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1

Brandão, Ignácio de Loyola. Desvirando a página: A vida de Olavo Setúbal. São Paulo: Global Editora, 2008.

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2

J, Okubaro Jorge, ed. Desvirando a página: A vida de Olavo Setúbal. São Paulo: Global Editora, 2008.

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3

Quintas, Maria da Conceição. Setúbal: Economia, sociedade e cultura operária, 1880-1930. Lisboa: Livros Horizonte, 1998.

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4

Centro de Estudos Históricos Interdisciplinares. Arqueologia e história regional da península de Setúbal. Lisboa: Centro de Estudos Históricos Interdisciplinares, 2001.

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5

Bispo de Setúbal: A vida de um homem plural. 4th ed. Lisboa: Editorial Notícias, 1998.

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6

Lipiner, Elias. O sapateiro de Trancoso e o alfaiate de Setúbal. Rio de Janeiro: Imago Editora, 1993.

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7

Pereira, Fernando António Baptista. O Museu do Convento de Jesus de Setúbal. Lisboa: Editora Soctip, 1990.

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8

Torres, Alcídio. História de uma crise: O grito do Bispo de Setúbal. Lisboa: Editorial Notícias, 1996.

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9

As cidades na cidade: Movimentos sociais urbanos em Setúbal, 1966-1995. Lisboa: Esfera do Caos Editores, 2009.

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10

Faria, Carlos Vieira de. As cidades na cidade: Movimentos sociais urbanos em Setúbal, 1966-1995. Lisboa: Esfera do Caos Editores, 2009.

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11

Fonseca, Jorge. Setúbal: O porto e a comunidade fluvial e marítima (1550-1650). Lisboa: Edições Colibri, 2012.

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12

Teixeira, Messias Gonçalves. Paulo Setúbal: Meu ilustre patrono na Academia Campineira de Letras e Artes. Campesinas, SP, [Brazil: the Author?], 1987.

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13

Vida, obra e época de Paulo Setúbal: Um homem de alma ardente. São Paulo, SP, Brasil: Geração Editorial, 2003.

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14

Branco, Jorge Freitas. Ao encontro do povo. Oeiras: Celta Editora, 1993.

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15

Obaidat, Mohammad S. (Mohammad Salameh), 1952- and SpringerLink (Online service), eds. E-Business and Telecommunication Networks: Third International Conference, ICETE 2006, Setúbal, Portugal, August 7-10, 2006. Selected Papers. Berlin, Heidelberg: Springer-Verlag Berlin Heidelberg, 2008.

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16

Quintas, Maria da Conceição. Setúbal nos finais do século XIX. Lisboa: Caminho, 1993.

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17

Donato, Gerson. Entre a história e a literatura uma análise das obras de Paulo Setúbal. Brazil Publishing, 2019. http://dx.doi.org/10.31012/978-65-5016-034-0.

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18

Manuela, Silva, Costa A. Bruto da, and Cardoso Ana, eds. Pobreza urbana em Portugal: Um inquérito a familias em habitat degradado nas cidades de Lisboa, Porto e Setúbal. [Lisboa?]: Centro de Reflexão Cristã, Departamento de Pesquisa Social,Cáritas Portuguesa, 1989.

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19

Donato, Gerson. Pompa e circunstância. Brazil Publishing, 2020. http://dx.doi.org/10.31012/978-65-5861-084-7.

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The following work tries to disclose the obscure happening of 1926 in the city of São Paulo. Obscure because it vanished from the annals of History, but very argued by São Paulo’s newspapers and magazines of the period. There would be two presentations in Teatro Municipal which ended up, because of the success with the public, having two more performances with popular prices. The theatrical show had the purpose of raising funds to build a women’s school, from the Liga das Senhoras Católicas. To write the text the poet and writer Paulo Setúbal was invited, he never published this work and it is not even mentioned in his previous works published for decades by a São Paulo’s publisher. The cast consisted of amateur “actors”, members of São Paulo’s elite, carrying traditional family’s names from the city and some new ones, who had migrants’ surnames. The play is about a party that happens in Paço de São Cristóvão, where the guests talk to the birthday “girl”, the empress, and altogether remember the facts that led them to independence, while waiting for D. Pedro I’s arrival. What is intended from this praise? Glorify the empress? Glorify D. Pedro I’s role? And therefore, glorify the Empire? What was this republican elite intending?
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