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Books on the topic 'Sharpe Gallery'

Author: Grafiati

Published: 26 July 2024

Last updated: 31 July 2025

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1

Gallery, Sharpe. James Albertson, Roberto Barni, Erwin Bohatsch, Francesco Bonami, Lorenzo Bonechi, Mark Dean .... Sharpe Gallery, 1985.

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2

J, Goodwin Shauna, ed. The shape of chic: Fashion and hairstyles in the floating world : Yale University Art Gallery, March 18-May 4, 1986. The Gallery, 1986.

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3

W, Rothschild Henry, and Scottish Gallery, eds. Shape & decoration: An exhibition of contemporary British studio ceramics selected by Henry W. Rothschild at the Scottish Gallery ... Edinburgh, July 7-August 2 1986. Scottish Gallery], 1986.

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4

Richter, Anne Nellis. The Gallery at Cleveland House. Bloomsbury Publishing Plc, 2024. http://dx.doi.org/10.5040/9781350372771.

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In 1806, the Marquess and Marchioness of Stafford opened a gallery at Cleveland House, London, to display their internationally-renowned collection of Old Master paintings to the public.A ticket to the gallery’s Wednesday afternoon openings was a sought-after prize, granting access to the collection and the house’s dazzling interior in the company of artists, celebrities, and Britain’s elite. This book explores the gallery's interior through the lens of its abundant material culture, including paintings in gilded frames, furniture, silver oil lamps, flower arrangements, and the numerous printe

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5

May, Susie. Shape (Children's Art Series from the National Gallery of Victoria). National Gallery Of Victoria, 2006.

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6

Roscoe, Lucy. The Book Tree Press. University of Edinburgh, 2024. http://dx.doi.org/10.2218/ed.9781836450580.

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The output is a collection of fifteen creative book works which explore how the formal and sculptural properties of the book can be used to communicate narrative. The research is an iterative, cumulative, practice-based approach to making books, where repetition leads to extended insights. Illustrated books currently sit within several fields including fine art, illustration, and design. Roscoe’s research invests the spaces between these fields to interrogate the way the physical book acts as a form of visual communication through materials, binding, shape, and audience interaction. Individual

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7

Charney, Noah. Devil in the Gallery. Rowman & Littlefield, 2021. https://doi.org/10.5040/9798881828080.

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"It’s an in-depth look at varied time periods and artists, which readers interested in gossip, drama, or art history will enjoy." Library Journal, Starred Review Scandal, shock and rivalry all have negative connotations, don’t they? They can be catastrophic to businesses and individual careers. A whiff of scandal can turn a politician into a smoking ruin. But these potentially disastrous “negatives” can and have spurred the world of fine art to new heights. A look at the history of art tells us that rivalries have, in fact, not only benefited the course of art, from ancient times to the presen

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8

Keck, Ludwig. Digital Pictures Basics - 2012: Organize, Improve, Share your Photos using Windows Photo Gallery and Microsoft SkyDrive. CreateSpace Independent Publishing Platform, 2012.

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9

Aharon, Nir. ʻAl ha-ḥayim ṿe-ʻal ha-maṿet. 2003.

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10

Project M2 Level 2 Unit 1 : Designing a Shape Gallery: Geometry with the Meerkats Student Mathematician Journal. Kendall Hunt Publishing Company, 2010.

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11

KATHERINE, GAVIN;, CHAPIN; SUZANNE H, SHEFFIELD; LINDA JENSEN, and CASA; TUTITA M. Project M2 Level 2 Unit 1 : Designing a Shape Gallery: Geometry with the Meerkats Student Mathematician Journal. Kendall Hunt Publishing Company, 2017.

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12

KATHERINE, GAVIN;, CHAPIN; SUZANNE H, SHEFFIELD; LINDA JENSEN, and CASA; TUTITA M. Project M2 Level 2 Unit 1 : Designing a Shape Gallery: Geometry with the Meerkats Student Mathematician Journal. Kendall Hunt Publishing Company, 2020.

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13

Gavin, Katherine, Tutita M. Casa, and Linda Jensen Sheffield. Project M2 Level 2 Unit 1 : Designing a Shape Gallery: Geometry with the Meerkats Teacher Guide Package. Kendall Hunt Publishing Company, 2017.

