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Dissertations / Theses on the topic 'Sexton, Anne'

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Published: 4 June 2021

Last updated: 1 February 2022

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1

Scalapino, Lisa Marie. "Anne Sexton, a psychological portrait." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape10/PQDD_0022/NQ46915.pdf.

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2

Madsen, Pamela A. Sexton Anne. "The Sexton cycle : settings of Sexton for soloists, chamber ensembles, and tape /." Diss., Connect to a 24 p. preview or request complete full text in PDF format. Access restricted to UC campuses, 2000. http://wwwlib.umi.com/cr/ucsd/fullcit?p9974112.

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Thesis (Ph. D.--Music)--University of California, San Diego.<br>Vita. Includes scores for most of the instrumental works within the composer's The Sexton cycle; excludes opening work, What's that, and the purely tape Redcuts. Accompanying tape includes recordings of the sections, Hutch, The red shoes, Redcuts, and Demon (extract) from Consorting with angels.

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3

Marusza, Julie A. "The transforming art of Anne Sexton /." Thesis, McGill University, 1993. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=69619.

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By using rigorous conventional structure in her early work Anne Sexton was able to successfully contain some of her severe psychological instabilities stemming from childhood in poetic form. Sexton's artistic direction underwent a sharp change midway into her poetic career after she wrote the volume Transformations, a collection of story-poems based on narratives from the Grimm fairy tales. In this collection, Sexton took on the external persona of a witch, and with her new voice, she was boldly able to re-tell her version of the Grimm tales. The new persona enabled Sexton to shed her previous

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4

Socha, Monika. "Die Todesthematik im lyrischen Werk Anne Sextons /." Saarbrücken : W. J. Röhrig, 1991. http://catalogue.bnf.fr/ark:/12148/cb356915833.

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5

Oliveira, Renato Marques de. "Anne Sexton e a poesia confessional : antologia e tradução comentada." [s.n.], 2004. http://repositorio.unicamp.br/jspui/handle/REPOSIP/270242.

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Orientador: Eric Mitchell Sabinson<br>Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Estudos da Linguagem<br>Made available in DSpace on 2018-08-03T22:27:34Z (GMT). No. of bitstreams: 1 Oliveira_RenatoMarquesde_M.pdf: 14631472 bytes, checksum: 3264df22d3993a17a71974e8b876c591 (MD5) Previous issue date: 2004<br>Resumo: Numa tentativa de compreensão do fenômeno literário conhecido como POESIA CONFESSIONAL, esta dissertação tem por objetivo estudar a obra da poeta Anne Sexton (1928 - 1974). O exame de um dos rumos que a poesia norteamericana tomou desde 1945 serve como

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6

Wann, Ryleigh Marie. "Women's Voices of the 1960's Through Metapoetry: Sylvia Plath & Anne Sexton." University of Toledo Honors Theses / OhioLINK, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=uthonors1544711810525306.

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7

Crosbie, Lynn. "Contextualizing Anne Sexton, confessional process and feminist practice in the Complete Poems." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1996. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/NQ35433.pdf.

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8

Waters, Melanie Jane. "'Those times' : politics, culture and confession in the poetry of Anne Sexton." Thesis, University of Newcastle Upon Tyne, 2008. http://hdl.handle.net/10443/261.

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This thesis constitutes the first sustained attempt to situate the poetry of Anne Sexton in relation to postwar. American' politics. While there has been a recent resurgence of academic interest in the politics of mid-century confessional literature, the current crop of poetry scholarship throws focus on the work of Robert Lowell, John Berryman, and Sylvia Plath, and has hitherto neglected to examine the ways in which Sexton's creative praxis might be productively re-examined alongside contemporary critical theory and postwar political history. In the following chapters, I interrogate the rece

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9

Brüggemann, I. "Jungiaanse argetipes in die poësie van Ingrid Jonker, Sylvia Plath en Anne Sexton." Master's thesis, University of Cape Town, 2007. http://hdl.handle.net/11427/11767.

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Includes bibliographical references (leaves 143-149).<br>Poets are able to express symbols in words by way of what C. G. Jung called "archetypes". This is an investigation of the feasibility that poets who wrote independently worldwide, were able to use the same imagery in their poetry without being able to copy it from each other. There are several similarities between the poets discussed. In the first place they lost a parent when they were still children. Secondly they all committed suicide and (thirdly) they were excellent poets. Their lives were characterised by a search for something the

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10

Khalifeh, Areen Ghazi. "Transforming the Law of One : Anne Sexton and Sylvia Plath from a Kristevan perspective." Thesis, Brunel University, 2010. http://bura.brunel.ac.uk/handle/2438/5236.

