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Journal articles on the topic 'Shahnameh'

Author: Grafiati

Published: 4 June 2021

Last updated: 25 July 2025

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1

Rahmanian, Elaheh, and Reza Ashrafzadeh. "Women in Shahnameh: An Overview on Mythical, Lyrical and Social Aspects." Revista humanidades 10, no. 1 (2019): e39816. http://dx.doi.org/10.15517/h.v10i1.39816.

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Shahnameh is the most significant Persian epic masterpiece and it is the world's lengthiest epic poem written by a single poet. Shahnameh mainly describes mythical and historical dimensions of the Persian Empire in series of stories. The manifestation of love in the stories of Shahnameh is a real stimulus to prowess and epic. In this regard, Ferdowsi delicately paid attention in developing women characters of Shahnameh. In this article, it is tried to investigate mythical, lyrical and social aspects of women in different sections of Shahnameh. Mythical aspects of Shahnameh including zoroastria

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Arakelova, Victoria. "Yezdistan versus Kurdistan: Another Legend on the Origin of the Yezidis." Iran and the Caucasus 21, no. 4 (2017): 376–80. http://dx.doi.org/10.1163/1573384x-20170404.

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The paper focuses on the analysis of the term Yezdistan (Ēzdīstān) attested in a Yezidi legend, having obvious parallels with the Shahnameh’s “Tale of Zahhak”. It is particularly interesting that this plot does not occur in any of the Kurmanji versions of the Shahnameh ever recorded in Armenia and represents, in fact, a separate legend out of the epic context.

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بشیری, دکتر محمود. "شاه‌نامه‌ستایی یا شاه‌نامه‌ستیزی؟". ghalib quarterly journal 34-35, № 3-4 (2022): 21–42. http://dx.doi.org/10.58342/.v10i34-35.12.

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شاه‌نامه، بزرگ‌ترین اثر حماسی اسطوره‌یی، ملّی اقوام آریایی، از معدود آثار ادبی‌است که هم‌واره با هجمة داوری‌ها روبه‌رو بوده است؛ در حقیقت سابقة شاه‌نامه‌ستایی و شاه‌نامه‌ستیزی به دیر‌سالیِ خود این اثر است، ‌که در طول تاریخ شاعران، نویسنده‌گان و حتا مورخان بسیاری به ستایش و یا حتا ستیز با این اثر بزرگ پرداخته‌اند. پژوهش حاضر بر آن بود‌ه‌است، که بر اساس آرای مختلف اندیش‌مندان و پژوهش‌های انجام‌شده، به بررسی تأثیر شاه‌نامة فردوسی بر شاعران، نویسنده‌گان و مورخان ادوار مختلف تاریخی بپردازد و جلوه‌های گوناگون این اثرگذاری را در آثار آنان نشان دهد. در همین راستا، این پرسش مطرح می‌شود: شاه‌نامة فردوسی

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Dr. Amber Yasmin. "شاہنامہ فردوسی اور اس کے تراجم کی برصغیر میں مقبولیت". Al-Qamar 5, № 2 (2022): 253–60. https://doi.org/10.53762/746ma945.

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Among the poets of past thousand years, nearly ten have remained successful in maintaining their reputation and becoming immortal. Ferdowsi and his Shahnameh are as bright as stars in the literary sky. Ferdowsi is not only known as a great poet but also a famous, wise, thoughtful leader and teacher of Iranian Nation. Moreover, he is also recognized for portraying the immorality of an individual’s freedom, independence and honor of the nation. Universal fame and acceptance of Shahnameh has honored every Iranian. The present study aims at finding answers to how Ferdowsi cleared the Concept of Ir

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Gochmuradova, G. "The perfect ruler of the state in the "Shahnameh": the myth of king Jamshid." Bulletin of the State University of Education. Series: History and Political Sciences, no. 4 (December 7, 2023): 81–85. https://doi.org/10.18384/2949-5164-2023-4-81-85.

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Aim. To define the concept of the perfect ruler of the state in the "Shahnameh".Methodology. For a more detailed study of the concept of the perfect ruler in the "Shahnameh", the myth of King Jamshid was chosen. The methodological basis of the research was political textual study, which implies the usage of general scientific and historical and philosophical methods and techniques.Results. The results of the study show inextricable relationship between the nature of the ideal and the material in the "Shahnameh", which also indicates the decisive influence of moral categories on the fate of the

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6

Baxshiyeva, Ulkər. "Artistic and aesthetic features of Nizami Ganjavi’s poem “Iskandername”." Golden Scripts 5, no. 1 (2023): 53–65. http://dx.doi.org/10.52773/tsuull.gold.2023.1/gjdq1464.

