Academic literature on the topic 'Seychelles National Archives and Museum'
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Journal articles on the topic "Seychelles National Archives and Museum"
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Keiser, Melissa A. N. "Videodisc to Virtual: The National Air and Space Museum Archives Division Image Database System." Collections: A Journal for Museum and Archives Professionals 3, no. 2 (June 2007): 175–82. http://dx.doi.org/10.1177/155019060700300208.
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The Archives Division of the National Air and Space Museum (NASM) holds one of the largest collections of photography at the Smithsonian Institution, and its holdings are used extensively by both the museum staff and the public. Over the last twenty years, the NASM Archives has slowly but steadily increased its usage of information technology to manage photography. The Archives’ image database has metamor-phosized from a small list of negative numbers into a large relational database system which draws on all aspects of photo archives operations: access, collections management, rights management, and order fulfillment. This period saw the rise and fall of videodisc technology, and the ongoing shift to digital image management. Over time, the NASM Archives’ image operations have had a positive effect on the unit's relationships with NASM curators and its perceived value within the Museum as a whole.
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Silbermann, Paul. "The Long Shadow: Legacy Collections in the National Air and Space Museum." Collections: A Journal for Museum and Archives Professionals 3, no. 2 (June 2007): 169–73. http://dx.doi.org/10.1177/155019060700300207.
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The Archives Division of the National Air and Space Museum maintains a number of document collections created by the Museum before the establishment of the Division. Because of their size and utility, these legacy collections continue to influence the operations of the Archives. The heavy use of information technology has allowed the NASM Archives to expand these legacy collections in a virtual sense, by adding information to genre databases while maintaining the actual documents within their fonds.
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Woitschová, Klára. "Ohlasy tzv. renobilitačních procesů ve fondech Archivu Národního muzea." Časopis Národního muzea. Řada historická 191, no. 1-2 (2022): 71–82. http://dx.doi.org/10.37520/cnm.2022.005.
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Echoes of so-called re-ennoblement trials in the resources of the Archives of the National Museum Researchers have the personal resources of two key genealogists and heraldists of the turn of the 19th and 20th centuries, Antonín Šlechta and Čeněk Pinsker, available in the Archives of the National Museum. These two researchers were on opposing sides during the so-called re-ennoblement trials, a matter related to the forgery of documents proving relations with ancient Czech noble families. Their personal resources, stored in the Archives of the National Museum, provide an interesting illustration of not only their private lives, but also their genealogical and heraldic interests, and their work methods, and potentially also map their involvement in the aforementioned judicial processes.
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Berglund, Joel. "Recovering the past: the Greenland National Museum and Archives." Museum International 46, no. 2 (June 1994): 26–29. http://dx.doi.org/10.1111/j.1468-0033.1994.tb01166.x.
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Wintle, Pamela. "Human Studies Film Archives, National Museum of Natural History." Historical Journal of Film, Radio and Television 16, no. 1 (March 1996): 77–79. http://dx.doi.org/10.1080/01439689600260121.
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Doucet, Michelle. "Library and Archives Canada: A Case Study of a National Library, Archives, and Museum Merger." RBM: A Journal of Rare Books, Manuscripts, and Cultural Heritage 8, no. 1 (March 1, 2007): 61–66. http://dx.doi.org/10.5860/rbm.8.1.278.
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Library and Archives Canada, more commonly known by its acronym, LAC, is a federal government institution. It was created in 2004 from two predecessor institutions, the National Library and the National Archives, both of which enjoyed highly respected, long-standing professional traditions. The former National Library was founded in 1953. It could be compared to the Library of Congress, though it was about ten times smaller and did not have a mission to serve the Parliament, which has its own library. The National Library existed to serve Canadians and Canadian libraries. The former National Archives, founded in 1872, could be compared . . .
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Sepahvand, Ashkan, Meg Slater, Annette F. Timm, Jeanne Vaccaro, Heike Bauer, and Katie Sutton. "Curating Visual Archives of Sex." Radical History Review 2022, no. 142 (January 1, 2022): 19–36. http://dx.doi.org/10.1215/01636545-9397016.
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Abstract In this roundtable, four curators of exhibitions showcasing sexual archives and histories—with a particular focus on queer and trans experiences—were asked to reflect on their experiences working as scholars and artists across a range of museum and gallery formats. The exhibitions referred to below were Bring Your Own Body: Transgender between Archives and Aesthetics, curated by Jeanne Vaccaro (discussant) with Stamatina Gregory at The Cooper Union, New York, in 2015 and Haverford College, Pennsylvania, in 2016; Odarodle: An imaginary their_story of naturepeoples, 1535–2017, curated by Ashkan Sepahvand (discussant) at the Schwules Museum (Gay Museum) in Berlin, Germany, in 2017; Queer, curated by Ted Gott, Angela Hesson, Myles Russell-Cook, Meg Slater (discussant), and Pip Wallis at the National Gallery of Victoria, Melbourne, Australia, in 2022; and TransTrans: Transatlantic Transgender Histories, curated by Alex Bakker, Rainer Herrn, Michael Thomas Taylor, and Annette F. Timm (discussant) at the Schwules Museum in Berlin, Germany, in 2019–20, adapting an earlier exhibition shown at the University of Calgary, Canada, in 2016.
