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Journal articles on the topic 'Sherlock Holmes'

Author: Grafiati

Published: 4 June 2021

Last updated: 29 July 2024

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1

Morozova, Iryna, and Anna Mkrtychan. "MISTER SHERLOCK HOLMES OR SHERLOCK? (A COMPARATIVE ANALYSIS OF GRAMMATICAL FEATURES OF SH. HOLMES’S SPEECH PARTIES IN A.C. DOYLE’S STORY AND THE TV SHOW)." Naukovì zapiski Nacìonalʹnogo unìversitetu «Ostrozʹka akademìâ». Serìâ «Fìlologìâ» 1, no. 17(85) (June 22, 2023): 78–83. http://dx.doi.org/10.25264/2519-2558-2023-17(85)-78-83.

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The carried-out investigation is dedicated to the analysis of Sherlock Holmes’ speech portraits as represented in the story by Arthur Conan Doyle and in the British TV show “Sherlock” from BBC (2010). The investigation touches upon the basic grammatical peculiarities of Sherlock’s speech and uncovers the changes that the literary character’s image has undergone on the level of its speech. Thus, the paper results in the conclusion about the peaking frequency of simple sentences in the TV show Sherlock’s speech on the level of sentence structure, accounted for by the necessity to simplify his speech for the viewers to grasp it easier. For the same reason, the new medium calls for shorter lineal length of Sherlock’s utterances. Though declaratives still make up the predominant communicative sentence type in Sherlock’s speech, he is twice as frequent with his interrogatives as Doyle’s old Mister Sherlock Holmes, and uses rhetorical questions even more often than special ones. Sherlock from BBC is more emotional, using exclamatory sentences and imperatives, which are often packed with verbs of motion, like go and get, or ask his interlocutors to “shut up”. Despite using the term “sociopath” about himself, Sherlock initiates communication more often in the TV show than in the book, using direct addresses. The changes in Sherlock Holmes’ speech portraits the authors attribute both to the type of medium the literary character functions in and to the diachronical changes bringing about more informal conversations and new dialogue traditions.

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2

Andrews, Crispin. "Sherlock Holmes." 5 to 7 Educator 2009, no. 60 (December 2009): iv—v. http://dx.doi.org/10.12968/ftse.2009.8.12.45094.

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3

Rementol-i-Massana, Santiago. "Sherlock Holmes was right." Comunicar 10, no. 19 (October 1, 2002): 31–35. http://dx.doi.org/10.3916/c19-2002-06.

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Can we inform of science in an objective way? Some professional sectors sustain that the objectivity doesn’t exist and that it is not even desirable. But that idea appears as absurd in the mark of the scientific information. The problem of the journalisti ¿Se puede informar sobre ciencia de forma objetiva? Algunos sectores profesionales sostienen que la objetividad no existe y que ni siquiera es deseable. Pero esa idea aparece como absurda en el marco de la información científica. El problema de la objetividad periodística coincide con un viejo dilema muy presente en la filosofía de la ciencia: el de cómo conocer la realidad y cómo aproximarse a la verdad. El autor apuesta por una adaptación del realismo crítico de Popper frente al subjetivismo. La fórmula: observación más experimentación. El modelo: un periodismo basado en la evidencia científica.

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4

Muslikhin, Muslikhin, and Elsa Tesalonika Lalong. "Aseksualitas dalam Drama TV Sherlock di Televisi BBC One." Warta ISKI 1, no. 01 (January 17, 2018): 51. http://dx.doi.org/10.25008/wartaiski.v1i01.8.

