Academic literature on the topic 'Shanshui'
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Journal articles on the topic "Shanshui"
Wang, Jing. "Shanshui-thought in Experimental Music Practices: China and beyond." Organised Sound 25, no. 3 (November 30, 2020): 292–301. http://dx.doi.org/10.1017/s1355771820000242.
Full textCosta, Fabienne, and Kong Li hong. "Faire violence au shanshui." Vertigo 31, no. 2 (2007): 46. http://dx.doi.org/10.3917/ver.031.0046.
Full textShi, Weili. "A Generative Approach to Chinese Shanshui Painting." IEEE Computer Graphics and Applications 37, no. 1 (January 2017): 15–19. http://dx.doi.org/10.1109/mcg.2017.13.
Full textRiemenschnitter, Andrea Michaela. "Dreams of Shanshui: China’s environmental modernization and landscape aesthetics." International Communication of Chinese Culture 5, no. 1-2 (May 2018): 101–20. http://dx.doi.org/10.1007/s40636-018-0121-x.
Full textChu, Kiu-Wai. "Ruptured Shanshui: landscape composite photography from Lang Jingshan to Yang Yongliang." photographies 14, no. 1 (January 2, 2021): 3–14. http://dx.doi.org/10.1080/17540763.2020.1859405.
Full textMirra, Federica. "Reverie through Ma Yansong's shanshui city to evoke and re-appropriate China's urban space." Journal of Contemporary Chinese Art 6, no. 2 (September 1, 2019): 393–413. http://dx.doi.org/10.1386/jcca_00013_1.
Full textLu, Cheng-Hao. "APPLYING UAV AND PHOTOGRAMMETRY TO MONITOR THE MORPHOLOGICAL CHANGES ALONG THE BEACH IN PENGHU ISLANDS." ISPRS - International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences XLI-B8 (June 24, 2016): 1153–56. http://dx.doi.org/10.5194/isprsarchives-xli-b8-1153-2016.
Full textLu, Cheng-Hao. "APPLYING UAV AND PHOTOGRAMMETRY TO MONITOR THE MORPHOLOGICAL CHANGES ALONG THE BEACH IN PENGHU ISLANDS." ISPRS - International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences XLI-B8 (June 24, 2016): 1153–56. http://dx.doi.org/10.5194/isprs-archives-xli-b8-1153-2016.
Full textBerque, Augustin. "Position de recherche : La transition paysagère ou sociétés à pays, à paysage, à shanshui, à paysagement." Espace géographique 18, no. 1 (1989): 18–20. http://dx.doi.org/10.3406/spgeo.1989.2820.
Full textKang, Yoewool. "The Aesthetic Essence of Art in Zong Bing’s(宗炳) Comments on Shanshui (Landscape) Painting (畵山水序)." STUDY OF THE EASTERN CLASSIC 77 (December 31, 2019): 145–70. http://dx.doi.org/10.16880/sec.2019.77.06.145.
Full textDissertations / Theses on the topic "Shanshui"
Liu, Nan. "L'idéal extra-mondain et la valeur des montagnes-eaux : sur l'invention de shanshui et le naturalisme dans les milieux lettrés en Chine des Wei-Jin (220-420)." Thesis, Paris Sciences et Lettres (ComUE), 2018. http://www.theses.fr/2018PSLEH018.