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Shay, Wendy. "The Archives Center of the National Museum of American History." Historical Journal of Film, Radio and Television 16, no. 1 (March 1996): 73–75. http://dx.doi.org/10.1080/01439689600260111.
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Lemke, Antje B. "Art archives: a common concern of archivists, librarians, and museum professionals." Art Libraries Journal 14, no. 2 (1989): 5–11. http://dx.doi.org/10.1017/s0307472200006179.
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The preservation of artists’ papers and other art source material has steadily increased since the Second World War. Art archives include national repositories, archives attached to museums and libraries, archives devoted to a single person or institution, and ‘multiple collection archives’. Archival materials range from manuscript and photographic records to original works of art. Some archival materials have been published in microform formats; many others have not, and potential users depend on being able to locate them by means of various finding aids. Unless supported by public funds, the archives themselves depend on grants or sponsorship. Art archives may be staffed by archivists, museum curators, or librarians; future developments require not merely cooperation but also a ‘harmonization’ of these three professions, and a critical approach to the application of new technologies.
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Ludvigsen, Peter. "History of the Workers' Museum in Denmark." International Labor and Working-Class History 76, no. 1 (2009): 44–53. http://dx.doi.org/10.1017/s0147547909990068.
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The Workers' Museum in Copenhagen was formally inaugurated on April 12, 1982, at a meeting held at the historic Workers' Assembly Hall at Rømersgade in Copenhagen, the prime location near the Royal Gardens and Rosenborg Palace where the museum is located. At that time the museum had a governing board with representatives of The National Museum, The Museum of Copenhagen, The Library and Archives of the Danish Labour Movement, The University of Copenhagen, the National College of the Danish Confederation of Trade Unions (LO), the Friends of the Workers' Museum, and the General Council of the Federation of Trade Unions.
Dissertations / Theses on the topic "Seychelles National Archives and Museum"
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Sá, Cecilia Gomes de. "Setor cultural de Brasília : contradições no centro da cidade." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2014. http://hdl.handle.net/10183/101894.
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A seguinte pesquisa trata das origens e projetos arquitetônicos do Setor Cultural de Brasília e busca compreender os antagonismos e similitudes existentes entre o Plano Piloto realizado por Lucio Costa e as diversas propostas elaboradas por Oscar Niemeyer e outros arquitetos para o local, algumas das quais construídas e consolidadas. A Esplanada dos Ministérios em Brasília é o ponto mais representativo do urbanismo e arquitetura da cidade e após cinquenta e três anos da inauguração da capital o Setor Cultural é o único trecho da Esplanada ainda não executado plenamente. Essa situação associada ao tombamento do conjunto urbanístico de Brasília em 1991 e à portaria 314/92 que estabelece exclusividade de intervenção aos dois arquitetos autores de Brasília fortalece a preocupação entre arquitetos, cidadãos e Estado em conciliar os propósitos de Costa e Niemeyer. Apesar da referência afirmativa de ambos sobre o modelo progressista na idealização do plano urbanístico e ainda um consenso e maturação dos conceitos e críticas ao urbanismo moderno, associados a uma postura respeitosa dos arquitetos em relação aos precedentes arquitetônicos, há contradições explícitas entre projetos executados de Oscar Niemeyer e o plano-‐piloto levando até hoje a diversos projetos inconclusos e à polêmicas discussões sobre o Setor. A compreensão do desenvolvimento desse processo resulta da análise crítica dos projetos concebidos confrontados ao Plano Piloto de Lucio Costa e seus precedentes históricos, além da organização do inventário de projetos para o setor.This research deals with the origins and architectural projects of the Cultural Sector of Brasília and pursues to understand the antagonisms and similarities between the Pilot Plan conducted by Lucio Costa and the various proposals made by the architect Oscar Niemeyer and other architects to the site, many of them built and consolidated. The Esplanade of Ministries in Brasilia is the most representative site of the urbanism and architecture of the city and fifty-‐three years after the foundation of the capital, the Cultural Sector is the only part of the Esplanade that has not yet completely implemented. This situation associated with the legally protection of the urban site of Brasilia sanctioned in 1991 and the decree number 314/92 establishing exclusivity of architectural intervention to the two authors of Brasilia signs the concern among architects, citizens and government to conciliate the purposes of Costa and Niemeyer. Despite the positive reference of both architects about progressive urbanism model in the idealization of the urban plan of Brasília and even a consensus and maturation of concepts and critiques of modern urbanism, associated with a respectful attitude towards the architectural precedents, there are explicit contradictions between projects executed by Oscar Niemeyer and the pilot plan designed by Lucio Costa that leave until today many unfinished projects and controversial discussions about the sector. The understanding of this process development results in the critical analysis of architectural projects confronted to the Pilot Plan of Lucio Costa and its historical precedents, beyond the inventory organization of the Cultural Sector projects.
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林詩凱. "Intellectual Property Protection and Management of Digital Archives in National Palace Museum." Thesis, 2015. http://ndltd.ncl.edu.tw/handle/73059644429464385335.
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Du, Jia-Jen, and 杜佳真. "Evaluation of License Model for Digital Archives— National Palace Museum Arts as Case Study." Thesis, 2008. http://ndltd.ncl.edu.tw/handle/78483224539256197915.
