Relevant bibliographies by topics / Shakespeare's plays

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Shakespeare's plays'

Author: Grafiati
Published: 4 June 2021
Last updated: 25 July 2025

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Journal articles on the topic "Shakespeare's plays"

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Rautela, Sangeeta. "THE INFLUENCE OF HUMANISM IN SHAKESPEARE'S PLAYS." International Journal of Global Research Innovations & Technology 03, no. 01(II) (2025): 1–10. https://doi.org/10.62823/ijgrit/3.1(ii).7298.

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Renaissance's prevalent intellectual tide, humanism, had an immense impact on William Shakespeare's works. They portray the principal precepts of humanism with a focus on individual agency, reason, and moral philosophy. This essay looks into how the works of Shakespeare encapsulate the ideals of humanism in deep character development, moral dilemmas, and changing views on humankind. Concentrating on plays like Hamlet, King Lear, The Tempest, and Macbeth, this research explores how Shakespearean drama transcends medieval fatalism to depict characters with free will, self-awareness, and a profou
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Gallimore, Daniel. "Shakespearean comedy and Japanese (wo)men's Shakespeare: A refraction for the twenty-first century." Cahiers Élisabéthains: A Journal of English Renaissance Studies 111, no. 1 (2023): 42–57. http://dx.doi.org/10.1177/01847678231184547.

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Two adaptations of Shakespeare comedies between 2008 and 2010 by the Tokyo-based all-male Studio Life company coincided with the better-known all-male Shakespeares directed by Ninagawa Yukio (based just outside Tokyo) and a moment of rising awareness of gender issues in Japanese society. This article explores the role of Studio Life's (and Ninagawa's) translator Matsuoka Kazuko, arguing that just as the all-male format rendered the chauvinistic aspects of Shakespearean comedy more palatable to a mainly female audience, so too does Matsuoka's achievement as the first female translator of Shakes
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Ushakova, Olga M. "Masks and Soul: Shakespearean images in T.S. Eliot’s Poetry." Literature of the Americas, no. 15 (2023): 42–69. http://dx.doi.org/10.22455/2541-7894-2023-15-42-69.

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Poetic and dramatic works by T.S. Eliot include numerous allusions to Shakespeare's plays, different collisions based on Shakespearean plots, theatrical techniques and settings of the great playwright, etc. This paper considers the ways and instruments of transforming and representing Shakespearean images in Eliot’s poetic texts, such as “The Love Song of J. Alfred Prufrock”, The Waste Land, “Marina”, “Coriolan”, etc. The important aspect of Eliot's reception is the appeal to Shakespeare’s heroes (Hamlet, Lady Macbeth, Ophelia, Pericles, etc.) as archetypes for creating his own poetic characte
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Mastud, Shahaji. "Racial Conflict in the Selected Plays of William Shakespeare." SMART MOVES JOURNAL IJELLH 9, no. 5 (2021): 95–111. http://dx.doi.org/10.24113/ijellh.v9i5.11047.

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William Shakespeare embraces the racial concerns of the seventeenth century in his various plays. The racial clash was one of the significant inquiries of the seventeenth century. There were numerous prohibitions against the relationship of black and white. The etymological colonialism was at the core of the Shakespearean dramatization that rendered on racism. The language utilized as a pioneering instrument for racial discrimination. Moreover, Shakespeare's play was effectively associated with darker-looking individuals during Elizabethan times. Therefore, the darker-looking Othello and the J
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Beloufa, Chahra. "The Speech Act of Thanking in Shakespeare: The Case of Romeo and Juliet and All’s Well that Ends Well." NOTION: Journal of Linguistics, Literature, and Culture 4, no. 1 (2022): 9–22. http://dx.doi.org/10.12928/notion.v4i1.5750.

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Shakespeare’s written words are not innocent. Many individual words from his dramatic texts can be “obscure or impenetrable”. They are not only meant to embellish the scene and the context, yet their elaboration is aimed to set up meaning and effect. In this part, we will analyze and look at how this utterance operates in characters’ dialogues. We will try to highlight Shakespeare conventionalized thank you, which can be not only a sign of gratitude but a complex emotion that adds to the dramatic situation. In the construction of Shakespeare's dialogues in the plays, many linguistic features a
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Aguirre, Beatriz. "Male Bonding in Shakespeare's Plays." Íkala, Revista de Lenguaje y Cultura 3, no. 2 (1998): 127–40. http://dx.doi.org/10.17533/udea.ikala.8488.

