Relevant bibliographies by topics / Seventeenth century Dutch art / Dissertations / Theses
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Dissertations / Theses on the topic 'Seventeenth century Dutch art'

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Published: 4 June 2021
Last updated: 1 February 2022

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1

Dick, Christina Sorrell. "The mother in seventeenth-century Dutch art." Birmingham, Ala. : University of Alabama at Birmingham, 2009. https://www.mhsl.uab.edu/dt/2009m/dick.pdf.

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2

COHEN, MARGARET WINTERS. "A NEW TRADITION: JEWISH PORTRAITURE IN SEVENTEENTH-CENTURY AMSTERDAM." University of Cincinnati / OhioLINK, 2003. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1054309065.

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3

Kelly, Anthony. "Functions of the comic in seventeenth-century Dutch art." Thesis, University College London (University of London), 2007. http://discovery.ucl.ac.uk/1446440/.

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This thesis examines how comic images are used in Dutch Golden Age art. No comprehensive study of this subject exists, in spite of the fact that comic themes and tropes are widely used by Dutch artists, as part of a culture which enjoyed but also valued humour for its rhetorical, instructional and therapeutic utility. Referring to recent scholarly interest in the field of comic culture, and using an interdisciplinary approach combined with iconographic analysis, comic elements in the images are examined in the context of wider comic culture including comedy, farce, rogue literature and joke bo
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4

Gavaghan, Kerry Lynn. "The family picture : a study of identity construction in seventeenth-century Dutch portraits." Thesis, University of Oxford, 2014. http://ora.ox.ac.uk/objects/uuid:1a2cf152-3f13-4e76-8c73-b57ef5be2463.

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The seventeenth century saw a large increase in family-related portrait materials, including group family portraits, family portrait collections, and family memorial albums. In this thesis, I contend with the meanings and functions of family portraits created in the Netherlands in an attempt to illuminate the motives behind the rise in the number of portraits of the family during this period. I focus on the ways in which Dutch families utilised portraiture as a vehicle for constructing personal and national identity. In an age of extraordinary economic success, religious tension, and political
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5

Richardson, Elaine M. "Portraits-within-Portraits: Immortalizing the Dutch Family in Seventeenth-Century Portraits." University of Cincinnati / OhioLINK, 2008. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1212088663.

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6

Ruddock, Joanna Mavis. "Dutch artists in England : examining the cultural interchange between England and the Netherlands in 'low' art in the seventeenth century." Thesis, University of Plymouth, 2017. http://hdl.handle.net/10026.1/8632.

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The seventeenth century was an incredibly fascinating time for art in England developmentally, especially because most of the artists that were receiving the commissions from English patrons and creating the art weren’t English, they were Dutch. Over this one hundred year period scores of Dutch artists migrated over from the Dutch Republic and showed England this Golden Age of painting that had established Dutch artists back in the Netherlands as pioneers in their line of work. In studies of Anglo-Dutch art, portraiture is a genre that has been widely researched; Peter Lely (a Dutch-born portr
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7

Cartwright, Ingrid. "Hoe schilder hoe wilder: [electronic resource] Dissolute Self-Portraiture in Seventeenth-Century Dutch and Flemish Art /." College Park, Md.: University of Maryland, 2007. http://hdl.handle.net/1903/7720.

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Thesis (Ph. D.) -- University of Maryland, College Park, 2007.<br>Thesis research directed by: Dept. of Art History and Archaeology. Title from t.p. of PDF. Includes bibliographical references. Published by UMI Dissertation Services, Ann Arbor, Mich. Also available in paper.
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8

Hoffman, Haley Marie. "“The Dutch Found Us And Relieved Us…” Identifying Seventeenth Century Illicit Dutch Trade Relations On Virginia’s Eastern Shore And In The Chesapeake." W&M ScholarWorks, 2020. https://scholarworks.wm.edu/etd/1616444481.

