Relevant bibliographies by topics / Shelley Shelley, Percy Bysshe Sublime, The, in literature

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Academic literature on the topic 'Shelley Shelley, Percy Bysshe Sublime, The, in literature'

Author: Grafiati
Published: 4 June 2021
Last updated: 15 February 2022

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Journal articles on the topic "Shelley Shelley, Percy Bysshe Sublime, The, in literature"

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Soltan Beyad, Maryam, and Mahsa Vafa. "Transcending Self-Consciousness: Imagination, Unity and Self-Dissolution in the English Romantic and Sufis Epistemology." International Journal of Linguistics, Literature and Translation 3, no. 8 (August 30, 2021): 08–18. http://dx.doi.org/10.32996/ijllt.2021.4.8.2.

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English Romantic literature of the late eighteenth and early nineteenth centuries often recounts an individual life journey which depicts physical and spiritual pilgrimage and traverses both the inner and outer world to liberate the self and reach a revelatory moment of unification where the division between human mind and the external world is reconciled. For the Romantic poets this reconciliatory state cannot be achieved through rational investigation but via the power of imagination. In this regard, there is striking resemblance between the mystical and philosophical thought of Sufism and the idealistic thought of the English Romantic poets as they both strive for a sense of unification with the Divine or the Ultimate reality, and they both rely on imagination and intuitive perception to apprehend reality. Applying an analytical-comparative approach with specific reference to Northrop Frye’s anagogic theory (1957) which emphasizes literary commonalities regardless of direct influence or cultural or theological distinctions, this study endeavors to depict that certain Romantic poets’ longing for the reconciliation of subject and object dualism via imagination and its sublime product, poetic language, echoes the mystic’s pursuit of transcendental states of consciousness and unification with the divinely infinite. Through analysis of the concept of self-dissolution (fana) in Islamic mysticism and Sufi literature, particularly the poems of Jalal ad-Din Mohammad Balkhi (1207-1273) known in the West as Rumi, the outcome of this study reveals that the Romantics’ yearning for a state of reconciliation, which is prevalent in the major works of the Romantic poets such as William Blake (1757-1827), William Wordsworth (1770-1850), Samuel Taylor Coleridge (1772-1834), Percy Bysshe Shelley (1792-1822), and John Keats (1795-1821), corresponds to the mystic’s pursuit of unity or the Sufi’s concept of self-annihilation or fana.
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Fulford, Tim, and Michael O'Neill. "Percy Bysshe Shelley." Modern Language Review 90, no. 2 (April 1995): 419. http://dx.doi.org/10.2307/3734568.

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Stephens, Paul. "Percy Bysshe Shelley: Poet and Revolutionary." Keats-Shelley Review 33, no. 1 (January 2, 2019): 134–36. http://dx.doi.org/10.1080/09524142.2019.1611285.

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Duffy, Cian. "The Neglected Shelley; The Oxford Handbook of Percy Bysshe Shelley." European Romantic Review 27, no. 4 (June 28, 2016): 526–32. http://dx.doi.org/10.1080/10509585.2016.1190090.

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Clemit, P. "Review: Percy Bysshe Shelley. The prose works of Percy Bysshe Shelley, vol. I, ed. EB Murray." Notes and Queries 43, no. 2 (June 1, 1996): 223–34. http://dx.doi.org/10.1093/nq/43.2.223.

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Paley, Morton D., Donald H. Reiman, Neil Fraistat, and Percy Bysshe Shelley. "The Complete Poetry of Percy Bysshe Shelley." Studies in Romanticism 40, no. 2 (2001): 300. http://dx.doi.org/10.2307/25601508.

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Coffey, Bysshe Inigo. "Percy Bysshe Shelley and China’s Gayest Art." Wordsworth Circle 51, no. 2 (March 2020): 221–41. http://dx.doi.org/10.1086/709153.

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Paley, Morton D., and Michael Henry Scrivener. "Radical Shelley: The Philosophical Anarchism and Utopian Thought of Percy Bysshe Shelley." Studies in Romanticism 24, no. 4 (1985): 572. http://dx.doi.org/10.2307/25600568.

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Westwood, Daniel. "Jacqueline Mulhallen, Percy Bysshe Shelley: Poet and Revolutionary." Romanticism 25, no. 1 (April 2019): 109–11. http://dx.doi.org/10.3366/rom.2019.0408.

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Walker, Leila. "Percy Bysshe Shelley and the Ekphrasis of Hair." European Romantic Review 24, no. 2 (April 2013): 231–50. http://dx.doi.org/10.1080/10509585.2013.768178.