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As in all of Nizami’s works, in the poem «Iskandername» he attached special importance to the national-historical values, including the preservation of the harmony of historical truths. At the same time, the evaluation of the character of Iskandar, the main character of the poem «Iskandarname», as a type of historical personality does not go unnoticed. While embodying the image of the genius Nizami Iskander, he opposes the ideas of nationalism, criticizes the unethical nationalist spirit of Ferdowsi’s attitude towards Iskander. In the article, a special place has been devoted to this aspect, a

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7

Sadullaeva, Matluba. "THE SACRED NUMBERS IN FIRDAUSI'S SHAHNAMEH: SYMBOLISM, MEANING, AND MYSTICAL SIGNIFICANCE." MEDICINE, PEDAGOGY AND TECHNOLOGY: THEORY AND PRACTICE 2, no. 12 (2024): 221–30. https://doi.org/10.5281/zenodo.14541365.

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Firdausi's Shahnameh ("The Book of Kings") is a cornerstone of Persian literature, interweaving myth, history, and culture. One of the lesser- explored dimensions of this epic is its symbolic use of numbers, particularly the numbers one, three, and seven, which carry deep mystical and spiritual meanings in Iranian culture. Through these numbers, Firdausi not only structures his narrative but also imbues it with layers of divine and cosmic significance. The number one represents unity and the divine essence, while three symbolizes completeness and perfection, and seven reflects the sacred and c

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8

Birang, Mohamadreza, and Jalil Tajlil. "A Review of Shahnameh from the Perspective of Daqiqi Tusi Murder in Iran." Modern Applied Science 11, no. 4 (2017): 7. http://dx.doi.org/10.5539/mas.v11n4p7.

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In Shahnemaeh, we cannot see any express statement about Daqiqi Tusi murder. Ferdowsi's narrative about the murder of Daqiqi is such vague and unclear that has attracted researchers’ attention. Based on Ferdowsi’s opinion, initially, it seems the incentive of Daqiqi murder to be a dramatic process than being a predetermined approach. In another hand, Shahnameh points to the Daqiqi’s bad tempered character. In this regard, Daqiqi murder that is done by his bondservant might have got an interpersonal incentive. The main purpose of the paper is to study the incentive of Daqiqi Tusi murder in Shah

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9

Taheri, Mohammad, and Hamid Aghajani. "Studies on Shahnameh in Germany." Journal of Language and Literature 7, no. 4 (2016): 129–35. http://dx.doi.org/10.7813/jll.2016/7-4/22.

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10

Loveimi, Soheila. "Fateful Women in Ferdowsi Shahnameh." English Language Teaching 9, no. 5 (2016): 46. http://dx.doi.org/10.5539/elt.v9n5p46.

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<p>Shahnameh as one of the most important literary works that reflects the pure thoughts of the past Iranians, plays a key role in preserving the Iranian cultural heritage and national identity. Mythology helps us to understand the civilizations included the cultures. For example, the image of the women in the literary works is different from their modern popular image that ignores the real position of the women. Abu l-Qasim Ferdowsi, the highly revered Persian poet, is one of the literary figures who considered the role of women in his literary masterpiece in spite of the prevailing att

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Sulaiman, Mahdi Sarbast. "A Study of Attachment Types in Ferdowsi's Shahnameh and Rolan's Anthem." Twejer 4, no. 2 (2021): 1255–328. http://dx.doi.org/10.31918/twejer.2142.27.

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Abstract There are attachments in the life of every human being without which, a person's life becomes very hard and difficult and thus shows that a person can not enjoy his life without them. Attachment is seen in human life in various forms; such as: attachment for God, attachment for the fatherland , attachment for the family, etc. In the books of Shahnameh and the Song of Roland, which are important epics of Iran and France, the issue of attachment is clearly seen in them. Ferdowsi, who has dealt with various emotions in the Shahnameh, including anger, joy, sorrow, etc., has also paid atte

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Emadi, Mahsa, Mohammd Kazem Kaveh Pishghadam, Farah Niazkar, and Keramatollah Rasekh. "Examining the Role and Character of Women in the Political Power Structure in Ferdowsi’s Shahnameh." Journal of Social-Political Studies of Iran's Culture and History 3, no. 5 (2024): 300–314. https://doi.org/10.61838/kman.jspsich.3.5.17.

