Log in

Relevant bibliographies by topics / Shawnee art / Journal articles

To see the other types of publications on this topic, follow the link: Shawnee art.

Journal articles on the topic 'Shawnee art'

Author: Grafiati

Published: 29 July 2024

Last updated: 31 July 2025

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the top 50 journal articles for your research on the topic 'Shawnee art.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Browse journal articles on a wide variety of disciplines and organise your bibliography correctly.

1

Lepper, Bradley T., James R. Duncan, Carol Diaz-Granados, and John Soderberg. "Ohio Rock Art and Serpent Mound: Shared Iconography, Shared Stories." Midcontinental Journal of Archaeology 48, no. 2 (2023): 147–71. http://dx.doi.org/10.5406/23274271.48.2.03.

Full text

Abstract:

Abstract James Swauger's study of Ohio's rock art, Petroglyphs of Ohio, has been the definitive guide to the subject since its publication in 1984. Swauger concluded that the Indigenous American Indian petroglyphs were created during the late precontact period and proposed that the makers of the designs were “proto-Shawnee,” but he deliberately eschewed any attempt to attribute meanings to the designs. Building on Swauger's work, we consider Ohio rock art through the lens of our previous research on Serpent Mound and the rock art of midcontinental North America, particularly the unique suite o

APA, Harvard, Vancouver, ISO, and other styles

2

Vertinsky, Patricia. "“This Dancing Business is More Hazardous Than Any ‘He-Man’ Sport”: Ted Shawn and His Men Dancers." Sociology of Sport Journal 35, no. 2 (2018): 168–77. http://dx.doi.org/10.1123/ssj.2017-0009.

Full text

Abstract:

Selecting Springfield College, founding home of the International YMCA as a training ground for male dancers was an inspired choice by American modern dancer Ted Shawn given the founding credo of the College to ‘build builders of men.’ I would like to see men dancing in gymnasiums and stadiums, he claimed, so that the dance could reach again the position it held among the Greeks as the most perfect athletic accomplishment and the finest means of physical training and development. They were earnest and interesting efforts to foster an aura of ‘authentic rugged American masculinity’ for the era,

APA, Harvard, Vancouver, ISO, and other styles

3

Weinert, Adam H. "The Reaccession of Ted Shawn: A Study in Virtual Permanence." PAJ: A Journal of Performance and Art 38, no. 2 (2016): 69–79. http://dx.doi.org/10.1162/pajj_a_00319.

Full text

Abstract:

In the spring of 2013, I was invited to represent the modernist choreographer Ted Shawn at the Museum of Modern Art as part of the exhibition 20 Dancers of the XXth Century, curated by Boris Charmatz. The exhibit proposed the both radical and rudimentary notion that the main museal space for dance is the human body. In many ways, this is in keeping with how dance has historically been preserved—passing down from generation to generation as an oral and kinesthetic tradition without the benefit of a comprehensive or standardized notation system. With this tradition in mind, I endeavored to becom

APA, Harvard, Vancouver, ISO, and other styles

4

Artists, Multiple, and With Carina Magazzeni. "Imagined Urban Gardens, Rodman Hall Art Centre." ti< 9, no. 1 (2020): 5–14. http://dx.doi.org/10.26522/ti.v9i1.2448.

Full text

APA, Harvard, Vancouver, ISO, and other styles

5

Blau, Shawn. "Getting Things Done: The Art of Stress-Free Productivity." New England Journal of Entrepreneurship 4, no. 2 (2001): 81–82. http://dx.doi.org/10.1108/neje-04-02-2001-b008.

Full text

APA, Harvard, Vancouver, ISO, and other styles

6

Brask, Per. "Kierkegaard and the Art in Ross McMillan’s Fever." Canadian Theatre Review 92 (September 1997): 23–26. http://dx.doi.org/10.3138/ctr.92.005.

Full text

Abstract:

What appeals to me in a monodrama is the way it can suggest the interiority of a character, a life of the mind. At stake in Wallace Shawn’s play The Fever is precisely this interiority, this being born into the life of the mind which is the “privilege” of members of the middle classes (and above) of Western culture. He has chosen the dramatic form which best approaches interiority in order to make it problematic.

APA, Harvard, Vancouver, ISO, and other styles

7

Artists, Multiple. "Crisscross." ti< 9, no. 1 (2020): 15–28. http://dx.doi.org/10.26522/ti.v9i1.2449.

