Academic literature on the topic 'Sherlock Holmes'

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Journal articles on the topic "Sherlock Holmes"

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Morozova, Iryna, and Anna Mkrtychan. "MISTER SHERLOCK HOLMES OR SHERLOCK? (A COMPARATIVE ANALYSIS OF GRAMMATICAL FEATURES OF SH. HOLMES’S SPEECH PARTIES IN A.C. DOYLE’S STORY AND THE TV SHOW)." Naukovì zapiski Nacìonalʹnogo unìversitetu «Ostrozʹka akademìâ». Serìâ «Fìlologìâ» 1, no. 17(85) (June 22, 2023): 78–83. http://dx.doi.org/10.25264/2519-2558-2023-17(85)-78-83.

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The carried-out investigation is dedicated to the analysis of Sherlock Holmes’ speech portraits as represented in the story by Arthur Conan Doyle and in the British TV show “Sherlock” from BBC (2010). The investigation touches upon the basic grammatical peculiarities of Sherlock’s speech and uncovers the changes that the literary character’s image has undergone on the level of its speech. Thus, the paper results in the conclusion about the peaking frequency of simple sentences in the TV show Sherlock’s speech on the level of sentence structure, accounted for by the necessity to simplify his speech for the viewers to grasp it easier. For the same reason, the new medium calls for shorter lineal length of Sherlock’s utterances. Though declaratives still make up the predominant communicative sentence type in Sherlock’s speech, he is twice as frequent with his interrogatives as Doyle’s old Mister Sherlock Holmes, and uses rhetorical questions even more often than special ones. Sherlock from BBC is more emotional, using exclamatory sentences and imperatives, which are often packed with verbs of motion, like go and get, or ask his interlocutors to “shut up”. Despite using the term “sociopath” about himself, Sherlock initiates communication more often in the TV show than in the book, using direct addresses. The changes in Sherlock Holmes’ speech portraits the authors attribute both to the type of medium the literary character functions in and to the diachronical changes bringing about more informal conversations and new dialogue traditions.
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Andrews, Crispin. "Sherlock Holmes." 5 to 7 Educator 2009, no. 60 (December 2009): iv—v. http://dx.doi.org/10.12968/ftse.2009.8.12.45094.

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Rementol-i-Massana, Santiago. "Sherlock Holmes was right." Comunicar 10, no. 19 (October 1, 2002): 31–35. http://dx.doi.org/10.3916/c19-2002-06.

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Can we inform of science in an objective way? Some professional sectors sustain that the objectivity doesn’t exist and that it is not even desirable. But that idea appears as absurd in the mark of the scientific information. The problem of the journalisti ¿Se puede informar sobre ciencia de forma objetiva? Algunos sectores profesionales sostienen que la objetividad no existe y que ni siquiera es deseable. Pero esa idea aparece como absurda en el marco de la información científica. El problema de la objetividad periodística coincide con un viejo dilema muy presente en la filosofía de la ciencia: el de cómo conocer la realidad y cómo aproximarse a la verdad. El autor apuesta por una adaptación del realismo crítico de Popper frente al subjetivismo. La fórmula: observación más experimentación. El modelo: un periodismo basado en la evidencia científica.
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Muslikhin, Muslikhin, and Elsa Tesalonika Lalong. "Aseksualitas dalam Drama TV Sherlock di Televisi BBC One." Warta ISKI 1, no. 01 (January 17, 2018): 51. http://dx.doi.org/10.25008/wartaiski.v1i01.8.

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Sherlock adalah sebuah adaptasi dari cerita Sherlock Holmes dalam bentuk drama televisi di BBC One. Sherlock menggunakan latar abad ke-21, sebagai pengganti jaman Victoria (1830-1901) seperti cerita asli Sherlock Holmes. Karakter tokoh Sherlock Holmes, terutama orientasi seksualnya menimbulkan perdebatan di kalangan kritisi dan penggemar cerita Sherlock. Hal ini terjadi karena penulis cerita tidak secara jelas dan tegas memberikan gambaran tentang orientasi seksual dari Sherlock Holmes. Penelitian ini bertujuan untuk mengetahui tanda-tanda yang merepresentasikan aseksualitas pada tokoh Sherlock Holmes sebagai pribadi yang menunjukkan ciri-ciri aseksualitas. Metode penelitian yang digunakan adalah Semiotika Ferdinand de Saussure. Dasar analisis aseksualitas yang digunakan adalah 10 ciri-ciri aseksualitas dari Decker. Penelitian ini menyimpulkan Sherlock Holmes adalah seorang aseksual karena memenuhi 8 dari 10 ciri-ciri aseksual menurut Decker.
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Brill, C. B. "Sherlock Holmes: Neurologist." Neurology 37, no. 11 (November 1, 1987): 1821. http://dx.doi.org/10.1212/wnl.37.11.1821.