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14

Digital Pictures Basics: Organize, Improve, Share Your Photos Using Windows Live Photo Gallery and Windows Live Services. CreateSpace, 2010.

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15

Burkinshaw, Mal. Silhouettes en Dentelle. University of Edinburgh, 2024. http://dx.doi.org/10.2218/ed.9781836450092.

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Silhouettes en Dentelle is a series of eight transparent tailored jackets, designed by Burkinshaw. The jackets were made in response to historic ideals of beauty presented in the collection of Renaissance portraits at the Scottish National Portrait Gallery. Burkinshaw’s research explores the ways in which contemporary fashion design can learn from changing historical perceptions of body-image and ideals of beauty. Challenging normative approaches to design by directly addressing questions of gender and body shape through design and production process, it invests fashion design to stimulate dis

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16

Moore, James. High culture and tall chimneys. Manchester University Press, 2018. http://dx.doi.org/10.7228/manchester/9781784991470.001.0001.

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During the nineteenth century industrial Lancashire became a leading national and international art centre. In 1857 Manchester hosted the international Art Treasures Exhibition at Old Trafford, arguably the single most important art exhibition every held. By the end of the century almost every major Lancashire town possessed an art gallery, while Lancashire art schools and artists were recognised nationally and internationally. This book examines the reasons for the remarkable rise of visual art in Lancashire and its relationship to the rise of the commercial and professional classes who suppo

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17

Divine, Grace. L. A. Art Share Gallery Review Opening Los Angeles California Modern Digital Photography Prints in a Book by Artist Grace Divine. Independently Published, 2018.

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18

Owen, Jonathan. Untitled. University of Edinburgh, 2024. http://dx.doi.org/10.2218/ed.9781836450320.

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The output is a life-size figurative sculpture, produced as a publicly-funded commission for Edinburgh Art Festival, 2016, an annual city-wide festival of international contemporary art. It was made by carving into a section of a 19th century marble statue to alter its shape by replacing the torso with movable, interlinking forms. This intervention rendered the statue unstable, leaving it intact and upright but shifted into a new posture. The work is one of a series of deconstructions of neoclassical sculpture that Owen has made over the past five years. For the duration of the festival, the w

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19

Bisbort, Alan. Beatniks. ABC-CLIO, LLC, 2009. http://dx.doi.org/10.5040/9798400617140.

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This is a revealing look at the events and personalities that defined the Beat Generation, drawing on over three decades of research. Beatniks: A Guide to an American Subculture gets readers past the caricature of the “beatnik” as a goateed, beret-wearing, bongo-playing poseur, drawing on extensive research to show just how profound an impact the beats had on American culture, politics, and literature. Beatniks conveys the complexity, influences, events, and places that shaped the Beat Generation from the late 1940s to the cusp of the 1960s. The book also features a series of essays on specifi

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20

Hyslop, Jane. The Gardens. University of Edinburgh, 2024. http://dx.doi.org/10.2218/ed.9781836450504.

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The Gardens, Edinburgh is a group of five artefacts – consisting of three folios of drawings, a set of paper objects in a wedge-shaped box, and a publication made from linen. It was produced as an investigation into the history of the Royal Scottish Academy and the adjacent Princes Street Gardens in Edinburgh, and originally exhibited at the Royal Scottish Academy in 2015. The output was commissioned by Visual Art Scotland 2015, for their annual exhibition at the Royal Scottish Academy. It combines drawings, paper folding techniques and digital printing with historical and contextual research

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21

Radner, Hilary, and Alistair Fox. An Elegy for Cinema1. Edinburgh University Press, 2018. http://dx.doi.org/10.3366/edinburgh/9781474422888.003.0005.

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This chapter describes how Raymond Bellour in the twenty-first century enters into the on-going debates about the end of cinema that commenced in France in the late 1980s. The chapter underlines how he focuses largely on the changing shape and nature of the dispositif (or viewing situation, including the assumptions that a spectator brings to the viewing experience) in response to new technologies, with an emphasis on moving-image installation art shown in the museum or gallery. Whereas some scholars, such as Francesco Casetti, among others, have claimed that digital technologies and the proli

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22

Fay, Jessica, ed. Collected Letters of Sir George and Lady Beaumont to the Wordsworth Family, 1803-1829. Liverpool University Press, 2021. http://dx.doi.org/10.3828/liverpool/9781800859531.001.0001.

