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Books on the topic 'Shaker architecture'

Author: Grafiati

Published: 4 June 2021

Last updated: 4 March 2023

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1

Rocheleau, Paul. Shaker built: The form and function of Shaker architecture. London: Thames & Hudson, 1994.

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2

June, Sprigg, ed. Shaker built: The form and function of Shaker architecture. New York, N.Y: Monacelli Press, 1994.

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3

Shaker life, art, and architecture: Hands to work, hearts to God. New York: Abbeville Press, 1999.

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4

White, Anthony G. Shaker architecture: A brief bibliography. Monticello, Ill: Vance Bibliographies, 1986.

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5

A cut & assemble Shaker village: Authentic architectural models in H-O scale. West Chester, PA: Schiffer, 1986.

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6

Nicoletta, Julie. The architecture of the Shakers. Woodstock, Vt: Countryman Press, 1995.

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7

Shaker style: Form, function, and furniture. [Philadelphia?]: Courage Books, 2000.

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8

Campen, Richard N. Distinguished homes of Shaker Heights: An architectural overview. Ft. Myers, Fl: West Summit Press, 1992.

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9

Stillness and light: The silent eloquence of Shaker architecture. Bloomington, IN: Indiana University Press, 2009.

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10

Lesley, Herzberg, United States. Works Progress Administration, and Hancock Shaker Village, eds. A promising venture: Shaker photographs from the WPA. Clinton, N.Y: Richard W. Couper Press, 2012.

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11

Shaker village of Pleasant Hill: 50th anniversary of the restoration. Morley, MO: Acclaim Press, 2010.

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12

Christian, Goodwillie, ed. Gather up the fragments: The Andrews Shaker collection. [Pittsfield, MA?]: Hancock Shaker Village, Inc., 2008.

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13

Shaker architectural materials and craftsmanship: The second Meetinghouse at Mount Lebanon, New York, USA. Göteborg: Acta Universitatis Gothoburgensis, 2005.

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14

David, Murray, ed. Architecture and shadow. Philadelphia, PA: Journal of the Graduate School of Fine Arts, University of Pennsylvania, 1990.

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15

Architectural shades and shadows. Washington, D.C: American Institute of Architects Press, 1989.

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16

McGoodwin, Henry. Architectural shades and shadows. Washington, D.C: American Institute of Architects Press, 1989.

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17

Yosef, Garfinkel, and Miller Michele A, eds. Sha'ar Hagolan. Oxford: Oxbow Books, 2002.

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18

Holmes, John M. Architectural shadow projection. 2nd ed. Eastbourne: Orion, 1985.

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19

Krempel, Marcie. Shared services: A new business architecture for Europe. London: Economist Intelligence Unit, 1998.

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20

The architectural and social history of cooperative living. London: Macmillan, 1988.

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21

Martínez, Rafael Casado. La sombra: Forma del espacio arquitectónico. Sevilla: Universidad de Sevilla, 2011.

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22

Day-Lower, Dennis. Designing shared housing for the elderly: Social and architectural considerations. Philadelphia: National Shared Housing Resource Center, 1985.

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23

Eva, Kühn, ed. Virtual shared memory for distributed architectures. Huntington, N.Y: Nova Science Publishers, 2001.

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24

Eckhard, Schneider, Kunsthaus Bregenz, Kunsthalle Bielefeld, Fruit Market Gallery, and Stills (Gallery), eds. Hiroshi Sugimoto: Architecture of time. Cologne: W. König, 2002.

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25

Robinson, Sarah, Juhani Pallasmaa, and Matteo Zambelli, eds. La mente in architettura. Florence: Firenze University Press, 2021. http://dx.doi.org/10.36253/978-88-5518-286-7.

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Although we spend more than ninety percent of our lives inside buildings, we understand very little about how the built environment affects our behavior, thoughts, emotions, and well-being. We are biological beings whose senses and neural systems have developed over millions of years; it stands to reason that research in the life sciences, particularly neuroscience, can offer compelling insights into the ways our buildings shape our interactions with the world. In Mind in Architecture, leading thinkers from architecture and other disciplines, including neuroscience, cognitive science, psychiatry, and philosophy, explore what architecture and neuroscience can learn from each other.

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26

Lindén, Karin Palm. Kollektilvhuset och mellanzonen: Om rumslig struktur och soċialt liv. Lund: Byggnadsfunktionslära, Arkitektursektionen, lunds universitet, 1992.

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27

Wall, Julia. Finding 3-D shapes in New York City. Mankato, Minn: Capstone Press, 2009.

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28

Tornero, Antonio Ñudi. Un espacio para el coliving. Madrid: Fundación arquia, 2021.

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29

David, Ben-Shlomo, Miller Michele A, Vered Ariel, and Zuckerman Daphna, eds. Sha'ar Hagolan: The rise of urban concepts in the ancient Near East. [Jerusalem]: The Institute of Archaeology, The Hebrew University of Jerusalem, 2009.

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30

Rovida, Maria Antonietta, ed. Fonti per la storia dell'architettura, della città, del territorio. Florence: Firenze University Press, 2008. http://dx.doi.org/10.36253/978-88-8453-722-5.