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碩士中原大學
企業管理研究所
96
As the development of one nation getting more mature, people whose demand for material merchandise would gradually decrease, and would increase their demand for experiential merchandise. Therefore, life is not only the pursuit of biological needs, but also the rich in interior sufficient, the edification of arts and cultures are the indispensable nourishment for the mind. In recent years, National Palace Museum (NPM) aggressively has advanced the development of value-added application in digital archives, and corporate with many enterprises to issue each kind of cultural commodities which have a brisk sale due to its cultural value and uniqueness. Through art licensing, high values-added cultural economic comes into being and derivative commodities brings profits. This study is on the base of the business application and development in digital archives, which focus on how to improve the “competitiveness of art” to create high value-added “profits of art”. This study utilizes the enterprises which the NPM cooperates with as observations, and adopts fuzzy integral to calculate the dimensional weighted value and total performance of three licensing model. People may refer to this study while they are tend to evaluate the art licensing. The empirical results show that both the group of brand licensing and copyright licensing identify that the dimension of market environment is the most important. In the market environment dimension, the most important criteria are the protection of intellectual property rights. If people could improve this criterion, enterprises will raise their performance for the licensing model of NPM. Therefore, under the group of brand licensing and copyright licensing, in the market environment dimension is the key dimension, and the protection of intellectual property rights is important criterion; In additions, when it comes to the group of authorized production, the dimension of product value-added is the most important and identifies “the capability of leading fashion” is the most important criterion. The results also show that all groups identify that the adoption of brand licensing can result in better integrated performance; due to the brand licensing of NPM, the company’s brand awareness can be promoted, which is consistent with this study. Brand licensing gets better performance.
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JUO, Yi-Shan, and 卓宜珊. "Interpreting a City via Perspectives of Museum: Studies on Taipei City Tour Guides of National Taiwan Museum and Taipei City Archives." Thesis, 2019. http://ndltd.ncl.edu.tw/handle/8ra63m.
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碩士輔仁大學
博物館學研究所碩士班
107
Museums originally have merely a spatial, geographical relation with urban areas, mostly featuring only collections displayed in their own exhibition spaces. However, such museological norm has been changed due to the surging trends of anti-globalization and local identity promotion. The concept of museum has been continuously expanded that it is no longer just spaces within the buildings. As a result, what sparks might come when exhibition spaces of museums are extended to urban areas? The study aimed to explore why museums were extending their boundaries of exhibition spaces to include the cities where they were located, how museums had their own interpretations of cities by holding city tours, and what conditions were required for a museum to run city tour programs. To illustrate, this paper took the city tours designed by Taipei City Archives and National Taiwan Museum for instance and selected Taipei Old Town as its research setting. Qualitative research methods of field observation and semi-structured interviews were applied to discuss and analyze the author’s experience of five city tours and the interview data from five frontline museum workers and guides offering city tours. After solid research and analysis, the process of how museums organize city tours could be divided into five stages – planning, contemplating, training, implementing, and correcting. Within the constant cycle of these five stages, the quality of city tours had been persistently improved and the following research conclusions could be further proposed: Anti-globalization and the rising concept of localization made museums cross the boundaries into cities. 1. Connections between museums and cities decide how a city tour gives interpretations. 2. Running a city tour by museums will gradually museumize social fields in cities.
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Chen, Yew-Dung, and 陳耀東. "The Utilization of Offset Printing in Construction of a Color Cablibration Template Using National Palace Museum Digital Archives." Thesis, 2008. http://ndltd.ncl.edu.tw/handle/9kj7cu.
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碩士世新大學
圖文傳播暨數位出版學研究所(含碩專班)
96
The purpose of this research is to create a template model for digital archive designers while creating colorful digital images. The reason behind this is that the stored images will not have serious discrepancy in colors between the authentic and duplicated relics, which may cause the digital images being unusable. Also, we hope to increase the value of offset printing in the area of digital collections. This includes providing color calibration adjustment to offset printers to serve as an image management sample for units that wish to create or use the digital archive. At the same time, hoping the research is to create a template model for digital archive designers while creating colorful digital images. The reason behind this is that the stored images will not have serious discrepancy in colors between the authentic and duplicated relics, which may cause the digital images being unusable. Also, we hope to increase the value of offset printing in the area of digital collections. This includes providing color calibration adjustment set to offset printers to serve as an image management sample for units that wish to create or use the digital archive.
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Huang, Yu-Ting, and 黃于庭. "Investigating Online Museum Exhibits and Personal Cognitive Style: The Case Study of the National Taiwan Normal University Archives." Thesis, 2015. http://ndltd.ncl.edu.tw/handle/jjdcs2.
