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Relevant bibliographies by topics / Setting and scenery

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Academic literature on the topic 'Setting and scenery'

Author: Grafiati

Published: 4 June 2021

Last updated: 31 July 2024

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Journal articles on the topic "Setting and scenery"

1

Burgess, Geoffrey. "‘Le théâtre ne change qu'à la troisième scène’: the hand of the author and unity of place in Act V of Hippolyte et Aricie." Cambridge Opera Journal 10, no. 3 (November 1998): 275–87. http://dx.doi.org/10.1017/s0954586700005437.

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In the original version of the libretto of Hippolyte et Aricie, the librettist Simon-Joseph Pellegrin prefaced Act V with the rubric ‘le théatre ne change qu'à la troisiéme scéne’ [‘the stage changes only at the third scene’]. This is one of the few acts in the entire repertoire of tragédies en musique where the conventional formula ‘le théatre représente …’ [‘the stage represents … ’], followed by a description of what the stage was intended to depict, was not used. The annotation in Hippolyte warned audiences that, instead of the change of scenery that would normally occur during the entr'acte, the first two scenes of Act V retained the setting of Act IV (‘a wood by the sea, consecrated to Diana’), and the new décor (‘a delightful garden comprising the avenues of the Forest of Aricie’) was revealed only in the third scene. The sense of discontinuity at this ‘internal’ scenery change was also heightened by a break of liaison de presence (that is, none of the actors in scene 2 remained on stage for scene 3). A dispute arose over this breach of convention, and resulted in the first two scenes being omitted from performances sometime during the opera's first season in 1733, ostensibly to avoid the breach of unity of place caused by the change of scenery. This was not the only revision made to the opera in that season, but it was arguably the most significant.

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ARNOUX, P., and A. M. FISHER. "THE SCENERY FLOW FOR GEOMETRIC STRUCTURES ON THE TORUS: THE LINEAR SETTING." Chinese Annals of Mathematics 22, no. 04 (October 2001): 427–70. http://dx.doi.org/10.1142/s0252959901000425.

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Mosler, Saruhan. "Presenting Past Landscapes: An Approach to Visual Landscape Integrity as a Tool for Archeological Heritage Management." International Journal of Cultural Property 16, no. 1 (February 2009): 25–48. http://dx.doi.org/10.1017/s0940739109090055.

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Archaeological sites are composed of unique, complex landscape settings including architectural remains, visually and spatially interrelated spaces, and ecologies with topographical features and landforms framing them. Today, they are subject to many pressures caused by developmental changes as well as improper conservation and planning strategies. One reason is that heritage conservation is still heavily focused on architectural features and less on the landscape setting. Wider landscape components set an authentic backdrop for cultural heritage and make the setting vivid and legible. Concentrating on this trend, this article explores the visual values of archaeological sites from the tripartite conceptualization view of visual landscape integrity, namely considering the archaeological landscape setting as an artifact, three-dimensional space, and scenery. Using the archaeological site complex of Bergama in Western Turkey as a case study, I propose a visual landscape–oriented approach as a tool for the sustainable conservation and presentation of heritage sites in the process of cultural resource management.

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Sternberg, Rolf. "FANTASY, GEOGRAPHY, WAGNER, AND OPERA*." Geographical Review 88, no. 3 (July 1998): 327–48. http://dx.doi.org/10.1111/j.1931-0846.1998.tb00111.x.

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ABSTRACT. Wilhelm Richard Wagner fused fantasy based on epic and lore with seamless scores, using landscapes and urban images to forge spatial order on stage. As a footloose composer‐conductor, Wagner was considered a globetrotter for his time, and from trans‐European tours he drew inspiration for numerous stagings. Nine of his operas have rustic pastoral settings, with actors silhouetted against geological formations, forests, vistas of undulating terrain for pilgrimages, or raging seas, all visually believable scenery. Rienzi and Die Meistersinger von Nürnberg are urban in setting, whereas Die Feen and Das Liebesverbot are set in a castle‐like format.