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A recent trend in the study of Anne Sexton and Sylvia Plath often dissociates Confessional poetry from the subject of the writer and her biography, claiming that the artist is in full control of her work and that her art does not have naïve mimetic qualities. However, this study proposes that subjective attributes, namely negativity and abjection, enable a powerful transformative dialectic. Specifically, it demonstrates that an emphasis on the subjective can help manifest the process of transgressing the law of One. The law of One asserts a patriarchal, monotheistic law as a social closed syst

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11

Bécel, Laurence. "Confession ou fiction de soi : la poésie testimoniale de Robert Lowell et Anne Sexton." Thesis, Le Mans, 2012. http://www.theses.fr/2012LEMA3015/document.

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Qualifiée de « confessionnelle », la poésie de Robert Lowell et d’Anne Sexton peut être redéfinie comme testimoniale, en tant que discours sur soi « hanté » par la fiction. C’est ce que permet d’établir, d’une part, l’étude de la relation entre confession littéraire, fiction et poéticité puis, d’autre part, l’analyse du rapport à la vérité fondé sur une motivation autobiographique et sur l’opération poétique comme vérité « s’avérant dans une structure de fiction ». Fictions de soi aspirant à un discours de vérité sur soi, les œuvres poétiques de Lowell et Sexton sont des témoignages tentés par

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12

McKenna, Edward Francis. "Live or Die unmasking the mythologies of Anne Sexton's poetry /." Thesis, Montana State University, 2008. http://etd.lib.montana.edu/etd/2008/mckenna/McKennaE0508.pdf.

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13

Thomine, Angélique. "Écrire le désenchantement : opacité et transparence dans l’œuvre des poètes « confessionnelles » Anne Sexton et Sylvia Plath." Thesis, Paris 4, 2017. http://www.theses.fr/2017PA040131.

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Cette thèse de doctorat a pour but d’analyser l’œuvre des poètes américaines Anne Sexton et Sylvia Plath à l’aune des études féminines et de genre en s’attachant à la question du mythe et du désenchantement. Plath et Sexton ont été étiquetées « poètes confessionnelles » ; il s’agit dans un premier temps de comprendre les mécanismes sur lesquels repose cette appellation qui participe de la construction de mythes autour des deux poètes et de les déconstruire. Plath et Sexton se sont connues à la fin des années 50, s’influençant l’une l’autre. Elles ont en commun une poétique du désenchantement,

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14

Stegborn, Blixt Emelie. "Transcendent Gud och döende människa? : Gudsbild och människosyn i Anne Sextons The Awful Rowing Toward God." Thesis, Uppsala universitet, Teologiska institutionen, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-339978.

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15

Earles, Kristofer. "Mutation in blossom: an antithetical reading of the poetry of Anne Sexton through the aesthetics of D. H. Lawrence." Thesis, Boston University, 2009. https://hdl.handle.net/2144/28563.

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Boston University. University Professors Program Senior theses.<br>PLEASE NOTE: Boston University Libraries did not receive an Authorization To Manage form for this thesis. It is therefore not openly accessible, though it may be available by request. If you are the author or principal advisor of this work and would like to request open access for it, please contact us at open-help@bu.edu. Thank you.<br>2031-01-02

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16

Iannone, Ami M. "You Can't Go Home Again." Ohio University Honors Tutorial College / OhioLINK, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=ouhonors1275585545.

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17

Casto, Estella Kathryn. "Reading feminist poetry : a study of the work of Anne Sexton, Adrienne Rich, Audre Lorde, and Olga Broumas." Connect to resource, 1990. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1226003868.

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18

Boswell, Marta. "Mustang Sally pays her debt to Wilson Pickett /." free to MU campus, to others for purchase, 2001. http://wwwlib.umi.com/cr/mo/fullcit?p3025604.

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19

Al-Obaidi, Mohammed F. R. "My landscape is a hand with no lines : representations of space in the poetry of Robert Lowell, Sylvia Plath and Anne Sexton." Thesis, Loughborough University, 2018. https://dspace.lboro.ac.uk/2134/27992.

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This thesis is the first study using contemporary spatial theory, including cultural geography and its precursors, to examine and compare representations of space in the poetry of three mid-twentieth century American poets: Robert Lowell, Sylvia Plath, and Anne Sexton. Because of the autobiographical content often foregrounded in their work, these poets have been labelled Confessional. Previous criticism has focused primarily on the ways in which they narrate (or draw on) their personal lives, treating accompanying descriptions of their surroundings primarily as backdrops. However, these poets

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20

Little, Philippa Susan. "Images of self : a study of feminine and feminist subjectivity in the poetry of Sylvia Plath, Anne Sexton, Margaret Atwood and Adrienne Rich, 1950-1980." Thesis, Queen Mary, University of London, 1990. http://qmro.qmul.ac.uk/xmlui/handle/123456789/1501.

