Log in

Relevant bibliographies by topics / Shakespearean Tragedies / Books

To see the other types of publications on this topic, follow the link: Shakespearean Tragedies.

Books on the topic 'Shakespearean Tragedies'

Author: Grafiati

Published: 4 June 2021

Last updated: 10 February 2022

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the top 50 books for your research on the topic 'Shakespearean Tragedies.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Browse books on a wide variety of disciplines and organise your bibliography correctly.

1

Acting and action in Shakespearean tragedy. Princeton, N.J: Princeton University Press, 1985.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

2

An Islamic interpretation of 'tragic hero' in Shakespearean tragedies. Kuala Lumpur, Malaysia: International Islamic University Malaysia, 2001.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

3

The heroic idiom of Shakespearean tragedy. Newark: University of Delaware Press, 1985.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

4

Lee, Michelle. Shakespearean criticism. Detroit, Mich: Gale, 2010.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

5

Shakespearean criticism. Detroit, Mich: Gale, 2009.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

6

Shakespearean tragedy and its double: The rhythms of audience response. University Park, Pa: Pennsylvania State University Press, 1991.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

7

Lee, Michelle. Shakespearean criticism. Detroit, Mich: Gale, 2010.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

8

David, Young. The action to the word: Structure and style in Shakespearean tragedy. New Haven: Yale University Press, 1990.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

9

Frye, Northrop. Fools of time: Studies in Shakespearean tragedy. Toronto: University of Toronto, 1985.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

10

Shakespearean tragedy and the common law: The art of punishment. New York: P. Lang, 1998.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

11

Shakespearean tragedy as chivalric romance: Rethinking Macbeth, Hamlet, Othello, and King Lear. Cambridge: D.S. Brewer, 2003.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

12

Ick, Judy Celine A. Unsex me here: Female power and Shakespearean tragedy. Diliman, Quezon City: Office of the Vice Chancellor for Research and Development, University of the Philippines, 1999.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

13

Innocent victims: Poetic injustice in Shakespearean tragedy. London: Athlone Press, 1986.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

14

Castling, Michael J. P. The hero in the stage-world: Analogous scenes and authorial stage-directions in three Shakespearean tragedies. Birmingham: University of Birmingham, 1985.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

15

Bradley, Andrew Cecil. Shakespearean tragedy: Lectures on Hamlet, Othello, King Lear, Macbeth. 3rd ed. New York: St. Martin's Press, 1992.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

16

Bradley, Andrew Cecil. Shakespearean tragedy: Lectures on Hamlet, Othello, King Lear, Macbeth. 4th ed. New York: Palgrave Macmillan, 2006.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

17

Shakespearean tragedy: Lectures on Hamlet, Othello, King Lear, Macbeth. New York: St. Martin's Press, 1985.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

18

Bradley, Andrew Cecil. Shakespearean tragedy: Lectures on Hamlet, Othello, King Lear, Macbeth. 4th ed. Basingstoke [England]: Palgrave Macmillan, 2007.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

19

Bradley, Andrew Cecil. Shakespearean tragedy: Lectures on Hamlet, Othello, King Lear, Macbeth. 3rd ed. Houndmills, Basingstoke: Macmillan, 1992.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

20

Fantasies of female evil: The dynamics of gender and power in Shakespearean tragedy. Newark: University of Delaware Press, 2003.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

21

Nyusztay, Iván. Myth, telos, identity: The tragic schema in Greek and Shakespearean drama. Amsterdam: Rodopi, 2002.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

22

Unknown. Two Shakespearean Tragedies. UNKNOWN, 1999.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

23

John, Drakakis, ed. Shakespearean tragedy. London: Longman, 1992.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

24

Drakakis, John. Shakespearean Tragedy. Taylor & Francis Group, 2016.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

25

Gordon, Colette, Daniel Roux, and David Schalkwyk. Shakespeare’s Tragedies in Southern Africa. Edited by Michael Neill and David Schalkwyk. Oxford University Press, 2016. http://dx.doi.org/10.1093/oxfordhb/9780198724193.013.49.