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The contributions presented at the study day held in Empoli in May 2006 – now collected in book form – are intended to provide a contribution to the debate on the relations between the teaching of history of architecture, design and historiography. Each essay addresses a specific issue, proposing an analysis and valorisation of the sources (documents, images, diaries etc.) and the resources available for research, representation and design. Taken as a whole, the collective work aims at defining a history of architecture focused on a knowledge and understanding of how, at different times and in different places, man has interacted with the geographical or environmental context to organise the physical space. A history of architecture in seamless relation with that of the city and the territory. A history of architecture that posits itself as an essential component in the design culture of architects and town planners, fostering a mode of intervention generated by a profound knowledge of the complex realities in which it takes shape.

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31

Hélène, Binet, Casati Roberto 1961-, Oechslin Werner, Andō Tadao 1941-, and Deutsches Architekturmuseum, eds. Das Geheimnis des Schattens: Licht und Schatten in der Architektur = The secret of the shadow : light and shadow in architecture. Tübingen: E. Wasmuth, 2002.

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32

Calisi, Daniele. Luce ed ombra nella rappresentazione: Rilettura storica e sperimentazioni eidomatiche. Ariccia (RM): Aracne editrice int.le S.r.l., 2015.

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33

Jungmann, Jean-Paul. Ombres et lumières: Un manuel de tracé et de rendu qui considère l'architecture comme une machine optique. Paris: Editions de la Villette, 1995.

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34

Schiffer, Herbert. Shaker Architecture. Schiffer Publishing, 1997.

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35

Shaker Style. JG Press, 2003.

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36

Shaker Style. Smithmark Publishers, 1995.

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37

Krueger, Kristie Janinne. Composition in Shaker architecture. 1988.

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38

Shaker: Life, Work and Art. Harry N. Abrams, 2001.

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39

The Essential Book of Shaker: Discovering The Designs, Building and Furniture. Universe Publishing, 1995.

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40

Nicoletta, Julie. Architecture of the Shakers. Countryman Press, 2000.

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41

Shaker Architecture and Design 2002 Calendar. Pomegranate Communications, 2001.

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42

Morgan, Bret. Shaker Architecture and Design 2003 Calendar. Pomegranate Communications, 2002.

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43

Bowe, Stephen, and Peter Richmond. Selling Shaker: The Commodification of Shaker Design in the Twentieth Century. Liverpool University Press, 2006.

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44

Selling Shaker: The Promotion of Shaker Design in the Twentieth Century (Liverpool University Press - Value-Art-Politics). Liverpool University Press, 2007.

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45

Plummer, Henry. Stillness and Light: The Silent Eloquence of Shaker Architecture. Indiana University Press, 2014.

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46

Bowe, Stephen, and Peter Richmond. Selling Shaker: The Promotion of Shaker Design in the Twentieth Century (Liverpool University Press - Value-Art-Politics). Liverpool University Press, 2007.

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47

Art, Farnsworth Museum of, Shaker Museum (Sabbathday Lake, Me.), and Shaker Museum Mount Lebanon, eds. The Shakers: From Mount Lebanon to the world. 2014.

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48

Stillness and Light: The Silent Eloquence of Shaker Architecture. Indiana University Press, 2009.

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49

Ruggles, D. Fairchild. Tree of Pearls. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190873202.001.0001.

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The woman known as “Tree of Pearls” ruled Egypt in the summer of 1250. A rare case of a woman sultan, her reign marked the shift from the Ayyubid to the Mamluk dynasty, and her architectural patronage of two building complexes had a lasting impact on Cairo and on Islamic architecture. Rising to power from slave origins, Tree of Pearls—her name in Arabic is Shajar al-Durr—used her wealth and power to add a tomb to the urban madrasa (college) that had been built by her husband, Sultan Salih, and with this innovation, madrasas and many other charitably endowed architectural complexes became commemorative monuments, a practice that remains widespread today. This was the first occasion in Cairo in which a secular patron’s relationship to his architectural foundation was reified through the actual presence of his body. The tomb thus profoundly transformed the relationship between architecture and its patron, emphasizing and emblematizing his historical presence. Indeed, the characteristic domed skyline of Cairo that we see today is shaped by such domes that have kept the memory of their named patrons visible to the public eye. This dramatic transformation, in which architecture came to embody human identity, was made possible by the sultan-queen Shajar al-Durr, a woman who began her career as a mere slave-concubine. Her path-breaking patronage contradicts the prevailing assumption among historians of Islam that there was no distinctive female voice in art and architecture.

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50

Maher, Ashley. Reconstructing Modernism. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198816485.001.0001.

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Reconstructing Modernism establishes for the first time the centrality of modernist buildings and architectural periodicals to British mid-century literature. Drawing upon a wealth of previously unexplored architectural criticism by British authors, this book reveals how arguments about architecture led to innovations in literature, as well as to redesigns in the concept of modernism itself. While the city has long been a focus of literary modernist studies, architectural modernism has never had its due. Scholars usually characterize architectural modernism as a parallel modernism or even an incompatible modernism to literature. Giving special attention to dystopian classics Brave New World and Nineteen Eighty-Four, this study argues that sustained attention to modern architecture shaped mid-century authors’ political and aesthetic commitments. After many writers deemed modernist architects to be agents for communism and other collectivist movements, they squared themselves—and literary modernist detachment and aesthetic autonomy—against the seemingly tyrannical utopianism of modern architecture; literary aesthetic qualities were reclaimed as political qualities. In this way, Reconstructing Modernism redraws the boundaries of literary modernist studies: rather than simply adding to its canon, it argues that the responsibility for defining literary modernism for the mid-century public was shared by an incredible variety of authors—Edwardians, modernists, satirists, and even anti-modernists.

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