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Books on the topic 'Sharks – Hawaii'

Author: Grafiati

Published: 4 June 2021

Last updated: 6 February 2022

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1

Sharks of Hawaii: Their biology and cultural significance. Honolulu: University of Hawaii Press, 1993.

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2

When the shark bites. Honolulu: University of Hawai'i Press, 2002.

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3

Shark dialogues. New York: Atheneum, 1994.

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4

Davenport, Kiana. Shark dialogues. New York: Plume, 1995.

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5

ill, Hall Pat, ed. The red shark. [Honolulu, Hawaii]: Press Pacifica, 1989.

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6

The Shark King: A Toon book. New York, NY: TOON Books, 2012.

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7

ill, Davalos Felipe, ed. Punia and the King of Sharks: A Hawaiian folktale. New York: Dial Books for Young Readers, 1997.

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8

ill, Shannon David 1959, ed. The Shark God. New York: Scholastic, 2001.

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9

Martin, Rafe. The Shark God. New York: Scholastic, 2001.

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10

A shark going inland is my chief: The island civilization of ancient Hawaiʻi. Berkeley: University of California Press, 2012.

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11

Ball, Pamela, and Pamela Ball. Lava: A novel. New York: Henry Holt, 1998.

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12

Ball, Pamela. Lava: A novel. New York: W.W. Norton, 1997.

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13

Harganvi, Manazir Ashiq. Allama Iqbal-mawfi pahlu anwar shaikh ke hawale se. Cardiff: Principality, 2001.

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14

Goldsberry, Uʻi. The shark man of Hāna = ʻO ke kāne manō o Hāna. ʻEwa Beach, Hawaiʻi: BeachHouse Pub., 2004.

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15

Suzumoto, Arnold. Sharks Hawaii. Bishop Museum Press, 1991.

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16

(Photographer), Jennifer Crites, ed. Sharks & Rays of Hawaii. Mutual Publishing, 2002.

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17

Devil Sharks: A Novel. St. Martin's Paperbacks, 2018.

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18

Washburn, Kawai Strong. Sharks in the Time of Saviors. Recorded Books, Inc. and Blackstone Publishing, 2020.

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19

Washburn, Kawai Strong. Sharks in the Time of Saviors: A Novel. Farrar, Straus & Giroux, 2020.

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20

Washburn, Kawai Strong. Sharks in the Time of Saviors: A Novel. Picador, 2021.

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21

Washburn, Kawai Strong. Sharks in the Time of Saviors: A Novel. Farrar, Straus & Giroux, 2020.

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22

Sharks upon the Land: Colonialism, Indigenous Health, and Culture in Hawai'i, 1778-1855. Cambridge University Press, 2018.

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23

Johnson, R. Kikuo. Shark King. TOON Books / RAW Junior, LLC, 2013.

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24

Zee, Amy Van. Bethany Hamilton: Shark Attack Survivor. Child's World, Incorporated, The, 2016.

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25

Kirch, Patrick Vinton. Shark Going Inland Is My Chief, a: The Island Civilization of Ancient Hawai'i. University of California Press, 2012.

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26

Sharma, Nitasha Tamar. Hawai'i Is My Haven. Duke University Press, 2021. http://dx.doi.org/10.1215/9781478021667.

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Hawaiʻi Is My Haven maps the context and contours of Black life in the Hawaiian Islands. This ethnography emerges from a decade of fieldwork with both Hawaiʻi-raised Black locals and Black transplants who moved to the Islands from North America, Africa, and the Caribbean. Nitasha Tamar Sharma highlights the paradox of Hawaiʻi as a multiracial paradise and site of unacknowledged antiBlack racism. While Black culture is ubiquitous here, African-descended people seem invisible. In this formerly sovereign nation structured neither by the US Black/White binary nor the one-drop rule, nonWhite multiracials, including Black Hawaiians and Black Koreans, illustrate the coarticulation and limits of race and the native/settler divide. Despite erasure and racism, nonmilitary Black residents consider Hawaiʻi their haven, describing it as a place to “breathe” that offers the possibility of becoming local. Sharma's analysis of race, indigeneity, and Asian settler colonialism shifts North American debates in Black and Native studies to the Black Pacific. Hawaiʻi Is My Haven illustrates what the Pacific offers members of the African diaspora and how they in turn illuminate race and racism in “paradise.”

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27

M, Nakuina Emma, and Kawaharada Dennis, eds. Nanaue the shark man & other Hawaiian shark stories. Honolulu: Kalamakū Press, 1994.

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28

Tigers of the Sea: Hawaii's Deadly Sharks. Mutual Publishing, 1993.

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29

Kirch, Patrick Vinton. Shark Going Inland Is My Chief: The Island Civilization of Ancient Hawai'i. University of California Press, 2012.

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30

Kirch, Patrick Vinton. A Shark Going Inland Is My Chief: The Island Civilization of Ancient Hawai'i. University of California Press, 2019.

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31

Secret of the Shark Pit. Focus on the Family Publishing, 1988.

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32

Hopkins, Jane, and Johann Bosgra. Diving For Shapes In Hawaii. Beachhouse Pub Llc, 2004.

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33

Graham, Wade, and Donald Worster. Braided Waters. University of California Press, 2018. http://dx.doi.org/10.1525/california/9780520298590.001.0001.

