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Journal articles on the topic 'Sex role in comics'

Author: Grafiati

Published: 28 July 2024

Last updated: 31 July 2025

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1

Brabant, Sarah, and Linda Mooney. "Sex role stereotyping in the sunday comics: Ten years later." Sex Roles 14, no. 3-4 (1986): 141–48. http://dx.doi.org/10.1007/bf00288245.

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Safitri, Yulinar, Mailizar Mailizar, and Rahmah Johar. "STUDENTS' PERCEPTIONS OF USING E-COMICS AS A MEDIA IN MATHEMATICS LEARNING." Infinity Journal 10, no. 2 (2021): 319. http://dx.doi.org/10.22460/infinity.v10i2.p319-330.

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The development of technology in education greatly influences learning strategies. Thus, teachers must adapt and present interesting and technology-based learning, such as e-comics. Therefore, the teacher must see in advance the extent to which students will accept e-comics for use in learning mathematics. This research aimed to determine students' perceptions of the use of e-comics as a media in mathematics learning. This research implemented a quantitative approach with a survey method. The samples were 124 students of Junior High Schools (SMP / MTs) in Aceh. The research data were obtained

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Pratama, D. M., and K. Kasmana. "The Indonesian Government Imagery in the Instagram Comic strip with Covid-19 Themed." Proceeding of International Conference on Business, Economics, Social Sciences, and Humanities 1 (December 1, 2020): 693–701. http://dx.doi.org/10.34010/icobest.v1i.232.

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At the beginning of 2020, there has been the spread of the deadly Covid-19 virus to various countries resulted in a pandemic. Indonesia is one of the countries affected, so the government provides a policy that is expected to reduce the number of Covid-19 cases. The policy issued has drawn criticism from various parties, one of which is the cartoon mice comic, this comic is one of the comics that often comments on social life and the Indonesian government with its comic strips posted on Instagram. This study aims to find the image and role of the government depicted in mice cartoon comics in o

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Dahlberg-Dodd, Hannah E. "Script variation as audience design: Imagining readership and community in Japanese yuri comics." Language in Society 49, no. 3 (2019): 357–78. http://dx.doi.org/10.1017/s0047404519000794.

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AbstractBuilding on recent work supporting a sociolinguistic approach to orthographic choice, this study engages with paratextual language use in yuri, a subgenre of Japanese shōjo manga ‘girls’ comics’ that centers on same-sex romantic and/or erotic relationships between female characters. The comic magazine Comic Yuri Hime has been the dominant, if not only, yuri-oriented published magazine in Japan since its inception in 2005. Though both written and consumed by a primarily female audience, the magazine has undergone numerous attempts to rebrand and refocus the target audience as a means to

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Rahmi, Affiza, and Heldi Heldi. "PERANCANGAN MOTION COMIC 2D PERAN DAN FUNGSI MAMAK DALAM SISTEM KEKERABATAN MINANGKABAU." DEKAVE : Jurnal Desain Komunikasi Visual 10, no. 4 (2020): 528. http://dx.doi.org/10.24036/dekave.v10i4.110729.

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The contribution and function of information and communication media as information disseminators include studying and preserving the civilization of social and cultural values in the Minangkabau community both in print media, 2D audio visual and 3D media. As today, modern society or the millennial generation does not really care about the role and function of the Mamak towards their nephews, and millennial youth tend to see the values of tracing traditions as ancient, while the influence of outside culture is very vulnerable to be diminished, including in Minangkabau. So there is a need for i

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Dewi, Ienneke Indra. "Presuppositions and Implicatures in Comic Strips." Lingua Cultura 2, no. 1 (2008): 12. http://dx.doi.org/10.21512/lc.v2i1.245.

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Article aimed to find out the role of presuppositions, implicatures, as well as to see the maxims violated or flouted in the comic strips i.e. to whether there is a miscommunication among the characters in the comic strips. Data were taken from the three comics, those are Peanuts, Andy, and Tintin, and were analysed based on the pattern that the sender made a presupposition before transferring information and the receiver would try to get the implied message. The results show that presuppositions and implicatures are much influenced by the background knowledge. The more the speaker and hearer

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Srimulyani, Nunuk Endah. "Herbivore Man in Shoujo-Manga: Deconstruction of Japanese Traditional Masculinity." MOZAIK HUMANIORA 21, no. 1 (2022): 109–21. http://dx.doi.org/10.20473/mozaik.v21i1.27041.