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The objective of this article is to explain the role of women in the political power structure from the perspective of Ferdowsi’s Shahnameh. The research method employed in this study is of a library-based nature, utilizing the technique of content analysis. The theoretical framework applied is mythological criticism. The findings indicate that the dimensions, indicators, and components related to women’s roles in Shahnameh are delineated across three dimensions: the social dimension, which includes three components and eleven indicators; the political dimension, which consists of two componen

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Yektatalab, Hourieh, and Amin Karimnia. "Translations of Shahnameh of Firdausi in the West." Khazar Journal of Humanities and Social Sciences 16, no. 3 (2013): 36–52. http://dx.doi.org/10.5782/2223-2621.2013.16.3.36.

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This paper is an attempt to offer an investigation on the influence of Firdausi, the 10th century poet, and his great work “The Shahnameh” on the West regarding the translations of this book; more than sixty translations are discussed here with the names of the translators. Sir William Jones was the first translator of the “Shahnameh” to English (1774).Afterwards, there were other more or less prominent translators to take on and furnish the job of translating the great work of Firdausi’s “Shahnameh”. Dick Davis (1992 & 2006) as well as other scholars whose names are brought in the paper m

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Chechnev, Iakov Dmitrievich. "HOW THEY WANTED TO PUBLISH FIRDOUSI’S SHAHNAMEH AT VSEMIRNAYA LITERATURA PUBLISHING HOUSE." Russkaya literatura 1 (2023): 56–64. http://dx.doi.org/10.31860/0131-6095-2023-1-56-64.

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The article analyzes the discussions concerning the prospects of publishing the Persian epic "Shahnameh" at the meetings of the Eastern Department of "Vsemirnaya Literatura" Publishing House in 1919. Based on the data from A. M. Gorky Archives, Institute of World Literature of the Russian Academy of Sciences, the chronology of the consideration of proposals for the translation of Fir-dousi’s epos, as well as of the discussions between the two reviewers, two employees of the "Vsemirnaya Literatura" Publishing House, N. S. Gumilyov and F. A. Rosenberg, have been reconstructed. As the result of t

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15

Sakhokia, Maia M. "Iranian Rhetorical Heritage: Achaemenians and Shahnameh." Papers of the Institute of Oriental Studies of RAS, no. 28 (2020): 170–85. http://dx.doi.org/10.31696/2587-9502-2020-28-170-185.

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Anikin, D. V., N. V. Khalina, and T. V. Chukanova. "Moving from Logos to Mythos: The Semantics of Firdousi's "Shahnameh" in English Translations of the XIX–XXI centuries in the Focus of Raymond Panikkar's Intercultural Hermeneutics." Art Logos – The Art of Word 1, no. 26 (2024): 176–89. https://doi.org/10.35231/25419803_2024_1_176.

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The authors of the article explore Firdousi's "Shahnameh" as a text that allows English-speaking Western culture to create a system of meanings that immerses it in civilizational semantics based on the rhythm of Being and creates the basis for a dialogue of mind and heart. The rules of Shahnameh dialogue communication and the system of meanings of English-speaking culture are explained on the basis of the provisions of R. Panikkar's intercultural logic. Dialogical dialogue is recognized as the main method of diatopic hermeneutics, which takes the form of a hermeneutic circle of meanings in the

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Tanha, Zahra, Masoome Momeni Mofrad, and Masoome Nasiri Zade. "The effect of Shahnameh reading on aggression, social skills and national identity of students." Journal of Adolescent and Youth Psychological Studies 2, no. 2 (2021): 70–77. https://doi.org/10.61838/kman.jayps.2.2.7.

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Background and Aim: Iran is a country with valuable cultural and artistic works and Ferdowsi Shahnameh is one of them. Unfortunately, despite the existence of such a valuable treasure and the exploits that can be made of it, especially in education, it has been used to a limited extent. Accordingly, this study sought to investigate the effect of holding Shahnameh reading courses on aggression, social skills and national identity of students. Methods: This study is based on the applied purpose and in terms of the type of research in the field of quasi-experimental studies. The statistical popul

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Taghavi, Leila. "Form and Meaning of Rostam and Esfandiy?r Battle in a Coffee House Painting by Mohammad Modabber." Environment Conservation Journal 16, SE (2015): 145–49. http://dx.doi.org/10.36953/ecj.2015.se1616.