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Merkt, Martin, Sabrina Lux, Vincent Hoogerheide, Tamara van Gog, and Stephan Schwan. "A change of scenery: Does the setting of an instructional video affect learning?" Journal of Educational Psychology 112, no. 6 (August 2020): 1273–83. http://dx.doi.org/10.1037/edu0000414.

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Troy, Cassandra L. C., and Chris Skurka. "Being outdoorsy indoors: Nature connectedness through 360-degree images and video." Journal of Environmental Media 4, no. 1 (April 1, 2023): 27–47. http://dx.doi.org/10.1386/jem_00095_1.

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Nature connectedness could be an important motivator for addressing environmental issues via pro-environmental behaviour. While people can connect with nature by spending time outdoors in natural settings, such places are not always accessible. Mediated portrayals of nature offer a promising alternative for connecting with nature. Media that evoke high levels of vividness and spatial presence may be particularly effective. This study uses an online experiment with a 3 (setting: coral reef vs. forest vs. urban) × 3 (media format: 360-degree image vs. 360-degree video vs. traditional video) between-subject design to examine the effects of media type and setting on vividness, presence, nature connectedness and public and private pro-environmental behaviour intentions. Vividness, presence and nature connectedness mediated the relationship between 360-degree images and intentions to engage in public behaviours. Additionally, scenery type was a more substantial contributor to nature connectedness than media format.

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TAOFIQUROHMAN, Ankiq, Sheila ZALLESA, and Ibnu FAIZAL. "COASTAL SCENIC ASSESSMENT IN PANGANDARAN DISTRICT, WEST JAVA PROVINCE, INDONESIA." GeoJournal of Tourism and Geosites 46, no. 1 (March 31, 2023): 184–93. http://dx.doi.org/10.30892/gtg.46120-1014.

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This study aims to classify the ten coasts of the Pangandaran District using the Coastal Scenic Evaluation System (CSES). The CSES objectively assesses coastal characteristics and is rarely used in Southeast Asia, especially Indonesia. Pangandaran District was chosen in this study because it is part of a National Tourism Strategic Area in Indonesia, especially for marine tourism, which means it is at risk of physical changes to the environment due to the growth of tourism. The study results show that most coasts were classified as natural, but Class 1, as the top natural, was not obtained. The low quality of the scenery is because its physical parameters are lower than its human parameters. In order to improve the quality of the scenery, it can be done by handling garbage and waste, setting up utilities' development, and zoning for tourism types.

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Robinson, Tom. "An Evaluation of Climbing as a Sport Tourist Activity, Using the Robinson and Gammon (2004) Conceptual Framework." Atna - Journal of Tourism Studies 1, no. 1 (January 1, 2006): 39–60. http://dx.doi.org/10.12727/ajts.1.4.

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The sport of climbing has seen a tremendous increase in popularity over the last 20 years. The sport tourism potential of climbing is clearly evident in the different types and guises that the sport entails. This is enhanced by the outdoor setting of the sport often in outstanding scenery and beauty. However the rapid increase in the number of indoor climbing walls has also created a new type of visitor predominantly in an urban setting. The differing climbing types and competitions lend it particularly to a classification based on the motivation of the consumer. This paper assesses the sport tourism potential of climbing in general applying the Robinson and Gammon (2004) conceptual framework.

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Ermawati, Pitri. "ORIENTASI FOTOGRAFI PENGUNJUNG ANJUNGAN WISATA DI KAWASAN MANGUNAN: KAJIAN FUNGSI FOTO POTRET DI MEDIA SOSIAL INSTAGRAM." spectā: Journal of Photography, Arts, and Media 2, no. 2 (April 24, 2019): 105–22. http://dx.doi.org/10.24821/specta.v2i2.2551.