Full textGenerally regarded as the object of art, the subject of literature and Chinese aesthetic category, Shanshui (mountains-waters) is believed to be relevant to aesthetical feelings as well as the philosophical concept of nature that is different from that of the West. However, the modern construction of Shanshui through the prism of nature does not integrate the multiple landscape practices historically founded in the gentry's tradition, which had contributed to the invention of mountains-waters: eremitism, immortality seeking, excursion, gathering of literary circles, and the creation of poetry, paintings and gardens. Focusing on the history of Wei-Jin (220-420) after the fall of the Han dynasty, exposing the particular contexts, analyzing the notion of 'Ziran' in the Xuanxue school, gathering and translating the writings and thematic poems showing the extra-mundane movements and tendencies in literate milieus under this time, this thesis aims to show that Shanshui, rather than being constituted by the duality of nature and art, has been invented as a cultural paradigm to confront, in a bipolarization of the reality of ruling gentry class, the Confucian space and the Taoist space, service and disengagement, mundane concerns and pursuit of the Ideal beyond society. Around Shanshui the ideas and values such as authenticity, deep affection, virtue, liberty, naturalism, mysticism, creativity and immanent transcendence are crystallized, in this way, we may assume the co-birth of mountains-waters and an ideal type of Chinese classical humanism
山水研究以往側重于詩歌，繪畫與哲學分析，并普遍將山水視為自然再現，自然情感與某種不同於西方自然觀的審美表達。然而，“相對不同”的判定卻是建立在自然／文化兩分的現代二元范式的“普世應用”上的。因為僅僅強調山水源於“發現自然”並不能整合與山水緊密相關且貫穿於士傳統中的文化實踐：如隱逸，遊仙，遊覽，雅集，以及對世外理想之境的不懈書寫，描畫與營造。本論文考察了魏晉時期(220-420)的社會，政治與文化背景：名教自然的對立，隱逸遊仙的結合，魏晉風度，衣冠南渡，僑立，宗教興起，道釋義理在文化士族內部經由玄學促生的思想轉向等；通過分析魏晉玄學中的自然概念，整理翻譯相關的歷史文本與詩歌，試圖說明，與其說山水是自然／藝術的二元構建，毋寧說山水是士階層在仕與隱，經世與玄遠，世表與塵外的現實兩極化中所創建的一種文化範式。圍繞山水，凝聚了一系列具有重要文化特徵的理念与價值——保真，養身，自足，逍遙，自然主義，暢神玄覽，內在超越與審美理想。這意味著與山水共生的是一種中國古典人文主義的理想型。
Zhang, Shanshan [Verfasser]. "Efficient Pedestrian Detection in Urban Traffic Scenes / Shanshan Zhang." Bonn : Universitäts- und Landesbibliothek Bonn, 2015. http://d-nb.info/1077289723/34.
Full textWang, Shanshan [Verfasser], and Thomas [Akademischer Betreuer] Guhr. "Microstructures of correlated financial markets / Shanshan Wang ; Betreuer: Thomas Guhr." Duisburg, 2017. http://d-nb.info/1142113574/34.
Full textDong, Shanshan [Verfasser], Jochen [Akademischer Betreuer] Heinrichs, and Alexander R. [Akademischer Betreuer] Schmidt. "Systematics and biogeography of selected genera in Lejeuneaceae subfamily Lejeuneoideae / Shanshan Dong. Gutachter: Alexander R. Schmidt ; Alexander R. Schmidt. Betreuer: Jochen Heinrichs." Göttingen : Niedersächsische Staats- und Universitätsbibliothek Göttingen, 2014. http://d-nb.info/1046721895/34.
Full textLiu, Shanshan [Verfasser]. "Conversion of Pyridine N-Oxides to Tetrazolopyridines and Palladium-Catalyzed Regiocontrolled C‒H/C‒H Cross Coupling of Pyridine N-Oxides and Pyrroles / Shanshan Liu." Berlin : Freie Universität Berlin, 2016. http://d-nb.info/1084634600/34.
Full textCheng, Jie-Chu, and 鄭絜濋. "ShanShui of Ink in Architecture Design：Mist Museum." Thesis, 2014. http://ndltd.ncl.edu.tw/handle/pug4qh.
Full text淡江大學
建築學系碩士班
102
With the theme of “Mist Museum,” the study attempted to show the creation style of Chinese wash landscape painting on architectural design and to present the possibility of extending “new wash painting” in contemporary architectural spaces. The transparency and overlapping of mist granted Yang-Ming Mountain physical space similar to wash landscape painting in the Southern Song Dynasty. In the process of architectural design, the study of the material quality and property of clay tiles and construction methods was conducted to respond to the damp climate of Ma-Cao Hot Spring Resort in Yang-Ming Mountain throughout the year. In addition, it integrated with a series of artificially controlled hot spring steam to exhibit with rain, mist and clouds and mists in the mountains and to stretch the scale of architecture to the space of the Nature to create a building that rose and fell in the Nature and time. In “Mist Museum,” the author implied her belief in the great universe: through inward insights and swiftly changing rain and mist in Ma-Cao, the author felt the connection of breath of herself and the Nature, comprehended that “changeableness” was the essence of life and further approved that each occurrence in life was the kindest arrangement of the universe. The first chapter of the thesis illustrated the author''s research motivation and objectives. The second chapter first expounded the philosophical painting viewpoints of classical wash landscape painting and the speculation of contemporary cross-field wash painting. In addition, several architectural cases related to artificial and natural relationships and the space philosophy of contemporary architects that originated from the Nature were enumerated. In the third chapter, the author explored the experimental process of creating wash painting, which served as a creation basis of the thesis. The fourth chapter explained the unique space aura and property of Ma-Cao Hot Spring Resort in Yang-Ming Mountain. Design and operation in the fifth chapter let architecture integrate with the Nature to complement the issue of environment fractures derived from the development of the hot spring industry. The artificial hot spring equipment has provided a temperature-controlled venue to create mist circulation with evaporation and coagulation between cold air coming down from mountains and fog rising from hot spring to respond to the landscapes of clouds and mists in the mountains. Conclusions and suggestions are proposed in the last chapter to retrospect the process of creation and to serve as reflection and expectations of the author''s architectural design and development for the next stage.
