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Journal articles on the topic 'Sexton, Anne'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

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1

Clement, Tanya E. "Anne Sexton Listening to Anne Sexton." PMLA/Publications of the Modern Language Association of America 135, no. 2 (2020): 387–92. http://dx.doi.org/10.1632/pmla.2020.135.2.387.

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Anne Sexton Met Her Psychiatrist, Martin Orne, in 1956, After Her Second Suicide Attempt. They Started Recording Their twice- (sometimes thrice-)weekly therapy sessions in early 1961, continuing until 1964, and Orne advised Sexton to listen to these recordings and write down her responses while listening and later relistening to them. Several hundred recordings of these therapy sessions have survived and reside in the Sexton collection at the Arthur and Elizabeth Schlesinger Library on the History of Women in America at the Radcliffe Institute for Advanced Study, and Sexton's responses have be

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2

Gómez, Juan Ariel. "Anne Sexton." Cuadernos Literarios 2, no. 4 (2005): 191–203. http://dx.doi.org/10.35626/cl.4.2005.175.

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Otra voz, segmento dedicado a las traducciones, compendia una selección de poemas de Anne Sexton, polémica poeta norteamericana del llamado grupo “confesionista”. Su respetiva versión en castellano estuvo a cargo de Juan Ariel Gómez, estudioso de poesía norteamericana.

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3

Majmudar, Amit. "To Anne Sexton." Prairie Schooner 89, no. 1 (2015): 90–91. http://dx.doi.org/10.1353/psg.2015.0095.

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4

O'Brien, Sharon, and Diane Wood Middlebrook. "Anne Sexton: A Biography." New England Quarterly 65, no. 1 (1992): 142. http://dx.doi.org/10.2307/365988.

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5

Johnson, Greg, and Diane Wood Middlebrook. "Anne Sexton: A Biography." American Literature 64, no. 2 (1992): 408. http://dx.doi.org/10.2307/2927873.

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6

Serlin, Ilene. "The Anne Sexton complex." Humanistic Psychologist 21, no. 3 (1993): 325–40. http://dx.doi.org/10.1080/08873267.1993.9976926.

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7

GOODWIN, DONALD W. "Anne Sexton: A Biography." American Journal of Psychiatry 148, no. 12 (1991): 1741–42. http://dx.doi.org/10.1176/ajp.148.12.1741.

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8

Lewin, Barbara R. "The Anne Sexton controversy." Society 29, no. 2 (1992): 9–11. http://dx.doi.org/10.1007/bf02698511.

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9

Pellegrino, Edmund D. "Secrets of the Couch and the Grave: The Anne Sexton Case." Cambridge Quarterly of Healthcare Ethics 5, no. 2 (1996): 189–203. http://dx.doi.org/10.1017/s0963180100006939.

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In 1991, Diane Wood Middlebrook, a professor of English at Stanford University, published a biography of the poet Anne Sexton in which, among other things, she used as source material some 300 tapes of Sexton's psychotherapeutic sessions with her psychiatrist, Dr. Martin Orne. After some years of reluctance and with the concurrence of Sexton's daughter and literary executor, Linda Gray Sexton, Orne released the tapes to Professor Middlebrook. Middlebrook's picture of Sexton drew heavily on the tapes, supplemented by scrapbooks, letters, photos, clippings, unpublished poems, and hospital record

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10

Ostriker, Alicia, Diana Hume George, and Anne Sexton. "Oedipus Anne: The Poetry of Anne Sexton." New England Quarterly 60, no. 4 (1987): 652. http://dx.doi.org/10.2307/365435.

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11

Dickie, Margaret, and Diana Hume George. "Oedipus Anne: The Poetry of Anne Sexton." American Literature 59, no. 3 (1987): 475. http://dx.doi.org/10.2307/2927148.

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12

Demetrakopoulos, Stephanie, Diana Hume George, and Anne Sexton. "Oedipus Anne: The Poetry of Anne Sexton." Tulsa Studies in Women's Literature 6, no. 2 (1987): 366. http://dx.doi.org/10.2307/464293.

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13

Miller, Nancy K., Maxine Kumin, and Diane Middlebrook. "Remembering Anne Sexton: Maxine Kumin in Conversation with Diane Middlebrook." PMLA/Publications of the Modern Language Association of America 127, no. 2 (2012): 292–300. http://dx.doi.org/10.1632/pmla.2012.127.2.292.