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Coffee house painting was a new phenomenon in the history of Persian painting, which, along with the preservation of all rational religious and traditional art values, was born to the need of the people and to respect people’s beliefs. Shahnameh stories were a proper field for creation of epic images of chivalric men who always stood up heroically to the honor and dignity of their mother land at any time, like RostamDastan.In this regard, a coffee house painting of “The battle of Rostam and Esfandiy?r” by Mohammad Modabber from Shahnameh epic text is examined to understand the meaning of the i

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Խաչատրյան, Զարուհի. "Իրանական ծագման որոշ ձիանուններ Ֆիրդուսիի «Շահնամե»-ում". Bulletin of Yerevan University B: Philology 15, № 2 (44) (2024): 56–69. https://doi.org/10.46991/bysu:b/2024.15.2.056.

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The horse has an exceptional role and significance in the life and culture of Iranian peoples. “Shahnameh”, the masterpiece of the great poet of Iran, Ferdowsi, is considered as an endless source and a powerful potential for the development of the Persian language thanks to its highly rich vocabulary. A big and unique part of the vocabulary is the words related to the animal world, where the horse names have a special place among the names of domestic animals. Ferdowsi in “Shahnameh” uses more than thirty terms indicating horses, as a mean of military actions, as a domestic pack animal and as

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Nezhad Nili, Fatemeh. "Investigating Decoupage and Cinematic Special-Effects in Ferdowsi's Shahnameh." Modern Applied Science 11, no. 2 (2016): 50. http://dx.doi.org/10.5539/mas.v11n2p50.

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Decoupage or cinematic segmentation is a step by step map used by filmmaker to produce a film or television show, and cinematic special effect is reconstruction and re-creation of unrealistic or impossible scenes during production process. Shahnameh Ferdowsi, due to its attractive, deep and imaginative stories, enjoys a high capacity to be exploited in the field of movies and cinematic productions. The author aims to define principles and basic concepts of decoupage and special effects as well as to extract famous stories on each of the mythological, heroic and historical sections of the Shahn

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Hillmann, Michael Craig. "Ferdowsi’s Shāhnāma Narratives as Epic Episodes: A Case Study." International Journal of Persian Literature 9 (October 1, 2024): 46–144. http://dx.doi.org/10.5325/intejperslite.9.0046.

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Abstract The article begins with a recapitulation of attention to the Shāhnāma in America and proceeds to an overview of the Shāhnāma in the context of the epic species of narrative, with attention to Hamid Dabashi’s critique in The Shahnameh: The Persian Epic as World Literature of Western writing on world literature and Ferdowsi. The article also here reviews Amin Banani’s much reprinted essay first called “Ferdowsi and the Art of Tragic Epic.” There follow a suggestive list of Shāhnāma parts and a conclusion that, as a whole, it seems not to function as a single narrative, but rather as a c

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Basirizadeh, Fatemeh Sadat, Narges Raoufzadeh, and Shiva Zaheri Birgani. "The Image of Women in Eastern and Western Epic literature: Shahnameh and Odyssey." Budapest International Research and Critics Institute (BIRCI-Journal): Humanities and Social Sciences 3, no. 2 (2020): 768–76. http://dx.doi.org/10.33258/birci.v3i2.889.

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The research examines two epics, one from the East and one from the West with regards to the question of woman and her images in early epic literature. The epics were selected from the literature. The epics were selected from the literature of two cultures, both of which, in different historical periods produced the most advanced civilizations of their time. The Persian epic, The Shahnameh (the book of Kings) was tooted in the ancient Indo-Iranian pagan as well as Zoroastrian traditions, an epic of approximately 60,000 couplets rewritten in the tenth century A. D. in the final, completed from

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Rashid, Jihad Shukri, and Zikra Ahmed Jalal. "The structure of introductory content in the Shahnameh." JOURNAL OF LANGUAGE STUDIES 5, no. 4, 1 (2022): 322–36. http://dx.doi.org/10.25130/jls.5.4.1.23.

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Writing an introduction is one of the oldest traditions in literary texts of all kinds of prose and poetry. In this introduction, the poet has paid special attention to some cases and the results of this research show that Ferdosi is one of the poets who used different themes and subjects in his introduction Aloz and Begoret for a challenging phenomenon that in this paper we try to analyze the introductory element in terms of content structure in a descriptive-analytical way, to show that Ferdowsi was able to phrase his introduction based on the subject matter of his work In the introduction,

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Асатрян, Г. "ON PROPER NAMES IN THE SHAHNAMEH: RUSTAM’S FAMILY." NARTAMONGÆ 18, no. 1 (2024): 29–36. http://dx.doi.org/10.46698/vnc.2024.79.68.001.

