Academic literature on the topic 'Shakespeare's Hamlet'

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Journal articles on the topic "Shakespeare's Hamlet"

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Sjölin, Mette Hildeman. "‘|Y]oung Hamlet’." Critical Survey 35, no. 4 (2023): 94–112. http://dx.doi.org/10.3167/cs.2023.350407.

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Abstract Shakespeare's Hamlet has been retold in children's versions several times in Sweden in recent years. It was the subject of the first episode of the children's television programme På teatern [At the Theatre], written and directed by Christina Nilsson for SVT in 2001–2002, where Shakespearean actors meet their child or grandchild backstage after a performance to tell and partly enact the story of the play. In 2005–2006, Lotta Grut wrote the plays Lille Hamlett och spöket [Little Hamlett and the Ghost] and Offelia kom igen! [Offelia Come Again!] for the theatre company Unga Roma. In the
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Jurak, Mirko. "Some additional notes on Shakespeare : his great tragedies from a Slovene perspective." Acta Neophilologica 38, no. 1-2 (2005): 3–48. http://dx.doi.org/10.4312/an.38.1-2.3-48.

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In the first chapter of this study the author stresses the importance of literature and Shakespeare's plays for our age. Although the enigma of Shakespeare's life still concerns many scholars it is relevant only as far as the solutions of some biographical details from Shakespeare's life influence the interpretation of his plays. In the section on feminism the focus of the author's attention is the changed role of women in the present day society as compared to previous centuries. In the final part of the article the role of the main female characters in Shakespeare's great tragedies is discus
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Milward, Peter. "The Recusancy of Hamlet." Recusant History 30, no. 3 (2011): 435–40. http://dx.doi.org/10.1017/s0034193200013017.

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As Jane Austen would say, it is a truth universally acknowledged, even among Shakespeare scholars, that Shakespeare is the great enigma in English literature. To some extent this truth was partially covered up during the long period of Shakespeare scholarship when any discussion of Shakespeare's religion was considered taboo. But in the past couple of decades this taboo has been lifted to the extent that the theme proposed for the biennial Shakespeare Conference at Stratford in the year 2000 was ‘Shakespeare and Religions’. On the other hand, so far from resolving the Shakespearian enigma, the
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Ushakova, Olga M. "Masks and Soul: Shakespearean images in T.S. Eliot’s Poetry." Literature of the Americas, no. 15 (2023): 42–69. http://dx.doi.org/10.22455/2541-7894-2023-15-42-69.

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Poetic and dramatic works by T.S. Eliot include numerous allusions to Shakespeare's plays, different collisions based on Shakespearean plots, theatrical techniques and settings of the great playwright, etc. This paper considers the ways and instruments of transforming and representing Shakespearean images in Eliot’s poetic texts, such as “The Love Song of J. Alfred Prufrock”, The Waste Land, “Marina”, “Coriolan”, etc. The important aspect of Eliot's reception is the appeal to Shakespeare’s heroes (Hamlet, Lady Macbeth, Ophelia, Pericles, etc.) as archetypes for creating his own poetic characte
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Nicolaescu, Mădălina. "The Circulation of Shakespeare Adaptations in Eastern Europe." Linguaculture 2014, no. 1 (2014): 21–33. http://dx.doi.org/10.1515/lincu-2015-0016.

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Abstract The paper discusses the stage adaptations of Shakespeare's Hamlet and Romeo and Juliet that were circulated in the German Länders and the Habsburg Empire in the late 18th and early 19th century. The various forms of re-writing Shakespeare are linked with processes re-contextualizing the text and are discussed as forms of localizing a transnational Shakespeare. The analysis zooms in on the contexts of performance of the German adaptations in two Transylvanian cities. The paper highlights the cultural and linguistic negotiations performed when further translating the already multilayere
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Yalley, Abena Asefuaba. "Shakespeare in the bush: Gender constructions and interpretations of Hamlet by the West African Tiv." UJAH: Unizik Journal of Arts and Humanities 23, no. 1 (2022): 240–62. http://dx.doi.org/10.4314/ujah.v23i1.9.