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Dissertations / Theses on the topic "Shelley Shelley, Percy Bysshe Sublime, The, in literature"

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Duffy, Cian. "Shelley and the revolutionary sublime /." Cambridge [u.a.] : Cambridge Univ. Press, 2005. http://www.loc.gov/catdir/enhancements/fy0659/2006274988-d.html.

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Wallace, Jennifer. "Shelley and Hellenism : the ambiguous image of Greece in the poetry of Percy Bysshe Shelley." Thesis, University of Cambridge, 1992. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.259531.

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Steyaert, Kris Omer Eli Antoon Sebastiaan. "Selective affinities and poetic appropriation : Percy Bysshe Shelley and Willem Kloos." Thesis, University College London (University of London), 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.271494.

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Whickman, Paul William. "Romantic blasphemy : sacrilege and creativity in the literature of Percy Bysshe Shelley." Thesis, University of Nottingham, 2013. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.659195.

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This thesis considers the nature and significance of perceived blasphemy in the literature of Percy Bysshe Shelley and in the 'Romantic' period more widely. The central concern of this study is the consideration of Shelley's perception of the collusion of political and religious tyranny in relation to the increasing conflation of political with religious discourse throughout the Long Eighteenth Century. Alongside this, this inquiry has several further interrelated and overlapping strands. I consider the significance of perceived blasphemy in influencing the print history and 'bibliographical codes' of both Shelley's works and other Romantic period texts. I argue that not only were blasphemous or 'injurious' texts, due to the lack of copyright protection, those most widely read and disseminated - thus substantially shaping the Romantic reading public - they also served to enfranchise a readership. As a result, not only did the 'blasphemous' content or themes of a particular work influence the public perception of the author, the fact that such works were pirated by less 'respectable' publishers alongside pornographic or more ostensibly politically radical texts further inflected an author's reception. This was certainly the case with Shelley, who became most commonly associated with his most ostensibly antireligious poem Queen Mab. This was despite its exclusion from Mary Shelley's Posthumous Poems of Percy 8ysshe Shelley {1824}. Shelley's works are therefore considered in relation to the publishing realities and literary historical context of his age.
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Stewart, James C. "The ghost of Godwin intertextuality and embedded correspondence in the works of the Shelley circle /." Birmingham, Ala. : University of Alabama at Birmingham, 2008. https://www.mhsl.uab.edu/dt/2008m/stewart.pdf.

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Thesis (M.A.)--University of Alabama at Birmingham, 2008.
Additional advisors: Randa Graves, Daniel Siegel, Samantha Webb. Description based on contents viewed Feb. 10, 2009; title from PDF t.p. Includes bibliographical references (p. 68-71).
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Corbit, James B. "The Shelleyan vortex a study of the evolutionary development of the spiral within Percy Bysshe Shelley's "Alaster," "Mount Blanc" and "Prometheus Unbound" /." Instructions for remote access. Click here to access this electronic resource. Access available to Kutztown University faculty, staff, and students only, 2003. http://www.kutztown.edu/library/services/remote_access.asp.

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Thesis (M.A.)--Kutztown University of Pennsylvania, 2003.
Source: Masters Abstracts International, Volume: 45-06, page: 2843. Typescript. Abstract precedes thesis as preliminary leaves iii-iv. Includes bibliographical references (leaves 118-126).
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Peterson, Susan Joan. "From discourse to activism : trajectories of Percy Bysshe Shelley's nonviolence philosophy in literatures of resistance /." View online ; access limited to URI, 2004. http://0-wwwlib.umi.com.helin.uri.edu/dissertations/dlnow/3135913.

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Leslie, Lisa Diane. "'How can I exist apart from my sister?' : sisters in the life and literature of Percy Bysshe Shelley, Mary Shelley, and Claire Clairmont." Thesis, University of Liverpool, 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.369536.

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Goulding, Christopher. "The influence of James Lind on the scientific and philosophical thought of Percy Bysshe Shelley." Thesis, University of Newcastle Upon Tyne, 2002. http://hdl.handle.net/10443/899.