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Sherlock adalah sebuah adaptasi dari cerita Sherlock Holmes dalam bentuk drama televisi di BBC One. Sherlock menggunakan latar abad ke-21, sebagai pengganti jaman Victoria (1830-1901) seperti cerita asli Sherlock Holmes. Karakter tokoh Sherlock Holmes, terutama orientasi seksualnya menimbulkan perdebatan di kalangan kritisi dan penggemar cerita Sherlock. Hal ini terjadi karena penulis cerita tidak secara jelas dan tegas memberikan gambaran tentang orientasi seksual dari Sherlock Holmes. Penelitian ini bertujuan untuk mengetahui tanda-tanda yang merepresentasikan aseksualitas pada tokoh Sherlock Holmes sebagai pribadi yang menunjukkan ciri-ciri aseksualitas. Metode penelitian yang digunakan adalah Semiotika Ferdinand de Saussure. Dasar analisis aseksualitas yang digunakan adalah 10 ciri-ciri aseksualitas dari Decker. Penelitian ini menyimpulkan Sherlock Holmes adalah seorang aseksual karena memenuhi 8 dari 10 ciri-ciri aseksual menurut Decker.

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5

Brill, C. B. "Sherlock Holmes: Neurologist." Neurology 37, no. 11 (November 1, 1987): 1821. http://dx.doi.org/10.1212/wnl.37.11.1821.

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6

Cherington, M. "Sherlock Holmes: Neurologist." Neurology 37, no. 11 (November 1, 1987): 1821. http://dx.doi.org/10.1212/wnl.37.11.1821-a.

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7

Cherington, M. "Sherlock Holmes: Neurologist?" Neurology 37, no. 5 (May 1, 1987): 824. http://dx.doi.org/10.1212/wnl.37.5.824.

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8

Füeßl, H. S. "Dermatologischer Sherlock Holmes." MMW - Fortschritte der Medizin 152, no. 44 (October 2010): 24. http://dx.doi.org/10.1007/bf03367319.

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9

Füeßl, H. S. "Dermatologischer Sherlock Holmes." hautnah dermatologie 26, no. 6 (November 2010): 386. http://dx.doi.org/10.1007/bf03358230.

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10

Boucheta, Nadia, and Hasmig Chahinian. "Sherlock Holmes: une vie [Sherlock Holmes: a life] (review)." Bookbird: A Journal of International Children's Literature 50, no. 3 (2012): 83–84. http://dx.doi.org/10.1353/bkb.2012.0085.

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11

Paśnik, Martyna. "Intertextual Adaptability of the Character of Sherlock Holmes from Literature to Film Production." Analyses/Rereadings/Theories: A Journal Devoted to Literature, Film and Theatre 2, no. 1 (January 1, 2014): 35–40. http://dx.doi.org/10.18778/2353-6098.2.05.

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This study explores the theme of intertextuality and adaptation between literature and film on the basis of Sherlock Holmes, the 19th/20th-century character conceived by Arthur Conan Doyle. It shows how the character has been adapted from literature into the cinematic domain on the basis of three modern TV series, including Dr. House (Heel & Toe Films/Fox, 2004), Sherlock (Hartswood Films/BBC, 2010), and Elementary (Hill of Beans/CBS, 2012). Sherlock Holmes, who first appeared in 1887, was originally featured in four novels and 56 short stories. However, since that time Holmes has been adapted for over 240 movies exploiting enormous popularity of this character in a variety of settings. The paper analyzes prototypical, basic features of Sherlock Holmes underlying its intertextual adaptability. As discussed in this study, there are four prototypical features of Sherlock Holmes, i.e. (1) outstanding powers of perception combined with intellect; (2) unconventionality in social behaviour; (3) helpful partner; and (4) ability to use scientific achievements. The paper demonstrates that Sherlock Holmes conceptualized in such a basic manner can act as successfully in modern cinematic productions as it did in late 19th-century literature.

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12

Andrade-Molina, Melissa. "The adventure of the deceitful numbers." Journal of Pedagogy 8, no. 2 (December 1, 2017): 9–25. http://dx.doi.org/10.1515/jped-2017-0007.