Full text

Abstract:

This chapter discusses the place of Shakespeare’s tragedies in apartheid and post-apartheid South Africa. It begins with the imposition of apartheid in 1948 and Afrikaans Shakespeare; it goes on to look at Sol Plaatje’s Setswana translations of Shakespeare; and then considers rhetorical and allegorical treatments of Shakespearean tragedy in relation to Robben Island, Nelson Mandela, and Thabo Mbeki. This is followed by an account of the reception, in South Africa and abroad, of three landmark South African productions in the twentieth century: Janet Suzman’s Othello, Gregory Doran’s Titus Andronicus, and Welcome Msomi’s Umabatha. It concludes with a brief discussion of the representation of Africa in the Globe-to-Globe 2012 festival at Shakespeare’s Globe in London.

APA, Harvard, Vancouver, ISO, and other styles

26

Neill, Michael, and David Schalkwyk, eds. The Oxford Handbook of Shakespearean Tragedy. Oxford University Press, 2016. http://dx.doi.org/10.1093/oxfordhb/9780198724193.001.0001.

Full text

Abstract:

The Oxford Handbook of Shakespearean Tragedy is a collection of fifty-four essays by a range of scholars from all parts of the world, bringing together some of the best-known writers in the field with a strong selection of younger Shakespeareans. Together these essays offer readers a fresh and comprehensive understanding of Shakespeare tragedies as both works of literature and as performance texts written by a playwright who was himself an experienced actor. The collection is organized in five sections. The opening section places the plays in a variety of illuminating contexts, exploring questions of genre, and examining ways in which later generations of critics have shaped our idea of ‘Shakespearean’ tragedy. The second section is devoted to current textual issues; while the third offers new critical readings of each of the tragedies. This is set beside a group of essays that deal with performance history, with screen productions, and with versions devised for the operatic stage, as well as with twentieth and twenty-first century re-workings of Shakespearean tragedy. The book’s final section seeks to expand readers’ awareness of Shakespeare’s global reach, tracing histories of criticism and performance across the world. Offering the richest and most diverse collection of approaches to Shakespearean tragedy currently available, the Handbook will be an indispensable resource for students, both undergraduate and graduate levels, while the lively and provocative character of its essays will make it a required reading for teachers of Shakespeare everywhere.

APA, Harvard, Vancouver, ISO, and other styles

27

(Introduction), Robert Shaughnessy, ed. Shakespearean Tragedy, Fourth Edition. 4th ed. Palgrave Macmillan, 2007.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

28

(Introduction), Robert Shaughnessy, ed. Shakespearean Tragedy, Fourth Edition. 4th ed. Palgrave Macmillan, 2007.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

29

Bratchell, D. F. Shakespearean Tragedy. Taylor & Francis Group, 2019.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

30

Bratchell, D. F. Shakespearean Tragedy. Taylor & Francis Group, 2019.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

31

F, Bratchell D., ed. Shakespearean tragedy. London: Routledge, 1990.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

32

Bratchell, D. F. Shakespearean Tragedy. Taylor & Francis Group, 2019.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

33

Bratchell, D. F. Shakespearean Tragedy. Taylor & Francis Group, 2019.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

34

Proser, Matthew N. Heroic Image in Five Shakespearean Tragedies. Princeton University Press, 2016.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

35

Proser, Matthew N. Heroic Image in Five Shakespearean Tragedies. Princeton University Press, 2016.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

36

Proser, Matthew N. Heroic Image in Five Shakespearean Tragedies. Princeton University Press, 2015.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

37

Bassi, Shaul. The Tragedies in Italy. Edited by Michael Neill and David Schalkwyk. Oxford University Press, 2016. http://dx.doi.org/10.1093/oxfordhb/9780198724193.013.42.

Full text

Abstract:

This chapter describes the cultural translation of Shakespearean tragedy in Italy as a long and difficult process that took place alongside the equally protracted establishment of the country as a unified state in the nineteenth century. Shakespeare came to Italy initially mediated by translations and critical interpretations made in France and Germany; and to begin with literary debates about his work took precedence over theatrical performances. Reworking Shakespeare for Italian culture meant retranslating Italian plots and materials, as a number of the plays have Italian settings. It also meant dealing with tragedy as a genre (tragedy) that, since Dante’s DivineComedy, had been at best secondary. As well as reviewing the plays’ own performance history, various kinds of adaptation (including opera, music and painting) and the leading role played by actors in promulgating Shakespeare (such as Tommaso Salvini, Eleonora Duse, and Carmelo Bene) are analysed.