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Cherington, M. "Sherlock Holmes: Neurologist." Neurology 37, no. 11 (November 1, 1987): 1821. http://dx.doi.org/10.1212/wnl.37.11.1821-a.

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Cherington, M. "Sherlock Holmes: Neurologist?" Neurology 37, no. 5 (May 1, 1987): 824. http://dx.doi.org/10.1212/wnl.37.5.824.

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Füeßl, H. S. "Dermatologischer Sherlock Holmes." MMW - Fortschritte der Medizin 152, no. 44 (October 2010): 24. http://dx.doi.org/10.1007/bf03367319.

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Füeßl, H. S. "Dermatologischer Sherlock Holmes." hautnah dermatologie 26, no. 6 (November 2010): 386. http://dx.doi.org/10.1007/bf03358230.

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Boucheta, Nadia, and Hasmig Chahinian. "Sherlock Holmes: une vie [Sherlock Holmes: a life] (review)." Bookbird: A Journal of International Children's Literature 50, no. 3 (2012): 83–84. http://dx.doi.org/10.1353/bkb.2012.0085.

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Dissertations / Theses on the topic "Sherlock Holmes"

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Robinson, Sarah E. "The Other Sherlock Holmes| Postcolonialism in Victorian Holmes and 21st Century Sherlock." Thesis, Southern Illinois University at Edwardsville, 2018. http://pqdtopen.proquest.com/#viewpdf?dispub=10808581.

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This thesis examines Sherlock Holmes texts (1886–1927) by Sir Arthur Conan Doyle and their recreations in the television series Sherlock (2010) and Elementary (2012) through a postcolonial lens. Through an in-depth textual analysis of Doyle’s mysteries, my thesis will show that his stories were intended to be propaganda discouraging the British Empire from becoming tainted, ill, and dirty through immersing themselves in the “Orient” or the East. The ideal Imperial body, gender roles, and national landscape are feminized, covered in darkness, and infected when in contact for too long with the “Other” people of the East and their cultures. Sherlock Holmes cleanses society of the darkness, becoming a hero for the Empire and an example of the perfect British man created out of logic and British law. And yet, Sherlock Holmes’ very identity relies on the existence of the Other and the mystery he or she creates. The detective’s obsession with solving mysteries, drug addiction, depression, and the art of deduction demonstrate that, without the Other, Holmes has no identity. As the body politic, Holmes craves more mystery to unravel, examine, and know. Without it, he feels useless and dissatisfied with life. The satisfaction with pinpointing every detail, in order to solve a mystery continues today in all media versions. Bringing Sherlock Holmes to life for television and updating him to appeal to today's culture only make sense. Though society has the insight offered by postcolonial theory, evidence of an imperial mindset is still present in the most popular reproductions of Sherlock Holmes Sherlock and Elementary.

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Chavez, Katie Louise. "Illustrating Sherlock Holmes: Adapting the Great Detective in Granada Television’s Sherlock Holmes." CSUSB ScholarWorks, 2019. https://scholarworks.lib.csusb.edu/etd/939.

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By using adaptation theory and Linda Hutcheon’s depiction of adapters in the process of adaptation as “first interpreters and then creators” (18), this article argues how the original Sherlock Holmes illustrations, penciled most notably by Sidney Paget, are both a canonical element of the Holmes legacy and themselves an adaptation. This creates a means of exploring why and how the television show Sherlock Holmes (1984-1994), developed by Granada Television, uses the original Holmes illustrations as a source of adaptation to create the appearance of fidelity to Arthur Conan Doyle’s Sherlock Holmes stories. Being faithful to the Holmes stories is not a common adaptation practice. Granada’s Holmes chooses to be faithful to the original illustrations and to the Victorian era, not so much to be unique among Holmes adaptations but to be similar to the 1980s heritage cinema trend of faithfully adapting English literature. Heritage cinema, as Andrew Higson states, is a “potent marketing of the past” (1), and through its propensity to adapt literature faithfully to a past time period, heritage cinema reflects a cultural desire for national nostalgia in 1980s Britain. In the case of Granada’s Holmes, this tactic turns Sherlock Holmes into both financial and cultural capital. By being seemingly faithful to the original illustrations, Granada’s Holmes is left vulnerable to the kinds of fidelity or comparative criticisms that adaptation scholars often denounce. Adaptation studies criticizes efforts to compare the source text to the adaptation, saying it will inevitably lead to privileging the source text. Through my investigation, however, I argue that there is a need to use forms of fidelity criticism in order to more fully explore the reasons why Granada’s Holmes hinges its success around fidelity to the original Holmes illustrations.
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Naidu, Sam. "Sherlock Holmes in context." Palgrave Macmillan, 2017. http://hdl.handle.net/10962/53888.