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Abstract This article addresses access to high-quality education under a neoliberal mentality. It engages at both the discursive and material levels, by mapping how taken-for-granted truths about neoliberal policies circulate through the media. The media—newspapers, network channels, and news websites—have correlated quality education with socioeconomic status, which have effects of power in the fabrication of the productive citizen and low-performer, and in the perpetuation of the “class/room”. The unexpected deceitfulness of numbers operates as a rhizomatic regime of truths, conducting our ways of being and acting in the world. This analysis takes numbers as an actor to challenge the apparent representative and descriptive nature of standardized assessment outcomes, and the idea that competition, freedom of choice, and accountability are a means of securing equity, inclusion, and economic growth. The novels of Sir Arthur Conan Doyle, particularly those featuring the fictional character Sherlock Holmes, and the Sherlock Holmes adaptations portrayed by Benedict Cumberbatch in the TV series “Sherlock” have inspired the narrative of this story. Sherlock’s mind palace—a feature added to Holmes’ personality in the TV series—is put to great use in the narrative of this article.

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13

Kulish, Anastasiia. "SPEECH PERSONALITY: PSYCHOLINGUISTIC ASPECT (ON THE MATERIAL OF SPEECH BEHAVIOUR OF SHERLOCK HOLMES)." Studia Philologica 2, no. 15 (2020): 37–42. http://dx.doi.org/10.28925/2311-2425.2021.155.

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The article discusses the speech personality of Sherlock Holmes in a psycholinguistic aspect. The aim of the article is to identify linguistic characteristics of speech behaviour of Sherlock Holmes. In order to achieve the aim there has been proposed the psychological classification of speech personality where personality can belong to a harmonious, conflict or impulsive psychotype. Determination of the psychotype of Sherlock Holmes was carried out by the following parameters: general attitude of the speech personality to the process of communication, role and status in communication, compliance with social norms during the conversation, coherence of the topic of conversation, intentions of the communicant. Analysis of the lexical and grammatical layers of Sherlock Holmes' speech gave grounds to classify the personality speech to a certain psychotype.

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14

McClellan, Ann. "Brogdon, Blackness and the BSI: Archiving race in Sherlock Holmes fandom." Journal of Fandom Studies 9, no. 1 (March 1, 2021): 51–73. http://dx.doi.org/10.1386/jfs_00032_1.

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Philip R. Brogdon is an avid Sherlock Holmes aficionado and the first Black American ever inducted into the exclusive ‐ and predominantly White ‐ Sherlock Holmes society, the Baker Street Irregulars. His small monograph, Sherlock in Black (1995), brings a wealth of archival information and insight into the Black history of Sherlock Holmes fandom, ranging from famous fans of colour to Black fan creators and a history of both professional and amateur fan art, film and music. This article argues that Brogdon’s Sherlock in Black archive provides an important counter-history to White establishment fan narratives popularized by the Baker Street Irregulars and raises important questions about the roles race and identity play in collecting, fandom and identity. How does Brogdon define Black Sherlockian fandom? What did it mean to him, and to other fans, to see this long history of Black Sherlockians in American film and media? What kinds of activities and creations are included? Brogdon’s Black Sherlock Holmes archive illuminates how fans of colour construct their own fan identities and how they see themselves in relation to large, often primarily White, cultural constructs.

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15

Stockton, Carol M. "Sherlock Holmes 3.0 Detector." Journal of Gemmology 37, no. 6 (2021): 555. http://dx.doi.org/10.15506/jog.2021.37.6.555b.

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16

Tristano, Caterina. "Sherlock Holmes aveva ragione ?" Gazette du livre médiéval 21, no. 1 (1992): 39–40. http://dx.doi.org/10.3406/galim.1992.1215.

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17

Cottom, Daniel. "Sherlock Holmes Meets Dracula." ELH 79, no. 3 (2012): 537–67. http://dx.doi.org/10.1353/elh.2012.0028.

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18

Goodman, Jeffrey. "Where is Sherlock Holmes?" Southern Journal of Philosophy 41, no. 2 (June 2003): 183–97. http://dx.doi.org/10.1111/j.2041-6962.2003.tb00948.x.

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19

Andrews, Crispin. "Sleuthing with Sherlock Holmes." Five to Eleven 3, no. 3 (July 2003): xiv—xvi. http://dx.doi.org/10.12968/ftoe.2003.3.3.xiv.