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Though James Lind MD, FRS (1736-1812) has long been a feature of Shelleyan biography, references to him have been superficial, and subject to often repeated inaccuracies. Frequently dismissed as an eccentric or passed over altogether, Lind has become a purely biographical figure, associated only with a brief episode in the poet's childhood. Despite Shelley's own assertion that he owed more to Lind than to his own father, generations of critics have largely ignored the possibility of any influence by him on Shelley's creative work. Lind was, in fact, an extremely accomplished practitioner in every field of natural philosophy that interested Shelley, and that was later to infuse his poetry with its unique scientific metaphorical imagery. These subjects included medicine, astronomy, chemistry, geology, and meteorology. Though an obscure figure himself, Lind was a friend or correspondent of many of the greatest figures of the Enlightenment, such as Benjamin Franklin, William Herschel, David Hume, James Watt, and many others. Drawing upon original archival and historical research, Lind is proposed as a new influence on Shelleyan passages whose scientific character may already have been recognised, but with Lind now providing a more likely origin or more direct link for influences thus far attributed to other conjectural sources. Lind is also introduced as a potential source for certain segments of the poet's work whose possible significance has hitherto gone entirely unrecognised. This thesis aims to raise the profile of James Lind as an influence on Percy Shelley's work, and also to contribute new material to our understanding of Shelley's scientific thought. Comparisons are also made with existing scientific commentary on Shelley's work. In pursuit of these aims, this thesis is necessarily themed with reference to the scientific subjects under discussion, rather than chronologically, or textually.
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Mazzeo, Tilar Jenon. "Producing the Romantic 'literary' : travel literature, plagiarism, and the Italian Shelley/Byron circle /." Thesis, Connect to this title online; UW restricted, 1999. http://hdl.handle.net/1773/9412.

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Books on the topic "Shelley Shelley, Percy Bysshe Sublime, The, in literature"

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Shelley, Percy Bysshe. Percy Bysshe Shelley. New York: Pearson Longman, 2009.

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Shelley, Percy Bysshe. Percy Bysshe Shelley. New York: Garland Pub., 1985.

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Shelley, Percy Bysshe. Percy Bysshe Shelley: Selected poems. New York: Gramercy Books, 1994.

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Shelley, Percy Bysshe. Percy Bysshe Shelley: [selected poems]. London: J.M. Dent, 1998.

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Shelley, Percy Bysshe. The prose works of Percy Bysshe Shelley. Oxford [England]: Clarendon Press, 1993.

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Morley, Margaret. Wild spirit: The story of Percy Bysshe Shelley. London: Coronet, 1993.

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Shelley, Percy Bysshe. Percy Bysshe Shelley: Selected poetry and prose. London: Routledge, 1991.

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Shelley, Percy Bysshe. Shelley. New York: Knopf, 1993.

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Shelley, Percy Bysshe. Shelley. Topsfield, Ma: Salem House, 1987.

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Keats, Shelley, and romantic Spenserianism. University Park, Pa: Pennsylvania State University Press, 1991.

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Book chapters on the topic "Shelley Shelley, Percy Bysshe Sublime, The, in literature"

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"Unsigned, review, The Critical Review and Annals of Literature." In Percy Bysshe Shelley, 47–49. Routledge, 2003. http://dx.doi.org/10.4324/9780203206898-6.

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Fuller Ossoli, Margaret. "Margaret Fuller Ossoli, extract from memoir, entry under ‘Literature’." In Percy Bysshe Shelley, 370. Routledge, 2003. http://dx.doi.org/10.4324/9780203206898-89.

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Fuller Ossoli, Margaret. "Margaret Fuller Ossoli, extract from ‘Modern British Poets,’ Papers on Literature and Art." In Percy Bysshe Shelley, 420–21. Routledge, 2003. http://dx.doi.org/10.4324/9780203206898-102.

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"Unsigned review, The General Weekly Register of News, Literature, Law, Politics, and Commerce." In Percy Bysshe Shelley, 316–21. Routledge, 2003. http://dx.doi.org/10.4324/9780203206898-71.

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Sun, Emily. "Literary Modernity and the Emancipation of Voice." In On the Horizon of World Literature, 23–49. Fordham University Press, 2021. http://dx.doi.org/10.5422/fordham/9780823294787.003.0002.

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Chapter 1 approaches the literary manifesto as an exemplary form of literary modernity, which writers all over the world used in the nineteenth and twentieth centuries to declare bold new conceptions of literature and aesthetics. It focuses on texts by Percy Bysshe Shelley and Lu Xun, major writers whose critical sophistication and wide-ranging erudition have made their work sources of both literary influence and forces in ongoing legacies of cultural critique. While the chapter focuses on Shelley’s 1821 A Defence of Poetry and Lu Xun’s 1908 “On the Power of Mara Poetry” and “Toward a Refutation of Malevolent Voices,” it refers also more widely to other of these authors’ writings that sustain and extend the preoccupation with the emancipatory power of poetic voice found in the aforementioned literary manifestoes.
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