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Shakespeare throughout his plays, tradegies and comedies, makes an ample representation of male bonding at different levels, and although he shows predilection for this kind of relationship he never idealizes it. Shakespeare is aware of human weakness. Each group of male friends functions differently because, although they express similar bonding, the exchanging of experiences varies in its content as well as h its form. What is evident is that friendship survives more often than love
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 Aguirre, B. (1998). Male Bonding in Shakespeare's Plays. Íkala. 3 (
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Caputo, Nicoletta. "LOOKING FOR RICHARD III IN ROMANTIC TIMES: THOMAS BRIDGMAN'S AND WILLIAM CHARLES MACREADY'S ABORTIVE STAGE ADAPTATIONS." Theatre Survey 52, no. 2 (2011): 275–300. http://dx.doi.org/10.1017/s0040557411000391.

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In his commendatory poem from the First Folio, Ben Jonson asserted that Shakespeare “was not of an age, but for all time.” This has proved true, and Shakespeare has been able to speak to many succeeding generations of readers and theatregoers. This, however, is not because essential, unchangeable, and universal truths about human nature, the world, and experience lay hidden in his plays or his characters but (quite the opposite) because succeeding generations, over the centuries, have been able to appropriate, exploit, and reuse Shakespeare to make sense of their world and their lives. Shakesp
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Jurak, Mirko. "Jakob Kelemina on Shakespeare's plays." Acta Neophilologica 40, no. 1-2 (2007): 5–49. http://dx.doi.org/10.4312/an.40.1-2.5-49.

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Among Slovene scholars in English and German studies Jakob Kelemina (19 July 1882- 14 May 1957) has a very important place. Janez Stanonik justly places him among the founding fathers of the University of Ljubljana (Stanonik 1966: 332). From 1920 Kelemina was professor of Germanic philology and between 1920 and 1957 he was also the Chair of the Deparment ofGermanic Languages and Literatures at the Faculty of Arts of this university. The major part of Kelemina's research was devoted to German and Austrian literatures, German philology, German-Slovene cultural relations, and literary theory; his
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Prasad, Dr Rachna. "Gender Roles and Power in Shakespeare's Works." International Journal of Advance and Applied Research 6, no. 25(C) (2025): 203–4. https://doi.org/10.5281/zenodo.15331624.

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Abstract: The English playwright and poet William Shakespeare is famous for producing some of the finest works in English literature. Shakespeare's plays delve into the intricate dynamics of gender and power, often depicting male and female characters navigating repressive conventional gender roles and social restraints. Some characters rise to the top, while others fight against these constraints. Gender roles in Shakespeare's plays are examined in this study, along with their effects on themes, narrative, and character dynamics. This research focuses on Shakespeare's exploration of gender an
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Brown, John Russell. "Representing Sexuality in Shakespeare's Plays." New Theatre Quarterly 13, no. 51 (1997): 205–13. http://dx.doi.org/10.1017/s0266464x00011210.

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Sexuality resides in much more than what is spoken or even enacted, and its stage representation will often work best when the minds of the spectators are collaboratively engaged in completing the desired response. John Russell Brown, founding Head of Drama at the University of Birmingham and a former Associate Director of the National Theatre, here explores Shakespeare's arts of sexual obliquity, whether in silence, prevarication, or kindled imagination, and their relationship both with more direct forms of allusion and with an audience's response. John Russell Brown, currently Professor of T
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Dissertations / Theses on the topic "Shakespeare's plays"

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Markidou, Vasiliki. "Shakespeare's Greek plays." Thesis, Lancaster University, 1998. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.533059.

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This thesis traces the development of Shakespeare's conceptualisation of ancient and early modem Greece through an analysis of his Greek plays. Contrary to the numerous studies of Shakespeare's Roman plays, very little interest has been paid to his Greek ones. The single extensive study conducted on the subject to the present, has focused exclusively on the structural interrelation between classical Greece and Renaissance Britain, failing to take into consideration early modern Greece. The specific thesis aims at filling this crucial gap. It sets about to demonstrate that Shakespeare's contemp
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Kingsley-Smith, Jane Elizabeth. "Banishment in Shakespeare's plays." Thesis, University of Birmingham, 1999. http://etheses.bham.ac.uk//id/eprint/4461/.