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Это краткое изложение имен собственных в «Шахнаме», в частности близких родственников центральной фигуры эпоса Рустама, его матери и сына, с предварительной этимологией имени последнего Сухраба, оставшейся до сих пор невыясненной. This is a brief account of the proper names in the Shahnama, particularly those of the close relatives of Rustam, the central figure of the epic, his mother and son, with a tentative etymology of the latter’s name, Suhrāb, hitherto remaining unexplained.

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Makhmudjonova Akay, Gulzoda. "An Example of Shahnameh Prepared for a Ruler (Promotion and Evaluation)." Korkut Ata Türkiyat Araştırmaları Dergisi, no. 15 (April 28, 2024): 1605–16. http://dx.doi.org/10.51531/korkutataturkiyat.1452402.

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Ferdowsi' Shahnameh, which has been the subject of debate for a thousand years since it was written, is one of the most important works of world literature. There are examples of the work, of which we have encountered illustrated examples since the 14th century, that have not yet been discovered and have not reached a wide readership. The Shahnameh copy, which is the subject of our study, was prepared by artists from Samarkand for Ish Mohammad, who reigned in the Khiva region for a short time between 1556 and 1557. The work is preserved in the Institute of Oriental Studies of the Academy of Sc

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Sadeqi-Zadeh, Mahmud. "Mul "Wine" in Classical Persian Poetry." Iran and the Caucasus 13, no. 1 (2009): 131–33. http://dx.doi.org/10.1163/160984909x12476379008089.

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AbstractThe paper examines the historical and literary characteristics of mul "wine" in Persian poetry. Unlike may, which is a wide-spread term denoting "wine" in New Persian, mul is never employed in the writings of many outstanding representatives of Persian poetry—from the early period until Rūdakī and Daqīqī. The first occurrences of this lexeme are attested in the Shahnameh by Firdousū.

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Chorieva, Madina A. "STATE OF STUDY OF THE PROBLEM AND THE METHODOLOGICAL BASIS OF THE RESEARCH." American Journal of Political Science Law and Criminology 05, no. 04 (2023): 82–92. http://dx.doi.org/10.37547/tajpslc/volume05issue04-14.

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This article reflects philosophical ideas in the Shahnameh poem. Analysis of philosophical teachings, the study of the place of knowledge in philosophy, the place of man and culture. Firdousi’s Shakhnoma memorably repeated the history of the Persian kings, strengthened the influence of the Persian language as a literary medium, and preserved knowledge of Iran's ancient glory, its political ethics and cultural identity.

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Choriyeva, Madina A. "THE LIFE OF THE AUTHOR OF THE GREAT POEM "SHAHNAMEH"." American Journal Of Social Sciences And Humanity Research 02, no. 03 (2022): 9–14. http://dx.doi.org/10.37547/ajsshr/volume02issue03-02.

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The name of Ferdousi and his heritage, both creative and the legends about him, are a cultural code that plays an important role in the unity of the Persian cultural space, extending far beyond Iran. And at the same time the author of "Shahnameh" became a romantic legend of the West. The image of the poet, who created the greatest work, but did not receive recognition during his lifetime, turned out to be very close to European romantics. As well as the theme of the struggle against tyrants and autocrats, therefore, in many interpretations, Ferdousi appears not only as an unrecognized genius,

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Pooyandepoor, Azam, Seyyed Mahdi Kheyrandish, and Saideh Same. "Ferdowsi’s Shahnameh in the Mirror of Adib Pishavari’s Poetry." Journal of Literary Studies 6, no. 17 (2013): 7–29. http://dx.doi.org/10.52547/jls.6.17.1.

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Doostkhah, Ialil. "Shahnameh and the Oral Epic Traditions a Brief Note." Iran and the Caucasus 5, no. 1 (2001): 157–62. http://dx.doi.org/10.1163/157338401x00198.

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Fateh Dowlatabadi, Arman, Qolam-Ali Fallah, and Hamid Abdollahian. "An Anthropological Analysis of Keykhosrow’s Character in Ferdowsi’s Shahnameh." Half-Yearly Persian Language and Literature 30, no. 92 (2022): 191–223. http://dx.doi.org/10.52547/jpll.30.92.191.

