Academic literature on the topic 'Seymour, George'

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Journal articles on the topic "Seymour, George"

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GERBER, LARRY G. "Shifting Perspectives on American Exceptionalism: Recent Literature on American Labor Relations and Labor Politics." Journal of American Studies 31, no. 2 (August 1997): 253–74. http://dx.doi.org/10.1017/s0021875897005665.

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Nearly a decade ago, historian Alan Dawley proclaimed the idea of American exceptionalism to be dead and buried. Dawley's pronouncement proved premature given the subsequent publication of books by Byron Shafer and Seymour Martin Lipset reaffirming the concept, as well as studies by Ian Tyrell, George Fredrickson, and others addressing the issue. However, the motion of American uniqueness so widely accepted a generation ago has come under serious challenge, and new conceptions of American “distinctiveness” or “variability” have emerged in recent scholarship.
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Britton, Jill. "Escher in the Classroom." Mathematics Teaching in the Middle School 12, no. 8 (April 2007): 480. http://dx.doi.org/10.5951/mtms.12.8.0480.

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I first read the article “Master of Tessellations: M. C. Escher 1898–1972” in 1974. I was teaching a class titled Recreational Mathematics at a junior college in Montreal at the time, and the article served as a basis of the Escherrelated material that I added to the course content. As the years passed, my knowledge of Escher and involvement with his geometric artwork grew. I spoke about Escher art at NCTM conferences; met Escher's eldest son, George, at a regional NCTM conference in Halifax; developed Escher materials for Dale Seymour publications; and gave a speech titled “Escher in the Classroom” at the International Escher Congress held in Rome, Italy, in 1998 (the centennial of Escher's birth). All of this began for me with a Mathematics Teacher article.
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Rapaport, David. "I seminari di David Rapaport del 1957 sulla metapsicologia." PSICOTERAPIA E SCIENZE UMANE, no. 3 (September 2020): 357–59. http://dx.doi.org/10.3280/pu2020-003001.

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Nel 1957 David Rapaport (1911-1960) tenne una serie di seminari sulla metapsicologia psicoanalitica agli allievi del primo anno del Western New England Institute for Psychoanalysis (New Haven, Connecticut). Questi seminari, trascritti verbatim, non furono mai pubblicati, ma solo dattiloscritti e divisi in sette volumi curati da Stuart C. Miller nel 1959, i primi tre di "metapsicologia elementare" e gli altri quattro di "metapsicologia avanzata", per un totale di circa 700 pagine. I partecipanti erano, oltre a Rapaport che era sempre presente, Helen G. Gilmore, Nathaniel J. London, Seymour L. Lustman, George F. Mahl, Stuart C. Miller, John P. Plunkett, Herbert S. Sacks, Roy Schafer, Virginia Suttenfield e Robert B. White (in alcuni casi erano presenti Paul E. Emery, Jean Schimek, David Shapiro, Eugene Talbot, Eugene E. Trunnel, Ess A. White Jr.). Qui, dopo una Nota redazionale, vengono pubblicati " per mostrare il metodo di lavoro di Rapaport " i programmi dettagliati dei seminari (con l'elenco dei riferimenti bibliografici da leggere e dei "compiti assegnati") e il testo di una parte di un seminario, le pagine iniziali del primo dei quattro volumi di metapsicologia avanzata.
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Sutton, J. E. G. "Denying History in Colonial Kenya: the Anthropology and Archeology of G.W.B. Huntingford and L.S.B. Leakey." History in Africa 33 (2006): 287–320. http://dx.doi.org/10.1353/hia.2006.0021.

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Colonial attitudes and prejudices can be readily identified by every student perusing Africanist literature of the early twentieth century. More than that, one gets to recognize different slants, notably between an administrative outlook and that of white settlers (varying according to the territory), and a further contrast with that of Protestant and Catholic missionaries, not to overlook mission-educated Africans. But facile characterizing by occupation, economic interests, class, race, or even religion can misrepresent individual intellects and achievements, whether in original contributions to knowledge or in setting the direction of continuing research. In reviewing here the anthropological and archeological endeavors in the Kenya highlands during the 1920s and 1930s of George Wynn Brereton Hiintingford (1901-1978) and Louis Seymour Bazett Leakey (1903-72), both of British parentage (and sons of Anglican clerics), it is noticeable that, while each was unmistakably a product of his time and situation, neither falls perfectly into any neat category of European society in colonial Africa. Neither belonged to the administrative corps, although both took on assignments for the Kenya government on occasions, and were at hand to volunteer their wisdom about “native customs” and mentality whenever inexperienced officials, insensitive settlers or zealous missionaries encountered distrust or open protest.
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Wilson, Jane. "An Appalachian Mother Goose by James Still, and: A Perfect Pork Stew by Paul Brett Johnson, and: A Sign by George Ella Lyon, and: We Played Marbles by Tres Seymour." Appalachian Heritage 26, no. 4 (1998): 66–69. http://dx.doi.org/10.1353/aph.1998.0075.