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Abstrak Penelitian ini bermaksud menjelaskan orientasi fotografi pengunjung yang berfoto di anjungan wisata kawasan Mangunan dengan objek penelitian berupa foto potret di media sosial Instagram. Menerapkan metode penelitian deskriptif-kualitatif, analisis kritis dilakukan dalam pembacaan foto-foto potret menggunakan telaah fungsi foto potret Soeprapto Soedjono, serta telaah aspek teknis-fisik fotografi potret yang dikemukakan oleh Famous Photographers School. Mengambil sampel berupa lima foto dari lima akun Instagram yang berlatar di lima anjungan wisata di kawasan Mangunan, hasil penelitian menunjukkan tiga fungsi foto potret yang diunggah oleh para pengunjung yang merupakan subjek foto sekaligus pemilik akun Instagram; yaitu fungsi personal, sosial, dan komersial. Dalam upaya mewujudkan foto potret yang sesuai dengan fungsi-fungsi tersebut, pengunjung tampak memperhitungkan aspek teknis-fisik fotografi potret berupa pencahayaan, pose, dan background. Adapun poperti, kurang mendapatkan perhatian dikarenakan tidak semua anjungan menyediakannya. Kata kunci: fotografi, anjungan, foto potret, Instagram AbstractVisitors’ Photography Orientation of Scenery Stages in Mangunan Tourism Area: Study of The Functions of Portrait Photos in Social Media Instagram. This research explains the photography orientation of visitors who taking photograph of theirselves (portrait) on the scenary stages (selfie spots) in Mangunan tourism area, by studying their portraits in social media Instagram. This research allows the descriptive-qualitative method. It uses the study of the portrait functions explained by Soeprapto Soedjono to read and to analise the portrait photos. It also studies the physical-technical aspect in portrait photography explained by Famous Photographers School applied by the visitors. There are five portrait photo samples from five Instagram accounts which setting are on scenery stages in Mangunan tourism area. This research conclusion shows three functions of the portrait photos uploaded by the visitors, either as the Instagram account owners and the subjects (sitters) of those photos: personal function, social function, and commercial function. In order to make her/ his portrait matches on the function desired, visitor seems to care about physical-technical aspects on portrait photography: lighting, pose, and background. Another element is property, which is the most ignorable element due to it’s rare availability on the spot. Keywords: photography, scenary stage, portrait photo, Instagram

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Virdis, Daniela Francesca. "Sexualised landscapes and gentry masculinity in Victorian scenery: An ecostylistic examination of a pornographic novel from the magazine The Pearl." Journal of Literary Semantics 48, no. 2 (October 25, 2019): 109–28. http://dx.doi.org/10.1515/jls-2019-2013.

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Abstract This article is an ecostylistic examination of Sub-Umbra, one of the six serialised novels in the Victorian pornographic magazine The Pearl (1879–1881). It explores the stylistic strategies utilised to depict landscapes and masculinity – stylistic choices at word- and phrase-level, collocation and compounding, semantic crescendo, humour and point of view – applying an ecostylistic approach. The investigation reveals that the unfolding of the licentious narrative develops from the description of the setting, more precisely the landscape and natural scenery, as feminised and sexualised (Kolodny. 1975. The lay of the land: Metaphor as experience and history in American life and letters. Chapel Hill: University of North Carolina Press). It also demonstrates that the sociological model of gentry masculinity (Connell. 2005. Masculinities. Oxford: Blackwell), characterised by landownership and domination of the physical environment, is the most appropriate to define the main character and narrator interacting with the gendered countryside setting.

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Dissertations / Theses on the topic "Setting and scenery"

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Lee, Jun-yu Phoebe, and 李俊妤. "Balcony romance: stage distance andclosure." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2005. http://hub.hku.hk/bib/B36763159.

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Adkins, David A. "Scenic Design for Alan Ayckbourn's Taking Steps." Fogler Library, University of Maine, 2003. http://www.library.umaine.edu/theses/pdf/AdkinsDA2003.pdf.

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Briginshaw, Valerie A. "Dance, space and subjectivity." Thesis, University of Chichester, 2001. http://eprints.chi.ac.uk/861/.