Full text

APA, Harvard, Vancouver, ISO, and other styles

8

Dempsey, Shawna, and Lorri Millan. "Mary Medusa." Canadian Theatre Review 76 (September 1993): 42–57. http://dx.doi.org/10.3138/ctr.76.009.

Full text

Abstract:

Caution: copyright 1993 by Shawna Dempsey and Lorri Millan. This work is fully protected under the copyright laws of Canada and all other countries of the Copyright Union and all performances are subject to royalty. Change to the script is expressly forbidden without the written consent of Shawna Dempsey and Lorri Millan. Rights to produce, film, or record, in whole or in any part, in any medium, in any language, by any group, amateur or professional, are retained by Shawna Dempsey and Lorri Millan. Interested persons are requested to apply for permission and terms to Shawna Dempsey and Lorri

APA, Harvard, Vancouver, ISO, and other styles

9

Parayre, Catherine, and Artistes Multiples. "Shawn Serfas en février et les enfants au travail." ti< 5, no. 1 (2016): 25–46. http://dx.doi.org/10.26522/ti.v5i1.1341.

Full text

APA, Harvard, Vancouver, ISO, and other styles

10

Spears, Charlotte. "Consumer Protection: Online Sale of Prescription Drugs to Minors Not Unconscionable." Journal of Law, Medicine & Ethics 30, no. 2 (2002): 315–17. http://dx.doi.org/10.1017/s1073110500008561.

Full text

Abstract:

In Stovall v. Confimed.com, the Kansas Supreme Court held that an out-of-state medical doctor who sold a prescription drug to a Kansas minor over the Internet did not commit an unconscionable act under the Kansas Consumer Protection Act (KCPA). The Shawnee Country District Court had enjoined the doctor from prescribing or dispensing prescription medicine within the state of Kansas, and the doctor appealed the injunction to the Kansas Supreme Court. The Supreme Court affirmed the district court's decision to grant injunctive relief, but found no unconscionable conduct under the KCPA.The appelle

APA, Harvard, Vancouver, ISO, and other styles

11

Bennett, Susan. "Radical (Self-) Direction and the Body: Shawna Dempsey and Lorri Millan’s Performance Art." Canadian Theatre Review 76 (September 1993): 37–41. http://dx.doi.org/10.3138/ctr.76.008.

Full text

Abstract:

In the traditional hierarchy of theatrical production, the director functions as a medium through which the textual body comes to exist on and by the physical body of the performer. As “the afterimage of processes set in motion” during rehearsal, performance includes the invisible presence of the director (Letzler Cole 2).1 It is also the apparatus which affords real, live – that is, visibly present – bodies (the audience) the privilege to gaze at the embodied text, to read, decode, and judge its possible meanings. Wherever we might locate ourselves (our bodies) in this creative process, we ar

APA, Harvard, Vancouver, ISO, and other styles

12

Hall, Lynda. "Bodies in Sight: Shawna Dempsey (Re)Configures Desire." Canadian Theatre Review 92 (September 1997): 10–16. http://dx.doi.org/10.3138/ctr.92.002.

Full text

Abstract:

Solo performance artist Shawna Dempsey (together with her collaborator, Lorri Millan) uses performance in an innovative way - one that exposes, bare(s) witness, and intervenes in the social “performance” of gender roles and also stages lesbian presence. Revealing how misogynist, heterosexist culture is re-produced, and therefore how it can be altered, she states, “in the self-created world of the performance space, our personas have the freedom to make their own self-definitions” (Bennett 9). Dempsey has collaborated with Lorri Millan on the creation of feminist, costume-based performance art

APA, Harvard, Vancouver, ISO, and other styles

13

King, W. D. "DIONYSUS IN SANTA BARBARA: WALLACE SHAWN'S EURIPIDEAN FEVER." Theater 23, no. 1 (1992): 83–87. http://dx.doi.org/10.1215/01610775-23-1-83.

Full text

APA, Harvard, Vancouver, ISO, and other styles

14

Edmunds, R. David. "“Evil Men Who Add to Our Difficulties”: Shawnees, Quakers, and William Wells, 1807–1808." American Indian Culture and Research Journal 14, no. 4 (1990): 1–14. http://dx.doi.org/10.17953/aicr.14.4.88522u215u4555g6.