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This paper analyses how gender is constructed by the Tivs through their interpretation of Hamlet in comparison with how Shakespeare projects these characters. Hamlet, a tragic play by Shakespeare, presents a patriarchal system of governance with strong themes of betrayal, love, kinship, religion, and revenge. The lack of agency and autonomy of women, sexual objectification, and their plagues as victims of patriarchy portrayed in Hamlet is a vivid presentation of the fate of women in a patriarchal world. While these may seem universal, the contradictory interpretation of Hamlet by the Tivs in N
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Delaney, Bill. "Shakespeare's HAMLET." Explicator 58, no. 2 (2000): 67–68. http://dx.doi.org/10.1080/00144940009597010.

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Smith, David M. "Shakespeare's Hamlet." Explicator 59, no. 4 (2001): 174–76. http://dx.doi.org/10.1080/00144940109597126.

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Sterling, Eric. "Shakespeare's Hamlet." Explicator 60, no. 1 (2001): 2–5. http://dx.doi.org/10.1080/00144940109597150.

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Gooch, Michael. "Shakespeare's Hamlet." Explicator 60, no. 4 (2002): 186–88. http://dx.doi.org/10.1080/00144940209597707.

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Dissertations / Theses on the topic "Shakespeare's Hamlet"

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Prendergast, Jane Margaret. "Mapping feminism in Shakespeare's Hamlet: 'I Hamlet'." Thesis, Prendergast, Jane Margaret (1999) Mapping feminism in Shakespeare's Hamlet: 'I Hamlet'. PhD thesis, Murdoch University, 1999. https://researchrepository.murdoch.edu.au/id/eprint/52929/.

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In this dissertation I have endeavoured through words and figures to 'map' my performance of Hamlet from a feminist perspective. Assuming that both the audience and the reader are familiar with Shakespeare's text, I have centred my project around an adaptation and performance of Hamlet called 'I, Hamlet'. 'I, Hamlet' is a perspective of the play, scripted for three actors, that focuses on the performance of gender and identity. The resultant map, this dissertation, is constructed out of several different 'mappings' that intersect and inform one another. These mappings include: 1. A critical
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Berger, Amy White. "Claudius' story in Shakespeare's Hamlet." Instructions for remote access. Click here to access this electronic resource. Access available to Kutztown University faculty, staff, and students only, 2003. http://www.kutztown.edu/library/services/remote_access.asp.

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Records, Nathan D. Beard DeAnna M. Toten. "A director's approach to William Shakespeare's Hamlet." Waco, Tex. : Baylor University, 2007. http://hdl.handle.net/2104/5082.

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Lee, John. "Shakespeare's Hamlet and the controversies of self." Thesis, University of Bristol, 1995. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.295030.

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Lessard, Bruno. "The mind's I, moral agency in Shakespeare's Hamlet." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2001. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/MQ61352.pdf.

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Sanchez, Isabel M. "The Root of the Recycled: A Comparative Analysis of Shakespeare's "Hamlet" and the Mythological "Ur-Hamlet"." FIU Digital Commons, 2012. http://digitalcommons.fiu.edu/etd/782.

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The purpose of my thesis was to explore the problem surrounding the sources believed to constitute the Ur-Hamlet from which Shakespeare derived Hamlet. By utilization of close reading, analysis, and archetypical criticism, my thesis confirms Shakespeare’s usage of the “Hero as Fool” archetype present in the Danish legend of Amleth, translated by Saxo Grammaticus and Francois Belleforest, as the Ur-Hamlet. My study is significant because it further develops the notion that the earlier legend served as the originary source for Hamlet, while providing evidence that rejects the validity of other s
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Woolff, Nicola. "Shakespeare's tragic family, sacrificers and victims from Cain to Hamlet." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk2/tape15/PQDD_0003/MQ35091.pdf.

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Fresco, Gabriella Petrone. "Shakespeare's reception in 18th century Italy : the case of Hamlet." Thesis, University of Warwick, 1991. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.357494.