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Bradfield, Howard. "Performance design : the Western Australian Opera Company's contribution to performance design 1968-1997." Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2006. https://ro.ecu.edu.au/theses/355.

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During the span of thirty years from 1968 - 1997 the Western Australian Opera Company grew from its infancy into a major regional performance group. Its significant contribution to the local entertainment industry is not solely the presentation of opera but also its support and fostering of technical theatre training in Western Australia.

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Gunther, Jan-Stefan. "The flexible, low-tech environment : a kit of simple architectural elements." Virtual Press, 2002. http://liblink.bsu.edu/uhtbin/catkey/1231349.

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This creative project focuses on the research, planning, design and field-testing of a kit of basic architectural elements that can be used to build simple spaces and small constructions. These elements are reusable, easy to handle, and allow for a nearly infinite number of configurations.The environment in which the system was developed is a setting of an improvisational outdoor theatre, called 'Live-Action-Role-playing-Games'- (LARP). Therefore the system does not provide a high quality indoor space, but rather focuses on the critical requirements of theatrical stages, such as flexibility, ease of erection and variety. Additionally, the system dealt with the pragmatic issues of affordability and cost-effectiveness.The design process commenced with great attention being paid to the very special requirements of LARP and attempting to test initial assumptions. It included two surveys of LARP participants and use of charrettes to incorporate users input into the design process. Prototype elements were then constructed and field-tested during a full-scale replication of an actual LARP-event over afour-day testing period.Following this an evaluation was made, lessons were learned, and the information gained was incorporated in to the final design.This document then records the entire design process and concludes with extensive documentation of the system.
Department of Architecture

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Snider, Jesse Rhea. "Desire Lines: Dérive in Heterotopias." Thesis, University of North Texas, 2018. https://digital.library.unt.edu/ark:/67531/metadc1248523/.

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This study provides an examination and application of heterotopic dérive, a concept that combines spatial theories originated by Foucault and psychogeographical methods advocated by the Situationists, as enacted within theatrical performance spaces. The first chapter reviews theories related to space, place, and heterotopias, as well as the psychogeographical methods of the Situationists, particularly the dérive. The literature review is augmented with accounts of my experiences of serendipitous heterotopic dérive over a period of several years as a cast member in, or a technical director for, theatrical productions in the Department of Communication Studies Black Box Theatre. Based on the review, I postulate that heterotopic dérive is a potentially valuable phenomenon that performance studies scholar/artists can utilize consciously in the rehearsal process for mounting theatrical performances. To test this proposition, I worked collaboratively with a theatrical cast to craft a devised performance, Desire Lines, with a conscious effort to engender heterotopic dérive in the process of creating the performance. This performance served as the basis for the second chapter of the study, which analyzes and discusses of the results of that investigation. This project enhances understanding of the significance of the places and spaces in which performers practice their craft, and argues for the potential of recognizing and utilizing the agency of heterotopic spaces such as the Black Box.

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Barrus, David W. "Hamlet : the design as process." Thesis, Lethbridge, Alta. : University of Lethbridge, Dept. of Theatre and Dramatic Arts, c2012, 2012. http://hdl.handle.net/10133/3389.

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This thesis represents the written portion of the Degree Requirements of the Master of Fine Arts in Theatre Design. The Thesis production of HAMLET, by Wm. Shakespeare (edited by Brian C. Parkinson), was the University of Lethbridge Department of Theatre and Dramatic Arts third show of the 2011 – 2012 Mainstage Theatre season, running February 14 – 18, 2012, performed at the University Theatre in the University of Lethbridge Centre for the Arts, Lethbridge, Alberta. HAMLET was directed by Brian C. Parkinson, with the assistant direction of L. Jay Whitehead and Yvonne Mandel. Contained within this written portion of the thesis is a discussion of the design concepts for this production, along with photographic records of models, technical drawings, and other pertinent information.
viii, 176 leaves : col. ill. ; 29 cm

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Fossum, Louis Eric. "Danny Daniels: A life of dance and choreography." CSUSB ScholarWorks, 2003. https://scholarworks.lib.csusb.edu/etd-project/2357.