Hung-YuChang and 張鴻瑜. "A study on Lin Fengmian’s Shanshui-Landscape Painting." Thesis, 2010. http://ndltd.ncl.edu.tw/handle/93243274644910884044.
Full text國立成功大學
藝術研究所
98
This article conducts a study on Lin Fengmian’s Shanshui-Landscape Painting. In the context of artistic history and by the analysis of Shanshui-Landscape Painting, it will discuss their inspiration and creation onto Chinese Painting Modernity, so as to demonstrate the significance and achievement of theories and practice of the merged Chinese and Western arts in this kind of works. This article will discuss Lin Fengmian’s Shanshui-Landscape Painting of various subject matters in two tiers. In the first tier, it will mainly discuss the merger of the Chinese and Western paintings in form, as well as the modernization of stylized expressions of Chinese Painting. In the second tier, it will take the external presentation of investigation in form to explore the significance of Chinese Painting Modernity, which will finally return to the connotation of Chinese Painting characteristics. This article attempts to exposit that during the exploration of Chinese Painting Modernity in the 20th century, Lin Fengmian’s integrated Chinese and Western arts is based on the unique stylized expressions of Chinese painting, merging the forms of Western modern painting at the turn of the 20th century to illustrate Western modern painting from a new visual view, which is distinct from the traditional Chinese painting, and also reinterprets the planarity of paintings and presents the Lyric and Artistic Conception like Poetic sentiment. Moreover, Mr. Lin doesn’t only coordinate the forms of Chinese and Western paintings, but also merge the connotation of the two. This kind of merger is originated from his voluntary and artistic autonomy towards the times, so as to break through stylized expressions of traditional Chinese Painting, and further subvert self-balanced and coordinated characteristics. It provides new possibility for the diversified creation of contemporary Chinese Painting.
Chen, Ying-Li, and 陳映里. "Hotel Restaurant Design Study—Case of Shanshui Design Hotel." Thesis, 2016. http://ndltd.ncl.edu.tw/handle/73jyja.
Full text中原大學
室內設計研究所
105
Catering culture is deep relatively. Recently, Tourism is a flourishing industry due to globalization, and the catering relative industries are also well development. Xingping town, located at Yangshuo where is one of the popular tour points in the world due to its special natural landscape - karst topography and culture. More and more tourists choose there for their leisure life. Consequently, catering relative industries will provide various services to increase output value and local business. The goals of this literature are including below: 1.Discuss the literatures relative to the catering industry and its space. Relative projects also are studies and lysis. 2.Discuss the coffee shop and restaurant to realize its history and application. 3.In order to increase its competitive strength, the issue of catering space localization together with culture creative will be discussed. 4.Local environment and custom will be analysis to find out the concept of design and translate its language in the space. Two dimension and three dimension graphics will be simulated by computer to realize the whole spacial perception together with lighting and material design. The background of catering industry will be study initially. Then, interior design relative to the catering space will discuss more deeply at the same time in order to know the detail of route and the layout of furniture based on the study of relative literatures. Thus, the characteristic of interior space and functional demand can be control together with various relatively case studies. These results can be applied into design. All the information about the site, such as surroundings culture, life style and transportation etc. can be realize through site analysis. This can be employed to develop design theme and layout of space. This design study will combine the local business and culture with surrounding business to provide more deep cultural discovery. The design also retain the local culture elements, however it has been renew and convert to more modern design concept to increase different experience. It can achieve the meaning of higher level lifestyle and interaction between interior and exterior.