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Mollaye Pashaye, Sayfollah, and Kheironnesa Mohammadpour. "The Study of Euphemism in Shahnameh: A Semantic Approach." Literature History 14, no. 2 (2021): 41–64. http://dx.doi.org/10.52547/hlit.2022.220807.1022.

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Abdulhadi, Rafal Muwafaq. "Criticism and study of Al-Bandari's Arabic translation of the story Bigan and Manijeh by Shahnameh Ferdowsi." Journal of the College of languages, no. 46 (June 1, 2022): 297–316. http://dx.doi.org/10.36586/jcl.2.2022.0.46.0297.

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Among Persian poets and literary works, Ferdowsi and Shahnameh have a distinctive and prominent place. Since the 5th C. AH , they took the interest of all Persian language and literature scholars and were one of the first books to be translated into different languages including Arabic by Al Fatih Bin Ali Bin Mohammed Al-Bandari in the year of (620)AH .Because it was completed in the early 7th C. AH and in terms of antiquity, there is no older copy than of Al-Bandari’s version which holds great value in the analysis of Shahnameh other different copies. To find out the how far analogy goes, the

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Shahbazi, A. Sh, Djalal Khaleghi-Motlagh, and Abu'l-Qasem Ferdowsi. "Abu'l-Qasem Ferdowsi, the Shahnameh (Book of Kings), vol. I." Journal of the American Oriental Society 111, no. 1 (1991): 154. http://dx.doi.org/10.2307/603776.

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Safar, Hasan Ali. "The order study of the sentence elements in Ferdowsi’s Shahnameh." Al-Adab Journal, no. 130 (September 15, 2019): 483–504. http://dx.doi.org/10.31973/aj.v1i130.637.

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بررسی ومطالعۀ دستوری متون نظم و نثر کلاسیک در شناخت این آثار اهمیت ویژه‌ای دارد. تا کنون پژوهشگران گوناگونی با نگاهی دستوری متون کلاسیک را مورد بررسی قرار داده‌اند. نگارنده در این مقاله داستان سیاوش وداستان رستم و سهراب را با محوریت نظم و ترتیب ارکان و اجزای جمله مورد بررسی قرار می‌دهد. نتایج پژوهش نشان می‌دهد بسامد جملاتی با برهم‌ریختگی ترتیب کلام در شاهنامه بالاست. مهم‌ترین ویژگی‌های بلاغی و زبانی شاهنامه را می‌توان در واژه‌سازی، الگوهای زبانی، ترکیب واژگان، و خصیصه‌های فعل جست‌وجو کرد. در این بخش از مقاله گروهی از جملات را استخراج نمودیم. ابتدا به یک دسته‌بندی کلی رسیدیم. در این

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Zekavat, Sahar, Abdolreza Chareie, and Reyhaneh Keshtgare ghasemi. "A comparative study of Jamshid’s kingdom and picture of him court in the Baysonqor’s Shahnameh and Tahmasp’s Shahnameh from the viewpoint of Erwin Panofsky Iconology." Journal of Islamic Crafts 5, no. 1 (2021): 65–83. http://dx.doi.org/10.52547/jic.5.1.65.

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فاضل, پوهندوی فضل احمد. "عناصر حمّاسه در داستان ضحّاکِ شاه‌نامه". ghalib quarterly journal 40, № 1 (2023): 145–60. http://dx.doi.org/10.58342/ghalibqj.v40.i1.8.

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فردوسي، بزرگ‌ترين حماسه‌سراي ايرانِ کهن، و شاه‌نامه ارزش‌مندترين اثر حماسي در ادب فارسي است. اين كاخ بلند نظم فارسي را از چشم‌اندازهاي گوناگون مي‌توان نگريست. داستان‌ها در شاه‌نامه نقشی مهم و سازنده دارند و از زاويه‌هاي مختلف قابل تحليل و بررسي اند. یکی از داستان‌های شاه‌نامه داستان‌ ضحّاک است. هدف این تحقیق یافتن پاسخ به این پرسش بوده‌ است که: عناصر و نمادهای حمّاسی در داستان ضحّاک کدام‌هایند؟ این تحقیق براساس هدف، بنیادی – نظری، براساس ماهیت داده‌ها، کیفی و روش نقد داده‌ها، تحلیلی – توصیفی است. یافته‌های تحقیق نشان می‌دهند که: عناصر مهمِّ این داستان، جنگ‌آوری و شه‌سواری، حضور حیوانات، زمان‌ه

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Mohammadi Shirmahaleh, Shekoufeh. "Príncipes virtuosos y mujeres engañosas: de la historia de Siyawash en el Shahnamé de Ferdousí al cuento marco del Sendebar medieval." Acta Poética 41, no. 2 (2020): 73–93. http://dx.doi.org/10.19130/iifl.ap.2020.41.2.0005.