Full text

APA, Harvard, Vancouver, ISO, and other styles

15

Dempsey, Shawna, and Lorri Millan. "Object/Subject of Desire." Canadian Theatre Review 92 (September 1997): 17–18. http://dx.doi.org/10.3138/ctr.92.003.

Full text

Abstract:

Shawna Dempsey and Lorri Millan have been creating performance-based work in a variety of media since 1989. They articulate their feminist and lesbian concerns largely through the use of metaphoric costumes, animated by text and minimal gesture. Humour is a prominent feature of their work, consciously used to destabilize the viewer and create multiple/simultaneous meanings. Dempsey and Millan make their home in Winnipeg.

APA, Harvard, Vancouver, ISO, and other styles

16

Snow, K. Mitchell. "Orientalized Aztecs: Observations on the Americanization of Theatrical Dance." Dance Research Journal 51, no. 2 (2019): 35–50. http://dx.doi.org/10.1017/s0149767719000172.

Full text

Abstract:

The opening decades of the twentieth century saw a passing fashion for “Aztec” dancing in the vaudeville theaters of the United States. Russian classical dancers Kosloff and Fokine tapped the orientalist currents of the Ballets Russes, adopting the Aztec as superficial signs of the American. Conversely, works by Shawn and film director Cecil B. DeMille, which served as points of reference for the Russians, represented a continuation of equally orientalist attitudes toward Mexico's past, forged during the realization of the United States’ policy of Manifest Destiny. The emergence of a cadre of

APA, Harvard, Vancouver, ISO, and other styles

17

Sherman, Jane. "The American Indian imagery of Ted Shawn." Dance Chronicle 12, no. 3 (1989): 366–82. http://dx.doi.org/10.1080/01472528908569016.

Full text

APA, Harvard, Vancouver, ISO, and other styles

18

Guttmacher, Laurence B., and Angela K. Hodge. "Psychiatric Interviewing: The Art of Understanding—by Shawn C. Shea, M.D.; Philadelphia, Saunders, 1988, 569 pages, $25." Psychiatric Services 40, no. 9 (1989): 968—a—969. http://dx.doi.org/10.1176/ps.40.9.968-a.

Full text

APA, Harvard, Vancouver, ISO, and other styles

19

Schiller, Gretchen, Ron Honsa, Murray Louis, Doris Humphrey, Marilyn Cristofori, and Nancy Mason Hauser. "The Men Who Danced: The Story of Ted Shawn's Male Dancers 1933-1940." Dance Research Journal 23, no. 1 (1991): 44. http://dx.doi.org/10.2307/1478704.

Full text

APA, Harvard, Vancouver, ISO, and other styles

20

Schwan, Alexander. "Ethos Formula: Liturgy and Rhetorics in the Work of Ted Shawn." Performance Philosophy 3, no. 1 (2017): 23. http://dx.doi.org/10.21476/pp.2017.31168.

Full text

Abstract:

Beginning with Giorgio Agamben�s alignment of ethics and potentiality, this essay questions the ethical dimension of gesture in the field of dance as an eminently potentiality-bound art form. This draws on Daniel Sibony�s concept of law and dance, according to which the body simultaneously repels and longs for the law as a nexus of heteronomous structures. I frame this through a revision of Aby Warburg�s rhetorical concept, pathos formula, into the corollary term, ethos formula, as the encoded movement patterns of ethical attitudes or comportments which are motivated by decision-making rather

APA, Harvard, Vancouver, ISO, and other styles

21

van der Ploeg, G. J. "Psychiatric Interviewing: The Art of Understanding. By Shawn C. Shea Sidcup: Harcourt Brace Jovanovich. 1988. 583 pp. £16.75." British Journal of Psychiatry 154, no. 05 (1989): 749. http://dx.doi.org/10.1017/s0007125000176081.

Full text

APA, Harvard, Vancouver, ISO, and other styles

22

Galloway, Jean C. R. "Psychiatric Interviewing: The Art of Understanding. By Shawn Christopher Shea. Philadelphia: W. B. Saunders. 1988. 583 pp. £16.75." British Journal of Psychiatry 154, no. 3 (1989): 430. http://dx.doi.org/10.1192/s0007125000174641.