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This study explores how illicit transatlantic trade relations with the Dutch in seventeenth-century Virginia can be identified through the material record. The research was motivated by recent excavations at a seventeenth-century plantation on Virginia’s Eastern Shore. Eyreville, as it is now known, was a hub of transatlantic trade during the formative years of the Virginia colony. The recognizable presence of Dutch trade goods, coupled with the site’s pro-Dutch merchant residents, prompted the investigation into material signatures of illicit trade on the Eastern Shore and the Chesapeake. The
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9

Leach, Samuel, and sleach@ozemail com au. "The Value of Wealth: Representing Contemporary Corporate Space." RMIT University. Art, 2009. http://adt.lib.rmit.edu.au/adt/public/adt-VIT20091021.124940.

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The objective of my research is to develop a body of work for exhibition based on an examination of the ways that corporate space, as exemplified by the foyers and conference rooms of contemporary corporate offices, reflect societal anxieties about wealth and power. These works will draw on the history of painting, with particular reference to 17th century Dutch still life painting, as a framework within which to conduct the exploration of contemporary space. This will be done by applying or interpreting the principles, motifs and techniques used in that period in the visual representation of
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10

Labuschagne, Emily. "Masters, master, masturbate (a master's debate) - relooking at the home, body and self through seventeenth century Dutch still life painting." Master's thesis, Faculty of Humanities, 2020. http://hdl.handle.net/11427/32716.

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The still life genre has been, and arguably still is, regarded as the lowest form of painting in Western fine art history. The absence of the human figure in still life painting means that the artist does not require knowledge of either human anatomy or history for the production of the work. Given seventeenth century female painters' exclusion from the academies where anatomy was taught, it was thus a genre regarded as appropriate for female painters in Europe prior to the nineteenth century. Such dictates of propriety were indicative of gender constructs that relegated women to the private s
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11

STRASBAUGH, CHRIS. "CALL TO ACTION: THE ROLE OF RELIGIOUS PAINTING IN UTRECHT'S GOLDEN AGE (1590-1640)." University of Cincinnati / OhioLINK, 2007. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1177423292.

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12

Wikrén, Maria. "Att förmedla eller förnöja? : En diskursanalytisk studie av debatten kring förekomsten av moraliska budskap i holländsk 1600-talskonst." Thesis, Linköpings universitet, Institutionen för kultur och kommunikation, 2012. http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-91088.

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Uppsatsen undersöker den konstvetenskapliga diskussionen angående  rimligheten i att läsa in moraliska budskap i holländsk genrekonst från 1600-talet. Detta görs utifrån en diskursanalytisk metod med fokus på textanalys. De texter som behandlas är skrivna av konsthistoriker under 1980- och 1990-talet och belyser tolkningsfrågan ur olika synvinklar.<br>This thesis investigates the art historical debate about whether or not it is reasonable to assume the presence of moralistic messages in Dutch seventeenth-century genre art. The study is conducted according to a discourse analytical method with
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13

Meadows, Anne. "Collecting seventeenth-century Dutch painting in England 1689-1760." Thesis, University College London (University of London), 1988. http://discovery.ucl.ac.uk/1382491/.

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This thesis examines the collecting of seventeenth century Dutch painting in England from 1689 marking the beginning of auction sales in England to 1760, Just prior to the beginning of the Royal Academy and the rising patronage for British art. An examination of the composition of English collections centred around the period 1694 when William end Mary passed a law permitting paintings to be imported for public sale for the first time in the history of collecting. Before this date paintings were only permitted entry into English ports for private use and enjoyment. The analysis of sales catalo
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14

Gherke, Michael E. "Dutch women in New Netherland and New York in the seventeenth century." Morgantown, W. Va. : [West Virginia University Libraries], 2001. http://etd.wvu.edu/templates/showETD.cfm?recnum=2233.