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This study aims to describe soushokukei danshi, herbivorous men who represent the value of new masculinity in the girl comic series (shoujo-manga) in Japan. They are called herbivores or plant eaters because in general, their characteristics are not as dominant as the image of nikushoku or meat-eaters that is usually attached to traditional Japanese men in a patriarchal culture. To pursue the objective of this research, qualitative descriptive method and Bem Sex-Role Inventory (BSRI) theory were used with two main data from Sakura chan and Amane kun by Asazuki Norito and Monthly Girls’ Nozaki-

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Szałek, Filip. "Phantasmatic instincts. Sexuality of "perverts" in Robert Crumb comics." Kultura Popularna 60, no. 2 (2020): 72–82. http://dx.doi.org/10.5604/01.3001.0013.7335.

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The comic adaptation of Richard Krafft-Ebing&#39;s Psychopathia sexualis adds nothing to the original, but the change of medium to comic from text to text-enriched series of images distributes accents differently. Equal frames, like the pedantic gallery on the cover, build contrast, the second element of which is the chaos prevailing in the lives of ôpervertsö whose fate is drawn by Robert Crumb. Their deeds can entertain or shock in the short run, but the impression that steadily builds up, and thus takes root deeper in the reader, is depression. The medicine turns out to be a character a

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Anggraeni, Windy, D. Wahyudin, and Srie Mulyani. "Pengaruh Model Discovery Learning Berbantuan Komik Digital Flip Book dalam Upaya Meningkatkan Hasil Belajar IPS di Sekolah Dasar." FONDATIA 7, no. 3 (2023): 731–46. http://dx.doi.org/10.36088/fondatia.v7i3.3886.

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This research is motivated by the learning process which demands active participation from the learner, but in reality the learning process still tends to reduce the role and participation of students. This study intends to see how much influence the digital comic-assisted discovery learning model flip book has in efforts to improve social studies learning outcomes for fifth grade students in the 2022/2023 academic year to find out whether the digital comic-assisted discovery learning model is more effective than the digital flip book learning model. conventional. This study used a quasi-exper

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Ika Wahyuningsih, Fatiya Sakinah, Nur Syahriani, and Asih Widi Wisudawati. "Sex Education Through Reproductive System Materials on Body Privacy Awareness of Elementary/MI Students: A Systematic Review (2022-2024)." Jurnal Elementaria Edukasia 8, no. 1 (2025): 3553–69. https://doi.org/10.31949/jee.v8i1.12905.

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Sexual violence that occurs against children of various ages is still a global issue that is rampant in various countries. Schools as official educational institutions should provide facilities related to sexual education from an early age. This review uses the Systematic Literature Review (SLR) method, aiming to explore relevant literature to understand how sex education can be applied systematically and its impact on the body privacy awareness of elementary/middle school students.), covering five stages, namely; determine eligibility criteria, define information sources, literature selection

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Shaw, Carl A. "‘Genitalia of the Sea’: Seafood and Sexuality in Greek Comedy." Mnemosyne 67, no. 4 (2014): 554–76. http://dx.doi.org/10.1163/1568525x-12341278.

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Fish play a sizable role in the remains of ancient Greek comedy. Although scholars have proposed various cultural, economic, and generic explanations for comedy’s interest in sea creatures, they have not adequately considered the importance of seafood’s relationship to obscenity and sexuality. Greek comic poets correlate a range of sea creatures with sex and sexuality in imaginative and humorous ways, making obscene jokes about courtesans and aphrodisiacs, as well as creating double entendres for male and female genitalia. This study provides a lexical resource for Greek comedy’s numerous seaf

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Zherebkina, Irina. "On the Role of the Comical in Valery Podoroga's Project of Anthropology of Power." Chelovek 32, no. 5 (2021): 136. http://dx.doi.org/10.31857/s023620070017443-4.

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The article analyzes the concepts of comic and laugh in some texts by V.A. Podoroga on anthropology of power, and his view on critical potential of the comic for the philosophical analysis of modern politics and culture. Based on Podoroga&apos;s study of M.M. Bakhtin’s theory of laughter culture, grotesque images of corporeality by A. Artaud, A.F. Losev and S. Eisenstein, author argues that Podoroga understands the comic in the context of his theory of the phenomenology of body in which the laughter is associated with the grotesque, when the funny manifests itself in inseparability from th

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Boast, Hannah. "Theorizing the Gay Frog." Environmental Humanities 14, no. 3 (2022): 661–79. http://dx.doi.org/10.1215/22011919-9962959.