Full text

APA, Harvard, Vancouver, ISO, and other styles

23

van der Ploeg, G. J. "Psychiatric Interviewing: The Art of Understanding. By Shawn C. Shea Sidcup: Harcourt Brace Jovanovich. 1988. 583 pp. £16.75." British Journal of Psychiatry 154, no. 5 (1989): 749. http://dx.doi.org/10.1192/s0007125000176081.

Full text

APA, Harvard, Vancouver, ISO, and other styles

24

Marranca, Bonnie. "The Solace of Chocolate Squares: Wallace Shawn in Mourning." PAJ: A Journal of Performance and Art 22, no. 3 (2000): 38. http://dx.doi.org/10.2307/3247839.

Full text

APA, Harvard, Vancouver, ISO, and other styles

25

Wiens, A. "Psychiatric interviewing: The art of understanding By Shawn C. Shea, M.D. Philadelphia: W. B. Saunders Co., 1988. 576pp. $25.00." Clinical Psychology Review 10, no. 1 (1990): 151–52. http://dx.doi.org/10.1016/0272-7358(90)90111-m.

Full text

APA, Harvard, Vancouver, ISO, and other styles

26

Palfy, Barbara, and Susan Brady. "After the Dance: Documents of Ruth St. Denis and Ted Shawn." Dance Research Journal 30, no. 1 (1998): 64. http://dx.doi.org/10.2307/1477895.

Full text

APA, Harvard, Vancouver, ISO, and other styles

27

Booth, David. "Children as Drama-Makers." Canadian Theatre Review 133 (March 2008): 3–10. http://dx.doi.org/10.3138/ctr.133.001.

Full text

Abstract:

“Why don’t you make up a play about your dreams?” their teacher said. “Yes! Yes!” the kids cried. Everybody except Eddy. The kids fixed the curtain for the theatre. “I am the DREAM MASTER!“ said Federico. “Get a costume … the play is beginning!” “DREAM MASTER! Ha, Ha!” laughed Eddy. Eddy laughed at Michaela and Shawn and Trisha. “You look stupid in those costumes.” Federico called, “Anyone who wants to dream, go inside the curtain!” “Come on, Eddy,” said Shamika. —Eddy’s Dream by Miriam Cohen

APA, Harvard, Vancouver, ISO, and other styles

28

Anderson, Bailey. "Overcoming and Denial: Disability and Modern Dance in the United States." Dance Research Journal 52, no. 3 (2020): 58–75. http://dx.doi.org/10.1017/s0149767720000364.

Full text

Abstract:

Dancers and choreographers have always been navigating disability within an ableist representational form. This article questions the ableist histories of modern dance in the United States and seeks to redefine how disability is conceived of within the field of dance. The article explores five themes found within archival research, including overcoming narratives, symbiotic and inseparability of dance and disability, denial of disability, changing choreographic practices, and disability aesthetics. Examples of these themes are found in primary source documents about and by Martha Graham, Ted S

APA, Harvard, Vancouver, ISO, and other styles

29

Exhibition, Group. "Colour Constructs / Constructions en couleurs." ti< 7, no. 1 (2018): 13–19. http://dx.doi.org/10.26522/ti.v7i1.1733.

Full text

Abstract:

Colour Constructs / Constructions en couleursRodman Hall (30 Nov. 2017-4 March 2018)In fall 2017, Rodman Hall invites visitors to experience the exhibition Material Girls, which brings together Canadian and international female artists from across artistic disciplines and cultural backgrounds. Giving particular attention to the colourfulness and jubilance of this exhibition, in Colour Constructs, students in Visual Arts, Studies in Arts and Culture, and French Studies explore the materiality of colours in their own diverse ways. Student works are complemented by graffiti art by Niagara-based a

APA, Harvard, Vancouver, ISO, and other styles

30

Alexandrowicz, Conrad. "The Wines of Tuscany." Canadian Theatre Review 97 (December 1998): 66–76. http://dx.doi.org/10.3138/ctr.97.013.

Full text

Abstract:

The Wines of Tuscany was first produced by the Playwrights’ Theatre Centre, in co-production with Wild Excursions Performance, as part of the 1996 New Play Festival at Performance Works on Granville Island in Vancouver. The text, direction and choreography were by Conrad Alexandrowicz. The cast was Shawn Macdonald and Shaun Phillips. Costume and set design were by Catherine Hahn, lighting design by Del Surjik, sound design by Conrad Alexandrowicz and Ron Samworth. The stage manager was Mary Kavanagh. Special thanks to Sylvia Alexandrowicz for financial support that made the production possible

APA, Harvard, Vancouver, ISO, and other styles

31

Knowles, Ric, and Harry Lane. "Solo Performance." Canadian Theatre Review 92 (September 1997): 3–4. http://dx.doi.org/10.3138/ctr.92.fm.