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20

Purdon, James. "Sherlock Holmes and risk." Critical Quarterly 60, no. 3 (October 2018): 14–28. http://dx.doi.org/10.1111/criq.12423.

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21

McCormack, Michael. "The Sherlock Holmes Hotline." Computer Fraud & Security 1996, no. 6 (June 1996): 19. http://dx.doi.org/10.1016/s1361-3723(96)90294-8.

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22

Jacobsen, Erica K. "Sherlock Holmes Goes Virtual." Journal of Chemical Education 88, no. 4 (April 2011): 368–69. http://dx.doi.org/10.1021/ed200021z.

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23

Ping, Zhang. "SHERLOCK HOLMES IN CHINA." Perspectives 13, no. 2 (October 13, 2005): 106–14. http://dx.doi.org/10.1080/09076760508668979.

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24

Gabbert, Wrennah L. "Sherlock Holmes and pediatrics." Journal of Emergency Nursing 26, no. 4 (August 2000): 377–79. http://dx.doi.org/10.1067/men.2000.107866.

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25

Delarue, Catherine. "Psychanalyste ou Sherlock Holmes ?" Analyse Freudienne Presse 8, no. 2 (2003): 67. http://dx.doi.org/10.3917/afp.008.76.

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26

Wich, Peter. "Auf Sherlock Holmes Spuren." Nachrichten aus der Chemie 51, no. 2 (February 2003): 172. http://dx.doi.org/10.1002/nadc.20030510223.

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27

Snyder, Laura J. "Sherlock Holmes: scientific detective." Endeavour 28, no. 3 (September 2004): 104–8. http://dx.doi.org/10.1016/j.endeavour.2004.07.007.

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28

Das, Rituparna. "The Archetypes of Holmesian World: A Study of Sherlock (BBC) and Elementary (CBS) as Appropriations of Archetypes." University of Bucharest Review. Literary and Cultural Studies Series 10, no. 2 (October 2021): 20–34. http://dx.doi.org/10.31178/ubr.10.2.2.

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The idea of Sherlock Holmes or what I am calling Holmesness has evolved with each of Holmes’s onscreen representations and with it has evolved his Victorian England. My paper argues that Holmes has become an emblem of victory of good over evil, thriving in his ecosystem comprised of other characters, incidents and Holmes’s Victorian England; and Holmes can only be successfully represented along with his ecosystem. To support this, I will analyse two recent television adaptations of Sherlock Holmes – Sherlock by BBC and Elementary by CBS and highlight how these series have successfully adapted Holmes and his ecosystem emblematically—not as narrative laments, but as archetypes. The chosen adaptations have not only appropriated Holmes in contemporary time, but also have appropriated his world as well.

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29

Kurowicka, Anna. "Sherlocka Holmesa droga do „normalności”." Annales Universitatis Paedagogicae Cracoviensis. Studia de Cultura, no. 10(1) (March 2018): 125–36. http://dx.doi.org/10.24917/20837275.10.1.10.

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Sherock Holmes’s road to „normality” As is the case with most asocial and asexuals geniuses, in most of his incarnations Sherlock Holmes has been presented as a character with qualities associated with autism in popular culture, such as high analytical intelligence, unwillingness to establish close relations with people, lack of understanding of social norms and lack of empathy. The article analyzes the character of Sherlock Holmes in the BBC TV show “Sherlock” and the narrative of cure employed in the show, which leads to him losing his autistic traits. Next I present a critique of this type of a narrative from the perspective of disability studies, focusing Keywords: autism, asociality, cure, asexuality, Sherlock Holmes

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30

Han, Kyoung-Min. "Holmes Vs. Sherlock: Overcoming or Reclaiming Humanity?" Journal of English Studies in Korea 38 (June 15, 2020): 153–77. http://dx.doi.org/10.46562/ssw.38.1.6.

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31

Stowell-Kaplan, Isabel. "William Gillette's Sherlock Holmes, or the “Real” Sherlock Holmes: Seeking Reality in Materiality." Theatre Survey 64, no. 2 (May 2023): 177–97. http://dx.doi.org/10.1017/s0040557423000145.