Kuo, Che-Yu, and 郭哲佑. "The Making of“Shanshui”: a Viewpoint from Human Geography." Thesis, 2015. http://ndltd.ncl.edu.tw/handle/37718021645240339345.
Full text國立臺灣大學
中國文學研究所
103
As one of China''s most important literary and cultural characteristics, "landscape" has always been a hot research. However, the "landscape" is the "real mountain real water" from the corresponding terrain, but obviously not a map or a photograph can capture its meaning, nor is it to explore the "landscape" or "natural" can be exhaustive; "landscape "is a space field, in which the activity is someone to shape its meaning. But always observe the landscape or landscape view of literary studies, can be found regardless of whether it is based on the history of literature as a route, the clever structure landscape poetry and literary criticism on the shape of the word link, or start from the point of view of literary history from the ideological context, in metaphysics, Buddhist ideological origins to explore the landscape, are rarely concerned about the "landscape" of space meaning. Therefore, this article hopes to "geospatial" point of view, open the "landscape" of content. In this paper, the so-called "geospatial" is taken human geography context, consider the significance of mutual relations between people and land have defined a space or place is determined by the people living on its shape. "Landscape" is not a specific place, but a build on the natural geography of "geographic species" and therefore would like to discuss in this article under the "landscape" back into space, context, and this "landscape space" back into geography under the context of the discussion; What, in the discussion of the arrangement, you need descending, first on the geography, and then on the space, and finally talk about the establishment of the landscape, so that it can at the time of the "landscape" to explore, but also has the first two horizons. The first chapter, first discuss the development of the Qin and Han geographical concept, especially the occasion to observe the evolution of the geographical concept of the Han and Jin; both spatial significance chapter from "mountain" of the start, the face of the Wei, Jin previously discussed various mountains; and section places between people and land angle chapters "mutual definition" exploration, both in the Wei and Jin dynasties observed prevalence of forest activities ── "hidden" and "travel" and explain through implicit tour intertwined, "landscape" space before being establishment.
Lu, Shen Yang, and 呂昇陽. "A Study of Wan Wei’s Shanshui Paintings from the Perspective of Don Qichang." Thesis, 2019. http://ndltd.ncl.edu.tw/handle/8p9w58.
Full text淡江大學
中國文學學系博士班
107
This thesis attempts to analyze Dong Qichang ’s views on Wan Wei’s landscape paintings with the help of the literature of the history of paintings, the archaeological discoveries and the analysis of styles. First, this thesis focuses on Dong’s theory on literati paintings and so-called “Southern School of Painter-Poets”, identifying Wan Wei’s status in and his influences on the sect, providing a big picture of Wang’s status as a founder of literati paintings as well as the school. Dong’s ideas of “literati paintings” and his veneration of Wan Wei are deeply influenced by Su Shi’s ideas on “scholar paintings” and “Painting within poetry//poetry within painting”. Dong dedicated himself to the study of Zen and tended to read paintings through the approach of Zen. This can make us understand that his views on Southern School and his veneration of Wan Wei as the founder of the school have to do with Wang’s ideas of “the tie between poetry, painting, and Zen “ and Wang’s artistic styles. Based on the above exploration of “the system and main ideas of literati paintings”, this thesis will further discuss the phenomenon and origins of the tie between poetry, painting, and Zen. Firstly, we will study the thoughts of Zen in Wan Wei’s paintings to help us see the big picture of Wang’s tie with Zen and his achievement in Zen. This will further explain why Wang’s ideas of “Zen in poetry” has to do with his achievement in landscape paintings. Secondly, we will study the idea of “Painting within poetry//poetry within painting” and borrow the idea as an approach to the understanding of the combination of poetry and painting in Wang’s poems. These two kinds of study enable us to understand how Wang’s poems are full of the ideas of Zen and how Zen lurks in his