Full text

Abstract:

This issue began from a sense not only that the number of theatre productions with only one performer has grown rapidly in the 1980s and 90s, but also that some of our most provocative theatre experiences have resulted from the encounter between the audience and the solo actor: Pol Pelletier’s Joie, Guillermo Verdecchia’s Fronteras Americanas, Shawna Dempsey and Lorri Millan’s dress pieces, and Daniel MacIvor’s House, to name only a few. While we have not assembled the statistics, we have little doubt that they would show a huge increase in solo-performer theatre productions in the last ten ye

APA, Harvard, Vancouver, ISO, and other styles

32

Arceo, Alicia Peón. "Haley, Shawn D., and Curt Fukuda: The Day of the Dead." Anthropos 102, no. 1 (2007): 259–60. http://dx.doi.org/10.5771/0257-9774-2007-1-259.

Full text

APA, Harvard, Vancouver, ISO, and other styles

33

Wirth, Jason M. "A Mud Doctor Checking Out the Earth Underneath: Ruminations on Malick’s Days of Heaven and Loht’s Phenomenology of Film." Film-Philosophy 28, no. 1 (2024): 98–112. http://dx.doi.org/10.3366/film.2024.0257.

Full text

Abstract:

This is a philosophical rumination on Shawn Loht’s important extension of “film as philosophy” into a Heideggerian phenomenological account of the philosophical response that cinema can engender. After considering the importance of these kinds of approaches, I turn to Loht’s phenomenological engagement with Terrence Malick’s early masterpiece, Days of Heaven (1978). After sympathetically reviewing his “interpretation”, I expand upon its delineation of “earth and world” to include the “fallenness” of the world as well as the possibility of a metanōetic awakening to the vocation of “mud doctor”,

APA, Harvard, Vancouver, ISO, and other styles

34

Ganson, Barbara A. "Colonial Kinship: Guaraní, Spaniards, and Africans in Paraguay by Shawn Michael Austin." Catholic Historical Review 108, no. 3 (2022): 620–21. http://dx.doi.org/10.1353/cat.2022.0079.

Full text

APA, Harvard, Vancouver, ISO, and other styles

35

O. Pagan, Nicholas. "From C.Y. Lee to Shawn Wong: The Transnational Family and its Implicit Rules." Southeast Asian Review of English 58, no. 2 (2021): 30–45. http://dx.doi.org/10.22452/sare.vol58no2.3.

Full text

Abstract:

Employing the distinction between explicit and implicit rules as formulated by psychoanalytic theorist and philosopher Slavoj Žižek, this article examines the way in which challenges toward an initial rule-based fantasy take place within transnational families. In particular, the article employs an implicit, unwritten rules framework to assess the effect of transpacific migration on the institution of family within the Chinese American diaspora as represented in post-World War II fiction by Asian Pacific authors C.Y. Lee and Shawn Wong. Suggesting five implicit rules underpinning Chinese Ameri

APA, Harvard, Vancouver, ISO, and other styles

36

Vargas-Cetina, Gabriela. "India and the Translocal Modern Dance Scene, 1890s–1950s." Review of International American Studies 13, no. 2 (2020): 39–59. http://dx.doi.org/10.31261/rias.9805.

Full text

Abstract:

At the end of the nineteenth century and during the first half of the twentieth, lead dancers from different countries became famous and toured internationally. These dancers—and the companies they created—transformed various dance forms into performances fit for the larger world of art music, ballet, and opera circuits. They adapted ballet to the variety-show formats and its audiences. Drawing on shared philosophical ideas—such as those manifest in the works of the Transcendentalists or in the writings of Nietzsche and Wagner—and from movement techniques, such as ballet codes, the Delsarte me

APA, Harvard, Vancouver, ISO, and other styles

37

Vargas-Cetina, Gabriela. "India and the Translocal Modern Dance Scene, 1890s–1950s." Review of International American Studies 13, no. 2 (2020): 39–59. http://dx.doi.org/10.31261/rias.9805.