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In 1901, the popular American actor and playwright, William Gillette, arrived in the United Kingdom to tour his new play, Sherlock Holmes. Born in Connecticut in 1853, Gillette was by this time a well-established actor and playwright in his native United States and not unknown to British audiences. Just a few years earlier, he had brought his play Secret Service to London, where his performance as an American Union spy had “created a sensation.” Despite his prior reputation and relative celebrity, there was a seeming belief at the time in a natural accord between Gillette and the character that would go on to define his career. A tale recounted by Harold J. Shepstone in the Strand magazine—already the fictional home of the world's most famous sleuth—underlines the belief in the symbiosis of William Gillette and Sherlock Holmes: When Mr. Gillette arrived on the Celtic in Liverpool, in August last, Mr. Pendleton of the London and North-Western Railway, had a letter to deliver to him. He went on board and asked one of the passengers if he knew Mr. Gillette. The man replied:—“Do you know Sherlock Holmes?”The visitor was rather taken back, and said: “I have read the stories in The Strand Magazine.”“That's all you need know,” said the passenger. “Just look around till you see a man who fits your idea of what Sherlock Holmes ought to be and that's he.”Mr. Pendleton went away, with a laugh. As he was going up the companion-way he collided with a gentleman, and as he looked up to apologize the passenger's advice occurred to him, and he said, “Are you Mr. Gillette?”“I was, before you ran into me,” was the reply.“Here's a letter for you.”

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32

Gooniyah, Azani Fitri, Adeltirha Yasnu Army, and Thafhan Muwaffaq. "Enola Holmes Case: An Invasive Pastiche for Embodying a Holmes Sister as the Feministic Detective." Prosodi 16, no. 1 (April 11, 2022): 28–39. http://dx.doi.org/10.21107/prosodi.v16i1.13374.

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This paper discusses about how ‘Enola Holmes’ film is a diegetic extension that represents feministic ideas. Intend to explain the relation between the feministic ideas and the concept of postmodernism. It is argued that the narrative of Enola Holmes reuses and recycles narrative of Sherlock Holmes in form of pastiche so to extend the pre-existing grand narrative of Sherlock Holmes. The extension makes it possible to render a portrayal of independent and self-determined female detective.

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33

Maully, Gevintha Karunia. "Representasi Tokoh Wanita pada Kisah Fiksi Kriminal: Serial Televisi Sherlock BBC (2010)." Paradigma, Jurnal Kajian Budaya 4, no. 2 (March 11, 2016): 102. http://dx.doi.org/10.17510/paradigma.v4i2.45.

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<p>Sherlock BBC (2010) is one of the latest adaptations of Sherlock Holmes. By using the modern era as its sett ing, Sherlock off ers something different compared to previous Sherlock Holmes adaptations. This research focuses on the representation of female characters on Sherlock according to an issue that already chosen which is women and crime. The theories and concepts which are used on this research are gender construction in Victorian Era, the concept of femme-fatale and crime fi ction characteristics. I argue that there are some substantial diff erences of female characters’ representation in Sherlock compared to the original story. Despite those diff erences, female characters in Sherlock are still represented in a similar manner as the crime fictions characteristics in which women are always put in an inferior position and<br />the one who need men’s help.</p>

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34

Sabade, Avani. "Sherlock Holmes introduces critical thinking." Argument: Biannual Philosophical Journal 10, no. 2 (March 31, 2021): 529–38. http://dx.doi.org/10.24917/20841043.10.2.14.

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Sherlock has been admired in medical and criminal investigative education for his detection abilities. What makes him such an iconic figure is his “science of deduction and analysis”. Are there critical thinking traits in Sherlock Holmes’ method which can be used for instruction? Can Holmes be considered an exemplar of critical thinking? The argument here is that Holmes’ methods overlap with educational outcomes of critical thinking courses. A teaching activity designed to allow an exploration of the detective’s abilities in an introductory class is described here.

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35

Sabade, Avani. "Sherlock Holmes introduces critical thinking." Argument: Biannual Philosophical Journal 10, no. 2 (March 31, 2021): 529–38. http://dx.doi.org/10.24917/20841043.10.2.14.