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'Banished' - the word resounds in many Elizabethan and Jacobean plays, particularly in those of Shakespeare. This thesis examines the drama of banishment, that is, the sentence, lamentation, displacement, and metamorphosis of the exile in Romeo and Juliet, Richard II, Henry IV, As You Like It, King Lear, Coriolanus and The Tempest. To appreciate the rich and polysemous nature of 'banished' in Shakespeare's society I have considered a number of legal, historical and literary sources which reveal certain tropes of exile. The poet of Ovid's Tristia and Plato's Republic, the beast/god of Aristotle
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Cephus, Heidi Nicole. "Corporeal Judgment in Shakespeare's Plays." Thesis, University of North Texas, 2017. https://digital.library.unt.edu/ark:/67531/metadc1062843/.

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In this dissertation, I examine the complex role that the body played in early modern constructions of judgment. Moving away from an overreliance on anti-theatrical texts as the authority on the body in Shakespeare's plays, my project intervenes in the field Shakespearean studies by widening the lens through which scholars view the body's role in the early modern theater. Through readings of four plays—Richard II, Hamlet, King Lear, and The Winter's Tale—I demonstrate that Shakespeare uses a wide range of ideas about the human body from religious, philosophical, medical, and cultural spheres o
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Mackenzie, Anna F. "Troubling women, troubling genre : Shakespeare's unruly characters." Thesis, University of Chester, 2015. http://hdl.handle.net/10034/613740.

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This thesis brings the performativity of William Shakespeare’s plays into focus; in presenting an alternative approach to his works, I show how literary criticism can be reinvigorated. Dramatic works demonstrate that, in their theatrical world, everything is mutable, and capable of evolving and changing, negating stability or reliability. Why, then, should what I term monogeneric approaches (forms of analysis that allocate one genre to plays, adopting a priori ideas as opposed to recognising processes of dramatic construction) to criticism remain prevalent in Shakespearean scholarship? Perform
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Rist, Thomas Charles Kenelm. "Counter-Reformation politics in Shakespeare's 'romance ' plays." Thesis, University of Birmingham, 1997. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.397133.

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Bates, Lauren Catherine. "The role of prayer in Shakespeare's plays." Master's thesis, University of Cape Town, 2017. http://hdl.handle.net/11427/25019.

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There has been a turn to religion in Shakespeare Studies by scholars like Kastan, Swift and Shugar in recent years, and this turn has uncovered a wealth of insight that had previously been obscured. I contribute to this recovery of the spiritual dimension of Shakespeare's work by tackling the question of what prayer does in his plays. I place these performed prayers in their historical and theological contexts, as well as analyse their roles dramatically and thematically within the plays. Prayer as a dramatic form is unique in that it falls between a dialogue and a monologue, pointing to somet
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Chiang, Y. C. "Renaissance queenship in William Shakespeare's English history plays." Thesis, University College London (University of London), 2012. http://discovery.ucl.ac.uk/1344188/.

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This thesis explores how queens in Shakespeare’s English history plays manipulate virtues, space, and memory to embody a specific demeanour in the contexts of early modern England. In the late 1990s, Jean E. Howard’s and Phyllis Rackin’s Engendering a Nation established a feminist study of Shakespeare’s English history plays, focusing on how women support or undermine patriarchal authorities. Yet analysing women’s words and actions in the light of nationalism, New Historicism, and women’s traditional roles as daughters, wives, and mothers within feminism restricts potential readings of women i
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Murphy, Sean Edward. "The language of self-talk in Shakespeare's plays." Thesis, Lancaster University, 2014. http://eprints.lancs.ac.uk/89019/.

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This thesis reports an original approach to the language of self-talk in Shakespeare’s plays. Having established that self-talk is a form of discourse worthy of study, and potentially distinguishable from dialogue in terms of language, I ask two questions: 1. What is the nature of self-talk? 2. What language forms are characteristic of self-talk? The second question is really a subsidiary of the first in that it focuses specifically on the linguistic nature of self-talk. In Chapter 2, I begin to answer these questions by drawing on theories in stylistics, (im)politeness, literary criticism and
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Chen, Xing. "Reconsidering Shakespeare's 'Lateness' : studies in the last plays." Thesis, University of Edinburgh, 2014. http://hdl.handle.net/1842/10579.