Full text

Abstract:

At the end of the nineteenth century and during the first half of the twentieth, lead dancers from different countries became famous and toured internationally. These dancers—and the companies they created—transformed various dance forms into performances fit for the larger world of art music, ballet, and opera circuits. They adapted ballet to the variety-show formats and its audiences. Drawing on shared philosophical ideas—such as those manifest in the works of the Transcendentalists or in the writings of Nietzsche and Wagner—and from movement techniques, such as ballet codes, the Delsarte me

APA, Harvard, Vancouver, ISO, and other styles

38

Collins, Lisa Gail. "Photographic Returns: Racial Justice and the Time of Photography by Shawn Michelle Smith." African American Review 55, no. 2-3 (2022): 248–50. http://dx.doi.org/10.1353/afa.2022.0032.

Full text

APA, Harvard, Vancouver, ISO, and other styles

39

Selman, Interviewed by Matt. "Never Stop Growing! An Interview with Improvisational Artist, Teacher and Performer Shawn Kinley." Teaching Artist Journal 18, no. 1-2 (2020): 37–44. http://dx.doi.org/10.1080/15411796.2020.1783148.

Full text

APA, Harvard, Vancouver, ISO, and other styles

40

Biles, Jeremy. "Shadowman: Dead and Gone. Graphic fiction. By Andy Diggle. Art by Shawn Martinbrough, Doug Braithwaite, Renato Guedes, José Villarrubia. New York: Valiant Entertainment, 2018. $14.99." Religious Studies Review 45, no. 1 (2019): 59. http://dx.doi.org/10.1111/rsr.13815.

Full text

APA, Harvard, Vancouver, ISO, and other styles

41

Kelley, Shawn. "Hear Then No More Parables: The Case against ‘Parable’." Journal for the Study of the Historical Jesus 11, no. 2 (2013): 153–69. http://dx.doi.org/10.1163/17455197-01102003.

Full text

Abstract:

Scandalous racial ideas are woven into the very fabric of some of the most cherished concepts of modern biblical scholarship. In his book Racializing Jesus, Shawn Kelley argues that race plays an essential role in the construction of a dizzying amount of cherished scholarly categories. Central to his argument is the claim that the category of parable is decidedly problematic because it emerges from, and is rendered coherent by, some of the most toxic elements of modern racialized ideology. Parable scholarship has long drawn its fundamental interpretive ideas from specific, modern views concern

APA, Harvard, Vancouver, ISO, and other styles

42

Stachura, Julia. "Double Index. The Self-Shadow in American Photography of the Second Half of the 20th Century." Artium Quaestiones, no. 33 (December 30, 2022): 279–99. http://dx.doi.org/10.14746/aq.2022.33.11.

Full text

Abstract:

The article focuses on the notion of the image of self-shadow in American photography in the second half of the twentieth century, understood as a shadow silhouette of the creator captured in a photograph. The two main problems that concern the author’s research are the lack of current, theoretical study on the problem of shadow in the history of photography from the perspective of art history (V. Stoichita, R. Casati, P. Cavanagh, H. Kanaan) and the lack of the definition of the phenomenon of self-shadow and its possible types in self-portraiture. The author’s proposition of a definition of s

APA, Harvard, Vancouver, ISO, and other styles

43

Peiser, Megan. "Moore, Shawn, and Jacob Tootalian, principal investigators. Digital Cavendish: A Scholarly Collaborative. Other." Renaissance and Reformation 43, no. 1 (2020): 161–64. http://dx.doi.org/10.33137/rr.v43i1.34084.

Full text

APA, Harvard, Vancouver, ISO, and other styles

44

May, Jessica. "Lynching Photographs by Dora Apel and Shawn Michelle Smith / Weegee andNaked Cityby Anthony W. Lee and Richard Meyer." Visual Resources 26, no. 4 (2010): 372–77. http://dx.doi.org/10.1080/01973762.2010.522395.

Full text

APA, Harvard, Vancouver, ISO, and other styles

45

Adovasio, J. M. "Shawnee Minisink: A Stratified Paleoindian-Archaic Site in the Upper Delaware Valley of Pennsylvania. Charles W. Mcnett,Jr. , editor. Academic Press, Orlando, 1985. xii + 329 pp., figures, tables, references, index. $60.00 (cloth); $34.95 (paper)." American Antiquity 52, no. 3 (1987): 646–47. http://dx.doi.org/10.2307/281607.