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Tidey, J., S. Coltart, D. Dempster, D. Hall, M. Hall, J. A. Seymour-Jones, G. Pawan, et al. "Violet Lesley Lutwyche and Vivien Ursula Lutwyche Wilfrid Seymour Coltart K R "Claude" Dempster Marcia Hall Harold Witcomb Everley Jones Margaret Elizabeth Lace (nee Morgan) Eric Taylor Murray Alan George Sherman John Jeffrey Shipman Allan Beaumont Swarbreck." BMJ 323, no. 7307 (August 4, 2001): 286. http://dx.doi.org/10.1136/bmj.323.7307.286.

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KITLV, Redactie. "Book Reviews." New West Indian Guide / Nieuwe West-Indische Gids 78, no. 3-4 (January 1, 2004): 305–71. http://dx.doi.org/10.1163/13822373-90002515.

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-Bill Maurer, Mimi Sheller, Consuming the Caribbean: From Arawaks to Zombies. New York: Routledge, 2003. ix + 252 pp.-Norman E. Whitten, Jr., Richard Price ,The root of roots: Or, how Afro-American anthropology got its start. Chicago: Prickly Paradigm Press/University of Chicago Press, 2003. 91 pp., Sally Price (eds)-Holly Snyder, Paolo Bernardini ,The Jews and the expansion of Europe to the West, 1450-1800. New York: Berghahn Books, 2001. xv + 567 pp., Norman Fiering (eds)-Bridget Brereton, Seymour Drescher, The mighty experiment: Free labor versus slavery in British emancipation. New York: Oxford University Press, 2002. 307 pp.-Jean Besson, Kathleen E.A. Monteith ,Jamaica in slavery and freedom: History, heritage and culture. Kingston; University of the West Indies Press, 2002. xx + 391 pp., Glen Richards (eds)-Michaeline A. Crichlow, Jean Besson, Martha Brae's two histories: European expansion and Caribbean culture-building in Jamaica. Chapel Hill: University of North Carolina Press, 2002. xxxi + 393 pp.-Christopher Schmidt-Nowara, Joseph C. Dorsey, Slave traffic in the age of abolition: Puerto Rico, West Africa, and the Non-Hispanic Caribbean, 1815-1859. Gainesville: University Press of Florida, 2003. xvii + 311 pp.-Arnold R. Highfield, Erik Gobel, A guide to sources for the history of the Danish West Indies (U.S. Virgin Islands), 1671-1917. Denmark: University Press of Southern Denmark, 2002. 350 pp.-Sue Peabody, David Patrick Geggus, Haitian revolutionary studies. Bloomington: Indiana University Press, 2002. xii + 334 pp.-Gerdès Fleurant, Elizabeth McAlister, Rara! Vodou, power, and performance in Haiti and its Diaspora. Berkeley: University of California Press, 2002. xviii + 259 pp. and CD demo.-Michiel Baud, Ernesto Sagás ,The Dominican people: A documentary history. Princeton NJ: Marcus Wiener, 2003. xiii + 278 pp., Orlando Inoa (eds)-Samuel Martínez, Richard Lee Turits, Foundations of despotism: Peasants, the Trujillo regime, and modernity in Dominican history. Stanford CA: Stanford University Press, 2003. x + 384 pp.-Eric Paul Roorda, Bernardo Vega, Almoina, Galíndez y otros crímenes de Trujillo en el extranjero. Santo Domingo: Fundación Cultural Dominicana, 2001. 147 pp.''Diario de una misión en Washington. Santo Domingo: Fundación Cultural Dominicana, 2002. 526 pp.-Gerben Nooteboom, Aspha Bijnaar, Kasmoni: Een spaartraditie in Suriname en Nederland. Amsterdam: Uitgeverij Bert Bakker, 2002. 378 pp.-Dirk H.A. Kolff, Chan E.S. Choenni ,Hindostanen: Van Brits-Indische emigranten via Suriname tot burgers van Nederland. The Hague: Communicatiebureau Sampreshan, 2003. 