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Abstract The gay frog has taken on a surprisingly prominent role in contemporary environmental culture. Primarily associated with American shock jock Alex Jones and the so-called alt-right, fears of frogs being turned gay by hormones in water have nevertheless entered the mainstream, while gay frog memes are shared online by users from across the political spectrum. This article offers a genealogy of the gay frog, situating this recent moment in the longer history of “sex panics” over gay animals described by queer ecologists, and in the context of an ongoing backlash against feminism and tran

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Cismaru-Croce, Giulia-Miruna. "Essay on the Role of Video Games in Teaching Literature." Journal of Digital Pedagogy 1, no. 1 (2023): 11–14. https://doi.org/10.61071/JDP.0378.

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In an era of continuous digitalization, teachers turn to new technology in order to adapt to the universe of their students, to remain relevant in this constant change of interests. Students are motivated by elements of popular culture, being constantly exposed to an environment that is rich in information and textual patterns. And yet, what is the connection between literature and video games? Is there such a connection in the first place?Students need guidance when it comes to developing their literary skills of analysis and communication, as well as literary thinking. Hours dedicated to int

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Boer, Sam. "‘Maybe I’ll make something with it’: Comics as alternative sex education." Studies in Comics 11, no. 1 (2020): 87–107. http://dx.doi.org/10.1386/jem_00016_1.

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This article discusses how the comics form is peculiarly suited to deliver affecting, inclusive sex education. Through analysing the comics anthologies Not Your Mother’s Meatloaf, compiled by Saiya Miller and Liza Bley, and Graphic Reproduction, edited by Jenell Johnson as part of the Graphic Medicine series, this article addresses several specific ways in which these anthologies – and the autobiographical comics they include – demonstrate unconventional and effecting methods of conducting sex education. Comparing these collections to sex education film shows how comics are particularly suited

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Boer, Sam. "‘Maybe I’ll make something with it’: Comics as alternative sex education." Studies in Comics 11, no. 1 (2020): 87–107. http://dx.doi.org/10.1386/stic_00016_1.

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This article discusses how the comics form is peculiarly suited to deliver affecting, inclusive sex education. Through analysing the comics anthologies Not Your Mother’s Meatloaf, compiled by Saiya Miller and Liza Bley, and Graphic Reproduction, edited by Jenell Johnson as part of the Graphic Medicine series, this article addresses several specific ways in which these anthologies ‐ and the autobiographical comics they include ‐ demonstrate unconventional and effecting methods of conducting sex education. Comparing these collections to sex education film shows how comics are particularly suited

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Lamont, Bethany Rose. "Amusing Abusers and Humourless Survivors: Analysing the Role of Comedy in Media Representations of Sexual Violence." Galactica Media: Journal of Media Studies 3, no. 3 (2021): 344–73. http://dx.doi.org/10.46539/gmd.v3i3.134.

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This article reflects on the importance of comedy when considering media engagements with sexual abuse themes. This approach is informed by how closely the study of humour is rooted in the analysis of power relations, with comic theorists, both historical and contemporary, grounding the work.The comic figures of both the child sex (CS) abuser and the sexual violence survivor are first identified, before exploring what exactly about these tropes evoke laughter, and what this means for wider conceptions of interpersonal abuse and victimology. In analysing examples of CS abuser themed Briti

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Senelick, Laurence. "Embodying Emptiness: the Irreality of Mikhail Chekhov's Khlestakov." New Theatre Quarterly 25, no. 3 (2009): 224–32. http://dx.doi.org/10.1017/s0266464x09000402.

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Comedy, argues Laurence Senelick, is the form most indigenous to the Russian stage; so while its great players may still vie to make Hamlet their own, it is the comic figure of Khlestakov in Gogol's Government Inspector (Revizor) who most fully absorbs and enacts the concerns of the times in which the role is recreated. Here, while tracing the history of the role during the nineteenth century, Laurence Senelick is chiefly concerned with its performance by Mikhail Chekhov in Stanislavsky's first post-Revolutionary production at the Moscow Art Theatre in 1921. Stanislavsky's earlier revival in 1

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Muttaqien, Muhammad, and Zein Mufarrih Muktaf. "Kartun untuk Periklanan: Studi Kasus Desain Kartun Koyoiki Design Studio." Jurnal Audiens 6, no. 1 (2025): 214–23. https://doi.org/10.18196/jas.v6i1.586.