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Sherlock has been admired in medical and criminal investigative education for his detection abilities. What makes him such an iconic figure is his “science of deduction and analysis”. Are there critical thinking traits in Sherlock Holmes’ method which can be used for instruction? Can Holmes be considered an exemplar of critical thinking? The argument here is that Holmes’ methods overlap with educational outcomes of critical thinking courses. A teaching activity designed to allow an exploration of the detective’s abilities in an introductory class is described here.

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36

Gilberg, Mark. "Alfred Lucas: Egypt's Sherlock Holmes." Journal of the American Institute for Conservation 36, no. 1 (1997): 31. http://dx.doi.org/10.2307/3180082.

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37

Didierjean, André, and Alan Castel. "Même Sherlock Holmes aurait vieilli." Cerveau & Psycho N° 77, no. 5 (January 5, 2016): 84–87. http://dx.doi.org/10.3917/cerpsy.077.0084.

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38

Ballew, Hunter. "Sherlock Holmes, Master Problem Solver." Mathematics Teacher 87, no. 8 (November 1994): 596–601. http://dx.doi.org/10.5951/mt.87.8.0596.

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39

Wainwright, Michael. "Sherlock Holmes and Game Theory." Mosaic: a journal for the interdisciplinary study of literature 45, no. 3 (2012): 81–98. http://dx.doi.org/10.1353/mos.2012.0025.

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40

Kalra, Sanjay, and AmbikaGopalakrishnan Unnikrishnan. "Endocrinology, Evidence and Sherlock Holmes." Indian Journal of Endocrinology and Metabolism 20, no. 1 (2016): 1. http://dx.doi.org/10.4103/2230-8210.172290.

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41

McCuskey, Brian. "Sherlock Holmes and Intelligent Design." Quarterly Review of Biology 87, no. 3 (September 2012): 225–35. http://dx.doi.org/10.1086/666749.

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42

Schattner, A. "Sherlock Holmes and clinical excellence." QJM 106, no. 12 (October 15, 2013): 1157. http://dx.doi.org/10.1093/qjmed/hct206.

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43

Oderwald, A. K., and J. H. Sebus. "The Physician and Sherlock Holmes." Journal of the Royal Society of Medicine 84, no. 3 (March 1991): 151–52. http://dx.doi.org/10.1177/014107689108400313.

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44

FRAPE, D. L. "Sherlock Holmes and chemical poisons." Equine Veterinary Journal 28, no. 2 (March 1996): 89–91. http://dx.doi.org/10.1111/j.2042-3306.1996.tb01596.x.

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45

Cerveny, Randall S., and Sandra W. Brazel. "Sherlock Holmes and the Weather." Weatherwise 42, no. 2 (April 1989): 80–84. http://dx.doi.org/10.1080/00431672.1989.9927087.

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46

Caplan, Richard M. "Sherlock Holmes and "Brain Fever"." Perspectives in Biology and Medicine 30, no. 3 (1987): 433–39. http://dx.doi.org/10.1353/pbm.1987.0046.

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47

Gilberg, Mark. "Alfred Lucas: Egypt's Sherlock Holmes." Journal of the American Institute for Conservation 36, no. 1 (January 1997): 31–48. http://dx.doi.org/10.1179/019713697806113620.

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48

Carson, David. "The Abduction of Sherlock Holmes." International Journal of Police Science & Management 11, no. 2 (June 2009): 193–202. http://dx.doi.org/10.1350/ijps.2009.11.2.123.

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49

Holmes, Andrew P., John D. G. Watson, and Thomas E. Nichols. "Holmes and Watson on ‘Sherlock’." Journal of Cerebral Blood Flow & Metabolism 18, no. 6 (June 1998): 697. http://dx.doi.org/10.1097/00004647-199806000-00012.

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50

Rich, Paul. "The Sherlock Holmes of Societies." Names 49, no. 4 (December 2001): 236–39. http://dx.doi.org/10.1179/nam.2001.49.4.236.

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