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Shakespeare’s last plays, because of their apparent similarity in thematic concern, dramatic arrangements and stylistic features, are often considered by modern scholarship to form a unique group in his canon. Their departure from the preceding great tragedies and their status as an artist’s last works have long aroused scholarly interest in Shakespeare’s lateness—the study, essentially, of the relationship between his advancing years and his last-period dramatic output, encompassing questions such as ‘Why did Shakespeare write the last plays?’, ‘What influenced his writing?’, and ‘What is the
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Pritchard, Katie. "Legitimacy, illegitimacy and sovereignty in Shakespeare's British plays." Thesis, University of Manchester, 2011. https://www.research.manchester.ac.uk/portal/en/theses/legitimacy-illegitimacy-and-sovereignty-in-shakespeares-british-plays(7e49cddc-804c-4ac3-807f-d3fadacf45f6).html.

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'Legitimacy, Illegitimacy and Sovereignty in Shakespeare's British Plays' demonstrates how Shakespeare participates in an early modern 'discourse of legitimacy' as described by Robert Zaller. This thesis, however, proposes an interrelated discourse of illegitimacy that is of equal importance to the discourse of legitimacy. A continuum or spectrum of legitimacy values is hypothesised, and seventeenth century optical illusions known as the curious perspective are used as a visual model that defines the inseparable nature of illegitimacy and legitimacy. Illegitimacy was a state traditionally defi
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Books on the topic "Shakespeare's plays"

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Yates, Frances Amelia. Shakespeare's last plays. Routlege, 1999.

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Tillyard, E. M. W. Shakespeare's history plays. Penguin in association with Chatto & Windus, 1991.

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Tillyard, E. M. W. Shakespeare's problem plays. Penguin in association with Chatto & Windus, 1993.

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Carey, Gary. Shakespeare's minor plays: Notes. Cliffs Notes Inc, 1991.

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Russell, Brown John. Shakespeare's plays in performance. Applause Books, 1993.

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Hazlitt, William. Characters of Shakespeare's plays. Cambridge University Press, 2009.

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Kingsley-Smith, Jane Elizabeth. Banishment in Shakespeare's plays. University of Birmingham, 1999.

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K, Carey Gary, and Roberts James Lamar 1929-, eds. Shakespeare's minor plays: Notes. Cliffs Notes, 1991.

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Durst, Mose. Shakespeare's Plays. Xlibris Corporation, 2002.

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Durst, PH D. Shakespeare's Plays. Xlibris Corporation, 2002.

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Book chapters on the topic "Shakespeare's plays"

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Mullini, Roberta. "Advertising in Shakespearean plays and in Shakespeare's times." In Local/Global Shakespeare and Advertising. Routledge, 2024. http://dx.doi.org/10.4324/9781003273271-3.

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Shell, Alison. "Religious Instruction in Shakespeare's Plays." In Shakespeare, Education and Pedagogy. Routledge, 2023. http://dx.doi.org/10.4324/9781003188704-10.

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Friedman, Alan Warren. "Militarism in Shakespeare's History Plays." In Shakespeare's Returning Warriors – and Ours. Routledge, 2021. http://dx.doi.org/10.4324/9781003203834-3.

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Knowles, Katie. "Separating the Men from the Boys: Roman Plays." In Shakespeare's Boys. Palgrave Macmillan UK, 2013. http://dx.doi.org/10.1057/9781137005373_3.

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Fortier, Mark. "Seven Short Readings of Non-Shakespearean Early-Modern Plays." In Shakespeare's Law. Routledge, 2022. http://dx.doi.org/10.4324/9781003023203-6.

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Friedman, Alan Warren. "Paradigmatic Returning Warrior Plays." In Shakespeare's Returning Warriors – and Ours. Routledge, 2021. http://dx.doi.org/10.4324/9781003203834-4.

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Berger, Thomas L. "Shakespeare Writ Small: Early Single Editions of Shakespeare's Plays." In A Concise Companion to Shakespeare and the Text. Blackwell Publishing Ltd, 2008. http://dx.doi.org/10.1002/9780470757895.ch3.

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"Plays Within Plays." In Discovering Shakespeare's Meaning. Routledge, 2014. http://dx.doi.org/10.4324/9781315843759-10.

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"Shakespeare's political plays." In Shakespeare's Drama. Routledge, 2013. http://dx.doi.org/10.4324/9781315018362-15.

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Bergeron, David M. "‘Death be not proud’: drama’s solace." In Shakespeare's London 1613. Manchester University Press, 2017. http://dx.doi.org/10.7228/manchester/9781526115461.003.0005.