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This book sheds new light on the relationship between environment and society by charting the history of Hawaii's Molokai island over a thousand-year period of repeated settlement. From the arrival of the first Polynesians to contact with eighteenth-century European explorers and traders to our present era, this book shows how the control of resources—especially water—in a fragile, highly variable environment has had profound effects on the history of Hawaii. The book examines the ways in which environmental variation repeatedly shapes human social and economic structures and how, in turn, man-made environmental degradation influences and reshapes societies. A key finding of this study is how deep structures of place interact with distinct cultural patterns across different societies to produce similar social and environmental outcomes, in both the Polynesian and modern eras—a case of historical isomorphism with profound implications for global environmental history.

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34

The Three Little Hawaiin Pigs and the Magic Shark. Honolulu, Hawaii, U.S.A.: Barnaby Books, 1988.

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35

Surviving a Shark Attack: Bethany Hamilton. Lerner Publishing Group, 2019.

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36

Three Little Hawaiian Pigs and the Magic Shark. Barnaby Books, 1990.

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37

Schor, Paul. The Question of Racial Mixing in the American Possessions. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780199917853.003.0016.

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This chapter discusses the imposition of the US system of racial classification in the US Virgin Islands, Puerto Rico, and Hawaii. The original use in certain US territories of a “mixed” racial category highlights the national norm that made mulattoes into “lighter-skinned” blacks. In the various territories acquired by the United States after 1898, a rigid imposition of the categories of the US census was difficult because they were the product of a national history that had not been shared. Whether in the US Virgin Islands, Puerto Rico, or Hawaii the perception of what made a person black, white, or mulatto was very different from North American usage, showing that binary black and white mainland tradition was not working there.

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38

Labrador, Roderick N. Overlapping Architectures. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252038808.003.0002.

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This chapter uses the Filipino Community Center as the primary analytical site to suggest that through the physical building itself, Filipinos discursively construct identity territorializations that map out a collective sense of place and a sense of self along political economic and ideological coordinates. The Filipino Community Center represents overlapping architectures, a type of historical and political economic layering whereby the contemporary late capitalist, transnational world anchored to a multiculturalist ideology is built on top of the industrial plantation-based agri-capitalist system dependent on the racialization of its workers, which itself is constructed on top of an indigenous, communal land rights-based mode of production. In other words, the Filipino Community Center depends on the so-called “sakada story,” a narrative of development that positions indigeneity (represented as the Hawaiian past), racialization (depicted as the exploitation of Asian and Hawaiian labor during the plantation era), and multiculturalism (portrayed as the contemporary period of liberal inclusion in which the various racial and ethnic groups share power) in a linear historical progression that corresponds with changes in Hawaiʻi's political economy and modes of production. In this way, the completion of the Filipino Community Center embodies a settler Filipino developmental narrative in which Waipahu (and by extension, Hawaiʻi) is constructed and claimed as a Filipino “home”.

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39

Saito, Hiro. The Legacy of the Tokyo Trial. University of Hawai'i Press, 2017. http://dx.doi.org/10.21313/hawaii/9780824856748.003.0006.

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Since relevant political actors used the Tokyo Trial as a reference point, a critical reassessment of the trial holds the key to resolving the history problem. First, elements of victor’s justice in the trial need to be critiqued in light of the world-historical context of imperialism and colonialism. This critique will decrease ambivalence that many Japanese citizens feel toward the trial and help them accept Japan’s war crimes decisively. Second, Japan’s victimhood vis-à-vis war crimes of the Allied Powers need to be recognized. Such recognition will allow Japanese citizens to draw on their own victimhood to fully empathize with South Korean and Chinese victims and, in turn, help South Korean and Chinese citizens better understand Japan’s war commemorations. Third, the trial’s government-centered view on Japan’s past aggression needs to be challenged to clarify each Japanese citizen’s share of war responsibility and allow cosmopolitan contrition to become truly nationwide.

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40

Roddy, Lee. Secret of the Shark Pit (The Ladd Family Adventure Series #1). Focus on the Family Publishing, 1988.

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41

McDaniel, Justin Thomas. Conclusions and Comparisons. University of Hawai'i Press, 2017. http://dx.doi.org/10.21313/hawaii/9780824865986.003.0005.

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Starting off with the unique story of the Buddha and leisure park designed in rural Louisiana, the conclusion argues that despite many problems with large comparative projects Buddhist Studies, the amusement parks, memorials, museums, and gardens described in the book as a whole share many qualities. They generally lack formal, formidable, ritual, ecclesiastical, or sectarian boundaries. They make little sustained effort to be “authentic.” These sites emphasize display, performance, and juxtaposition and anachronistic mixing (not systematic reconstruction) of various Buddhist cultures, teachings, languages, objects, and symbols. This is important, because it provides us with a completely different image of contemporary Buddhism that emphasizes innovation and ecumenism instead of purity and authenticity. These sites present different Buddhist traditions, images, and aesthetic expressions as united but not uniform, collected but not concise—a gathering not a movement. By eschewing the local and authentic in favor of the timeless, ecumenical, and universal, they become difficult to categorize. They make visual statements for sure, even if they don’t attempt to create single messages or provide coherent teachings.

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42

Ball, Pamela. Lava: A Novel. Henry Holt & Co (P), 1998.

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43

Lava: A Novel. W. W. Norton & Company, 1997.

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