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The career of Danny Daniels was significant for its contribution to dance choreography for the stage and screen, and his development of concept choreography. Danny's dedication to the art of dance, and the integrity of the artistic process was matched by his support and love for the dancers who performed his choreographic works.

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Brunner, Stefan H. "An evening of American operas : an architectural approach to design." Virtual Press, 1994. http://liblink.bsu.edu/uhtbin/catkey/933458.

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Considered apart from the concrete; general; theoretical; hence, difficult; ideal. 2. A summary of epitome; a generality, in law, a compendium; in logic, an abstract idea or term; in grammer, an abstract noun, as virtue, goodness, etc.*
Department of Architecture

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O'Connor, Lorney Roland. "Directing and designing Shakespeare's The Tempest." CSUSB ScholarWorks, 2004. https://scholarworks.lib.csusb.edu/etd-project/2581.

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The purpose of this project is to assess the production level one person can achieve when directing, designing, and managing all aspects of a major theatrical production. It will identify strategies and techniques which are crucial for success in the areas of theatrical design and management.

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Books on the topic "Setting and scenery"

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John, Holloway. Illustrated theatre production guide. Amsterdam: Focal Press, 2002.

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L, Arnold Richard. Scene technology. 3rd ed. Englewood Cliffs, N.J: Prentice Hall, 1994.

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Pavlovich, Vasilʹev Aleksandr, and Kuleshova V, eds. Khudozhnik i st͡s︡ena. Moskva: Sov. khudozhnik, 1988.

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AP, Vasil'ev, ed. Khudozhnik i stsena. Moskva: Sovetskiĭ khudozhnik, 1988.

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Raoul, Bill. Stock scenery construction: A handbook. Missoula, Mont: University of Montana, 1986.

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Millerson, Gerald. TV scenic design handbook. London: Focal Press, 1989.

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Millerson, Gerald. TV scenic design handbook. London: Focal, 1989.

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Malikʹpūr, Jamshīd. Guzīdahʹī az tārīkh-i namāyish dar jahān. [Tehran]: Sāzmān-i Intishārāt-i Kayhān, 1985.

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Deutsches Filmmuseum Frankfurt am Main., ed. Hans Poelzig: Bauten für den Film. Frankfurt am Main: Deutsches Filmmuseum, 1997.

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Babrytskai͡a, Dz A. Vystaŭka maladykh mastakoŭ tėatra i kino: Muzeĭ BDAM 17.11 -- 25.11.2009. Minsk: Belaruskai͡a dzi͡arz͡haŭnai͡a akadėmii͡a mastatstvaŭ, 2010.

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Book chapters on the topic "Setting and scenery"

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van den Berghe, Lutgart, and Kurt Verweire. "Setting the Scenery." In Creating the Future with All Finance and Financial Conglomerates, 5–12. Boston, MA: Springer US, 1998. http://dx.doi.org/10.1007/978-1-4757-4881-9_1.

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Petrakis, Panagiotis E., Pantelis C. Kostis, Kyriaki I. Kafka, and Anna-Maria Kanzola. "Setting the Scenery: Factors Affecting the Future." In The Political Economy of Greek Growth up to 2030, 3–16. Cham: Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-26872-4_1.

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Butt, Graham. "Scene Setting." In International Perspectives on Geographical Education, 1–39. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-25954-9_1.

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Marsh, Cynthia. "Setting the Scene." In Translated and Visiting Russian Theatre in Britain, 1945–2015, 11–51. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-44333-7_2.

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Phillips, Birgit. "Setting the Scene." In Learning by Going: Transformative Learning through Long-term Independent Travel, 1–12. Wiesbaden: Springer Fachmedien Wiesbaden, 2019. http://dx.doi.org/10.1007/978-3-658-25773-6_1.