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This book of interdisciplinary essays serves to situate the original Sherlock Holmes, and his various adaptations, in a contemporary cultural context. This collection is prompted by three main and related questions: firstly, why is Sherlock Holmes such an enduring and ubiquitous cultural icon; secondly, why is it that Sherlock Holmes, nearly 130 years after his birth, is enjoying such a spectacular renaissance; and, thirdly, what sort of communities, imagined or otherwise, have arisen around this figure since the most recent resurrections of Sherlock Holmes by popular media? Covering various media and genres (TV, film, literature, theatre) and scholarly approaches, this comprehensive collection offers cogent answers to these questions
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Cook, Kimberlee S. "The sensation of Sherlock Holmes." Thesis, Wichita State University, 2011. http://hdl.handle.net/10057/3947.

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This thesis examines the Sherlock Holmes stories written by Sir Arthur Conan Doyle and how they relate to the late-Victorian Sensation Novel. First, a brief introduction to the Sensation novel is made. It makes a study the character of Sherlock Holmes, his habits, and his cases to show the sensationalism of his character. It considers the setting of late-Victorian England and its connections to the world created by Conan Doyle. Finally, it takes into account the significance of Victorian class structure within the stories. All these come together to confirm that the Sherlock Holmes stories belonged within the sensation genre. The research materials include critics such as Philip Davis, author of The Victorians, Russell Goldfarb, author of Sexual Repression and Victorian Literature, and Steven Marcus, author of The Other Victorians: A Study of Sexuality and Pornography in Mid-Nineteenth- Century England. Other sources also include the 1898 Poverty Map created by Charles Booth, works by Dr. William Acton, and articles from the Penny Illustrated Paper. These sources help to form conclusions about the Sherlock Holmes stories as sensational stories providing detailed descriptions and examinations of Holmes' character, sexuality, and lifestyle and how they pertian to the Sensation genre. The thesis will also take into account different interpretations of Holmes' character as it has evolved through the 20th and 21st centuries thus far.
Thesis (M.A.)--Wichita State University, College of Liberal Arts and Sciences, Dept. of English.
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Pinque, Méryl. "Sherlock Holmes, l'ombre du héros : essai /." Descartes (37 rue du Commerce, 37160) : Faustroll, 2004. http://catalogue.bnf.fr/ark:/12148/cb39281090n.

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Jasnowska, Agnieszka. "Make yourself at Holmes : Victorian culture, Sherlock Holmes and the vicissitudes of identity." Thesis, University of Leeds, 2015. http://etheses.whiterose.ac.uk/11176/.

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This thesis joins a lively field of Victorian cultural studies to examine the construction and re-presentation of personal and national identity in Arthur Conan Doyle’s Sherlock Holmes stories, concentrating on three tales: ‘The Man with the Twisted Lip’, ‘The Adventure of the Creeping Man’ and The Sign of Four. Employing Mikhail Bakhtin’s concepts of dialogism and heteroglossia, it argues against the view of detective fiction as literature which merely confirms and reflects the normative middle-class values, positing instead that the effects of excessive textuality at work in the Holmes stories exceed the task of simple hegemonic reinforcement. It proposes a new method for reading Doyle’s narratives, termed ‘syndromatic’, which understands the stories in a reciprocal and dynamic intertextual relationship with the historical, socio-cultural and literary milieu of their emergence. This approach supposes an irreducible density of 'textual' weave on either side of the traditional text/context divide, and allows us to trace the conflictual and polyvocal interplay across it. Rooted in and inspired by a particular genre and an inimitable, if much imitated, author, the thesis none the less makes an oblique argument for a renewed urgency of literary-cultural analysis in general. Working with the formalistic as well as content requirements of detective fiction and actively engaging The Great Game of Sherlockian scholarship alongside a theoretical study, this research negotiates the intellectual and the emotional involvement with its object to explore, as participant-observer, the addictive joys of reading detective fiction.
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McLaughlin, David Paul. "Mobile Holmes : Sherlockiana, travel writing and the co-production of the Sherlock Holmes stories." Thesis, University of Cambridge, 2018. https://www.repository.cam.ac.uk/handle/1810/273876.

