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Books on the topic 'Shakespearean comedy'

Author: Grafiati

Published: 20 February 2023

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1

Singh, Avtar. Ideational aesthetics and Shakespearean comedy. Jalandhar: ABS Publications, 1990.

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2

The metamorphoses of Shakespearean comedy. Princeton, N.J: Princeton University Press, 1985.

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3

Lewis, AnthonyJ. The love story in Shakespearean comedy. Lexington, Ky: University Press of Kentucky, 1992.

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4

The love story in Shakespearean comedy. Lexington, Ky: University Press of Kentucky, 1992.

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5

Anxious pleasures: Shakespearean comedy and the nation-state. Madison [N.J.]: Fairleigh Dickinson University Press, 1995.

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6

Staging the gaze: Postmodernism, psychoanalysis, and Shakespearean comedy. Ithaca: Cornell University Press, 1991.

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7

Beyond a common joy: An introduction to Shakespearean comedy. Lincoln: University of Nebraska Press, 2008.

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8

A natural perspective: The development of Shakespearean comedy and romance. New York: Columbia University Press, 1995.

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9

Friends and lovers: The phenomenology of desire in Shakespearean comedy. New York: Columbia University Press, 1985.

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10

Enchanted shows: Vision and structure in Elizabethan and Shakespearean comedy about magic. New York: Garland Pub., 1988.

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11

1862-1957, Boas Frederick S., ed. Five pre-Shakespearean comedies (early Tudor period). Westport, Conn: Greenwood Press, 1986.

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12

Love and society in Shakespearean comedy: A study of dramatic form and content. Newark: University of Delaware Press, 1985.

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13

McKay, Johanna. As you like it: A rowdy retelling for the serious Shakespearean : a short comedy. New York: Playscript, Inc., 2011.

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14

Mimesis and the representation of experience: Dramatic theory and practice in pre-Shakespearean comedy (1560-1590). Frankfurt am Main: Peter Lang, 2012.

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15

Old age, masculinity, and early modern drama: Comic elders on the Italian and Shakespearean stage. Burlington, VT, USA: Ashgate, 2009.

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16

The big secret live 'I am Shakespeare' webcam daytime chatroom show!: A comedy of Shakespearean identity crisis. London: Nick Hern Books, 2012.

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17

Walsh, Jaquelyn W. The impact of Restoration critical theory on the adaptation of four Shakespearean comedies. Lewiston, N.Y: Edwin Mellen Press, 2000.

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18

Zolidis, Don. Miss Beth: A one-act with a passing resemblance to a certain, unspeakable Shakespearean play (it's okay, it's public domain : a short dark comedy. New York, NY: Playscripts, Inc., 2012.

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19

Leggatt, Alexander. Shakespeare's comedy of love. London: Routledge, 1987.

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20

Shakespeare, William. Shakespeare's comedy "The Tempest". Oxford: Pergamon Press, 1985.

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21

Harold, Bloom, ed. William Shakespeare's As you like it. Philadelphia: Chelsea House, 2004.

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22

Smith, Emma, 1970 May 15-, ed. Shakespeare's comedies. Malden, MA: Blackwell Pub., 2004.

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23

Beiner, G. Shakespeare's agonistic comedy: Poetics, analysis, criticism. Rutherford: Fairleigh Dickinson University Press, 1993.

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24

Hirschfeld, Heather, ed. The Oxford Handbook of Shakespearean Comedy. Oxford University Press, 2018. http://dx.doi.org/10.1093/oxfordhb/9780198727682.001.0001.

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The Oxford Handbook of Shakespearean Comedy offers critical, contemporary resources for studying Shakespeare’s comic enterprises. It engages with perennial but still urgent questions raised by the comedies, looking at them from a range of new perspectives that represent the most recent methodological approaches to Shakespeare, genre, and early modern drama. Some essays take up firmly established topics of inquiry—Shakespeare’s source materials, gender and sexuality, hetero- and homoerotic desire, race, religion—and reformulate them in the kinds of materialist, formalist, phenomenological, or revisionist terms of current scholarship and critical debate. Others explore subjects—ecology, cross-species interaction, humoral theory—that have only relatively recently become pressing concerns for sustained scholarly interrogation. Still others, informed by increasingly sophisticated approaches to the material conditions and embodied experience of theatrical practice, speak to a resurgence of interest in performance, from Shakespeare’s period through the first decades of the twenty-first century. And others investigate distinct sets of plays from unexpected and often polemical angles, noting connections between the comedies under inventive, unpredicted banners such as the theology of adultery, early modern pedagogy, global exploration, or monarchical rule. Since the Handbook situates these approaches against the long history of scholarship on the comedies, it both provides a valuable reference guide and represents some of the most up-to-date work in the field.

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25

Carroll, William C. Metamorphoses of Shakespearean Comedy. Princeton University Press, 2014.

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26

Carroll, William C. Metamorphoses of Shakespearean Comedy. Princeton University Press, 2016.