224 pp., Kanta Sh. Adhin (eds)-Dirk H.A. Kolff, Sandew Hira, Het dagboek van Munshi Rahman Khan. The Hague: Amrit/Paramaribo: NSHI, 2003. x + 370 pp.-William H. Fisher, Neil L. Whitehead, Dark Shamans: Kanaimà and the poetics of violent death. Durham NC: Duke University Press, 2002. 309 pp.-David Scott, A.J. Simoes da Silva, The luxury of nationalist despair: George Lamming's fiction as decolonizing project. Amsterdam: Rodopi, 2000. 217 pp.-Lyn Innes, Maria Cristina Fumagalli, The flight of the vernacular. Amsterdam: Rodopi, 2001. xvi + 303 pp.-Maria Cristina Fumagalli, Tobias Döring, Caribbean-English passages: Intertextuality in a postcolonial tradition. London: Routledge, 2002. xii + 236 pp.-A. James Arnold, Celia Britton, Race and the unconscious: Freudianism in French Caribbean thought. Oxford: Legenda, 2002. 115 pp.-Nicole Roberts, Dorothy E. Mosby, Place, language, and identity in Afro-Costa Rican literature. Columbia: University of Missouri Press, 2003. xiii + 248 pp.-Stephen Steumpfle, Philip W. Scher, Carnival and the formation of a Caribbean transnation. Gainesville: University Press of Florida, 2003. xvi + 215 pp.-Peter Manuel, Frances R. Aparicho ,Musical migrations: transnationalism and cultural hybridity in Latin/o America, Volume 1. With Maria Elena Cepeda. New York: Palgrave Macmillan, 2003. 216 pp., Candida F. Jaquez (eds)-Jorge Pérez Rolón, Maya Roy, Cuban Music. London: Latin America Bureau/Princeton NJ: Markus Wiener Publishers, 2002. ix + 246 pp.-Bettina M. Migge, Gary C. Fouse, The story of Papiamentu: A study in slavery and language. Lanham MD: University Press of America, 2002. x + 261 pp.-John M. McWhorter, Bettina Migge, Creole formation as language contact: the case of the Suriname creoles. Amsterdam: John Benjamins, 2003. xii + 151 pp.
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Burke, John P. "Coming to Terms with the Public PresidencyRonald Reagan: The Politics of Symbolism. By Robert Dallek The Public Presidency: The Pursuit of Popular Support. By George C. Edwards III The Presidential Quest: Candidates and Images in American Political Culture, 1787-1852. By M. J. Heale The American President: Power and Communication. By Colin Seymour-Ure Presidents and the Press: The Nixon Legacy. By Joseph C. Spear The Presidency and Public Policy: The Four Arenas of Presidential Power. By Robert J. Spitzer." Polity 19, no. 1 (September 1986): 136–47. http://dx.doi.org/10.2307/3234863.

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Illsley, A., Anita Sainsbury, Ruchit Sood, and Ned Gilbert-Kawai. "Book ReviewsOxford Handbook of Geriatric Medicine (3rd edn) Lesley K Bowker, James D Price, Kunal S Shah, Sarah C Smith Oxford University Press 2018 Price £34.99. Pp 752 ISBN 9780198738381Diagnostic and Therapeutic Procedures in Gastroenterology: An Illustrated Guide (2nd edn) Edited by Subbaramiah Sridhar, George Y Wu Springer 2018 Price £114.00. Pp 691 ISBN 978 3 319 62991 9Handbook of Sepsis Edited by Joost W Wiersinga, Christopher W Seymour Springer 2018 Price £79.00. Pp 267 ISBN 978 3 319 73505 4." British Journal of Hospital Medicine 79, no. 7 (July 2, 2018): 418. http://dx.doi.org/10.12968/hmed.2018.79.7.418.

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Gaspari, Fabienne. "Images ‘in the air’ in George Moore’s Lewis Seymour and Some Women and." Cahiers victoriens et édouardiens, no. 84 Automne (November 1, 2016). http://dx.doi.org/10.4000/cve.3017.