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This thesis is a study of the ways in which readers actively and collaboratively co-produce fiction. It focuses on American Sherlockians, a group of devotees of Arthur Conan Doyle’s Sherlock Holmes stories. At its centre is an analysis of geographical and travel writings these readers produced about Holmes’s life and world, in the later years of the twentieth century. I argue that Sherlockian writings indicate a tendency to practise what I term ‘expansionary literary geography’; that is, a species of encounter with fiction in which readers harness literature’s creative agency in order to consciously add to or expand the literary spaces of the text. My thesis is a work of literary geography. I am indebted to recent work that theorises reading as a dynamic practice which occurs in time and space. My work develops this theoretical lens by considering the fictional event in the light of encounters which are collaborative, collective and ongoing. I present my findings across four substantive chapters, each of which elucidates a different aspect of Sherlockians’ expansionary literary geography: first, mapping, where Sherlockians who set out to definitively map the world as Doyle wrote it keep re-drawing its boundaries outside of his texts; secondly, creative writing, by which readers make Holmes move while ensuring he never wanders too far from the canon; thirdly, debate, a popular pastime among American Sherlockians and a means for readers to build Holmes’s world out of their own memories and experiences; and fourthly, literary tourism, used by three exemplary readers as a means of walking Holmes into the world. I conclude with a call for literary geography as a discipline to continue to broaden its horizons beyond the writers and readers of self-consciously literary fictions. The kinds of reading practices I discuss here can take us closer to demonstrating the role that literature and encounters with fictions play in the wider production of space in everyday life.
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Chan, Lit-chung. "Sherlock Holmes, The secret agent, and ideas of justice." Click to view the E-thesis via HKUTO, 2005. http://sunzi.lib.hku.hk/hkuto/record/B31643462.

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Plakotaris, Michael. "'Murder in his eyes' : Sherlock Holmes and panoptic power." Thesis, Lancaster University, 1995. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.296955.

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Chan, Lit-chung, and 陳烈忠. "Sherlock Holmes, The secret agent, and ideas of justice." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2005. http://hub.hku.hk/bib/B31643462.

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Books on the topic "Sherlock Holmes"

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Conan, Doyle Arthur. Sherlock Holmes. Mexico: Noriega Editores, 1994.

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Conan, Doyle A. Sherlock Holmes. New York: Knopf, 1996.

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Saint-Joanis, Thierry. Sherlock Holmes. Pézilla-la-Rivière: DLM, 1997.

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Conan, Doyle Arthur. Sherlock Holmes investigates =: Sherlock Holmes enque te. Paris: Presses Pocket, 1995.

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Conan, Doyle A. Sherlock Holmes Powrót Sherlocka Holmesa. Algo, 2013.

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Conan, Doyle Arthur. Uncollected Sherlock Holmes, the (Sherlock Holmes). Penguin Books, 1998.

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Julio Gomez De La Serna and Jesus Urceloy. Todo Sherlock Holmes / All Sherlock Holmes. 3rd ed. Catedra, 2004.

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Memoirs of Sherlock Holmes: Sherlock Holmes. Independently Published, 2017.

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Conan, Doyle Arthur. Uncollected Sherlock Holmes, the (Sherlock Holmes). Penguin Books, 1998.

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Sherlock Holmes Enqueche: Sherlock Holmes Investigates. LANGUES POUR TO, 2004.

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Book chapters on the topic "Sherlock Holmes"

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Brend, Gavin. "Master Sherlock." In My Dear Holmes, 15–17. London: Routledge, 2022. http://dx.doi.org/10.4324/9781003324089-1.

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Knight, Stephen. "After Sherlock Holmes." In Crime Fiction since 1800, 67–79. London: Macmillan Education UK, 2010. http://dx.doi.org/10.1007/978-1-137-02021-5_3.

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Priestman, Martin. "Sherlock Holmes — The Series." In Sherlock Holmes: The Major Stories with Contemporary Critical Essays, 313–20. London: Macmillan Education UK, 1994. http://dx.doi.org/10.1007/978-1-349-13419-9_19.

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Doyle, Arthur Conan. "The Sherlock Holmes Stories." In Sherlock Holmes: The Major Stories with Contemporary Critical Essays, 9–12. London: Macmillan Education UK, 1994. http://dx.doi.org/10.1007/978-1-349-13419-9_2.