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碩士國立臺灣大學
圖書資訊學研究所
103
The reciprocal effect study of cognitive psycology and eye movement arose from the mid-1970s, and Richard Saul Wurman at the American Institute of Architecure conference of 1976 coined the term information architecture. Bulid on above theorys, the aim of this research was focus on the reciprocal effect of museum website display and user’s cognitive style, and how to affect user’s eye movement, and task accomplishment ratio. To address this objective, a multimethod research design was employed that involved questionnaire survey and eye tracking, and the research tools was applied the Childers, Houston, & Heckler (1985) Style of Processing (SOP) Scale and the Hong-Fa Ho, Chien Yi Liu (2012) eye-tracker (EyeNTNU-180). Moreover the user’s cognitive style, website display, and search tasks was set as independent variable, and task accuracy, finish time, task process, first fixation latency, first fixation duration, total contact time, and number of fixation was set as dependent variable. Specifically, the research findings and results came from 127 participants using two kinds of the National Normal University Archives Websites prototypes. Our main findings have shown ten phenomenons as follows: (1) Imagers also focused on the verbal information. (2) Verbalisers processed verbal information more efficiently. (3) Based on first fixation latency, at the beginning of the tasks users tended to focus on the verbal information in the contectual navigation. (4) Based on total contact times and number of fixation, the left side information was more attractive to users. (5)To users, known-item search task was much easier. (6) Exploratory search task was echoed Pirolli, P., & Card, S.(1990) Information foraging Theory. (7) Based on first fixation latency, most users tended to focus on the others sections on the website echoing Marchionini (1997) personal information infrastructure components theory. (8) Based on first fixation duration, users tended to continue fixate on verbal information. (9) Total contact time was echoed first fixation duration. (10) Based on number of fixations, becasued of interest or information needs, the users’ number of fixations was increased. In conclusion, the research results indicated that users’ cognitive style and university archives websites display will reciprocal affect task accomplishment effectiveness and efficiency, also influence users’ eye movement. Consequently, we propose five suggestions for improvement the National Taiwan Normal University Archives website as follow: (1) Visualize the information architecture to help users recognize. (2) Reorganize the organization system to clear and recategorize. (3) Rename the labeling system to fit in with users’ nature language. (4) Add the supplemental navigation system to build up users’ sense of direction. (5) Set up the search system to help users’ search information. Hope above suggestion can help improve university archives website usability, furthermore make progress in users’ search efficiency and effectiveness.
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Huang-Ding, Liao, and 廖凰玎. "Licensing Legal Issues on Digital Archives Images and Policies of the Museum：A Case Study of National Palace Museum." Thesis, 2010. http://ndltd.ncl.edu.tw/handle/39033246713940206443.
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碩士國立臺北教育大學
文教法律研究所
98
Abstract As part of the National Science and Technology Program, the Digital Archive Project digitizes collections of the National Palace Museum. The Digital Archive Project embarks on preservation and documentation, aiming to share the resulting digital archive with the general public. However, the Palace Museum takes further advantage of the digitally archived graphics by entering the market with commercial licensing models, approaching to create a high value of economic production under the industrial trends of economic knowledge and cultural creativity. In 2009, the Executive Yuan raised an industrial policy to acknowledge the significance of the Palace Museum in terms of cultural creativity. In January, 2010, the Legislative Yuan passed Article 21 in the Law for the Development of the Cultural and Creative Industries to regulate and authorize rental activities of cultural and creative assets, all of which present how the National Palace Museum employs the controversial policy of the Digital Archive Project. This paper attempts to combine various observant perspectives and analytic methods in museum, law and cultural research, to conduct cross-observation and research regarding “the compatibilities or conflicts between the industrialization of licensing fees on digitally archived graphics of the National Palace Museum and the museum's public and cultural values,” and thus to explore the meanings, influences and issues of digitally archived graphics licensing fees and policies of museum industrialization. The Palace Museum charges fees for its “digitally archived graphics” while integrating the symbol of “The National Palace Museum” as a brand to emphasize the industry and consumerism of aesthetics, which further becomes the mainstream of a “digital gold mine – turning copyrights into cash flow,” and is praised as a money magnetic mechanism of cultural creativity. This phenomenon seemingly indicates that the public and cultural values of the Palace Museum have gradually shifted to materialism, and become profit and market price oriented, which makes people begin to think about the public and cultural values of the Palace Museum, wondering whether the implication of their digital archive should be about cultural prices or cultural values? Furthermore, how should the properties of digital archive graphics legal rights be defined? Are there rights to be licensed? What is the relevance between the licensing of digital archive graphics and the access to information in the public domain? After analyzing the properties of digital archive graphics legal rights, the existing fees and regulations made by the Palace Museum, Article 21 in the Law for the Development of the Cultural and Creative Industries and Supplemental Articles , this paper reckons that matters of neglecting accessible information in the public domain do exist in licensing digital archive graphics for fees. Meanwhile, this paper reorganizes the commercial licensing models and market channels established by the Palace Museum, analyzes the contractual agreements of cooperative development between the Palace Museum and its outsourcing partners, and makes further comparison and alignment with Article 21 in the Law for the Development of the Cultural and Creative Industries and Supplemental Articles, finding that a reciprocal effect exists among the policies, the Palace Museum's licensing models, and legislation,which produces a dynamic corresponding and engendering structure, and thus creates the effect of “Palace Museum duplication.” Retracting the history of the Palace Museum, its values and function, this paper stresses on the cultural policy of civic discourse and basic human rights of sharing public cultural assets in the context of the national museum's public and cultural values, and reinterprets Article One of the Palace Museum's Organization Law “expansion of social and educational functions” as active functions in aspects of cultural, arts, and aesthetics for all. Furthermore, based on the relevance between digital archive graphics and the accessible information in the public domain, drafting of “Applicable Regulations on Active Promoting Popularity of Digital Archive Graphics” is suggested, aiming to eliminate relevant restrictions of the above mentioned fees or inspections, while through the opportunities of commercial licensing of digital archive graphics, the Palace Museum introduces its abundant research experts and their findings on ancient relics to conduct and participate in substantial collaboration, with emphasis on how to disseminate and develop cultural, artistic and aesthetic influences instead of gaining licensing fees on the digital archive graphics. This paper cogitates that to limit the digital archive graphics as tools to earn licensing fees is to neglect the relevance between digital archive graphics and accessible information in public domain on one hand, to fail to disseminate and develop cultural, artistic and aesthetic influences on the other, and to deteriorate the museum's public and cultural values as well. Under the concept of recognizing consumerism as culture, duplication of collection, the digital archive graphics are deemed as media beyond boundaries, and are further integrated and transformed with researchers or research findings invested as merchandise. By circulating and marketing merchandises, culture, arts and aesthetics are promoted to the general public, and return to the national museum's functions and values in cultural dissemination and public service. Pursuing commercial profits is not the goal of the national museum; commercial cooperation is merely a tool or means to practice the museum's public and cultural values. Applicable regulations suggested in this paper view digital archive graphics as media and messages to construct: (1) access actively open to the public for gaining popularity in uses to elevate cultural appreciation while inspiring imagination and creativity; (2) commercial licensing collaboration not to aim for high profits in licensing fees, but to utilize the designs and plans in contract agreements to introduce the Palace Museum's rich culture, arts and aesthetic energy to feed concepts for substantial collaboration. To practice the National Palace Museum's public and cultural values is to focus on the supply and dissemination of culture, arts, and aesthetics as the foundation and feed for cultural and creative industries.