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Dissertations / Theses on the topic "Seymour, George"

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Brien, Donna Lee. "The case of Mary Dean : sex, poisoning and gender relations in Australia." Queensland University of Technology, 2003. http://eprints.qut.edu.au/16340/.

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The genre of biography is, by nature, imprecise and limited. Real lives are lived synchronously and diversely; they do not divide spontaneously into chapters, subjects or themes. All biographers construct stories, in the process forcing the disordered complexity of an actual life into a neat literary form. This doctoral submission comprises a book length creative work, Poisoned: The Trials of Mary Dean, and a reflective written component on that creative work, Writing Fictionalised Biography. Poisoned is a biography of Mary Dean, who, although repeatedly poisoned by her husband at the end of the nineteenth century, did not die. This biography, presented in the form of a first-person memoir, is based closely on historical evidence and is supported with discursive notes and a select bibliography. The reflective written component, Writing Fictionalised Biography, outlines the process and challenges of writing a biography when the source material available is inadequate and unreliable. In writing Poisoned my genre solution has been fictionalised biography - biography which is historically diligent while utilising fictional writing strategies and incorporating fictional passages. This written component reflectively discusses how I arrived at that solution. It includes discussion of the sources I utilised in writing Poisoned, including the limitations of trial transcripts and other court records as biographical evidence; useful precursors to the form; the process wherein I located both a form for my fictionalised biography and a voice for my biographical subject; possible models I considered; how I distinguished established fact from speculative supposition in the text; as well as some of the ambivalences and ethical concerns such a narrative process implies.
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Torres, Gonzalez Teresa. "Etude paléobotanique du tertiaire des îles Roi Georges et Seymour, Antarctique." Lyon 1, 1990. http://www.theses.fr/1990LYO10247.

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Noel, Bradley Truman. "Pentecostal and postmodern hermeneutics: comparisons and contemporary impact." Thesis, 2007. http://hdl.handle.net/10500/2155.

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The focus of this practical theological study is Pentecostalism, and the relationship between the hermeneutics of Pentecostalism and Postmodernism. Through a literary search, we observe the points of congruency between the hermeneutics of early Pentecostals and the key tenets of Postmodernism. We note the unprecedented acceptance of Pentecostal scholars into the larger theological world and question whether this is a result of the increased Modernization of Pentecostal hermeneutics. The Postmodern world of youth is explored, and we observe their tremendous openness to spirituality. This thesis will show that Pentecostals may contribute to the Christian world a Pentecostal hermeneutic that will speak a relevant message to generations of youth. Chapters two and three examine the convergent viewpoints of Pentecostalism with Postmodernity, in terms of rationalism, narratives, and the place of experience in life and theology. Chapter four highlights the hermeneutical debate between Gordon D. Fee and his Pentecostal responders, noting the Modern approach in the principles debated. Chapter five seeks to provide interaction with a giant of theology seldom engaged by Pentecostals - Rudolf Bultmann - and his modern followers, and explores the world of Postmodern youth. Chapter six explores the work of Kenneth Archer, who has proposed a specific Pentecostal hermeneutical approach, and chapter seven discusses the role of the Holy Spirit in hermeneutics, including whether Pentecostal experience may be considered an ”edge” in hermeneutics. Chapter eight summarizes the findings of this study.
Practical Theology
D. Th (Practical Theology)
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Books on the topic "Seymour, George"

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Aldrich, Harl P. George Lathrop Cooley and Clara Elizabeth Hall: Their ancestors and descendants in America : with allied lines descended from immigrants Richard Seymour, George Lilly, Richard Smith, and John Vincent. Rockport, Me: Penobscot Press, 2001.

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Seymour, Miranda. In my father's house: Elegy for an obsessive love. London: Simon & Schuster, 2007.

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Winkler, Kevin. Introduction. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199336791.003.0001.