Full text

APA, Harvard, Vancouver, ISO, and other styles

46

Gore, Charles. "Photography on the color line: W.E.B. Du Bois, race, and visual culture – Shawn Michelle Smith." Journal of the Royal Anthropological Institute 12, no. 3 (2006): 703–4. http://dx.doi.org/10.1111/j.1467-9655.2006.00359_26.x.

Full text

APA, Harvard, Vancouver, ISO, and other styles

47

Ølgaard, Daniel Møller. "Play, Politics, & the Practice of Resistance." Journal of Resistance Studies 1, no. 1 (2025): 119. https://doi.org/10.63961/2025.015.

Full text

Abstract:

Politics are Fun Again. It is a seductive and influential image of our contemporary world that Jean Baudrillard presents. In the transition from the modern era of manual production to the postmodern age of global information technologies, our world ‘has been launched into hyperspace in a kind of postmodern apocalypse … leaving us satellites in aimless orbit around an empty center’ (Massumi 1987: 90). The substitution of reality with the signs and symbols that simulate reality means that everything is essentially empty, passive, and without meaning. Art has become the art of pure reproduction o

APA, Harvard, Vancouver, ISO, and other styles

48

de Roo, Ludo. "An Ambiguous World of Film: Cinematic Immersion beyond Early Heidegger." Film-Philosophy 28, no. 1 (2024): 11–30. http://dx.doi.org/10.3366/film.2024.0252.

Full text

Abstract:

Shawn Loht's ground-breaking Phenomenology of Film: A Heideggerian Account of the Film Experience (2017) offers a detailed account of film experience as rooted in Martin Heidegger's existential structure of Dasein. Adapting Being and Time for a phenomenology of cinematic experience, Loht accurately describes how various existential structures of Dasein are “fostered” by the projected world of film: in Loht's account, being-in-the-world is extended in the film experience. Loht's project offers fertile ground for developing the phenomenological basis of film experience. Yet, Loht anchors this ac

APA, Harvard, Vancouver, ISO, and other styles

49

Chaves, Natália Cristina, and Henry Colombi. "Inteligência Artificial e Personalidade Jurídica: Perspectivas no Direito Societário Brasileiro." REVISTA INTERNACIONAL CONSINTER DE DIREITO 14, no. 14 (2022): 113–31. http://dx.doi.org/10.19135/revista.consinter.00014.04.

Full text

Abstract:

This article is focused on the impact of Artificial Intelligence (AI) on the legal sector. The premise is that positive law can adapt to new phenomena concerning the juridical agency of AI, assuming, as a hypothesis, that Brazilian LLC could grant AI a de facto legal personality. It uses legal methodology of comprehensive-propositional type, engaging in inductive-deductive reasoning. The work critically analyses data from primary and secondary direct sources. The first part is dedicated to making general points about AI. To face the new challenges, in Europe, the discussions are moving in the

APA, Harvard, Vancouver, ISO, and other styles

50

STAVTSEVA, OLGA. "HEIDEGGER’S PHENOMENOLOGY OF THE CINEMATIC EXPERIENCE BOOK REVIEW: LOHT S. PHENOMENOLOGY OF FILM: A HEIDEGGERIAN ACCOUNT OF THE FILM EXPERIENCE. Lanham, Maryland: Lexington Books, 2017." HORIZON / Fenomenologicheskie issledovanija/ STUDIEN ZUR PHÄNOMENOLOGIE / STUDIES IN PHENOMENOLOGY / ÉTUDES PHÉNOMÉNOLOGIQUES 13, no. 2 (2024): 669–81. https://doi.org/10.21638/2226-5260-2024-13-2-669-681.

Full text

Abstract:

In my review, I analyze the main points of Shawn Loht’s book “Phenomenology of Film: A Heideggerian Account of the Film Experience” (2017), in which the author makes not only an attempt to develop the phenomenology of cinema, but also to substantiate it as a kind of philosophy—philosophy through watching a movie. The content of the book can be reduced to three major components: 1) clarifying M. Heidegger’s attitude to cinema and evaluating the contribution of his philosophy to the analysis of cinema; 2) revealing cinema viewing as one of the ways of human existence; 3) substantiating cinema ar

APA, Harvard, Vancouver, ISO, and other styles

We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!