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Priestman, Martin. "Sherlock Holmes — The Series." In Detective Fiction and Literature, 74–92. London: Palgrave Macmillan UK, 1991. http://dx.doi.org/10.1007/978-1-349-20987-3_5.

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Schwanebeck, Wieland. "Sherlock Holmes in Louisiana." In Wissenssümpfe, 217–37. Wiesbaden: Springer Fachmedien Wiesbaden, 2016. http://dx.doi.org/10.1007/978-3-658-13590-4_13.

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Mydla, Jacek. "Sherlock Holmes and London." In The Palgrave Encyclopedia of Urban Literary Studies, 1697–703. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-319-62419-8_333.

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Johnsen, Rosemary Erickson. "(Re)Presenting Sherlock Holmes." In Contemporary Feminist Historical Crime Fiction, 83–108. New York: Palgrave Macmillan US, 2006. http://dx.doi.org/10.1057/9781403983503_4.

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Mydla, Jacek. "Sherlock Holmes and London." In The Palgrave Encyclopedia of Urban Literary Studies, 1–7. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-319-62592-8_333-1.

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Balides, Constance. "Sherlock Holmes, Archive London." In London as Screen Gateway, 41–62. London: Routledge, 2023. http://dx.doi.org/10.4324/9781003260899-5.

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Conference papers on the topic "Sherlock Holmes"

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Friedland, Gerald, Gregor Maier, Robin Sommer, and Nicholas Weaver. "Sherlock holmes' evil twin." In the 2011 workshop. New York, New York, USA: ACM Press, 2011. http://dx.doi.org/10.1145/2073276.2073287.

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Bérelle, Léon, Dominique Boidin, Rémi Kozyra, Maxime Luère, and Benoît Clerc. "Sherlock Holmes The Devil's Daughter [mp4] (France)." In SA '16: SIGGRAPH Asia 2016. New York, NY, USA: ACM, 2016. http://dx.doi.org/10.1145/2997500.2997524.

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Veneris, Andreas, and Sean Safarpour. "The day Sherlock Holmes decided to do EDA." In the 46th Annual Design Automation Conference. New York, New York, USA: ACM Press, 2009. http://dx.doi.org/10.1145/1629911.1630078.

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Willink, Roger. "Sherlock Holmes: the mystery of the vanishing variable." In the international conference. New York, New York, USA: ACM Press, 1987. http://dx.doi.org/10.1145/28315.28378.

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Hemnani, Karuna. "FACTORS RESPONSIBLE FOR THE POPULARITY OF SHERLOCK HOLMES." In 31st International Academic Conference, London. International Institute of Social and Economic Sciences, 2017. http://dx.doi.org/10.20472/iac.2017.031.021.

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Simm, Rob. "Seismic Rock Physics, Sherlock Holmes and DHI Risking." In 74th EAGE Conference and Exhibition - Workshops. Netherlands: EAGE Publications BV, 2012. http://dx.doi.org/10.3997/2214-4609.20149852.

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Tarancón Román, Sandra, Jaime Orellana Barrasa, Elena Tejado Garrido, and José Ygnacio Pastor Caño. "DISCOVERING THE MURDERER: A SUCCESSFUL SHERLOCK HOLMES GAMIFICATION PROJECT." In 13th annual International Conference of Education, Research and Innovation. IATED, 2020. http://dx.doi.org/10.21125/iceri.2020.1842.

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Kulish, A. R. "Speech personality in psycholinguistics (on the material of Sherlock Holmes’ speech)." In PHILOLOGICAL SCIENCES, INTERCULTURAL COMMUNICATION AND TRANSLATION STUDIES: AN EXPERIENCE AND CHALLENGES. Baltija Publishing, 2021. http://dx.doi.org/10.30525/978-9934-26-073-5-1-59.

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Mushtaq, Maria, Ayaz Akram, Muhammad Khurram Bhatti, Usman Ali, Vianney Lapotre, and Guy Gogniat. "Sherlock Holmes of Cache Side-Channel Attacks in Intel's x86 Architecture." In 2019 IEEE Conference on Communications and Network Security (CNS). IEEE, 2019. http://dx.doi.org/10.1109/cns.2019.8802805.

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Kavak, Ahmet. "Sherlock Holmes Romanlarında Geçen Bazı Akıl Yürütmelerin Modern Mantık Açısından Denetlenmesi." In Türkiye Lisansüstü Çalışmalar Kongresi. İlmi Etüdler Derneği, 2016. http://dx.doi.org/10.12658/tlck.5.4.b008.

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