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Relevant bibliographies by topics / Shamanic Art

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Dissertations / Theses

Academic literature on the topic 'Shamanic Art'

Author: Grafiati

Published: 4 June 2021

Last updated: 9 February 2022

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Dissertations / Theses on the topic "Shamanic Art"

1

St-Onge, Colette G. "Symbols of Authenticity: Challenging the Static Imposition of Minority Identities through the Case Study of Contemporary Inuit Art." Thèse, Université d'Ottawa / University of Ottawa, 2011. http://hdl.handle.net/10393/20491.

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This thesis examines the use and promotion of shamanic themes in contemporary Canadian Inuit art, being the principle venue in which Inuit identity is presented to non-Inuit in Canada and internationally. The image of Inuit identity promoted through the arts since the mid-twentieth century is arguably the product of non-Inuit state authorities, but Inuit artists themselves are increasingly asserting their voice in their arts and crafts, thereby challenging the image of Inuit identity to non-Inuit. This project first problematizes the history of contemporary Inuit art, where the construction of

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2

Lindquist, Galina. "Shamanic performances on the urban scene : neo-shamanism in contemporary Sweden." Doctoral thesis, Stockholm : Department of social anthropology, Stockholm university, 1997. http://catalogue.bnf.fr/ark:/12148/cb376248390.

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3

Marty, Patrick. "L'eau de l'art contemporain : une dynamique d'une esthétique écosophique." Thesis, Bordeaux 3, 2014. http://www.theses.fr/2014BOR30072.

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L’eau est porteuse d’aspects différents de consciences, tout en étant un espéranto planétaire. Doit-on parler des artistes de l’eau ? ou bien de l’eau des artistes ? Quel que soit le point de vue que l’on considère, il se dégage une synergie de pensées oeuvrant à une réflexion consensuelle et paradigmatique. Cette recherche propose une nouvelle lecture de l’interaction de l’élément naturel avec la place qu’il occupe dans l’art contemporain ; comment l’eau dans l’art contemporain devient, grâce à sa puissance évocatrice, l’Eau de l’Art, une source inépuisable d’adaptabilité transculturelle qui

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4

Babot, Philip. "Elements of shamanism within performance art." Thesis, Cardiff Metropolitan University, 2011. http://hdl.handle.net/10369/6528.

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5

Rodd, Robin. "The biocultural ecology of Piaroa shamanic practice." University of Western Australia. School of Social and Cultural Studies, 2005. http://theses.library.uwa.edu.au/adt-WU2005.0084.

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This thesis presents an analysis of Piaroa shamanic practices that combines elements of symbolic, psychobiological and phenomenological approaches. Theories from, and clinical findings in, neuroscience, pharmacology, psychology and psychoneuroimmunology are integrated with extended participant observation field study involving basic shamanic training to demonstrate how Piaroa shamans learn to understand and effect biopsychosocial adaptation and promote health. It is argued that Piaroa shamanism is a sophisticated means of interpreting ecological forces and emotional processes in the interests

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6

Fortis, Paolo. "Carving wood and creating shamans /." Thesis, St Andrews, 2008. http://hdl.handle.net/10023/523.

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7

Dronfield, Jeremy Charles. "Subjective visual phenomena in Irish passage tomb art : vision, cosmology and shamanism." Thesis, University of Cambridge, 1994. https://www.repository.cam.ac.uk/handle/1810/272393.

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8

Saidel, Deborah J. "Women in Music: Letting a Long Story Be Long Contemplating Women’s Sonic, Musical, and Spiritual Experiences in Prehistory." VCU Scholars Compass, 2018. https://scholarscompass.vcu.edu/etd/5635.

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Situated within deep history, this study explores the auditory and spiritual lives of Paleolithic women. It considers their personal agency in mediating the spiritual power of sound and how doing so contributes to a multifaceted musicality. The theoretical framework involves a wide spectrum of topics, from ways of rethinking the writing of history and reckoning with time, to sound studies and the study of acoustics in ancient sites, to a critical examination through a feminist lens of normative disciplinary scholarship in anthropology and archaeology, religious studies, and musicology. I explo

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9

Miller, Harry A. W. (Harry Alfred Werner). "Elements of Shamanic Mythology in E. T. A. Hoffman's Romantic Conception of Music." Thesis, University of North Texas, 1993. https://digital.library.unt.edu/ark:/67531/metadc277978/.

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The musicians in E. T. A. Hoffmann's tales and essays demonstrate traits remarkably similar to those of shamans. Hoffmann uses the same imagery to describe the journey of the composer into the "realm of dreams," where he receives inspiration, as the shaman uses to describe the spirit world to which he journeys via music. Hoffmann was a major force in changing the 18th-century view of music as an "innocent luxury" to the 19th-century idea of music as a higher art. As a German Romantic,author, he subscribed to the idea championed by the Schlegels that true poetry is based on myth. In this thesis

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10

Strassburg, Jimmy. "Shamanic shadows : one hundred generations of undead subversion in Southern Scandinavia, 7000-4000 BC /." [S.l.] : Stockholms universiteit, 2000. http://catalogue.bnf.fr/ark:/12148/cb37717665p.

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