poems. Since only a small number of paintings made during Tang dynasty are still kept now, it is necessary to do a verification of these paintings if they appear. To do this kind of verification, we appeal to the artistic styles in the paintings made during Tang Dynasty, investigating the changes in artistic styles with the help of the literature on the paintings in Tang dynasty, archaeological discoveries, and the Dunhuang Grottoes. The study of artistic styles of the paintings in Tang dynasty can provide us an objective criterion to do verification of some of Wang’s paintings. In the second part of this thesis, we will discuss Wang’s paintings themselves. We will investigate Dong Qichang’s views on Wang’s paintings and analyze the artistic styles of them. We will focus on Dong’s view on Wang’s “The River and Mountain after Snow”, which Dong considers as the founder of Southern School; on Dong’s view on Wang’s “ The Painting of Wang River”, which Dong thinks features the spirit of the men of letters; on some paintings made during Sung and Yuan dynasties, which feature Wang Wei’s style, including Sung Huei Chung’s “The Painting of the Returning Fishing Boats on the Ice Surface of the River”, Chao Lin Yi’s “ the Mansions beside the Lake in Cool Summer”, and Chao-Mung’s “The Autumn Colors on the Ch''iao and Hua Mountains” and “The Painting of the Villages beside the River”. Dong’s views on Wang’s paintings and our analysis of the artist styles of them can help us verify Wang’s artistic characteristics in the paintings and appreciate the paintings through these characteristics. Furthermore, our study of Wang’s paintings themselves and the detailed analysis of the visual features in them can make up for the insufficiency of the approach of the mere literature analysis of Wang’s landscape paintings. Only through the detailed analysis of the paintings themselves can we appreciate the paintings in a lively way. Only the analysis of the paintings themselves, not the empty imagination provided by the words, can help us appreciate the atmosphere and supernatural sceneries in Wang’s paintings. Ultimately, the analysis of specific paintings themselves can provide the peak experience of participating in the movement of the universe
Books on the topic "Shanshui"
Shan shui Buyi: Buyi zu = SHANSHUI BUYI. Guiyang Shi: Guizhou min zu chu ban she, 2014.
Find full textBa Yu shan shui ming sheng: Bayu shanshui mingsheng. Chongqing: Chongqing chu ban she, 2004.
Find full textKe, Sun, ed. He Jiaan xie yi shan shui: He Jiaan xieyi shanshui. Beijing Shi: Beijing gong yi mei shu chu ban she, 2005.
Find full text1950-, Chen Chuanxi, ed. Wang Shuxia xie yi shan shui: Wang Shuxia xieyi shanshui. Beijing Shi: Beijing gong yi mei shu chu ban she, 2005.
Find full textHe Jia'an xie yi shan shui: He Jiaan xieyi shanshui. Beijing Shi: Beijing gong yi mei shu chu ban she, 2005.
Find full textWang Shuxia xie yi shan shui: Wang Shuxia xieyi shanshui. Beijing Shi: Beijing gong yi mei shu chu ban she, 2005.
Find full textZhong, Wang, and Zhou Zongdai, eds. Chen Fanggui xie yi shan shui: Chen Fanggui xieyi shanshui. Beijing Shi: Beijing gong yi mei shu chu ban she, 2005.
Find full text"Shan shui cheng shi" yan jiu: Research on "shanshui city". Wuhan: Hubei ke xue ji shu chu ban she, 2004.
Find full textDuan Xinming shui mo shan shui: Duan Xinming shuimo shanshui. Beijing Shi: Beijing gong yi mei shu chu ban she, 2005.
Find full textBook chapters on the topic "Shanshui"
Wan, Litao. "Simulation Study on the Geographical Adaptability of the Large-Scale Cultural Buildings in Shanshui Cities Based on the VR Technology." In Data Processing Techniques and Applications for Cyber-Physical Systems (DPTA 2019), 1401–7. Singapore: Springer Singapore, 2020. http://dx.doi.org/10.1007/978-981-15-1468-5_165.
Full textLi, Chi. "Archeological Survey of the Fêng River Valley, Southern Shansi, China." In China Academic Library, 61–72. Singapore: Springer Singapore, 2020. http://dx.doi.org/10.1007/978-981-15-9666-7_5.
Full text"Shanshui City." In Dictionary of Geotourism, 553. Singapore: Springer Singapore, 2019. http://dx.doi.org/10.1007/978-981-13-2538-0_2201.
Full text"SECOND ATTEMPT CONCERNING SHANSHUI:." In Art and Cosmotechnics, 254–77. University of Minnesota Press, 2021. http://dx.doi.org/10.5749/j.ctv1qgnq42.25.
Full text"FIRST ATTEMPT CONCERNING SHANSHUI:." In Art and Cosmotechnics, 140–90. University of Minnesota Press, 2021. http://dx.doi.org/10.5749/j.ctv1qgnq42.17.