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Cartoons are visual works that are predominantly used in advertising works, such as logos, mascots, illustrations, comics, and even animations. Cartoons are creative works that involve an imaginative creative visual process. This study is a study of the creative process of making cartoons for advertising. Koyoiki Design Studio is a design studio that produces a lot of cartoon production works for mascots, logos, or advertisements. This study wants to see how the process of making cartoon works at Koyoiki Design Studio. The method used is a case study approach. The reason for using this approac

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Toyeba, Mushtaq, and Aaliya Ahmed Dr. "Third Gender Portrayal in Bollywood An Analysis of Sadak." International Journal of Trend in Scientific Research and Development 3, no. 3 (2019): 17–22. https://doi.org/10.31142/ijtsrd21636.

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Cinema works as a mirror in which the human beings could see the reflection of their lives. It has a power to influence more than any other arm form. Therefore, it is very important to understand how a country, its people and its aspirations are represented in the cinema produced in the country. Mainstream Hindi cinema is the most widely distributed cinema in India. Identity construction is one of the significant issues in Bollywood. Filmmakers in India are trying to step outside the beaten track of traditional Indian themes but there has been no or little allowance for portrayal of transgende

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Bohdanets, Svitlana. "Gastronomic Humor in Medieval European Literature: Topoi and Historiography." Text and Image: Essential Problems in Art History, no. 2 (2019): 34–43. http://dx.doi.org/10.17721/2519-4801.2019.2.02.

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The article looks at topoi in gastronomic images of European medieval humoristic texts and seeks to examine the connection between food and comic discourses. The author shall also highlight how these images were evaluated and interpreted by scholars of a different methodological background. The attention is paid to motives in gastronomic humour and comic plots related to food, which were widely spread in Western culture. Gastronomic humour is displayed through examples that are to be found in such medieval literary genres as farce, fabliau, Schwank etc. The study aims to propose a common food

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Silady, Matt. "Three Wishes for Why Comics?" Publications of the Modern Language Association of America 134, no. 3 (2019): 620–24. http://dx.doi.org/10.1632/pmla.2019.134.3.620.

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With its enticing question splashed across the cover, Hillary Chute's Why Comics? invites the reader to consider the connections among comics, comics creators, and the medium's everexpanding audience. Through ten chapters all prefaced by “Why” (“Disaster,” “Superheroes,” “Sex,” “he Suburbs,” “Cities,” “Punk,” “Illness & Disability,” “Girls,” “War,” and “Queer”), Chute examines why the shape-shifting form of comics continues to serve as the perfect vessel for visual storytellers attempting to capture the complexity of the human condition.

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Dodge, Chris. "Alternative Sex: Some 'Zines, Comics, Books, and Sources." Collection Building 13, no. 1 (1993): 48–51. http://dx.doi.org/10.1108/eb023360.

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Ostapenko, I. V. "SOCIAL MEDIA POTENTIAL FOR DEVELOPMENT OF STUDENT YOUTH’S CIVIС COMPETENCE". Ukrainian Psychological Journal, № 2 (14) (2020): 189–213. http://dx.doi.org/10.17721/upj.2020.2(14).10.

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The article is devoted to the analysis of the results of an empirical study of the potential of social media for civic competence development. Modern approaches to understanding civic competence and the use of social media are analyzed. The main vectors of social media influence on the development of civic competence are determined: informational, valuemotivational, emotional-consolidating, mobilizing. Using the method of evaluative repertoire grids, the structural components of civic competence of student youth, which are developed by means of social media, are determined. A method for identi

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Anamika, Shukla. "Visual storytelling in panels: Exploring the dynamics of comics and graphic narratives." International Journal of Advance Research in Multidisciplinary 2, no. 1 (2024): 419–28. https://doi.org/10.5281/zenodo.14717808.