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Savage, Ian. "Setting the Scene." In The Economics of Railroad Safety, 1–9. Boston, MA: Springer US, 1998. http://dx.doi.org/10.1007/978-1-4615-5571-1_1.

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Vincent, J. L. "Setting the Scene." In Update in Intensive Care and Emergency Medicine, 1–14. Berlin, Heidelberg: Springer Berlin Heidelberg, 2007. http://dx.doi.org/10.1007/3-540-30328-6_1.

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Kaufmann, Magdalena. "Setting the Scene." In Studies in Linguistics and Philosophy, 1–27. Dordrecht: Springer Netherlands, 2011. http://dx.doi.org/10.1007/978-94-007-2269-9_1.

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Carter, Lyn. "Setting the Scene." In Indigenous Pacific Approaches to Climate Change, 15–23. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-96439-3_2.

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Batchelor, Bruce G., and Frederick Waltz. "Setting the Scene." In Interactive Image Processing for Machine Vision, 1–16. London: Springer London, 1993. http://dx.doi.org/10.1007/978-1-4471-0393-6_1.

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Conference papers on the topic "Setting and scenery"

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Seidel, Sheila, Hoover Rueda-Chacón, Iris Cusini, Federica Villa, Franco Zappa, Christopher Yu, and Vivek K. Goyal. "Snapshot Non-Light-of-Sight Imaging with an Active Corner Camera." In Computational Optical Sensing and Imaging. Washington, D.C.: Optica Publishing Group, 2023. http://dx.doi.org/10.1364/cosi.2023.cth3a.1.

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We demonstrate accurate reconstructions of foreground objects, in a non-light-of-sight setting, while also introducing the capability of mapping the stationary scenery behind moving objects using a static laser and snapshots from a SPAD array.

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Tatsuno, Junya, Iori Hisada, Kazuma Ishimatsu, Hitomi Nakamura, and Setsuo Maeda. "Considerations of Interior Design in Fully Automated Vehicles: Influence of Front Window Scenery on Ride Comfort and Motion Sickness." In 15th International Conference on Applied Human Factors and Ergonomics (AHFE 2024). AHFE International, 2024. http://dx.doi.org/10.54941/ahfe1005213.

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This study aims to derive findings applicable to the interior design of fully automated vehicles, focusing on the impact of external scenery information on ride comfort and motion sickness. Experiments were conducted using a driving simulator with three monitors, simulating automatic driving scenarios in two different environments: a suburban road with no buildings (Experiment 1) and an urban setting with buildings along the road (Experiment 2). Participants experienced 60 minutes of travel with moderate whole-body vibration exposure, and reported their perceived discomfort and motion sickness. Two foreground scenery conditions were tested: a three-display condition with all displays turned on, and a two-display condition where participants could not receive visual front window scenery from the center display, which was turned off. The results showed that motion sickness was more induced in the two-display condition in an urban environment. Discomfort results between both conditions were contradictory. Blocking visual scenery from front window during traveling in suburban areas may enhance ride comfort. Meanwhile, in an urban environment surrounded by structures, blocking the visual front window scenery may not only induce motion sickness but also decrease ride comfort.

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Balls, R. "Interconnect - setting the scene." In IEE Colloquium on How to Compete and Connect: Understanding the Engineering of Telecommunications Network Interconnection. IEE, 1997. http://dx.doi.org/10.1049/ic:19970961.

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Mikhayliuk, Mikhail Vasilievich, Dmitry Alekseevich Kononov, and Dmitry Mikhaylovich Loginov. "Modeling Situations in Virtual Environment Systems." In 23rd Scientific Conference “Scientific Services & Internet – 2021”. Keldysh Institute of Applied Mathematics, 2021. http://dx.doi.org/10.20948/abrau-2021-6s-ceur.