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Wang, Shin-Chin, and 王新智. "Strategic Brand Management In Cultural and Creative Industries:Case studies of FRANZ and Digital Archives Program In National Palace Museum." Thesis, 2010. http://ndltd.ncl.edu.tw/handle/96700289902467733951.
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碩士國立中興大學
科技管理研究所
98
In recent years, cultural and creative industries played important roles in economic growth and made great profit in the world trade, because they were high value-added. According to the study of Association of Culture Environment Reform Taiwan(中華民國藝術文化環境改造協會), the sales revenues of cultural and creative industries increased 197.6 billion from 2002 to 2007, and the value added increased 104.3 billions, with the average of 7% growth per year. Therefore, the Council for Economic Planning and Development in Taiwan regarded cultural and creative industries as important programs in 2008, and one of six developing industries in 2009. This study is based on the importance of brand in cultural and creative industries in Taiwan. It is a qualitative research to discuss how the brand works in cultural and creative industries. The framework of the study was referred to “Strategic Brand Management” (Keller, 1993). By investigating two successful programs, FRANZ and Digital Archives Program in National Palace Museum, the study was focused on the relationship between brand management and cultural and creative industries. The study also tried to summarize some suggestions for further researches.There are four aspects in the model of Strategic Brand Management (Keller, 1993): 1. Identifying and establishing brand positioning and values. 2. Planning the marketing programs of brand 3. Measuring brand performance. 4. Sustaining brand equity. The conclusions of the study included: 1. Art and culture are the key points in brand value. 2. The channel strategy is most important in marketing programs. 3. Brand extension strategy made a great impact in cultural and creative industries. 4. People good at culture and creative design are crucial for brand equity.
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Wang, Chin-Wei, and 王璟崴. "A Comparative Case Study of the Interactive Interface of the Digital Archives of the National Palace Museum Exhibits and Studio Classroom." Thesis, 2008. http://ndltd.ncl.edu.tw/handle/40864635610391243204.
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碩士南台科技大學
資訊傳播系
96
Because the developments of digital content industry, digital archives provided value-added application for the future. The research subjects are digital archives of art appreciation and education learning. The study is about “3D Virtual Exhibition of National Palace Museum (NPM)” and “Studio Classroom”. The main structures of the research include “the elements of interface design” and “the contents of interactive experience”, which examined students of College of Digital Design in Southern Taiwan University, and analyzed the influence of the user’s “learning interests”, “pleasure” and “satisfaction”. The study has the following conclusions: (1) 3D virtual exhibition of NPM gives aesthetic imagination of historical relic, and hopes to receive novel, unique and immerse the feeling in the environment; Studio Classroom has the effect on education learning, with interactive story. (2) Time spending on Internet and multimedia CD wouldn’t affect the user’s learning interests on 3D virtual exhibition of NPM and Studio Classroom. However, the user’s education background and interests would influence his (her) learning interests. (3) The elements of interface design give positive influence on the user’s learning interests, pleasure, and satisfaction of the exhibition of NPM and Studio Classroom. Interface design of NPM, which presents more “graphics” and “animation” would bring the best effect in learning interests, pleasure, and satisfaction. Studio Classroom presents more Chinese description in “word” and “layout” would bring the best effect in the user’s learning interests, pleasure, and satisfaction. (4) The interactive experience on both design give positive influence on the user’s learning interests, pleasure, and satisfaction. There were more experience of “participation” and “immersion” would bring the best effect in the user’s learning interests, pleasure, and satisfaction while Studio Classroom presents more “participation” would bring the best effect in learning interests, pleasure, and satisfaction.
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Barroso, Carla Alexandra Camelo. "Sistema de Informação e Documentação de coleções arqueológicas do Museu Nacional de Arqueologia: diagnóstico e contributos para o seu desenvolvimento." Master's thesis, 2018. http://hdl.handle.net/10362/60861.