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This research paper explores the rich history and evolution of comics as a transformative narrative medium. Beginning with the early pictorial storytelling traditions, the paper examines the global milestones that shaped comics into a cultural and artistic force. The study delves into the unique trajectory of Indian comics, tracing their roots from <em>Indrajal Comics </em>and <em>Amar Chitra Katha </em>to the modern innovations of Graphic India and independent publishers. The research also investigates the profound influence of comics on literary writing, emphasizing their role in reshaping n

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Kelp-Stebbins, Katherine. "Global Comics." Feminist Media Histories 4, no. 3 (2018): 135–56. http://dx.doi.org/10.1525/fmh.2018.4.3.135.

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This article examines the critical reception of works by comic artists Zeina Abirached and Marjane Satrapi, and specifically articulations of likeness and contrast between them. Surveying the frequent comparisons of Abirached's A Game for Swallows (2007, 2012) to Satrapi's Persepolis (2000–2004) provides a methodological framework by which to reconsider the cultural and capital economies of world literature and global comics. This analysis is guided by questions regarding global comics as an emergent textual form that complicates world literature as a system of cultural recognition. What role

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Carnes, Jeremy M., and Katherine Kelp-Stebbins. "Introduction: Seeing Stories with Indigenous Comics." Inks: The Journal of the Comics Studies Society 8, no. 3 (2024): 199–205. https://doi.org/10.1353/ink.00010.

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ABSTRACT: In this introduction to the special issue “Seeing Stories with Indigenous Comics,” the editors describe the need for and rhetorical situation of a volume of Inks dedicated to Indigenous comics. The essay highlights the integral role of Indigenous artists and publishers in contemporary comics production.

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Pitkäsalo, Eliisa, Vaula Haavisto, and Laura Kalliomaa-Puha. "Sarjakuva translatorisen toiminnan välineenä." Mikael: Kääntämisen ja tulkkauksen tutkimuksen aikakauslehti 18, no. 1 (2025): 38–57. https://doi.org/10.61200/mikael.147638.

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This article examines two types of translatorial action: translating social welfare documents into comics and using these comics as tools in interactions between social workers and clients. The translation process involves careful selection of visual and verbal elements to ensure that essential information is not lost or oversimplified. Visual translation strategies must consider clarity and the emotional impact of images. Comics can make implicit information explicit, enhancing understanding and engagement. Research data suggest that comics can also support interaction, with social workers ac

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Miller, Ann. "Interview with Peter Kessler." European Comic Art 18, no. 1 (2025): 85–96. https://doi.org/10.3167/eca.2025.180106.

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Abstract In this interview, television producer and polymath Peter Kessler reflects on the origins of his love of comics and his developing critical awareness of the artistic dimensions of the medium, which led to one of the first studies of a comics series to be published in the UK, his guide to Astérix. He recounts his association with the Lakes Comics Festival, where, in a productive collaboration, he brought an innovative approach to events, and lifts the veil on the process that enabled comics to breach the walls of the University of Oxford. He shares his views on the role of comics in se

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Gulanowski, Jacek. "The presentations of family in comic books - ideological involvements." Family Upbringing 3, no. 3 (2011): 219–38. http://dx.doi.org/10.61905/wwr/171223.

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Comics (despite its history dating back to the end of 19 century) is still a medium undervalued and underestimated. However, in comics one may discover role models important for the readers, who shape their own understanding of family, aims of family life or proper forms of its realization by accepting, negating or reinterpreting those role models. The aim of comics is the creation (within one piece) of a language understood by as many readers as possible. Popularity of comic books, specificity of its forms of expression and relatively low cost of “production” made possible attempts of the use

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Ochi, Khaled, and Arij Mohsni. "La bande dessinée dans les manuels scolaires Tunisiens : étude de son rôle dans l’apprentissage linguistico-culturel." Traduction et Langues 22, no. 2 (2023): 101–26. http://dx.doi.org/10.52919/translang.v22i2.953.

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Comics in Tunisian School Textbooks: Study of its role in linguistic and cultural learning Comics, also referred to as graphic novels, have enjoyed widespread popularity as a form of entertainment for people of all ages over many years. However, in recent times, they have garnered recognition not only as a source of entertainment but also as an effective tool for teaching and learning foreign languages and cultures. In Tunisia, where French is taught as a foreign language (FLE), school textbooks play a pivotal role in foreign language and cultural education. The content of these textbook

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Sánchez-Mesa, Domingo, and Jan Baetens. "Intermediality and Comics." European Comic Art 16, no. 2 (2023): 30–53. http://dx.doi.org/10.3167/eca.2023.160202.