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This edition presents and contextualizes an archive of letters -- belonging to the Wordsworth Trust -- that reveal the creative and personal significance of the friendship between William Wordsworth and Sir George Beaumont. Beaumont is a key figure in the history of British Art. As well as being a respected amateur landscape painter, he was a prominent patron, collector, and co-founder of the National Gallery. Wordsworth described Beaumont’s friendship as one of the chief blessings of his life, and the letters reveal that the two men became collaborators as well as companions. In addition to d

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23

Volz, Jim. Introduction to Arts Management. Bloomsbury Publishing Plc, 2017. http://dx.doi.org/10.5040/9781474239820.

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Introduction to Arts Management offers a unique, dynamic and savvy guide to managing a performing or visual arts organization, be that an arts center, theatre, museum, art gallery, symphony orchestra, or other arts company. For those training to enter the industry, workers in arts administration, or those seeking to set up their own company, the wealth of expert guidance and direct, accessible style of this authoritative manual will prove indispensable. Gathering best practices in strategic planning, marketing, fundraising and finance for the arts, the author shares practical, proven processes

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24

Ferguson, Claire. Double Exposure. University of Edinburgh, 2024. http://dx.doi.org/10.2218/ed.9781836450429.

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The output is a garment, designed and made by Claire Ferguson. The research used fashion design to explore how fashion silhouettes signify accepted notions of female beauty within the Renaissance and contemporary eras. It was initiated in response to current issues relating to body image in fashion and contemporary culture. Ferguson’s aim was to raise awareness of these issues and explore historic trends and fashions and ideal body types. The garment is composed of two dresses layered over one another. The under dress is made from fine lace in a minimal, modern form. The outer is a knitted dre

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25

Kim-Cohen, Seth. In the Blink of an Ear. Continuum International Publishing Group Ltd, 2009. http://dx.doi.org/10.5040/9781501382796.

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An ear-opening reassessment of sonic art from World War II to the present Marcel Duchamp famously championed a "non-retinal" visual art, rejecting judgments of taste and beauty. In the Blink of an Ear is the first book to ask why the sonic arts did not experience a parallel turn toward a non-cochlear sonic art, imagined as both a response and a complement to Duchamp's conceptualism. Rather than treat sound art as an artistic practice unto itself-or as the unwanted child of music-artist and theorist Seth Kim-Cohen relates the post-War sonic arts to contemporaneous movements in the gallery arts.

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26

Rood, Steven. The Philippines. Oxford University Press, 2019. http://dx.doi.org/10.1093/wentk/9780190920609.001.0001.

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Since the colonization of the Philippines by Spain in the sixteenth century, the island chain has been at the center of global trade flows, imperial rivalries, and the globalization process. From its role as the main base of Spain’s Pacific Galleon trade to its conquest centuries later by the United States and Japan, the Philippines has been a focal point of economic and military rivalry. Decolonized in 1946, the Philippines is growing economically after years of stagnation, is ruled today by a modern populist, President Rodrigo Duterte, and is embroiled in disputes with the East Asia region’s

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27

Eaton, Alice Knox, Maxine Lavon Montgomery, and Shirley A. Stave, eds. New Critical Essays on Toni Morrison's God Help the Child. University Press of Mississippi, 2020. http://dx.doi.org/10.14325/mississippi/9781496828873.001.0001.

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American Nobel Laureate Toni Morrison’s 11<sup>th</sup> novel, God Help the Child, released in 2015, set in contemporary times, explores the relationship between a financially successful, beautiful young Black woman with a haunted past and an intelligent disaffected young Black man who is equally alienated from his past. This collection of essays, edited by Morrison scholars Alice Knox Eaton, Maxine Lavon Montgomery, and Shirley A. Stave, and including essays by well-known Morrison critics Evelyn Schreiber, Mar Gallego, Susana Vega, Anissa Wardi, and Justine Tally, explores the novel’s themes

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