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When diane middlebrook began the research for her biography of anne sexton (1928–74), she interviewed maxine kumin twice. Kumin and Sexton had been great friends and collaborators, and Kumin wrote the introduction to Sexton's Complete Poems (1981). The excerpt below is based on Middlebrook's typed transcript of a recording of a conversation that took place in Kumin's home on 9 October 1980. I abridged the transcript and submitted it to Kumin for her approval. The ellipses are part of the transcript, but the bracketed interpolations are mine. The complete interviews Middlebrook conducted for An

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14

Mason, David, and Diane Wood Middlebrook. "Anne Sexton and Her Times." Hudson Review 45, no. 1 (1992): 167. http://dx.doi.org/10.2307/3852113.

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15

Gill, J. "Anne Sexton and Confessional Poetics." Review of English Studies 55, no. 220 (2004): 425–45. http://dx.doi.org/10.1093/res/55.220.425.

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16

Guimarães Barboza, Beatriz Regina. "Traduzindo The Awful Rowing Toward God, de Anne Sexton, para o português brasileiro através da perspectiva dos estudos feministas de tradução." Ilha do Desterro A Journal of English Language, Literatures in English and Cultural Studies 72, no. 2 (2019): 115–26. http://dx.doi.org/10.5007/2175-8026.2019v72n2p115.

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This paper aims to share results of my translation to Brazilian Portuguese, through the Feminist Translation Studies approach of the book The Awful Rowing Toward God (1975), written by Anne Sexton,. When I did the commented translation of this book, part of my theoretical reflections went through this field of research, which demonstrates how grammatical gender can reflect hierarchies of sexual gender and, therefore, it is a topic of feminist debate and criticism. This sort of problematic is very relevant regarding language pairs such as English and Portuguese, for the first one does not have

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17

Muhammad, Inst Dr Ruwayda Jassim. "Anne Sexton's Poetry: Reflections on Death." ALUSTATH JOURNAL FOR HUMAN AND SOCIAL SCIENCES 214, no. 2 (2015): 25–36. http://dx.doi.org/10.36473/ujhss.v214i2.630.

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Anne Sexton was encouraged by her therapist Dr. Martin Orne to take up poetry about her experiences in her therapist's treatment of her mental illness as this might help others with similar difficulties to feel less alone, thus, there must be a focus on these thoughts or what is related to it, ie, death. The events of Sexton's life are revealed in her poems such as her therapy. Yet, the poems are not as autobiographical as they seem, that they are poems, not memoirs, in which there are recurrent symbolic themes and poetic techniques that make Sexton's work impressive. Sexton seems obsessed wi

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18

Chaffin, Daniel S., and Robert Lloyd Goldstein. "The Anne Sexton Case: Protecting Confidentiality?" Psychiatric Annals 22, no. 11 (1992): 586–88. http://dx.doi.org/10.3928/0048-5713-19921101-16.

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19

Reich, Angela, and Diane Wood Middlebrook. "Anne Sexton: Discipline Forced upon Madness." Contemporary Literature 33, no. 3 (1992): 556. http://dx.doi.org/10.2307/1208483.

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20

Gad, Barsoom Fikry Barsoom. "Anne Sexton’s Confessional Tradition and Individual Talent." CLEaR 3, no. 1 (2016): 10–26. http://dx.doi.org/10.1515/clear-2016-0002.

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Abstract In his influential essay “Tradition and the Individual Talent,” T. S. Eliot emphasizes the significance of tradition as well as the inevitability of the present talent of the artist. He argues that every artist has his own original and individual themes and techniques that separate him from and link him with his predecessors at the same time. Anne Sexton, the Confessional American woman poet, is a good example that proves this everlasting notion of the allusion to “the dead poets” of the past together with the inevitable existence of the innovative original talent of the poet. Chiefly

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21

Cam, Heather. ""Daddy": Sylvia Plath's Debt to Anne Sexton." American Literature 59, no. 3 (1987): 429. http://dx.doi.org/10.2307/2927127.

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22

Horne, Jennifer, Linda Gray Sexton, Anne Sexton, and Lois Ames. "Anne Sexton: A Self-Portrait in Letters." South Atlantic Review 61, no. 1 (1996): 139. http://dx.doi.org/10.2307/3200777.

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23

Czach, Marie. "Diane Arbus, Sylvia Plath and Anne Sexton." History of Photography 19, no. 2 (1995): 100–106. http://dx.doi.org/10.1080/03087298.1995.10442404.

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24

Mehta, Jessica. "Picture Perfect: Anne Sexton’s "The Double Image" Reflects the Poet as Daughter, Mother, and Anorectic." Journal of Critical Studies in Language and Literature 1, no. 2 (2020): 26–36. http://dx.doi.org/10.46809/jcsll.v1i2.8.