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Abstract This article deals with the relationship between comics and intermediality (the interaction or relation between two media) as well as transmediality (the migration from one medium to another). It defends the idea that inter- and transmediality are inextricably linked and that the interaction between them can shed new light on either dimension, in order to broaden the idea of intermediality (which cannot be reduced to a matter of taxonomy but entails important historical aspects) and that of transmediality (which should include discussions on power relationships between media). The art

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Šarčević, Ivan. "The use of digital comics in formal education of adults." Metodicka praksa 26, m. br. (2023): 23–31. http://dx.doi.org/10.5937/metpra2301023q.

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The aim of the paper is to present the modern possibilities for applying the digital form of comics in formal adult education. It is structurally divided into three logical units: the first presents domestic and foreign relevant literature on the application of comics in teaching, the second unit deals with the conceptual definition of comics and digital comics, and the third observes practical possibilities for using comics in adult education. The third unit is of particular importance because there are no papers in professional periodicals that previously dealt with that area. Comics as a te

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Yefymenko, Victoria. "GENRE CHARACTERISTICS OF COMICS, WHICH ARE MODERN ADAPTATIONS OF CLASSIC BOOKS." Naukovì zapiski Nacìonalʹnogo unìversitetu «Ostrozʹka akademìâ». Serìâ «Fìlologìâ» 1, no. 15(83) (2022): 40–43. http://dx.doi.org/10.25264/2519-2558-2022-15(83)-40-43.

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In comics as multimodal narratives visual and verbal modes interact to create meaning. Colours play an important role in comics, the choice of warm or cold colour palette, as well as bright or muted, influences a reader’s perception and attitude to the described events. Comics have a number of narratological, stylistic, structural and other characteristics. Events in comics can be presented both with the help of a narrator (extradiegetic or intradiegetic) or nonnarratorially by means of images. Strategies of verbal representation, characteristic for comics, include narration boxes, speech ball

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Masuchika, Glenn. "Japanese Cartoons, Virtual Child Pornography, Academic Libraries, and the Law." Reference & User Services Quarterly 54, no. 4 (2015): 54. http://dx.doi.org/10.5860/rusq.54n4.54.

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Many academic libraries are adding comics and cartoon in print form to their collections. Japanese comics, called "manga," are a large part of this collecting. However, in some of these items, there are drawn images of people seemingly under eighteen years of age engaged in highly graphic, uncensored, sex acts. The purpose of this paper is to discuss whether collecting such materials may violate anti-obscenity laws of the United States and expose the collection developer and the library to criminal liabilities. It also suggests that these concerns can lead librarians to self-censorship in the

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Song, Hawon. "A Study on the Cultural Diversity Practice of Alternative Comics: Focusing on the case of Simmel’s <Stranger Theory> and the Third Bookstore <Hometong>." Korean Society of Culture and Convergence 44, no. 6 (2022): 545–64. http://dx.doi.org/10.33645/cnc.2022.6.44.6.545.

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Today, hatred and discrimination against social minorities are emerging as serious social problems. When it is necessary to transition to a diversity society where differences are respected, this study attempted to examine the meaning of alternative comics’ practice of cultural diversity. The concept and characteristics, of alternative comics, which are distinguished from commercialized mainstream comics, were analyzed, and furthermore, Georg Simmel's Stranger Theory was used as a theoretical basis to view the meaning and value of cultural diversity pursued by alternative comics. In addition,

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Roy, Suddhabrata Deb. "The Indian Superheroine costume: Analysing Indian comics’ first superheroine." Film, Fashion & Consumption 10, no. 1 (2021): 313–24. http://dx.doi.org/10.1386/ffc_00027_7.

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Comics are an important form of Indian popular culture. Like other forms of popular culture which have engaged with superheroes, male superheroes have dominated the comic book industry in India. Costumes enable the social construction of these characters in comics, determine their characteristic traits and emphasize their gendered roles. Female characters have had to struggle against multiple patriarchal social processes which are integral to the global comics’ culture. Costumes play a critical role in how these characters engage with the overall narrative of the comics. The article analyses t

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Sammond, Nicholas. "Letters, Queer and Women’s Comix, and Making Community." Feminist Media Histories 10, no. 1 (2024): 57–83. http://dx.doi.org/10.1525/fmh.2024.10.1.57.