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O inventário no Museu Nacional de Arqueologia (MNA) tem evoluído, desde a sua criação em 1893 e ao longo da sua centenária existência, acompanhando os desenvolvimentos de reflexão e de prática museológicas, mas, tal como numa grande parte dos museus portugueses, são internamente reconhecidos problemas específicos de inventariação e catalogação das suas espécies.
Uma renovada abordagem à inventariação de objetos e de sítios arqueológicos, ocorrida por ocasião de uma grande reestruturação espacial nos anos de 1980, a introdução de novas tecnologias – nomeadamente a utilização de software específico para inventário, catalogação e disponibilização de informação em ambiente web –, a contribuição técnica do MNA para a publicação do volume das Normas de Inventário, publicadas pelo então Instituto Português de Museus, dedicado à Arqueologia, são aspetos a destacar na melhoria de procedimentos de documentação e na gestão das suas coleções.
Ainda decorrente da sua centenária história, o MNA possui diversos arquivos documentais que contêm informação essencial para uma melhor contextualização, e por isso entendimento, das suas coleções arqueológicas, que se constituem como documentos históricos. Estes arquivos encontram-se ainda por tratar de forma sistemática, verificando-se que em diversos casos não se encontram catalogados em bases de dados informatizadas, seja para uso interno ou do público, nomeadamente investigadores interessados em estudar as suas coleções arqueológicas, carecendo o MNA de um sistema integrado que faça a relação entre os objetos das suas coleções e o espólio arquivístico, sem o qual se incorre em risco de lacuna, e até mesmo perda, de informação. Este trabalho é um contributo por modo a sistematizar e uniformizar a informação existente no MNA centrada nas suas coleções arqueológicas, e numa melhor organização e mais eficiente gestão das mesmas. Deste modo, procede-se à análise e reflexão sobre a situação atual do MNA, comparando, na medida do possível, com sistemas adotados por instituições e museus de semelhante temática, por forma a apresentar um primeiro contributo para o desenvolvimento da inventariação, catalogação e documentação no museu em foco.The inventory at the National Archaeological Museum (MNA) has evolved since its creation in 1893 and throughout its centenary existence, following the developments of museological reflection and practice, but, as it happens with many Portuguese museums, specific problems are recognized concerning the inventory and cataloguing of its collection. A renewed approach to the inventory of objects and archaeological sites, that took place during a major spatial restructuring in the 1980s, the introduction of new technologies – namely the use of specific software for inventory, cataloguing and to provide information on the internet –, the MNA's technical contribution to the edition of a volume on inventory standards for archaeological objects, published by the then Portuguese Institute of Museums, are aspects worthy of highlight on the improvement of procedures concerning the documentation and management of its collections. Due to its centenary history, the MNA has several archives that contain essential information for a better contextualization, and therefore understanding, of its archaeological collections, which are considered as historical documents. These archives, however, are still waiting to be dealt with in a systematic way, and in many cases they are not yet catalogued in computerized databases, either for internal or public use, specifically researchers interested in studying archaeological collections, with MNA lacking an integrated system able to establish relations between the objects of its collections and its archives, without which there is a risk of a knowledge gap and even loss of information. This work aims to systematize and standardize the existing information at MNA focused on its archaeological collections, and to better organize and more efficiently manage them. Therefore, it proceeds to analyse and reflect on the current situation of the MNA, and compare, as far as possible, with systems adopted by institutions and museums of similar theme, and thus present an initial contribution to the development of inventory, cataloguing and documentation at the museum in focus.
Books on the topic "Seychelles National Archives and Museum"
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(Agency), Joshua Tree National Park. Joshua Tree National Park: Museum management plan. [California]: National Park Service, U.S. Dept. of the Interior, Joshua Tree National Park, 2005.
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Silbermann, Paul E. Guide to the collections of the National Air and Space Archives, National Air and Space Museum, Smithsonian Institution. Washington, D.C: Smithsonian Institution, 1991.
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National Army Museum. Department of Archives, Photography, Film and Sound. The National Army Museum: The collections of the Departmentof Archives, Photographs, Film and Sound. London: National Army Museum, 1990.
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Center, National Museum of American History (U S. ). Archives. Guide to the Julian Black scrapbooks of Joe Louis, 1935-1944. Washington, D.C: Archives Center, National Museum of American History, Smithsonian Institution, 1987.
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Center, National Museum of American History (U S. ). Archives. Register of the Hazen collection of band photographs and ephemera, ca. 1818-1931. Washington, D.C: Archives Center, National Museum of American History, Smithsonian Institution, 1990.
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National Museum of American History (U.S.). Archives Center. Register of the Melvin Kranzberg papers, 1934-1988. City of Washington: Archives Center, National Museum of American History, Smithsonian Institution, 1995.
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N, Keiser Melissa A., ed. The legacy of flight: Images from the archives of the Smithsonian National Air and Space Museum. Piermont, NH: Bunker Hill Pub., 2010.
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Harding, Robert S. Register of the Louis S. Nixdorff 1928 Olympic Games collection, 1926-1978. City of Washington: Archives Center, National Museum of American History, Smithsonian Institution, 1993.
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Carol, Payne, Hanna Martha, Dessureault Pierre, and Canadian Museum of Contemporary Photography., eds. A Canadian document =: Un document canadien : Canadian Museum of Contemporary Photography. [Ottawa]: Canadian Museum of Contemporary Photography, 1999.