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This introduction looks at the development of the role of director-choreographer, that individual who uses movement to align all elements of a musical into an integrated and cohesive whole. Ned Wayburn’s codified dance routines and Julian Mitchell’s scenic effects and production numbers gave way to Seymour Felix’s and Sammy Lee’s early attempts at integrating dance with narrative. From there, George Balanchine’s introduction of ballet into the structure of musicals and the corresponding requirement for classically trained dancers led to Agnes de Mille’s danced psychological scenarios, which embedded choreography into the composition of musicals. These antecedents paved the way for Jerome Robbins, who with West Side Story defined the role of director-choreographer for a new generation, of which Bob Fosse would be one of the most assertive and authoritative.
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Book chapters on the topic "Seymour, George"

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"PAINTING AND WRITING IN MOORE’S CONFESSIONS OF A YOUNG MAN, LEWIS SEYMOUR AND SOME WOMEN, AND A DRAMA IN MUSLIN." In George Moore: Across Borders, 43–55. Brill | Rodopi, 2013. http://dx.doi.org/10.1163/9789401209076_005.

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Lechtreck, Elaine Allen. "The Movement Continues." In Southern White Ministers and the Civil Rights Movement, 108–43. University Press of Mississippi, 2018. http://dx.doi.org/10.14325/mississippi/9781496817525.003.0005.

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This chapter depicts the continuing non-violent Civil Rights Movement and the continuous efforts of southern white ministers. In Washington, D.C., Randolph Taylor opened his church doors to participants in the March on Washington. In Chapel Hill, demonstrations led by Charles Jones, Clarence Parker, Robert Seymour and students from the University of North Carolina challenged restaurants and businesses that refused to serve and admit African Americans. In Louisville Thomas Moffett, Gilbert Schroerlucke, George Edwards, Grayson Tucker, and Bishop Charles Marmion marched and demonstrated for open housing. Demonstrations in Selma focused on voting rights, not an issue in Chapel Hill or Louisville, but in Selma, where brutality and murder occurred, it was dangerous to protest for anything. Both Chapel Hill and Louisville were locations of major educational institutions, which guaranteed the presence of liberal minded white sympathizers, but hundreds of outside sympathizers arrived in Selma to help demonstrate for voting rights.
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Hammond, Marlé. "The Narrative, Its Components and Its ‘Novelisation’." In The Tale of al-Barrāq Son of Rawḥān and Laylā the Chaste, 152–88. British Academy, 2020. http://dx.doi.org/10.5871/bacad/9780197266687.003.0003.

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This chapter represents a narratological breakdown of the tale. Drawing on the theory of Seymour Chatman, Mikhail Bakhtin and Georg Lukács, I discuss the tale and its relationship to the ʿUdhrī love tale, the popular epic and the novel in terms of its discourse, setting, characters and events. I argue that the tale has a plot with a ‘homophonic’ texture, whereby a ‘melody’ of singular events (such as the abduction, torture and rescue of Laylā) overlays a ‘drone’ of repeated events (namely battle scenes). I conclude with a comparison of the tale with its twentieth-century novelistic adaptation and a discussion of what the comparison reveals about the pre-history of the Arabic novel.
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Golden, Catherine J. "Caricature." In Serials to Graphic Novels. University Press of Florida, 2017. http://dx.doi.org/10.5744/florida/9780813062297.003.0003.

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In its theatricality, caricature-style book illustration approximates the tableau style popular in the nineteenth century. This chapter examines book illustrations by George Cruikshank, Phiz, Richard Doyle, John Leech, and Robert Cruikshank that, like tableaux, capture a dramatic moment in works by Dickens, Ainsworth, and Thackeray. With lighting, props, clever casting, and detail-laden backdrops, the caricaturists staged scenes ranging from the sensational to the sentimental, from the deeply psychological to the broadly comic. “Caricature: A Theatrical Development” adds two Victorian author-illustrators to this list of recognized caricaturists. Better known as an author than an illustrator, William Makepeace Thackeray designed theatrical pictorial capital letters, vignettes, tailpieces, and full-page engravings for his best-known Vanity Fair (1848) and cast his heroine Becky Sharp in various stage roles. To dramatize Alice’s transformations, Lewis Carroll recalled popular caricature techniques in his illustrations for the first version of Alice in Wonderland (1865) entitled Alice’s Adventures Underground(1864) at a time when realistic illustration held sway. This chapter also examines artistic limitations and scandals (e.g. Robert Seymour’s suicide, Cruikshank’s claim of authoring Dickens’s works) that led to a dismissal or devaluation of the caricaturists and a privileging of the Academy trained artists who entered the field of illustration in the 1850s.
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