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This article charts the role of underground women’s and queer comics in the formation of local communities and liberation movements. It moves beyond an analysis of the comics themselves, considering the role that correspondence—between fans and editors, between artists and editors, between editors and publishers, between fans and artists—plays in crafting community through critical discourse, practical discussion, and commerce. It explores the tension between radical, sometimes anticapitalist organizing and the need of artists, publishers, and bookstore owners to make a living while supporting

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Nur Mazidah Nafala. "IMPLEMENTASI MEDIA KOMIK DALAM PEMBELAJARAN UNTUK MENINGKATKAN MOTIVASI BELAJAR SISWA." Al-Fikru : Jurnal Pendidikan Dan Sains 3, no. 1 (2022): 114–30. http://dx.doi.org/10.55210/al-fikru.v3i1.571.

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The role of comic media in learning plays a key role in increasing student motivation. The purpose of this article is to know how implementation and media functions in improving student study motivation. By using previous research for later analysis. For this reason, it is felt that educators know the benefits and implementation of comic media as learning medium so that learning is not monotonous and tend to bore students. Comics as role media are a tool that performs a learning message. In this context, learning points to a communication process between learners and learning resources (study

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Hickey, Nora, and Amaris Feland Ketcham. "Troubling the sequential image: The poetry comics of Bianca Stone." Studies in Comics 13, no. 1 (2022): 47–65. http://dx.doi.org/10.1386/stic_00084_1.

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Bianca Stone’s poetry comics often cast narrative and common panel transitions aside to centre the lyricism and playfulness of text and image, while retaining some ‘hallmarks’ of comics such as the speech bubble and pictorial sequence. Stone’s Poetry Comics from the Book of Hours is one of the few single-authored collections of poetry comics currently in print. In addition to her poetry comics, Stone has collaborated with poets to create illustrated texts. Notably, her collaboration with the poet and translator Anne Carson produced a new translation of Antigone (Antigonick), which moves beyond

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Abrori, Fadhlan Muchlas, Zsolt Lavicza, and Branko Anđić. "Constructing socio-scientific issue literacy through comics in learning apperception for elementary school students." Studies in Comics 14, no. 2 (2023): 281–310. http://dx.doi.org/10.1386/stic_00111_1.

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This study explores the role of comics in constructing socio-scientific literacy among elementary school students. Through content analysis of conversations between teachers and students, we examined the sources of information in comics, including text, images, multimodal interaction and implicit meaning. Our findings revealed that students rely on more than just explicit information from text and images; they also engage in multimodal interaction, combining visual and textual elements, and interpret implicit meanings within the comics’ narratives. The design of the comics influences the distr

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Boucher, Ian. "Casting a Wider Lasso: An Analysis of the Cultural Dismissal of Wonder Woman Through Her 1975‐1979 Television Series¹." Popular Culture Review 29, no. 2 (2018): 151–91. http://dx.doi.org/10.1002/j.2831-865x.2018.tb00237.x.

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ABSTRACTLive‐action superhero films currently play a significant role at the box office, which means they also play a significant role in culture's understandings about justice. For the most part, however, superhero films are dominated by philosophies based in irrational fears and stereotypes, perpetuating an antiquated concept of justice that contributes detrimentally to societies around the world. Wonder Woman enriches the pantheon of superheroes by representing restorative justice, which is part of a more comprehensive approach to crime‐fighting, in which mediators work with victims and off

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Nordenstam, Anna, and Margareta Wallin Wictorin. "Women's Liberation." European Comic Art 12, no. 2 (2019): 77–105. http://dx.doi.org/10.3167/eca.2019.120205.

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In Sweden, publication of original feminist comics started in the 1970s and increased during the following decade. This article describes and analyses the Swedish feminist comics published in the Swedish radical journals Kvinnobulletinen and Vi Mänskor, as well as in the Fnitter anthologies. These comics, representing radical feminism, played an important role as forums for debate in a time when feminist comics were considered avant-garde. The most prominent themes were, first, the body, love and sexualities and, second, the labour market and legal rights. The most frequent visual style was a

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Vorontsov, D. V. "Gender Representations of Young Female “Boy’s Love” Fans." Social Psychology and Society 13, no. 4 (2022): 124–41. http://dx.doi.org/10.17759/sps.2022130408.