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The present article investigates the literary journey of the myth of Siyavash, one of the most known myths of Iran and Central Asia, starting from Ferdowsi’s Shahnameh, revising the Persian Sendbadnameh and finally reaching the medieval Spanish work Sendebar. This study aims to outline the way the structure related to the named myth is repeated in the mentioned works and, after a journey from Orient to Occident, it is recovered in the frame story of one of the most important story collections of the Hispanic heritage.

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Zeng, Yangyin. "The Relationship Between Zoroastrianism and Kingship in the Iranian Empire." Communications in Humanities Research 4, no. 1 (2023): 114–18. http://dx.doi.org/10.54254/2753-7064/4/20220270.

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This essay discusses the relationship between Zoroastrianism and kingship through the primary source of Shahnameh, the epic of the Persian Kings, written by Abolqasem Ferdowsi. Shahnameh is a crystal of Iranian culture, it is a complete religious doctrine following the guidance of Zoroastrianism, it teaches the practice of threefold paths to Asha with the idea of spreading goodness into the society. They include personal religion, social life, and individual morality. Furthermore, the study connects the religious concept of the threefold paths to Asha and khvarenah, a mysterious concept in Ira

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Jundabeh, Zahra Safari. "The fifth anger and jealousy in the ectomorphic characters of Shahnameh." ACADEMICIA: An International Multidisciplinary Research Journal 10, no. 6 (2020): 684. http://dx.doi.org/10.5958/2249-7137.2020.00623.0.

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Afshari, Morteza, and Amir Dastmardi. "Comparison of Iconography in Shahnameh Tahmasp and Haft Orang of Jami." Journal of History Culture and Art Research 6, no. 2 (2017): 591. http://dx.doi.org/10.7596/taksad.v6i2.872.

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Senobar Limakeshi, Laleh, Sayed Ali Sharifi Fard, and Arefeh Bagher Pour. "Effectiveness of Group Poetry Therapy of Mazza's Multidimensional Model (Based on the Romantic Debates of Ferdowsi's Shahnameh) on Response to Intrusion Memories, Automatic Thoughts and Affect Balance in Female Students with Premenstrual Dysphoric Disorder." Psychology of Woman Journal 4, no. 1 (2023): 99–106. http://dx.doi.org/10.61838/kman.pwj.4.1.11.

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Objective: Iranian culture has always been mixed with Persian poetry and literature. Poetry therapy is also considered one of the complementary methods of psychotherapy. The present study aims to investigate the effectiveness of group poetry therapy of Mazza's multidimensional model (based on Shahnameh Ferdowsi's romantic debates) on Response to Intrusions, automatic thoughts, and affect balance in female students with premenstrual dysphoric disorder. Method: The research method was quasi-experimental. The statistical population included all students living in the dormitory of Farhangian Unive

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Salameh, Duaa M., Dina F. Salman, and Areej K. Allawzi. "Intertextuality and Globalization in Orhan Pamuk's The Red-Haired Woman." Dirasat: Human and Social Sciences 52, no. 6 (2025): 7293. https://doi.org/10.35516/hum.v52i6.7293.

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Objectives: This study examines Orhan Pamuk's novel The Red-Haired Woman and explores its thematic connections with classical literary works, specifically Sophocles' Oedipus Rex and Abolqasem Ferdowsi's Shahnameh. Additionally, it analyzes the novel's function as a postmodern intertextual exploration of these classics and other works of literature mentioned in the novel, such as Fathers and Sons, Gulliver's Travels, Hamlet, just to mention a few. Methods: The analysis in this paper is grounded in the aesthetic theories of mimesis and anti-mimesis. By employing close reading and textual analysi

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Ebrahimi, Mokhtar, and Abdollah Taheri. "The Tragedy in the Story of Rostam and Sohrab in Ferdowsi’s Shahnameh." Journal of History Culture and Art Research 6, no. 1 (2017): 96. http://dx.doi.org/10.7596/taksad.v6i1.707.