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The thesis explores the poetry (and some prose) of Plath, Sexton, Atwood and Rich in terms of the changing constructions of self-image predicated upon the female role between approx. 1950-1980.1 am particularly concerned with the question of how the discourses of femininity and feminism contribute to the scope of the images of the self which are presented. The period was chosen because it involved significant upheaval and change in terms of women's role and gender identity. The four poets' work spans this period of change and appears to some extent generally characteristic of its social, polit

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21

Du, Plessis Jeanne Catherine. "Poetry portfolio : Things I’ll never say and Mini-dissertation : The fragmented self : female identity in personal poetry, with particular reference to selected poems by Anne Sexton, Antjie Krog and Finuala Dowling." Diss., University of Pretoria, 2010. http://hdl.handle.net/2263/30351.

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This mini-dissertation examines selected poems by three female poets who deal with what I have termed ‘the personal’ in relation to specifically female concerns in their poetry, namely Anne Sexton, Antjie Krog and Finuala Dowling. There has been a considerable rise in personal and autobiographical writing in the last few decades, and this trend shows no sign of decreasing. This kind of writing has provoked much heated debate, both regarding its content and its style(s). Many critics and poets, such as Robert Lowell or James Dickey, disapprove of the frankness with which female poets discuss su

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22

Keller, Matthew J. "DANCENOISE DECLARES OPEN SEASON ON THE DOCILE BODY: DANCE STUDIES AND FEMINIST THEORY." Ohio University Honors Tutorial College / OhioLINK, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=ouhonors1493393510333692.

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23

Gill, Joanna Ruth. "'The cracked mirror' : Anne Sexton's poetics of self representation." Thesis, University of Gloucestershire, 2001. http://eprints.glos.ac.uk/3019/.

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This thesis re-evaluates the work of the poet Anne Sexton (1928-1974), concentrating, in particular, on the indeterminacies, contradictions and aporia which it finds to be characteristic of her ostensibly frank and self-revelatory writing. The study is based on a close textual analysis of Sexton's writing, is informed by oststructuralist theories, and is sustained by an examination and discussion of archive collections of her previously unpublished papers. In seeking an understanding of Sexton's poetics, the thesis identifies and interrogates the strategies of denial and obfuscation apparent i

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24

Lima, Ana Cecilia Acioli. "The shattering of myth : Anne Sexton's transforming view of fairy tales." reponame:Repositório Institucional da UFSC, 1992. https://repositorio.ufsc.br/xmlui/handle/123456789/157769.

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Dissertação (mestrado) - Universidade Federal de Santa Catarina. Centro de Comunicação e Expressão<br>Made available in DSpace on 2016-01-08T17:55:44Z (GMT). No. of bitstreams: 1 88418.pdf: 6889975 bytes, checksum: 48e998361a7c8bed1d32ad4ea71abf10 (MD5) Previous issue date: 1992<br>A presente dissertação examina o processo de transformação de 16 contos de fadas, dos Irmãos Grimm, em versos feitos por Anne Sexton. Baseando-me essencialmente na idéia de que mudanças de significado efetuadas por versões alternativas de contos de fadas podem nos dizer muito sobre a cultura que lhes deu origem, a

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25

Richardson, Julie. "At a loss for words, probing subjectivity in Anne Sexton's The book of folly." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp04/mq20984.pdf.

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26

Badia, Janet. "Private detail, public spectacle : Sylvia Plath's and Anne Sexton's confessional poetics and the politics of reception /." Connect to resource, 2000. http://rave.ohiolink.edu/etdc/view.cgi?acc%5Fnum=osu1250266949.

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27

Badia, Janet L. "Private detail, public spectacle: Sylvia Plath's and Anne Sexton's confessional poetics and the politics of reception." The Ohio State University, 2000. http://rave.ohiolink.edu/etdc/view?acc_num=osu1250266949.

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28

Laranjeira, Antonio Eduardo Soares. "Há amor em sexo?" Programa de Pós-Graduação em Letras e Lingüística da UFBA, 2007. http://www.repositorio.ufba.br/ri/handle/ri/11151.