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Thesis (Ph. D.)--West Virginia University, 2001.<br>Title from document title page. Document formatted into pages; contains viii, 288 p. : ill. Includes abstract. Includes bibliographical references (p. 271-288).
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15

Richardson, Elaine May. "Portraits within portraits immortalizing the Dutch family in seventeenth-century portraits /." Cincinnati, Ohio : University of Cincinnati, 2008. http://rave.ohiolink.edu/etdc/view.cgi?acc_num=ucin1212088663.

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Thesis (M.A.)--University of Cincinnati, 2008.<br>Advisor: Diane Mankin. Title from electronic thesis title page (viewed Feb. 24, 2010). Includes abstract. Keywords: Family Portraits; Dutch; Seventeenth Century; Jan Miense Molenaer; Jacob Ochtervelt; transience; harmony; prosperity. Includes bibliographical references.
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16

van, der Velde Adrian T. "Allies to Enemies: Popular Xenophobia During the Seventeenth Century Anglo-Dutch Wars." Wright State University / OhioLINK, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=wright1464439960.

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17

Pousao-Smith, Maria-Isabel. "Concepts of brush-work in the Northern and Southern Netherlands in the seventeenth century." Thesis, Courtauld Institute of Art (University of London), 1998. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.265775.

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18

Morris, Anita Boyd. "Images of debauchery the prodigal son's revels in Netherlandish art of the sixteenth and seventeenth centuries /." Diss., Restricted to subscribing institutions, 2010. http://proquest.umi.com/pqdweb?did=2023814011&sid=2&Fmt=2&clientId=1564&RQT=309&VName=PQD.

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19

Shields, Amy Heather. "The influence of Dutch and Venetian political thought on seventeenth-century English republicanism." Thesis, University of Newcastle upon Tyne, 2017. http://hdl.handle.net/10443/3840.

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This thesis explores the engagement of seventeenth-century English republican thinkers, namely John Milton, James Harrington, Marchamont Nedham, Henry Neville and Algernon Sidney, with Dutch and Venetian models, theories, and experiences of republicanism. It challenges J.G.A. Pocock and Quentin Skinner's approach of tracing the origins of political ideas back to the ancient world and instead develops Franco Venturi’s emphasis on the significance of contemporary models to the development of early-modern republicanism. Chronologically the focus is c. 1640-1683 when republican ideas were at their
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20

Taschian, Helen. "Naturalism and Libertinism in Seventeenth-Century Italian Painting." Thesis, University of California, Santa Barbara, 2014. http://pqdtopen.proquest.com/#viewpdf?dispub=3612041.

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<p> The work of Caravaggio, which was recognized as revolutionary in his own time and exerted a profound influence on seventeenth century painting all over Europe, has prompted a wide range of interpretations among modern art historians. Some, emphasizing the controversy generated by his religious pictures, have seen him as a daringly irreverent artist, while others have found his unidealized "naturalistic" style fundamentally well-suited to the spirit of the Catholic Counter-Reformation. Some detect a boldly overt homoeroticism in many of his pictures, while others claim not to see it at all
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21

Levitt, Ruth L. "Cuyp's cattle : aesthetic transformations in Dutch 17th-century art." Thesis, University College London (University of London), 1990. https://kclpure.kcl.ac.uk/portal/en/theses/cuyps-cattle-aesthetic-transformations-in-dutch-17thcentury-art(b4f9c421-cfd9-4221-aae2-54ed218b139f).html.

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This study investigates the depiction of cattle by the Dutch painter Aelbert Cuyp (1620-91). It seeks to identify possible reasons for his choices of subject-matter and to trace the implications- for subsequent taste. Origins of the Dutch 17th-century veestuk (cattle piece) can be found in artefacts and writings of many earlier cultures, in which cattle images served mythological, religious, instructional and other functions. The real and symbolic importance of Dutch cattle husbandry and dairy farming contributed further significance to this iconography, and in Cuyp's day the 'Dutch cow' was r
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22

Povey, Deborah. "Seen through a glass darkly : a study of Netherlandish imagery from the fifteenth to the seventeenth centuries." Thesis, University of Essex, 1994. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.238754.