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The technology of modeling various situations in virtual environment systems, which are computer tree-dimensional models of a real or artificial environment, is considered. The user can view these scenes directly on the computer screen, wall screen, stereo glasses, virtual reality glasses, etc. He can also move inside a virtual scene and interact with its objects. In turn, the environment can also change. This allows modeling of various situations (situational modeling) in the virtual environment system. With such modeling, some static or dynamic situation is set in the virtual environment system in which the operator must perform the tasks assigned to him. A mechanism for setting situations by changing a virtual three-dimensional scene using configuration files and virtual control panels is proposed. A special language and editor has been developed for writing configuration files and for creating virtual control panels. The approbation of the proposed methods is presented on the example of two virtual scenes: a training ground for mobile robots and a jet backpack of an astronaut in outer space.

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Ramasamy, Thasprabu, Vijanth Asirvadam, and Patrick Sebastian. "Detecting background setting for dynamic scene." In its Applications (CSPA). IEEE, 2011. http://dx.doi.org/10.1109/cspa.2011.5759861.

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Koll, Rainer J. "Satellites for CNS setting the scene." In 2017 Integrated Communications, Navigation and Surveillance Conference (ICNS). IEEE, 2017. http://dx.doi.org/10.1109/icnsurv.2017.8012039.

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Abdelkareem, Youssef, Shady Shehata, and Fakhri Karray. "Multi-Plane Neural Radiance Fields for Novel View Synthesis." In 12th International Conference on Digital Image Processing and Vision. Academy & Industry Research Collaboration, 2023. http://dx.doi.org/10.5121/csit.2023.131302.

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Novel view synthesis is a long-standing problem that revolves around rendering frames of scenes from novel camera viewpoints. Volumetric approaches provide a solution for modeling occlusions through the explicit 3D representation of the camera frustum. Multi-plane Images (MPI) are volumetric methods that represent the scene using front-parallel planes at distinct depths but suffer from depth discretization leading to a 2.D scene representation. Another line of approach relies on implicit 3D scene representations. Neural Radiance Fields (NeRF) utilize neural networks for encapsulating the continuous 3D scene structure within the network weights achieving photorealistic synthesis results, however, methods are constrained to per-scene optimization settings which are inefficient in practice. Multi-plane Neural Radiance Fields (MINE) open the door for combining implicit and explicit scene representations. It enables continuous 3D scene representations, especially in the depth dimension, while utilizing the input image features to avoid per-scene optimization. The main drawback of the current literature work in this domain is being constrained to single-view input, limiting the synthesis ability to narrow viewpoint ranges. In this work, we thoroughly examine the performance, generalization, and efficiency of single-view multi-plane neural radiance fields. In addition, we propose a new multiplane NeRF architecture that accepts multiple views to improve the synthesis results and expand the viewing range. Features from the input source frames are effectively fused through a proposed attention-aware fusion module to highlight important information from different viewpoints. Experiments show the effectiveness of attention-based fusion and the promising outcomes of our proposed method when compared to multi-view NeRF and MPI techniques.

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Yamada, Kunio, Kenji Mochizuki, Takeshi Naemura, Kiyoharu Aizawa, and Takahiro Saito. "Virtual view generation of natural panorama scenes by setting representation." In Electronic Imaging 2002, edited by Andrew J. Woods, John O. Merritt, Stephen A. Benton, and Mark T. Bolas. SPIE, 2002. http://dx.doi.org/10.1117/12.468043.

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Chenshuo, M., Z. Peiliang, F. Chenglong, W. Yiyang, W. Yanchen, and L. Xuewen. "Unmanned Aerial Vehicle Inspection Action Setting Scheme for Highway Scenes." In 2023 Cross Strait Radio Science and Wireless Technology Conference (CSRSWTC). IEEE, 2023. http://dx.doi.org/10.1109/csrswtc60855.2023.10426947.

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Anna Kerr Johnson. "Setting the Farm Animal Welfare Scene in North America." In Livestock Environment VIII, 31 August - 4 September 2008, Iguassu Falls, Brazil. St. Joseph, MI: American Society of Agricultural and Biological Engineers, 2008. http://dx.doi.org/10.13031/2013.25548.