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27

Carroll, William C. Metamorphoses of Shakespearean Comedy. Princeton University Press, 2014.

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28

Carroll, William C. Metamorphoses of Shakespearean Comedy. Princeton University Press, 2014.

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29

Oxford Handbook of Shakespearean Comedy. Oxford University Press, 2018.

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30

Shakespeare, William. Highlights of Shakespearean Comedy. Textsammlung. Cornelsen, 1999.

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31

Hirschfeld, Heather. Oxford Handbook of Shakespearean Comedy. Oxford University Press, 2022.

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32

Leggatt, Alexander. Cambridge Companion to Shakespearean Comedy. Cambridge University Press, 2002.

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33

Leggatt, Alexander. Cambridge Companion to Shakespearean Comedy. Cambridge University Press, 2006.

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34

J, Lewis Anthony. Love Story in Shakespearean Comedy. University Press of Kentucky, 2021.

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35

J, Lewis Anthony. Love Story in Shakespearean Comedy. University Press of Kentucky, 2014.

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36

Bernard, J. F. Shakespearean Melancholy. Edinburgh University Press, 2018. http://dx.doi.org/10.3366/edinburgh/9781474417334.001.0001.

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What’s so funny about melancholy? Iconic as Hamlet is, Shakespearean comedy showcases an extraordinary reliance on melancholy that ultimately reminds us of the porous demarcation between laughter and sorrow. This richly contextualized study of Shakespeare’s comic engagement with sadness contends that the playwright rethinks melancholy through comic theatre and, conversely, re-theorizes comedy through melancholy. In fashioning his own comic interpretation of the humour, Shakespeare distils an impressive array of philosophical discourses on the matter, from Aristotle to Robert Burton, and as a result, transforms the theoretical afterlife of both notions. The book suggests that the deceptively potent sorrow at the core of plays such as The Comedy of Errors, Twelfth Night, or The Winter’s Tale influences modern accounts of melancholia elaborated by Sigmund Freud, Judith Butler, and others. What’s so funny about melancholy in Shakespearean comedy? It might just be its reminder that, behind roaring laughter, one inevitably finds the subtle pangs of melancholy.

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37

Alexander, Leggatt, ed. The Cambridge companion to Shakespearean comedy. Cambridge, U.K: Cambridge University Press, 2002.

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38

The Cambridge Companion to Shakespearean Comedy. Cambridge University Press, 2001.

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39

Leggatt, Alexander, ed. The Cambridge Companion to Shakespearean Comedy. Cambridge University Press, 2001. http://dx.doi.org/10.1017/ccol0521770440.

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40

Frye, Northrop. A Natural Perspective - The Development of Shakespearean Comedy & Romance. Peter Smith Publisher Inc, 1988.

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41

Shakespearean Melancholy: Philosophy, Form and the Transformation of Comedy. Edinburgh University Press, 2018.

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42

Bernard, J. F. Shakespearean Melancholy: Philosophy, Form and the Transformation of Comedy. Edinburgh University Press, 2020.

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43

Sellner, Suzanne, Giselle Ates, Kayla Ates, and Sheena Ates. Hamlet Blinged Out!: A Shakespearean Tragedy Converted into Comedy. Independently Published, 2019.

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44

Sellner, Suzanne, Giselle Ates, and Kayla Ates. Macbeth Blinged Out!: A Shakespearean Tragedy Converted into Comedy. Independently Published, 2019.

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45

Ates, Giselle, and Kayla Ates. Julius Caesar Blinged Out!: A Shakespearean Tragedy Converted into Comedy. Independently published, 2019.

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46

Sellner, Suzanne, Sheena Pascual Ates, and Cate Hancock. Romeo & Juliet Blinged Out: A Shakespearean Tragedy Converted into Comedy. Independently Published, 2019.

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47

van Es, Bart. 3. Love. Oxford University Press, 2016. http://dx.doi.org/10.1093/actrade/9780198723356.003.0004.

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Shakespearean comedy is about getting the girl or the boy, but it is also about love, and one ingredient that makes this possible is the sonnet. ‘Love’ argues that love is not only a consistent concern in Shakespeare’s comedy, but also an original one. Shakespeare provides sustained, two-way courtship in which the affection of women is taken seriously despite the ludicrous confusion that inevitably occurs. This confused courtship lies at the heart of romantic comedy, a modern genre that Shakespeare could be said to invent. Some successful films based on Shakespeare’s comedies are described, including 10 Things I Hate About You (1999), based on The Taming of the Shrew.

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48

Freek, George. Hamlet Exposed!: A Shakespearean Comedy of Elizabethan Errors in One Act. Blue Moon Plays, 2022.

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49

Singing Simpkin and Other Bawdy Jigs Musical Comedy on the Shakespearean Stage. University of Exeter Press, 2014.

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50

Enchanted Shows: Vision and Structure in Elizabethan and Shakespearean Comedy about Magic. Taylor & Francis Group, 2017.

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