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Thind, Rajiv. "The Struggles of Remembrance: Christianity and Revenge in William Shakespeare's Hamlet." Thesis, University of Canterbury. Department of English, 2014. http://hdl.handle.net/10092/9366.

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This thesis focuses on the religious aspects of William Shakespeare's Hamlet which, I argue, form the foundation of Hamlet's plot and are critical to understanding Hamlet's character and his dilemmas. Early modern culture was particularly saturated with religious allusions. The advent of the Reformation and emergence of printing resulted in an explosive growth in the publication of new Bible translations and other religious materials. While I note that most early modern writers of general literature made frequent use of biblical texts and themes, I add that Shakespeare's use of the Bible and C
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Levine, Andrew. "Conceited Souls and Renaissance Cures: Sympathetic Magic Between Bodies in Shakespeare's Hamlet." BYU ScholarsArchive, 2020. https://scholarsarchive.byu.edu/etd/8414.

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Using the sixteenth-century theories of sympathies to examine the inter-character relationships in Hamlet, I argue for a period reading that offers insight into Hamlet’s delay and the basis for his problematic relationships with Gertrude and Ophelia. Asserting Hamlet’s character as an observer in the play with the ultimate goal of healing the infected state of Denmark, this examination of Hamlet explores how sympathetic healing would function between the characters of Hamlet, the Ghost, Gertrude, and Ophelia. Such a reading would present these characters as vulnerable bodies capable of directl
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Books on the topic "Shakespeare's Hamlet"

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Shakespeare, William. Shakespeare's Hamlet. 4th ed. Cliffs Notes, 2000.

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Shakespeare, William. Shakespeare's Hamlet. Wiley Publishing, 2008.

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Tony, Richardson, and Neil Hartley. Shakespeare's Hamlet. Sony Pictures Home Entertainment, 2012.

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Shakespeare, William. Shakespeare's Hamlet. John Wiley & Sons, Ltd., 2008.

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Tony, Buzan, ed. William Shakespeare's Hamlet. Barron's, 2001.

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Coville, Bruce. William Shakespeare's Hamlet. Dial Books, 2004.

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Harold, Bloom, ed. William Shakespeare's Hamlet. Chelsea House Publishers, 1996.

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Harold, Bloom, ed. William Shakespeare's Hamlet. Bloom's Literary Criticism, 2009.

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1564-1616, Shakespeare William, ed. William Shakespeare's Hamlet. Faber and Faber, 2000.

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ill, Dunn Ben, and Shakespeare William 1564-1616, eds. William Shakespeare's Hamlet. Magic Wagon, 2009.

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Book chapters on the topic "Shakespeare's Hamlet"

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Bruster, Douglas. "Quoting Hamlet." In Seeing Shakespeare's Style. Routledge, 2022. http://dx.doi.org/10.4324/9781003308782-12.

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Hillman, David. "The Inward Man: Hamlet." In Shakespeare's Entrails. Palgrave Macmillan UK, 2007. http://dx.doi.org/10.1057/9780230285927_3.

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McEvoy, Sean. "Critical History." In William Shakespeare's Hamlet. Routledge, 2023. http://dx.doi.org/10.4324/9781003416616-6.

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McEvoy, Sean. "Introduction." In William Shakespeare's Hamlet. Routledge, 2023. http://dx.doi.org/10.4324/9781003416616-11.

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McEvoy, Sean. "Introduction." In William Shakespeare's Hamlet. Routledge, 2023. http://dx.doi.org/10.4324/9781003416616-1.

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McEvoy, Sean. "Modern Criticism." In William Shakespeare's Hamlet. Routledge, 2023. http://dx.doi.org/10.4324/9781003416616-8.

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McEvoy, Sean. "The Work in Performance." In William Shakespeare's Hamlet. Routledge, 2023. http://dx.doi.org/10.4324/9781003416616-9.

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McEvoy, Sean. "Contextual Overview." In William Shakespeare's Hamlet. Routledge, 2023. http://dx.doi.org/10.4324/9781003416616-3.

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McEvoy, Sean. "Key Passages." In William Shakespeare's Hamlet. Routledge, 2023. http://dx.doi.org/10.4324/9781003416616-12.