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23

Hollewand, Karen Eline. "The banishment of Beverland : sex, Scripture, and scholarship in the seventeenth-century Dutch Republic." Thesis, University of Oxford, 2016. https://ora.ox.ac.uk/objects/uuid:3e5a54dc-0664-46eb-8625-de3c480d118c.

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Hadriaan Beverland (1650-1716) was banished from Holland in 1679. Why did this humanist scholar get into so much trouble in the most tolerant part of Europe in the seventeenth century? In an attempt to answer this question, this thesis places Beverland's writings on sex, sin, Scripture, and scholarship in their historical context for the first time. Beverland argued that lust was the original sin and highlighted the importance of sex in human nature, ancient history, and his own society. His works were characterized by his erudite Latin, satirical style, and disregard for traditional genres an
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24

Staffell, Clare Elizabeth. "Lion and dog fight : images of the Anglo-Dutch wars of the seventeenth century." Thesis, University of Cambridge, 2001. https://www.repository.cam.ac.uk/handle/1810/272297.

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25

Bergin, Emma Theresa. "The revolution of 1688 in Dutch pamphlet literature : a study in the Dutch public sphere in the late seventeenth century." Thesis, University of Hull, 2006. http://hydra.hull.ac.uk/resources/hull:6741.

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This thesis examines the pamphlet literature published in the Dutch Republic during the period surrounding the Glorious Revolution of 1688. Although the Dutch side of the Revolution has been afforded significant attention in recent years, writing on the subject has focused largely on assessing the motivation of William III and the Dutch regents in taking the decision to intervene in England, or on considering how particular groups responded to the events of 1688-89. This study provides a broader perspective, analysing the pamphlet literature published in the Dutch Republic between 1685 and 168
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26

Frederick, Amy Reed. "Rembrandt's Etched Sketches and Seventeenth-Century Print Culture." Case Western Reserve University School of Graduate Studies / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=case1390500621.

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27

Van, Meersbergen G. A. M. "Ethnography and encounter : Dutch and English approaches to cross-cultural contact in seventeenth-century South Asia." Thesis, University College London (University of London), 2015. http://discovery.ucl.ac.uk/1461328/.

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This thesis explores the intersections between Dutch and English East India Company (VOC and EIC) enterprise and early modern ethnography. Scholarship concerning both Companies has focused principally on the socio-economic side of Euro-Asian exchanges. In doing so, existing literature has failed to address the importance of ethnographic assumptions in shaping the worldviews of overseas agents. This study suggests a novel way of writing the cultural histories of these commercial-cum-political bodies from a comparative, transnational, and interdisciplinary perspective. It analyses VOC and EIC ar
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28

Otomo, Ayako. "Art, music and the harpsichord in seventeenth- and eighteenth-century France /." [St. Lucia, Qld.], 2005. http://www.library.uq.edu.au/pdfserve.php?image=thesisabs/absthe18614.pdf.

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29

Pittman, William E. "Morphological Variability in Late Seventeenth and Early Eighteenth-Century English Wine Bottles." W&M ScholarWorks, 1990. https://scholarworks.wm.edu/etd/1539625576.

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30

Finn, Claire P. "The material culture of drinking and the construction of social identities in the seventeenth-century Dutch Republic." Thesis, University of Sheffield, 2014. http://etheses.whiterose.ac.uk/7880/.

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After gaining their independence, the seventeenth-century Northern Netherlands experienced a Golden Age of wealth and prosperity. However, there was not yet a sense of national unity, and changes in society, politics, wealth and world view all created flux in identity. Drinking was both a fundamental and yet also highly charged activity, taking place in the home, taverns, and at events such as weddings. Playing a vital role in hospitality and community bonding, drinking became an important activity in the communication of developing identities, affiliations and Dutch national feeling. This the
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31

Martin, Margot. "Essential agréments : art, dance and civility in seventeenth-century French harpsichord music /." Ann Arbor : UMI, 2000. http://catalogue.bnf.fr/ark:/12148/cb37103563h.