Full text"Shanshui-Thought in Experimental Music Practices." In Half Sound, Half Philosophy. Bloomsbury Academic, 2021. http://dx.doi.org/10.5040/9781501333514.0010.
Full text"Shanshulin Formation." In Geological Formation Names of China (1866–2000), 970. Berlin, Heidelberg: Springer Berlin Heidelberg, 2009. http://dx.doi.org/10.1007/978-3-540-93824-8_6852.
Full text"Shansi Formation." In Geological Formation Names of China (1866–2000), 970. Berlin, Heidelberg: Springer Berlin Heidelberg, 2009. http://dx.doi.org/10.1007/978-3-540-93824-8_6853.
Full text"APPENDIX G: Separate Statute of the Shansi- Chahar-Hopei Border Region Concerning Voluntary Surrender and Confession of Traitors1 (Tzu-Shou)." In The Chinese Communist Treatment of Counterrevolutionaries, 1924-1949, 181–83. Princeton University Press, 2015. http://dx.doi.org/10.1515/9781400869251-017.
Full textConference papers on the topic "Shanshui"
Zhou, Aven Le. "Walking Through Shanshui: Generating Chinese Shanshui Paintings via Real-Time Tracking of Human Position." In 2019 IEEE/CVF International Conference on Computer Vision Workshop (ICCVW). IEEE, 2019. http://dx.doi.org/10.1109/iccvw.2019.00395.
Full textZhou, Le, Qiu-Feng Wang, Kaizhu Huang, and Cheng-Hung Lo. "An Interactive and Generative Approach for Chinese Shanshui Painting Document." In 2019 International Conference on Document Analysis and Recognition (ICDAR). IEEE, 2019. http://dx.doi.org/10.1109/icdar.2019.00136.
Full textZhang, Jing. "The Study on Refugee from Shanshan Based on Kharosthi Documents." In Proceedings of the 5th Annual International Conference on Management, Economics and Social Development (ICMESD 2019). Paris, France: Atlantis Press, 2019. http://dx.doi.org/10.2991/icmesd-19.2019.75.
Full textZhang, Sijie, T. C. Yang, and Wu-Cheng Chi. "Estimating the Acoustic Intensity of Typhoon Shanshan at Very Low Frequencies." In 2018 OCEANS - MTS/IEEE Kobe Techno-Ocean (OTO). IEEE, 2018. http://dx.doi.org/10.1109/oceanskobe.2018.8558879.
Full textXiao, Lian, Zhijun Bu, Chaosheng Chen, and Binxian Yuan. "Security Assessment based on SCADA Aystem: Taking Shanshan Oil Transportation Station as an example." In The 2nd Information Technology and Mechatronics Engineering Conference (ITOEC 2016). Paris, France: Atlantis Press, 2016. http://dx.doi.org/10.2991/itoec-16.2016.75.
Full textLI, Li-Qin, Xin-Min XIE, Chuan-Jiang WEI, Jun-Qiu LIU, and Xiang-Nan ZHOU. "An Optimal Water Allocation Model Based on Water Resources Sustainable Assessment in Shanshan Region, Northern China." In 2014 International Conference on Mechanics and Civil Engineering (icmce-14). Paris, France: Atlantis Press, 2014. http://dx.doi.org/10.2991/icmce-14.2014.187.
Full textYang, Le, Juhong Zou, Mingsen Lin, and Delu Pan. "Method to correct both foam and rain effects on dual frequency altimeter Jason1 wind measurements in typhoon Shanshan." In SPIE Remote Sensing. SPIE, 2008. http://dx.doi.org/10.1117/12.799623.
Full textZhang, Hong Yuan, and Yinghong Liu. "A study of cost control system in the construction project of removing danger and reinforce engineering in KeKeYa reservoir in Shanshan County of Sinkiang." In 2011 International Conference on Mechatronic Science, Electric Engineering and Computer (MEC). IEEE, 2011. http://dx.doi.org/10.1109/mec.2011.6025924.
Full textShi, Zhongming, Shanshan Hsieh, Bhargava Krishna Sreepathi, Jimeno A. Fonseca, François Maréchal, and Arno Schlueter. "Coarse typological studies on urban program and density defined by various urban energy conversion technologies in Singapore." In 24th ISUF 2017 - City and Territory in the Globalization Age. Valencia: Universitat Politècnica València, 2017. http://dx.doi.org/10.4995/isuf2017.2017.5636.
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