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Anne Sexton’s poem “The Double Image” is explored, delving into the complexities of the role of the author as confessional poet, daughter, mother, and anorectic. This piece begins by noting the differences between the final published piece and the earlier drafts of the poem, focusing on the subtle differences and attempting to decipher why these changes were made. The significance of Sexton’s childhood home in the poem is noted, as this is seen to infantilise the author and creates a narcissistic regression often seen in anorectic patients. Sexton’s recurrent mouth imagery is addressed, as it

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25

Damon, Maria, Anne Sexton, and Frances Bixler. "Original Essays on the Poetry of Anne Sexton." South Central Review 7, no. 1 (1990): 99. http://dx.doi.org/10.2307/3189227.

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26

Lester, David. "Dark-Shading in the Poems of Anne Sexton." Perceptual and Motor Skills 73, no. 2 (1991): 366. http://dx.doi.org/10.2466/pms.1991.73.2.366.

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27

Weissberg, Josef H. "Therapeutic Responsibility in the Case of Anne Sexton." Journal of the American Academy of Psychoanalysis 20, no. 4 (1992): 633–38. http://dx.doi.org/10.1521/jaap.1.1992.20.4.633.

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28

Chodoff, Paul. "The Anne Sexton Biography: The Limits of Confidentiality." Journal of the American Academy of Psychoanalysis 20, no. 4 (1992): 639–43. http://dx.doi.org/10.1521/jaap.1.1992.20.4.639.

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29

Viorst, Judith. "Listening at the Keyhole: The Anne Sexton Tapes." Journal of the American Academy of Psychoanalysis 20, no. 4 (1992): 645–53. http://dx.doi.org/10.1521/jaap.1.1992.20.4.645.

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30

Hare-Mustin, Rachel T. "Cries and whispers: The psychotherapy of Anne Sexton." Psychotherapy: Theory, Research, Practice, Training 29, no. 3 (1992): 406–9. http://dx.doi.org/10.1037/h0088543.

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31

Jo Gill. "Anne Sexton: Teacher of Weird Abundance (review)." Biography 32, no. 3 (2009): 557–59. http://dx.doi.org/10.1353/bio.0.0123.

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32

Franzosa, Susan Douglas. "A Review of “Anne Sexton: Teacher of Weird Abundance”." Educational Studies 45, no. 5 (2009): 503–5. http://dx.doi.org/10.1080/00131940903190550.

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33

Pérez, Ashley Hope. "Anne Sexton in Search of “an Accident of Hope”." New England Review 34, no. 1 (2013): 20–31. http://dx.doi.org/10.1353/ner.2013.0051.

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34

George, Diana Hume. "How we danced: Anne Sexton on fathers and daughters." Women's Studies 12, no. 2 (1986): 179–202. http://dx.doi.org/10.1080/00497878.1986.9978636.

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35

Fenglin, Liu. "Female Objects and Feminist Consciousness for the Purpose to Awake Readers’ Awareness: A Comparative Analysis between Angela Carter’s The Bloody Chamber and Anne Sexton’s Transformations." Emerging Science Journal 4, no. 1 (2020): 25–36. http://dx.doi.org/10.28991/esj-2020-01207.

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The female object, as a symbolic image created by male authors to reduce the threat brought by females towards patriarchy, has become a method to express male sexual and domestic fantasies. However, in the fairy tale adaptation by two mid-twentieth century female authors-Angela Carter and Anne Sexton, the female object is used to evoke feminist consciousness. Although former studies have covered some feminism issues, for instance, the feminist awareness through the mirror image in Angela Carter’s The Bloody Chamber, and the direct metaphors such as “doll” and “soap pop” which lead to female ob

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36

Rodrigues, Julia Cortes. "Poetas e martinis: uma leitura de The Barfly Ought to Sing de Anne Sexton." Em Tese 25, no. 3 (2020): 113. http://dx.doi.org/10.17851/1982-0739.25.3.113-132.

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O suicídio da poeta Sylvia Plath abalou o universo literário em 1963. As associações entre poesia e autossacrifício na obra de poetas vinculados ao rótulo “confessional” foram cimentadas, mitificou-se a morte de Plath, e surgiram debates éticos que jamais cessaram. No calor desse momento, ainda em 1966, Anne Sexton, que conhecera Sylvia Plath brevemente anos antes, publica um texto memorialístico no periódico Tri-Quarterly. Essas memórias de Sexton, registradas sob o título “The Barfly Ought to Sing” [“O Bebum Deve Cantar”], são o tema deste artigo: heterogêneo em sua feitura – já que alterna

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37

Snoj, Vid, and Jožef Muhovič. "Vincent van Gogh, Starry Night, and Anne Sexton, Starry Night." Monitor ISH 19, no. 2 (2017): 173–216. http://dx.doi.org/10.33700/1580-7118.19.2.173-216(2017).