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Íslands, Þjóðskjalasafn. The road to republic: A joint exhibition by the National Archives and the National Museum in celebration of the 50th anniversary of the Republic of Iceland. [Reykjavík]: The Archives, 1994.
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Gaspar Neto, Verlan Valle, and Claudia Rodrigues-Carvalho. "The Physical Anthropology Archives of the National Museum of Rio de Janeiro: Lagoa Santa in the First Half of the Twentieth Century." In Archaeological and Paleontological Research in Lagoa Santa, 65–81. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-57466-0_5.
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Mutibwa, Daniel H. "Rising beyond museological practice and use: a model for community and museum partnerships working towards modern curatorship in this day and age." In Communities, Archives and New Collaborative Practices, 109–22. Policy Press, 2020. http://dx.doi.org/10.1332/policypress/9781447341895.003.0008.
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This chapter discusses effective ways to develop relationships between communities and museums around shared cultural agendas, practice, and knowledge exchange. Through the lens of an eight-month pilot that emerged from the Pararchive project and was partnered by the National Media Museum (NMeM), Bradford, the chapter addresses what it means to access a dormant but invaluable national archive and associative collections from the position of differently situated community groups. It highlights how the Pararchive–National Media Museum partnership (PNMeM) promoted opportunities for community groups to select, document, and creatively exploit archival resources in ways in which conventional museological practice and use do not allow. The chapter also outlines the key challenges encountered. In doing so, this chapter draws on detailed notes generated through participant observation, on the study of relevant documents and artefacts, and on important insights gained from audio recordings of relevant project meetings and an evaluative end-of-project workshop.
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Yu, Shien-chiang, Hsueh-hua Chen, and Chao-chen Chen. "Dynamic Metadata Management System for Digital Archives." In Design and Usability of Digital Libraries, 55–75. IGI Global, 2005. http://dx.doi.org/10.4018/978-1-59140-441-5.ch004.
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This chapter describes metalogy, an XML/metadata framework that can handle several different metadata formats. Metalogy was developed under the Digital Museum Project funded by the National Science Council of Taiwan. It is common to have different data types and catalog formats even within one organization. In order to accommodate a variety of objects, it is often necessary to adopt several metadata formats. Thus, when designing a metadata management system, one needs to be able to handle heterogeneous metadata formats. XML, being a standard gaining increasing popularity, is also often used as data format so that exchange between data can be done in a uniform way.
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Islam, Md Maidul. "Records and Archives Management Education and Training Opportunities in Bangladesh." In Advances in Library and Information Science, 25–41. IGI Global, 2021. http://dx.doi.org/10.4018/978-1-7998-6618-3.ch002.
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The main aim of this chapter is to contextualize the records and archives management (RAM) education and training opportunities in Bangladesh with a view to identify the opportunities and challenges ahead in this endeavour. Some public and private universities and National University affiliated colleges and institutions are providing RAM education and National Library, National Archives, National Museum of Bangladesh, etc. are providing RAM training opportunities hands on practice in Bangladesh. The author discusses the current curriculum of different academia and need for RAM education and training opportunities as a subset of information management, with an acknowledged impact on the systematic and efficient management of Bangladeshi institutions. The author shows how the focus of RAM have shifted over the recent past from the archival management of unwanted documents, to the management of electronic systems, giving records managers an equal standing with other professionals in the field of information management or knowledge management. The result reveals that training opportunities on RAM have increased the professionals' development in Bangladesh. The author feels this chapter may encourage more such research on RAM system in Bangladesh and beyond.
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Micheli, Francesca De. "Minority Audience: The Oudayas Museum and the Manufacturing of Elitism in Moroccan Museums1." In The Art of Minorities, 72–86. Edinburgh University Press, 2020. http://dx.doi.org/10.3366/edinburgh/9781474443760.003.0004.
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This chapter focuses on the relationship between Moroccan museums and their relationship with local visitors. Drawing from original interviews, historical archives and the Moroccan museum context, it investigates how a postcolonial country like Morocco translates a colonial museum apparatus into public national heritage, destined to all citizens. The chapter’s analysis is based on an exhibition held at the Oudayas Museum in Rabat in 2003, as well as interviews with residents of the kasbah surrounding the museum. It highlights a slew of social, cultural, and economic issues linked to symbolic capital and local perception. The chapter shows the need for the Moroccan museum sector to re-think museums in local terms as a pathway toward cultural democratisation.
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Hanna, Emma. "Patriotism and pageantry: representations of Britain’s naval past at the Greenwich Night Pageant, 1933." In A new naval history, 215–31. Manchester University Press, 2019. http://dx.doi.org/10.7228/manchester/9781526113801.003.0011.
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This chapter explores how ideas and images of Britain’s Naval past were represented by the historian Arthur Bryant and the president of the Royal Naval College, Admiral Barry Domvile, at the Greenwich Night Pageant in June 1933. Bryant sought to revitalise the present by romanticizing the past, motivated by his desire to raise awareness of Britain’s past glories to halt a perceived decline in patriotism during the interwar period. Using material sourced from a range of archives, including the National Maritime Museum, the Liddell Hart Centre for Military Archives and the National Archives, this article will show how representations of Britain’s naval heritage was utilised in debates about the nature of British identity in an era of imperial decline and an increasingly volatile international situation in the period before the Second World War.