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32

McLaughlin, Pegeen Amy. "Exploring current approaches to status variability in the seventeenth century Chesapeake." W&M ScholarWorks, 1996. https://scholarworks.wm.edu/etd/1539626034.

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33

Rankin, Deana Margaret. "The art of war : military writing in Ireland in the mid seventeenth century." Thesis, University of Oxford, 1999. http://ora.ox.ac.uk/objects/uuid:bd3cb104-bc7a-49b1-981c-d3fbecb3819e.

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'The Art of War' studies the transition of the soldier from fighter to settler as it is reflected in the texts he produces. Drawing on texts written by soldiers, in English, between c. 1624 and 1685, it focuses on representations of events in Ireland from 1641-1655, that is to say, during the Catholic Confederation and the Cromwellian campaigns and settlement. The focus and methodology of the thesis seek to restore a more literary reading of seventeenth century texts from, and about, Ireland to the current vibrant historical debate on the period. It argues that the writings of the Old Irish, O
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34

Lees, Linda Jane. "'Thou art a verie baggadge' : gender and crime in seventeenth-century Nottinghamshire and Staffordshire." Thesis, Nottingham Trent University, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.302523.

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35

Thompson, Ann. "The art of suffering : an examination of one aspect of seventeenth-century practical theology." Thesis, University of Cambridge, 1997. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.627425.

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36

Walker, Kathleen. "Chasing the Dragon's Tale: Europe's Fascination and Representation of the Dragon from the Twelfth to the Seventeenth Century." Kent State University / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=kent1437605968.

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37

Hagglund, Sarah. "The Myth of Bologna? Women's Cultural Production during the Seventeenth Century." Kent State University Honors College / OhioLINK, 2021. http://rave.ohiolink.edu/etdc/view?acc_num=ksuhonors1620502410389001.

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38

Lillehoj, Elizabeth Ann. "The art of Soga Chokuan and Nichokuan, two painters of sixteenth and seventeenth-century Japan." Ann Arbor : UMI, 1993. http://catalog.hathitrust.org/api/volumes/oclc/51344711.html.

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39

Schaller, Wendy M. "Children borne aloft : Nicolaes Maes's Ganymede Portraiture and the context of death and mourning in the seventeenth-century Netherlands /." The Ohio State University, 2001. http://rave.ohiolink.edu/etdc/view?acc_num=osu1486401895207345.

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40

Dew, Cathryn. "'Passion and persuasion' : the art of rhetoric and the performance of early seventeenth-century solo sonatas." Thesis, University of York, 1999. http://etheses.whiterose.ac.uk/2475/.

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41

Brown, David Arthur. "An Enslaved Landscape: The Virginia Plantation at the End of the Seventeenth Century." W&M ScholarWorks, 2014. https://scholarworks.wm.edu/etd/1539623632.

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Lewis Burwell II designed Fairfield plantation in Gloucester County to be the most sophisticated and successful architectural and agricultural effort in late seventeenth-century Virginia. He envisioned a physical framework with the intent to control the world around him so that he might profit from growing tobacco, while raising his family's status to the highest in the colony through the display of wealth and knowledge and the enslavement of both Africans and the natural surroundings. The landscape he envisioned contrasted with those of the enslaved Africans he purchased and put to work in th
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42

Luccketti, Nicholas Michael. "Archaeology at Bennett Farm: The Life Style of a Seventeenth-Century Middling Planter in York County, Virginia." W&M ScholarWorks, 1990. https://scholarworks.wm.edu/etd/1539625559.

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43

Zhu, Ying. "Evidence of existing knowledge of China and its influence on European art and architecture in the sixteenth and seventeenth centuries." Diss., Georgia Institute of Technology, 2009. http://hdl.handle.net/1853/37096.