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38

Rees‐Jones, Deryn. "Consorting with angels: Anne Sexton and the art of confession." Women: A Cultural Review 10, no. 3 (1999): 283–96. http://dx.doi.org/10.1080/09574049908578400.

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39

Levin, Charles, and Dawn Skorczewski. "The Poetics of Boundary Violation: Anne Sexton and Her Psychiatrist." Psychoanalytic Dialogues 30, no. 2 (2020): 206–21. http://dx.doi.org/10.1080/10481885.2020.1722569.

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40

Honsalies-Munis, Svitlana. "BODY IMAGES IN THE POETRY BY ANNE SEXTON, SYLVIA PLATH, ADRIENNE RICH." English and American Studies 1, no. 16 (2019): 143–50. http://dx.doi.org/10.15421/381920.

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The research is an attempt to analyze female body images in the poetry by Anne Sexton, Sylvia Plath and Adrienne Rich. Special attention is paid to the concept of women’s writing, modern theories of corporeality, sexuality and the problems of the body and the language, which have been considered as major features of women’s poetry in the second half of the 20th century. The theoretical background of the article is based on the works of Hélène Cixous, Luce Irigaray, Julia Kristeva, Jane Gallop, Alicia Ostriker, Christina Britzolakis, Jacqueline Rose, in which they defined the concepts of women'

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41

Middlebrook, Diane W. "Psychotherapy as theme and influence in the work of Anne Sexton." Psychotherapy: Theory, Research, Practice, Training 29, no. 3 (1992): 401–6. http://dx.doi.org/10.1037/h0088542.

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42

KAYIŞCI AKKOYUN, Burcu. "Rewriting “That Story:” Anne Sexton, Carol Ann Duffy, and Margaret Atwood." Gaziantep University Journal of Social Sciences 20, no. 2 (2021): 562–73. http://dx.doi.org/10.21547/jss.816169.

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43

Gill, Joanna. "?My Sweeney, Mr. Eliot?: Anne Sexton and the ?Impersonal theory of Poetry?" Journal of Modern Literature 27, no. 1-2 (2003): 36–56. http://dx.doi.org/10.2979/jml.2003.27.1-2.36.

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44

MICHAILIDOU, ARTEMIS. "Edna St. Vincent Millay and Anne Sexton: The Disruption of Domestic Bliss." Journal of American Studies 38, no. 1 (2004): 67–88. http://dx.doi.org/10.1017/s0021875804007911.

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Popular perceptions of Edna St. Vincent Millay do not generally see her as a poet interested in so-called “domestic poetry.” On the contrary, Millay is most commonly described as the female embodiment of the rebellious spirit that marked the 1920s, the “New Woman” of early twentieth-century feminism. Until the late 1970s, the subject of domesticity seemed incompatible with the celebrated images of Millay's “progressiveness,” “rebelliousness,” or “originality.” But then again, by the 1970s Millay was no longer seen as particularly rebellious or original, and the fact that she had also contribut

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45

Salvio, Paula M. "TEACHER OF 'WEIRD ABUNDANCE': PORTRAITS OF THE PEDAGOGICAL TACTICS OF ANNE SEXTON." Cultural Studies 13, no. 4 (1999): 639–60. http://dx.doi.org/10.1080/095023899335086.

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46

Mosher, Paul W., and Jeffrey Berman. "Book Review: An Accident of Hope: The Therapy Tapes of Anne Sexton." Journal of the American Psychoanalytic Association 61, no. 4 (2013): 848–54. http://dx.doi.org/10.1177/0003065113493181.

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47

Michailidou, Artemis. "Gender, body, and feminine performance: Edna St.Vincent Millay's impact on Anne Sexton." Feminist Review 78, no. 1 (2004): 117–40. http://dx.doi.org/10.1057/palgrave.fr.9400150.

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48

Lester, David, and Rina Terry. "The use of poetry therapy: Lessons from the life of Anne Sexton." Arts in Psychotherapy 19, no. 1 (1992): 47–52. http://dx.doi.org/10.1016/0197-4556(92)90063-t.

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49

POLLARD, CLARE. "Her kind: Anne Sexton, the Cold War and the idea of the housewife." Critical Quarterly 48, no. 3 (2006): 1–24. http://dx.doi.org/10.1111/j.1467-8705.2006.00715.x.

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50

Goldstein, Robert Lloyd. "Psychiatric Poetic License? Post-Mortem Disclosure of Confidential Information in the Anne Sexton Case." Psychiatric Annals 22, no. 6 (1992): 341–48. http://dx.doi.org/10.3928/0048-5713-19920601-13.

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