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Netshakhuma, Nkholedzeni Sidney. "Designing an Education Curriculum Through Collaboration With Institutions of Higher Learning, Libraries, Archives, and Museums." In Advances in Library and Information Science, 236–51. IGI Global, 2022. http://dx.doi.org/10.4018/978-1-7998-8363-0.ch012.
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The chapter assesses the role of institutions of higher learning in designing education curriculum in collaboration with the library, museum, and archives (LAMs) of the Stevenson Hamilton Knowledge Resource (SHKR) center based at the National Park. This research is based on a qualitative research method. The finding of the NP case study underpins concepts and outcomes described in academic discourse on the relationship between institutions of higher learning and LAMs. LAMs may serve as lifelong learning in South Africa. The results of empirical research allow the researcher to conclude that designing educational materials requires the collaboration of the Ministry of Basic and Higher Education, Training, Science, and Technology and LAMs.
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Johnson, Ian. "Gertrude Bell and the Evolution of the Library Tradition in Iraq." In Gertrude Bell and Iraq, edited by Paul Collins and Charles Tripp. British Academy, 2017. http://dx.doi.org/10.5871/bacad/9780197266076.003.0011.
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This chapter discusses Gertrude Bell’s involvement in the foundation of the Baghdad Public Library and the Iraq Museum Library, shedding light on issues that have surrounded their creation and development. It identifies Muriel Jesse Forbes as the person who actually initiated the concept for the library that, as a result of Bell’s energetic support, became the Baghdad Public Library and ultimately the National Library of Iraq. It also reviews Bell’s commitment to the development of a library as part of the Iraq Museum, and outlines its growth into a major information resource on the history and archaeology of Iraq. Finally, it considers the motives underlying the efforts of Bell and her contemporaries, and their impact on the subsequent development of library and archives services in Iraq.
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Phillips, Ruth B. "Swings and roundabouts: pluralism and the politics of change in Canada’s national museums." In Curatopia, 143–58. Manchester University Press, 2019. http://dx.doi.org/10.7228/manchester/9781526118196.003.0010.
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If you are standing on the shores of the Ottawa River looking at the Canadian Museum of History, the national library and archives and other national repositories of Aboriginal heritage, you might well despair at the comprehensive losses of curatorial expertise, programs of research, and will to work collaboratively with Aboriginal people which befell these institutions under the government of Prime Minister Stephen Harper. Looking harder, however, neither the shifting political ideologies nor the era of financial constraint that began with the global financial crisis of 2008 seems to have thrown processes of decolonisation and pluralist representation that began to take root in Canada during the 1990s into reverse. Two exhibition projects that unfolded during that same period provide evidence of that the changes in historical consciousness of settler-indigenous relationships and the acceptance of cultural pluralism have provided a counterweight to the intentions of a right wing government to restore old historical narratives. This chapter discusses them as evidence of this deep and, seemingly, irreversible shift in Canadian public’s expectation s of museum representation. The first involves plans for the new exhibition of Canadian history being developed for the 150th anniversary of Canadian confederation in 2017, specifically a fishing boat named the Nisga’a Girl which was presented by a west coast First Nation to mark the successful resolution of its land claim. The second is the Sakahan exhibition of global indigenous art shown in 2013 at the National Gallery of Canada and which marked a notable departure from its past scope. While utopia has by no means been achieved, neither, surprisingly, was dystopia realised during the years of conservative reaction.
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Paskal, Zhanna. "Cultural and Educational Activities of Social Memory Institutions on the Internet in Modern Conditions." In Historical and cultural heritage: preservation, access, use. National Aviation University, 2021. http://dx.doi.org/10.18372/53291.
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The article, based on the analyzed information from official sources, examines the cultural and educational activities of museums, archives, and libraries of Ukraine during the application of quarantine measures associated with the COVID-19 pandemic. Attention is focused on informational, educational, scientific activities implemented by institutions of social memory through official websites, social networks, online communication software. It was found that the work of the Khanenko Museum and the Museum of Arts selected for analysis has largely moved to the Internet, but was characterized by activity, novelty, and significant informational content. The museums developed interactive master classes for children, various educational and informative presentations, online exhibitions, and lectures. At the same time, the activities of the investigated archival institutions (H. Pshenychnyi Central State CinePhotoPhono Archives of Ukraine and State Archives of Mykolaiv region), with the onset of quarantine restrictions focused primarily on the rapid expansion of access to archival materials by increasing their digitization and placement on official websites. The degree of adaptability of libraries (Yaroslav the Wise National Library of Ukraine and V. Korolenko Kharkiv State archival institutions Scientific Library) to the new conditions was also considered and it was found that the latter organized the work on providing users with the necessary materials well enough. During the study, methods of comparison, synthesis and analysis, retrospective and statistical were used. The key areas in the cultural and educational activities of the institutions under study are highlighted
Conference papers on the topic "Seychelles National Archives and Museum"
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Sobredo, James. "CREATING AN ONLINE ORAL HISTORY DIGITAL ARCHIVES: A COMMUNITY COLLABORATION PROJECT BETWEEN SACRAMENTO STATE UNIVERSITY AND THE FILIPINO AMERICAN NATIONAL MUSEUM." In International Conference on Education and New Learning Technologies. IATED, 2017. http://dx.doi.org/10.21125/edulearn.2017.1985.
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