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Reports on the topic "Setting and scenery"

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Bannenberg, Celia, Marianne Geleijnse, Pol Grootswagers, Mariska Lensink, Yvonne T. van der Schouw, Annemieke Kok, Brian J. Dermody, et al. Diets in Dutch hospitals : Setting the scene for healthy, protein adequate, and sustainable menus. Wageningen: Wageningen Ubiversity & Research, 2024. http://dx.doi.org/10.18174/650900.

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Scarrott, Rory, Cathal O'Mahony, Michael Sweeney, Jonathan Williams, Jeremy Gault, Timothy Sullivan, and Ana Vila. KETmaritime: Setting course to energise maritime uptake of Key Enabling Technologies. University College Cork, 2020. http://dx.doi.org/10.33178/10468.10928.

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Key Enabled Technologies(KETs) have the potential to impact on many aspects of society, whilst transforming European industrial competitiveness at the local, national, and global scales. Studies funded by the European Commission have shown that European advances in six technology areas would not only enhance the leadership and competitiveness of European business, but also drive advances across Europe’s business sectors and society. Despite their applicability across sectors, KETs represent a change, and a new manner of moving forward. Business and society view change both positively, welcoming advances in technology and new tools and products to make life somewhat easier for citizens, and negatively, recognising that with change comes risk and a reticence to change. Like society, different industrial sectors will view innovation and new technology differently. As such, each sector requires a slightly different approach to energise KET uptake into their daily operations and lives. Recognition of this reality underpinned the development of this roadmap. Stakeholders have been engaged across the Atlantic Area, through the use of online surveying, face-to-face workshops, and one-to-one interviews conducted virtually. This has enabled the authors to develop an awareness of the maritime scene and community which offers such opportunities and potential for KETs. It also provided insights into the reality of energising this uptake when framed in the context of social, financial and governance realities. Over the course of the project, the team conducted an analysis of the maritime sector, to identify and map out any KET applications that were in development. In parallel, a diverse pool of academic and commercial stakeholders identified the opportunities they could see for KET applications in the maritime sector. They also identified factors which restrict uptake, and restrain viable trans- disciplinary innovations from effectively making it to market. Stakeholder perspectives were combined with the investigative findings to develop a vision for a KET-maritime innovation ecosystem. The barriers and challenges shaped a range of proposed actions, which target different facets of the innovation ecosystem to ease growth and shape development. These actors were iteratively reviewed by stakeholders, and amended accordingly. These actions form the basis of this roadmap, a proposed path towards realising a vibrant growing KET-maritime innovation ecosystem. It contains a suite of 60 inter-linked, systemic actions, framed within 35 action areas to achieve 9 core goals, spread across 5 thematic agendas (policy, funding, building a sustainable innovation ecosystem, capacity building, and awareness raising). This envisioned KET-maritime innovation ecosystem fosters application-led innovation, and advances societal and market benefits for all. Each of the 5 thematic agendas are summarised as a policy brief, provided in the Appendices. The actions applicable to each policy brief are detailed in this report, alongside a proposed timeframe for implementation. Each action is codified, and can be traced through the iterative review process using the provenance table supplied. The potential for KET applications across the Blue Economy is extensive, and all sectors offer at least some opportunities for KETs. Within this landscape, the following sectors are identified as having strong growth potential where KET’s can help to drive that growth: Fisheries and aquaculture; Blue biotechnology; Maritime surveillance; Marine renewable energy; Ship and boat building. Within these sectors, four specific KET-maritime applications research priorities are highlighted: Advanced materials application in marine renewable energy; Photonics application in maritime surveillance; Micro- and nano-electronics in maritime surveillance; Advanced manufacturing techniques in ship and boat building. Finally, the project team would like to take this opportunity to thank all stakeholders who participated in the workshops, interviews, and review activities which culminated in this roadmap.

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