APA, Harvard, Vancouver, ISO, and other styles

38

Zamir, Tzachi. Ethics and Shakespearean Tragedy. Edited by Michael Neill and David Schalkwyk. Oxford University Press, 2016. http://dx.doi.org/10.1093/oxfordhb/9780198724193.013.5.

Full text

Abstract:

Should Shakespearean tragedy facilitate moral growth? Should we, alternatively, refuse to reduce plays into edifying lessons? This chapter begins by presenting two ways in which ethics and Shakespeare’s tragedies ought not be related to one another. It proceeds to dismiss the objection according to which reading a work for its moral rewards necessarily debases an aesthetic offering. Various forms of braiding moral values and the tragedies are then explored. More than defendable interpretations, it is argued that such ethical readings are fruitful because they are inseparable from aesthetic merit. What makes these tragedies stand out as literary and theatrical creations are, often, implied moral rewards.

APA, Harvard, Vancouver, ISO, and other styles

39

Bradley, Andrew Cecil. Shakespearean Tragedy: Lectures on Hamlet Othello King Lear Macbeth. BiblioBazaar, 2007.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

40

Bradley, Andrew Cecil. Shakespearean Tragedy: Lectures on Hamlet, Othello, King Lear, Macbeth. Adamant Media Corporation, 2003.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

41

1963-, McEachern Claire Elizabeth, ed. The Cambridge companion to Shakespearean tragedy. Cambridge, U.K: Cambridge University Press, 2002.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

42

Armstrong, Philip. Preposterous Nature in Shakespeare’s Tragedies. Edited by Michael Neill and David Schalkwyk. Oxford University Press, 2016. http://dx.doi.org/10.1093/oxfordhb/9780198724193.013.7.

Full text

Abstract:

Nature is always a slippery word, not least in Shakespeare’s tragedies. This chapter focuses on the plays’ evocations of and engagements with material nature, in regard to both the external environment (for example weather, plants and animals) and the human body (for example the various humoural substances and vital spirits that constitute what Gail Kern Paster calls the ‘psychophysiology’ of the early modern body). In so doing, the chapter seeks to demonstrate some of the differences between Shakespearean representations of nature and those bequeathed by what Bruno Latour calls ‘the Modern Constitution’.

APA, Harvard, Vancouver, ISO, and other styles

43

Germano, William. Shakespeare’s Tragedies on the Operatic Stage. Edited by Michael Neill and David Schalkwyk. Oxford University Press, 2016. http://dx.doi.org/10.1093/oxfordhb/9780198724193.013.41.

Full text

Abstract:

Shakespeare has inspired almost four hundred operas, among which many are based on the tragedies. Best known are those works, composed from the beginning of the nineteenth century on, by Rossini (Otello), Gounod (Roméo et Juliette), Thomas (Hamlet), and Verdi (Macbeth, Otello), which together placed Shakespearean tragedy squarely on the operatic stage. But the history of operatic (as well as other musical-dramatic) adaptations of Shakespeare stretches from the seventeenth century to the present day, tracing a complex history of musical and theatrical responses to the tragedies, a history that enriches and complicates our sense of what it means to create music-drama.

APA, Harvard, Vancouver, ISO, and other styles

44

Kurup, Raveenda. A Critical Study of Ideology of Shakespearean Tragedies. Anmol Publications Pvt Ltd, 2003.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

45

Knight, George Wilson. Wheel of Fire: Interpretations of Shakespearean Tragedy. Routledge, 1990.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

46

Bradley, Andrew Cecil. Shakespearean Tragedy (Large Print Edition): Lectures on Hamlet Othello King Lear Macbeth. BiblioBazaar, 2007.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

47

Goldman, Michael. Acting and Action in Shakespearean Tragedy. Princeton University Press, 2016.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

48

Goldman, Michael. Acting and Action in Shakespearean Tragedy. Princeton University Press, 2014.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

49

Goldman, Michael. Acting and Action in Shakespearean Tragedy. Princeton University Press, 2014.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

50

Goldman, Michael. Acting and Action in Shakespearean Tragedy. Princeton University Press, 1985.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!