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The chapter begins with the official betrothal of Elizabeth and Frederick on 27 December. At last the period of mourning had ended, and the court could proceed with plans for the wedding. The nineteen plays, presented at court from Christmas to February, constitute a kind of ‘antidote’ or ‘solace’ to the grief that had gripped the court and nation. These performances create a bridge, a translation, that leads away from sorrow to the joy of Elizabeth’s wedding. The chapter discusses all the plays performed, including works by Dekker, Shakespeare, Beaumont and Fletcher, and Jonson. Shakespeare’s
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Conference papers on the topic "Shakespeare's plays"

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Nalisnick, Eric T., and Henry S. Baird. "Extracting Sentiment Networks from Shakespeare's Plays." In 2013 12th International Conference on Document Analysis and Recognition (ICDAR). IEEE, 2013. http://dx.doi.org/10.1109/icdar.2013.155.

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Gao, Jia. "A New Historicism Study of Shakespeare's Historical Plays." In Proceedings of the 3rd International Conference on Culture, Education and Economic Development of Modern Society (ICCESE 2019). Atlantis Press, 2019. http://dx.doi.org/10.2991/iccese-19.2019.43.

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Emel'yanov, I. K. "The image of Henry V in Shakespeare's play Henry V." In Scientific dialogue: Questions of philosophy, sociology, history, political science. ЦНК МОАН, 2019. http://dx.doi.org/10.18411/spc-01-11-2019-02.

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Popescu, Anca. "THE WAY OF HUMAN KNOWLEDGE IN SHAKESPEARE�S AND T. S. ELIOT�S PLAYS." In 5th SGEM International Multidisciplinary Scientific Conferences on SOCIAL SCIENCES and ARTS SGEM2018. STEF92 Technology, 2018. http://dx.doi.org/10.5593/sgemsocial2018h/61/s11.038.

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Rall, Hannes, and Emma Harper. "Pericles VR: Insights into visual development and gamification of a lesser-known Shakespeare play." In 2022 IEEE Conference on Virtual Reality and 3D User Interfaces Abstracts and Workshops (VRW). IEEE, 2022. http://dx.doi.org/10.1109/vrw55335.2022.00014.

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Zheng, Ying. "Collision of History with Reality: the Tendency of Adaptation of Shakespeare Plays in the Contemporary Russian Experimental Theater." In Proceedings of the 5th International Conference on Arts, Design and Contemporary Education (ICADCE 2019). Atlantis Press, 2019. http://dx.doi.org/10.2991/icadce-19.2019.64.

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Hashemipour, Saman. "INTERTEXTUALİTY İN ASGHAR FARHADİ’S THE SALESMAN." In 2. Uluslararası Sinema Sempozyumu. Yakın Doğu Üniversitesi İletişim Araştırmaları Merkezi, 2022. http://dx.doi.org/10.32955/neuilamer2022-03-0214/ch12.

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Farhadi’s The Salesman, which won the Best Screenplay award at the 2016 Cannes Film Festival and the Best Foreign Language Film in the 89th Academy Awards, got universal acclaim and behooved for academic debates. The intertextual references in The Salesman optimized with the film’s explicit references to Arthur Miller’s drama play, The Death of a Salesman. However, the director, Asghar Farhadi, includes more subtle intertextual references to attract the audience to some masterpieces of art. This study introduces referenced sources to emphasize parallels between Farhadi’s film and other literar
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Koroliova, Elfrida. "Cultural identity of Andrei Baleanu’s performances." In Conferința științifică internațională Patrimoniul cultural: cercetare, valorificare, promovare. Ediția XIV. Institute of Cultural Heritage, Republic of Moldova, 2022. http://dx.doi.org/10.52603/pc22.20.

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Clever, highly artistic performances by Andrei Baleanu entered the golden fund of the Moldovan theatrical culture. His performances are distinguished by cultural and civic identity - Rops by Boris Kabur, the comedy Inspector General by Nicolai Gogol, the tragedy Romeo and Juliet by William Shakespeare, On the Night of the Lunar Eclipse by Mustai Karim, the heroic-romantic play Th e Blue Deer by Alexei Kolomiets, the play Solo for a Striking Clock by Osvald Zahradnik, the production drama Bonus by Alexandr Gelman, the play Th e Lower Depth by Maxim Gorky, the comedy Man and Gentleman by Eduardo
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Gherardi, Matteo. "WHEN TERMS OF SERVICE ARE LONGER THAN A SHAKESPEARE’S PLAY: EASING THE UNDERSTANDING OF LEGAL DOCUMENTS THROUGH A USER EXPERIENCE DESIGN METHOD." In 23rd International Conference on Engineering and Product Design Education. The Design Society, 2021. http://dx.doi.org/10.35199/epde.2021.54.

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