Monitoring” as a new actor in re-establishing values to be pursued by the society through site visits to successful conservation projects in Cairo and analytical surveys regarding their performance and the social responses.
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García-León, Josefina, Pedro Enrique Collado-Espejo, Filippo Fantini, and Francisco Joaquín Jiménez-González. "Levantamiento y modelización tridimensional de la Torre del Negro o de Arráez, torre post-litoral del siglo XVI en El Algar (Región de Murcia, España)." In FORTMED2020 - Defensive Architecture of the Mediterranean. Universitat Politàcnica de València, 2020. http://dx.doi.org/10.4995/fortmed2020.2020.11377.
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Graphic survey and three-dimensional modelling of the Negro Tower or Arráez, post-coastal tower of the sixteenth century in El Algar (Region of Murcia, Spain)Post-coastal towers or rural fortress towers, built in the sixteenth century on the Mediterranean coast, had the mission of protecting the population and enhancing the repopulation of these areas, heavily punished by incursions by berber pirates. The Negro Tower or Arráez Tower, in El Algar-Cartagena (Region of Murcia, Spain), is one of those post-coastal lookout towers and was built in 1585. It is shaped like a truncated pyramid, square plan and a height of about 14,00 m. Originally, it had three floors and a terrace. Despite its degree of protection (it is a monument), its current state of conservation is semi-ruined. It has no cover, the vault of the first floor has collapsed and presents cracks that threaten its stability. Therefore, a research project has been developed that has included, among other aspects, the graphic survey with two complementary techniques: digital photogrammetry and 3D laser scanning. The result is an exhaustive graphic documentation that allows understanding the construction and allows the consolidation and volumetric recomposition of the tower. With this work, it is intended to contribute to the conservation and recovery of the heritage value of the Tower, as well as the integration of the historical monument in its natural and landscape environment.
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Slepak, Zakhar. "GEOPHYSICAL MONITORING: NEW OPPORTUNITIES TO PRESERVE ARCHITECTURAL MONUMENTS AND GREEN DESIGN IN URBAN AREAS." In GEOLINKS International Conference. SAIMA Consult Ltd, 2020. http://dx.doi.org/10.32008/geolinks2020/b2/v2/30.
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A new geophysical prospecting technique developed by the author was effectively applied for these purposes in 1994–2005 within the architectural complex of the Kazan Kremlin, a UNESCO World Heritage Site. The author has developed and successfully employed a unique gravity monitoring technique consisting in independent measurements at set points and at certain time intervals in the architectural complex of the Kazan Kremlin. The results of the geophysical monitoring and geodetic surveys conducted in open areas and inside architectural monuments offer new opportunities in preserving ancient buildings. Because geophysical monitoring can identify the negative impact of active geological processes on foundations of buildings, mitigation measures can be taken in timely manner. However, because the Kazan Kremlin is a state historical and architectural museum reserve, another objective is to maintain its exterior and renovate its green design. The above technology can also be used to analyze the technical condition of high-rise buildings, industrial facilities, underground railway systems and other structures, and significantly prolong their operating life.
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Rodríguez-Navarro, Pablo, and Teresa Gil-Piqueras. "El Castillo de Bairén (Gandía, España). Proyecto de documentación gráfica." In FORTMED2020 - Defensive Architecture of the Mediterranean. Universitat Politàcnica de València, 2020. http://dx.doi.org/10.4995/fortmed2020.2020.11420.
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Bairén Castle (Gandía, Spain). Graphic documentation projectBairén Castle was built in the Almoravid period, carring out the function of border hisn of the Taifa of Dénia. It was the administrative, political and legal-religious center of more than 20 farmhouses or qurà and castles. At present is possible visit the castle, although only part of its walls and remains of ruins scattered throughout the hill remain. The abandonment that has been suffering during these last years, together with the uncontrolled growth of the vegetation, make necessary to carry out urgent actions to conserve and put it in value. Within the framework of the study carried out in the initial phase of the Project for the authorization of the archaeological park of the castle of Bairén1, we have been developing an important work of graphic documentation, which will serve both to demonstrate the current state of the castle, as well as for the archaeological and restoration works. The main objective of this communication is to set the methodology for the graphic survey according to this type of monuments, establish the workflow, and finally, show the graphic documentation obtained.
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Darulová, Jolana. "Kultúrne dedičstvo bývalých banských oblastí v zážitkovom lokálnom turizme." In XXIV. mezinárodního kolokvia o regionálních vědách. Masaryk University Press, 2021. http://dx.doi.org/10.5817/cz.muni.p210-9896-2021-39.
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Mining activities in the territory of central Slovakia have left many monuments of technical, architectural, and urbanistic character. These are rich in socio-cultural traditions, too. They formed a significant component of cultural heritage. The study aims to monitor the heritage use in selected localities of Banská Bystrica and Špania Dolina in experience-based local tourism. The starting point was both institutionalized activitie (e.g. museums) and the activities of civic associations. We have used the techniques of participatory observation and semi-standardized interviews with local government representatives and administrators of the researched events in repeated ethnological research. The first part of the study mentions theoretical and methodological aspects of mountain sites usage in tourism. The second part presents selected examples of good practice - from expositions and exhibitions realized in interactive form, educational trails, animations to the elaboration of mining issue in festivals and the socio-cultural calendar of the village. Technical monuments enriched with experiences and stories with the possibility of involving tourists in old technological procedures, or in monitoring the underground working environment of miners, etc., together with consistent popularization, give the presumption that interest in this part of cultural heritage will increase.