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This dissertation investigates the extent of knowledge of China in Europe and, more particularly, Chinese influence on European art and architecture in the sixteenth and seventeenth centuries. It attempts to answer the following questions: 1. What visual and literature resources on China and Chinese art in Europe were available in the sixteenth and seventeenth centuries? 2. To which extent was there any understanding of Chinese art and architecture in Europe in the sixteenth and seventeenth centuries? 3. To which extent might this understanding have affected European a
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44

Halford, Jacob. "'Of dialogue, that great and powerful art' : a study of the dialogue genre in seventeenth-century England." Thesis, University of Warwick, 2016. http://wrap.warwick.ac.uk/87927/.

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This thesis examines the dialogue genre in seventeenth-century England. In 1681 when Henry Care established his periodical The Popish Courant he chose the format of a dialogue because people were ‘so set upon dialoging.’ Care’s choice of dialogue for his periodical is indicative of the popularity of dialogue in the seventeenth century. Yet, despite the popularity that dialogue enjoyed in this period it has not received comparative attention by scholars. This thesis seeks to address this gap and make two specific historiographical contributions. Firstly, it demonstrates how the digitization of
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45

Downey, Erin Elizabeth. "The Bentvueghels: Networking and Agency in the Seicento Roman Art Market." Diss., Temple University Libraries, 2015. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/335436.

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Art History<br>Ph.D.<br>This dissertation evaluates the position of Netherlandish migrant artists in the dynamic cultural environment of seventeenth-century Rome through an examination of the role of the Bentvueghels (“birds of a feather”) as a social and economic nexus for the city’s foreign community. One of the most distinctive societies in the history of art, this high-spirited ex-pat “brotherhood” attracted hundreds of traveling artists and was notorious throughout Europe for its raucous initiations and for the raw depictions of Rome by Pieter van Laer and his followers, the Bamboccianti.
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Sullivan, Kelly Ann. "of Panicoids and Pooids: An Environmental Archaeology Study of the Seventeenth-Century Houselot at Rich Neck Plantation, Williamsburg, Virginia." W&M ScholarWorks, 1999. https://scholarworks.wm.edu/etd/1539626208.

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47

Martone, Dragani Concetta. "Between Heaven and Earth: Negotiating Sacred Space at the Church of the Certosa di San Martino in Early-Seventeenth-Century Naples." Diss., Temple University Libraries, 2012. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/200336.

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Art History<br>Ph.D.<br>At the beginning of the viceregal era, the Certosa di San Martino, a Carthusian monastery of medieval foundation, experienced a resurgence that culminated in the rebuilding of its church starting in the late 1580s. The new church of the Neapolitan Certosa featured an innovative design and an extensive and complex decorative program that distinguished it from all other churches of the order. This dissertation examines the rebuilding of the church of the Certosa di San Martino as a process deeply rooted in the changing religious culture of the time and one that also revea
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48

der, Weduwen Arthur. "Selling the republican ideal : state communication in the Dutch Golden Age." Thesis, University of St Andrews, 2018. http://hdl.handle.net/10023/16612.

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This study seeks to describe the public communication practices of the authorities in the Dutch Golden Age. It is a study of 'state communication': the manner in which the authorities sought to inform their citizens, publicise their laws, and engage publicly in quarrels with their political opponents. These communication strategies underpinned the political stability of the seventeenth-century Dutch Republic. Concerned about their decorous appearance, the regents who ruled the country always understated the extent to which they relied on the consent of their citizens. The regents shared a repu
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49

Pickett, Dwayne Webster. "The John Page House Site: A n Example of the Increase in Domestic Brick Architecture in Seventeenth-Century Tidewater Virginia." W&M ScholarWorks, 1996. https://scholarworks.wm.edu/etd/1539626030.

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Gibson, Anne M. "A Desire for Fired Clay from Far Away: Analysis of Ceramics from a Seventeenth-Century Domestic Site in Bridgetown, Barbados." W&M ScholarWorks, 2010. https://scholarworks.wm.edu/etd/1539626618.

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