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<p style="text-align: justify;"><strong>Objective. </strong>To describe the relations between liking visual representations of male same-sex romance and gender representations of young female fans of BL. <strong>Background. </strong>Nowadays there is a globally spread interest in manga among teenagers. Manga has a vast diversity of styles, genres, and followers. Nevertheless, some heterosexual girls quite often demonstrate stable interest in the manga sub-genre focusing on homoerotic relationships between young &ndash; and frequently androgynous &ndash; ma

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Saji, Sweetha, and Sathyaraj Venkatesan. "Mapping the bipolar mind through comics: An interview with Ellen Forney." Studies in Comics 12, no. 1 (2021): 145–50. http://dx.doi.org/10.1386/stic_00057_7.

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This is an interview with comics artist Ellen Forney, author of Marbles: Mania, Depression, Michelangelo, and Me: A Graphic Memoir and Rock Steady: Brilliant Advice From My Bipolar Life. In the interview, Forney reflects on her personal experience with bipolar disorder and its representation in the comics medium. The interview also presents recent trends in graphic medicine (intersection of comics and health) and the role and use of visual metaphors in delineating mental illness experiences, through examples drawn from Forney’s own work.

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Darma, Diana Budi, Nur Chakim, and Fithriyah Inda Nur Abida. "Marvel Comics in The Context of Literary Tourism." ELS Journal on Interdisciplinary Studies in Humanities 5, no. 4 (2022): 710–15. http://dx.doi.org/10.34050/elsjish.v5i4.24825.

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This study aims at discussing Marvel comics as a part of literary tourism. Marvel comics play an important role in supporting tourism development. The worldwide popularity of Marvel comics has also increased the popularity of the places that used as the setting in the comics. This study used literature review with a qualitative descriptive approach. The data is identified, classified and then interpreted based on a literary tourism and literary events. The results of the study shows that the representation of places in comic books can pique readers' interest in visiting those places. This popu

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Reblin, Iuri Andréas. "INTERSECÇÕES ENTRE RELIGIÃO E HISTÓRIAS EM QUADRINHOS: BALÕES DE PENSAMENTO A PARTIR DE UM OLHAR À SUPERAVENTURA "Intersections between Religion and Comics: thought bubbles from a look into superhero genre"." PARALELLUS Revista de Estudos de Religião - UNICAP 5, no. 10 (2014): 161. http://dx.doi.org/10.25247/paralellus.2014.v5n10.p161-178.

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A partir de uma abordagem bibliográfica exploratória, este texto apresenta intersecções identificadas entre religião e histórias em quadrinhos, especialmente, a partir de um olhar a superaventura. Inicialmente, o texto reitera o papel das histórias em quadrinhos enquanto representação do universo simbólico-cultural humano, para, em seguida, apresentar ilustrações sobre a religião nas histórias em quadrinhos a partir da superaventura e indicar pesquisadores e pesquisadoras envolvidas com o assunto. Uma abordagem na perspectiva da Teologia e das Ciências da Religião identifica que religião e his

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Govan, Sandra Y., and Samuel R. Delany. "Silent Interviews: On Language, Race, Sex, Science Fiction, and Some Comics." African American Review 31, no. 1 (1997): 164. http://dx.doi.org/10.2307/3042203.

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Miller, Ann. "Interview with Hannah Berry." European Comic Art 14, no. 1 (2021): 69–88. http://dx.doi.org/10.3167/eca.2020.140105.

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In this interview, the Brighton-based comics artist Hannah Berry discuses her current role as Comics Laureate, which has included the commissioning of a survey into the conditions of work of comics artists in the United Kingdom and has demonstrated the financial hardship that most of them endure. She also talks about the importance of mentoring, organising work around childcare, and how she came to produce a weekly strip for the New Statesman. The interview then focuses on Berry’s three published graphic novels, touching on the influence of films, the tension between storytelling and play with

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Pirzada, Tehmina. "“Let Us Be Giants”." Boyhood Studies 14, no. 1 (2021): 25–44. http://dx.doi.org/10.3167/bhs.2020.140103.

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Since 2003, a budding collection of English-language war comics dealing with military conflicts between India and Pakistan have become part of the comic book repertoire in both countries. This article focuses on two such comics, Siachen (2012) and Haider (2015). Drawing upon Raewyn Connell’s theorization of hegemonic masculinity, the article analyzes how the masculine role models depicted in Haider and Siachen vehemently deny the horrific emotional and physical costs of warfare. By examining hegemonic masculinity in the comics through masculinity nostalgia, and through close reading of the cha

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