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Lamei Giv, Ahmad, Seyyed Mahdi Arfaei, and Issa Doustzadeh. "The Function of Laughter in Shahnameh in the Light of Bakhtin’s Theory." Half-Yearly Persian Language and Literature 24, no. 80 (2016): 207–29. http://dx.doi.org/10.18869/acadpub.jpll.24.80.207.

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Сокаева, Д. В., М. Казази, and И. Овранг. "Shahnameh and Narts epic of Ossetians: an experience of comparative study of the symbol." Эпосоведение, no. 1(17) (March 28, 2020): 23–31. http://dx.doi.org/10.25587/svfu.2020.17.58363.

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Сравнительное изучение двух эпических памятников народов, которые генетически связаны друг с другом, Шахнамэ и Нартовского эпоса осетин, интересная и сложная задача, т. к. общие черты могут быть и типологического характера. Изучение общности и различий между этими разноуровневыми эпическими памятниками насчитывает более ста лет (В. Ф. Миллер, А.Б. Кубалов, Б. А. Алборов, М. Иштванович, Х. Г. Короглы, Д. С. Раевский, Л. А. Чибиров, А. В. Дарчиев, Э. Б. Сатцаев, Ю. А. Дзиццойты, К. Ю. Рахно и др.) тем не менее, детально сравнительная работа по выявлению соответствий в частности символов не прово

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Choriyeva, Madina A. "HISTORY OF CREATION "SHAH-NAME" FIRDOUSI." CURRENT RESEARCH JOURNAL OF PHILOLOGICAL SCIENCES 02, no. 12 (2021): 45–48. http://dx.doi.org/10.37547/philological-crjps-02-12-09.

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The name of Ferdousi and his heritage, both creative and the legends about him, are a cultural code that plays an important role in the unity of the Persian cultural space, extending far beyond Iran. And at the same time the author of "Shahnameh" became a romantic legend of the West. The image of the poet, who created the greatest work, but did not receive recognition during his lifetime, turned out to be very close to European romantics. As well as the theme of the struggle against tyrants and autocrats, therefore, in many interpretations, Ferdousi appears not only as an unrecognized genius,

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السديري, مشاعل. "Power Relations in The Kite Runner: A New Historicist Reading." المجلة العربية للعلوم الإنسانية 27, no. 107 (2009): 233–49. http://dx.doi.org/10.34120/ajh.v27i107.2163.

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موضوع هذه الورقة هو السعي لاكتشاف مصادر القوة في العلاقات الشخصية في رواية The Kite Runner للمؤلف خالد حسيني سنة 2003. و فيها يتم تسليط الضوء على السياق السياسي و التاريخي لتلك الفترة التي كتبت فيها الرواية، و يلاحظ التغير في مصادر القوة في هذه الرواية عن الأزمنة الماضية، ففي كتاب The Shahnameh لفردوسي الذي يستعرض بعض التقاليد و الأعراف السارية في المجتمع الأفغاني، وقتها، تتبلور السلطة والقوه لدى الأفراد بما يتمتعون به من قوة جسديه وشجاعة و في ضلها تتشكل علاقات شخصيه غير سويه. أما في كتاب حسيني فتظهر ألقوة و السلطة الشخصية بصورة ذات صبغه أدبيه و يكون مصدرها الموقف و جرأة ألكلمه.

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Radandish, Parvane, Maryam Moradi, and Mohsen Beigi. "Features of female images in the "Shahnameh" by the Persian poet Firdowsi and in the Nart epic." Филология: научные исследования, no. 4 (April 2025): 1–24. https://doi.org/10.7256/2454-0749.2025.4.71896.

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This article analyzes the image of women in Shahnameh by Ferdowsi and the Nart Epic, which, imbued with the culture, beliefs, and worldview of the Iranian and Ossetian peoples, are not only narratives of wars and heroic bravery but also reflections of societal consciousness. These works present female characters who occupy a central role, embodying profound contradictions: they are portrayed as celestial beings worthy of reverence or as symbols of sin and exile. Women in these epics are not merely lovers and mothers but also strong-willed individuals whose actions drive the plot and shape its

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Tishehyar, Mandana. "ATTRIBUTES OF THE LADY ENVOYS AND THEIR DIPLOMATIC ETIQUETTE IN FERDOWSI`S SHAHNAMEH." Journal of the Institute of Oriental Studies RAS, no. 4 (30) (2024): 118–31. https://doi.org/10.31696/2618-7302-2024-4-118-131.

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