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McEvoy, Sean. "Contemporary Documents." In William Shakespeare's Hamlet. Routledge, 2023. http://dx.doi.org/10.4324/9781003416616-4.

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Conference papers on the topic "Shakespeare's Hamlet"

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Akhmedshina, D. R. "SHAKESPEARE'S IMAGE OF HAMLET IN THE NOVEL «REDEMPTION» BY F. GORENSTEIN." In Proceedings of the IX (XXIII) International Scientific and Practical Conference of Young Scientists. TSU Press, 2022. http://dx.doi.org/10.17223/978-5-907572-04-1-2022-86.

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Philippova, D. K. "RUSSIAN TRANSLATIONS OF SHAKESPEARE’S TRAGEDY «HAMLET»." In ACTUAL PROBLEMS OF LINGUISTICS AND LITERARY STUDIES. Publishing House of Tomsk State University, 2020. http://dx.doi.org/10.17223/978-5-94621-901-3-2020-67.

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"The Throne As a Coffin in Shakespeare’s Hamlet and Al-Maijdi’s Hamlet Without Hamlet." In 10th International Visible Conference on Educational Studies and Applied Linguistics. Tishk International University, 2019. http://dx.doi.org/10.23918/vesal2019.a13.

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"Hamlet Upside Down: Ian McEwan’s Nutshell as a Modernization of Shakespeare’s Hamlet." In Dec. 7-8, 2017 Paris (France). ERPUB, 2017. http://dx.doi.org/10.17758/erpub.f1217434.

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Dudalski, Sirlei Santos. "“Você nos livrará da tirania de William Shakespeare?” - Hamlet na HQ Kill Shakespeare." In 1º Congresso Internacional de Intermidialidade 2014. Editora Edgard Blücher, 2015. http://dx.doi.org/10.5151/phypro-intermidialidade2014-008.

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Philippova, D. K. "SYMBOL AND CONCEPT: «HAMLET» BY W. SHAKESPEARE AS A TRAGEDY ABOUT TIME." In ACTUAL PROBLEMS OF LINGUISTICS AND LITERARY STUDIES. TSU Press, 2021. http://dx.doi.org/10.17223/978-5-907442-02-3-2021-93.

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"Cain, Abel and Shakespeare’s Brothers: A Comparison between Hamlet and As You like It." In Dec. 7-8, 2017 Paris (France). ERPUB, 2017. http://dx.doi.org/10.17758/erpub.f1217427.

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Shi, Daoyu. "A Cross-cultural Analysis of Self-examination in Shakespeare’s Hamlet and Chinese Philosophy and Tragedy." In – The European Conference on Arts & Humanities 2020. The International Academic Forum(IAFOR), 2020. http://dx.doi.org/10.22492/issn.2188-1111.2020.16.

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Philippova, D. K. "RUSSIAN TRANSLATIONS OF «HAMLET» BY W. SHAKESPEARE: THE FIRST THIRD OF THE 19TH CENTURY." In Proceedings of the IX (XXIII) International Scientific and Practical Conference of Young Scientists. TSU Press, 2022. http://dx.doi.org/10.17223/978-5-907572-04-1-2022-70.

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Hashemipour, Saman. "INTERTEXTUALİTY İN ASGHAR FARHADİ’S THE SALESMAN." In 2. Uluslararası Sinema Sempozyumu. Yakın Doğu Üniversitesi İletişim Araştırmaları Merkezi, 2022. http://dx.doi.org/10.32955/neuilamer2022-03-0214/ch12.

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Farhadi’s The Salesman, which won the Best Screenplay award at the 2016 Cannes Film Festival and the Best Foreign Language Film in the 89th Academy Awards, got universal acclaim and behooved for academic debates. The intertextual references in The Salesman optimized with the film’s explicit references to Arthur Miller’s drama play, The Death of a Salesman. However, the director, Asghar Farhadi, includes more subtle intertextual references to attract the audience to some masterpieces of art. This study introduces referenced sources to emphasize parallels between Farhadi’s film and other literar
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