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144f.<br>Submitted by Suelen Reis (suziy.ellen@gmail.com) on 2013-05-17T12:08:56Z No. of bitstreams: 1 dissertacao Antonio Laranjeira.pdf: 846540 bytes, checksum: 886ead3b0f2fc931dff06c7ce9d2bc51 (MD5)<br>Approved for entry into archive by Alda Lima da Silva(sivalda@ufba.br) on 2013-05-20T18:07:59Z (GMT) No. of bitstreams: 1 dissertacao Antonio Laranjeira.pdf: 846540 bytes, checksum: 886ead3b0f2fc931dff06c7ce9d2bc51 (MD5)<br>Made available in DSpace on 2013-05-20T18:07:59Z (GMT). No. of bitstreams: 1 dissertacao Antonio Laranjeira.pdf: 846540 bytes, checksum: 886ead3b0f2fc931dff06c7ce9d2bc51 (

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29

Flegler, Andreas [Verfasser], Gerhard [Gutachter] Sextl, Matthias [Gutachter] Busse, and Anke [Gutachter] Krüger. "Kathoden für Metall-Luft Batterien / Andreas Flegler ; Gutachter: Gerhard Sextl, Matthias Busse, Anke Krüger." Würzburg : Universität Würzburg, 2019. http://d-nb.info/1200355512/34.

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30

Castro, Barnechea Claudia Lucía. "El matrimonio igualitario: Marcando un hito en la lucha contra la discriminación. El derecho a la igualdad y no discriminación por orientación sexual aplicado al acceso al matrimonio en el Perú." Master's thesis, Pontificia Universidad Católica del Perú, 2017. http://tesis.pucp.edu.pe/repositorio/handle/123456789/9738.

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El derecho a la igualdad y no discriminación constituye un pilar importante para el Derecho y para institucionalidad democrática de los Estados. Es, además, esencial para una sociedad respetuosa de los derechos humanos y de las diferencias que nos hacen únicos y valiosos. Una sociedad que respeta las diferencias y garantiza igualdad para todos y todas es una sociedad más cercana a la protección de la dignidad del ser humano. Debido a esto, la presente investigación se centra en la aplicación de este derecho en relación con una población vulnerable en específico, me refiero a las personas no he

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31

Ortiz, Quiero Oliver B. "Análisis crítico del proyecto de ley que reconoce y da protección a la identidad de género a la luz de su discusión ante la comisión de derechos humanos del Senado." Tesis, Universidad de Chile, 2016. http://repositorio.uchile.cl/handle/2250/143995.

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32

Williams, Ian. "The poetics of tone and voice in the poetry of Anne Sexton." 2005. http://link.library.utoronto.ca/eir/EIRdetail.cfm?Resources__ID=370796&T=F.

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33

Rice, Lydia Whitt. "Ellen Gilchrist and Anne Sexton sympathy and self-knowledge, revision and redemption /." 2006. http://purl.galileo.usg.edu/uga%5Fetd/rice%5Flydia%5Fw%5F200608%5Fphd.

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34

Hood, James Devin. "Revealing the wizard behind the curtain : deconstructivist fairytale politics in the works of Margaret Atwood, Anne Sexton, and Angela Carter /." 2009. http://hdl.handle.net/10288/1243.

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35

Steffen, Jorge [Verfasser]. "Das perspektiverzeugende Medium in der "Confessional Poetry" am Beispiel von Sylvia Plath, Anne Sexton, Robert Lowell und John Berryman / vorgelegt von Jorge Steffen." 2009. http://d-nb.info/992486424/34.

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36

Lopes, Elisabete Cristina Simões. "Desmontando narrativas e corpos : uma reflexão sobre o corpo no gótico feminino na obra poética de Sylvia Plath e Anne Sexton, e na obra fotográfica de Francesca Woodman e Cindy Sherman." Doctoral thesis, 2012. http://hdl.handle.net/10400.2/2372.

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Tese de Doutoramento em Literatura na especialidade de Literatura Norte-Americana apresentada à Universidade Aberta<br>O objectivo desta investigação é o de examinar o modo como Sylvia Plath, Anne Sexton, Francesca Woodman e Cindy Sherman exploraram a representação do corpo da mulher, à luz do gótico, mais especificamente, dentro do enquadramento do gótico feminino. Consequentemente, a obra poética de Sylvia Plath e de Anne Sexton, tal como a obra fotográfica de Francesca Woodman e Cindy Sherman, são exploradas dentro das várias vertentes do gótico: feminino, materno, paterno, doméstico e

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37

Hsiung, Tzu-chen, and 熊子禎. "Death Wish and Madness in Anne Sexton’s Poetic Labyrinth." Thesis, 2009. http://ndltd.ncl.edu.tw/handle/38310282974280037598.

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碩士<br>中國文化大學<br>英國語文學研究所<br>97<br>In this thesis, Death Wish and Madness in Anne Sexton’s Poetic Labyrinth, I try to discuss Anne Sexton’s poems that are full of death wishes and madness. When the writing of poetic labyrinth stops, the act of affirming life also perishes. For Sexton, poetry is the opposite dying suggests a kind of poetics. Sexton’s narrator finds the salvation only in the art. First, I am appalled by her poetic arrangement to the emotional truth and the see-through attitude toward the death wish and the suicidal attempt. Second, the portrayals of the speaker’s possession

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