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Journal articles on the topic 'Shevchenko T.G'

Author: Grafiati

Published: 28 May 2022

Last updated: 31 July 2025

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1

Voronov, Viktor I. "The Correspondence between Taras G. Shevchenko and Lazarevsky Brothers." Universum Historiae et Archeologiae 1, no. 1-2 (2019): 110. http://dx.doi.org/10.15421/2611813.

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The article analyzes epistolaries as one of communication means between famous Ukrainian poet and artist Taras G. Shevchenko and three elder brothers from Lazarevsky family (Vasil, Mykhailo and Fedir M.). These epistolaries have been published in the periodicals of the second half of XIX – the early XX centuries. The article also reviews some archaeographic editorials, devoted to T. G. Shevchenko and written by the other Lazarevsky family representative – О. М. Lazarevsky, famous historian and archaeographist. Consideration is also given to significative and informative fragments of memoirs ab

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2

Bandura, H. O. "SHEVCHENKIANA ON THE PAGE OF SUCHASNIST JOURNAL." Shevchenko Studies, no. 1(23) (2020): 5–29. http://dx.doi.org/10.17721/2410-4094.2020.1(23).5-29.

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The article provides an overview of the Suchasnist Journal publications, dedicated to the life and work of T. Shevchenko. It is stated that articleson T. Shevchenko and his heritage were published in many Journal sections. Various in their subject, they were united in their rejection of the official Soviet Shevchenko studies, which, in their turn, generally regarded the emigration researchers works as «bourgeois-nationalist falsifications». The «History of Literature, Criticism, Art, Culture» section contained articlesby B. Kravtsiv devoted tothe "mainland" Shevchenko studiesanalysis, as well

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3

Holovai, Iryna. "RECEPTION OF TARAS SHEVCHENKO'S WORK BY ANATOLII POGRIBNYI. SHEVCHENKO'S IMPERATIVES AND US." Shevchenko Studies, no. 1 (27) (2024): 86–97. https://doi.org/10.17721/2410-4094.2024.1(27).1/86-97.

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B a c k g r o u n d . The purpose of the article is to update the journalistic legacy of the doctor of philological sciences, professor, laureate of the Taras Shevchenko National Award. Literature review The study and analysis of the source base of the research gives grounds for asserting that the Shevchenko aspect of the scientific and journalistic heritage of A. Pogribnyi has not yet been the subject of a special study. In works O. I. Vishnevskyi, H. M. Hrymych, V. G. Donchyka, P. P. Kononenko, P. M. Movchana, O. A. Khomenko, S. V. Shebelist, I. P. Yushchuk are highlighted facts and directio

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Denysevych, Olena. "REMBRANDT VAN RIJN IN THE ARTISTIC PICTURE OF THE WORLD BY T. SHEVCHENKO." Shevchenko Studies, no. 1 (27) (2024): 155–67. https://doi.org/10.17721/2410-4094.2024.1(27).1/155-167.

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B a c k g r o u n d . In this study, we trace the influence of the Dutch artist Rembrandt van Rijn on the formation of the artistic picture of the World T. Shevchenko. M e t h o d s . The tasks of the comparative historical method are confirmed in the epistolary heritage and sketches about the influence of the Dutch artist on the formation of Shevchenko's artistic taste and borrowing of singing artistic techniques. R e s u l t s . While studying at the Academy of Fine Arts, T. Shevchenko intuitively chooses a teacher-Rembrandt van Rijn. In it, he imitates the transmission of light and shadow,

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5

Svitlenko, Serhii. "SHEVCHENKIV ANNIVERSARIES AND UKRAINIAN PUBLIC CENTERS AND ORGANIZATIONS IN ODESA IN THE LAST QUARTER OF THE 19TH – BEGINNING OF THE 20TH CENTURY." Chornomors’ka Mynuvshyna, no. 18 (December 28, 2023): 117–30. http://dx.doi.org/10.18524/2519-2523.2023.18.292465.

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The purpose of the article is to reconstruct the history of commemoration of Shevchenko's anniversary in the context of the activities of Ukrainian public centers and organizations in Odesa in the last quarter of the 19th and early 20th centuries. Research methods have become personalistic and systemic. Sources: archival and published documents, as well as epistolaries, journalism, memoirs gleaned from Ukrainian periodicals. The main results consist in understanding the process of commemorating Shevchenko's anniversary as an important factor in the formation of Ukrainian national consciousness

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6

Kuleshir, Mariia. "JOHN PANCHUK'S SHEVCHENKO WORK." Shevchenko Studies, no. 1 (27) (2024): 214–29. https://doi.org/10.17721/2410-4094.2024.1(27).1/214-229.

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B a c k g r o u n d . The poem 'Testament' by Taras Shevchenko, which he wrote on Christmas day, 1845, in Pereiaslav, when he was a guest at Dr. Kozachkovskyi's home, is known throughout the world as a manifesto of freedom. Thanks to this small in size but significant in scope work, the name of Taras Shevchenko entered the cohort of outstanding poets of the world. This opinion is clearly stated by John Panchuk, a well-known American lawyer of Ukrainian origin, in his book 'Shevchenko's Testament. Annotated Commentaries'. In this work, John Panchuk relies on numerous recognized studies of well-

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7

Filicheva, V. V. "F. Sologub Translating Frederic Mistral and T. G. Shevchenko." Russkaya Literatura 4 (2018): 151–58. http://dx.doi.org/10.31860/0131-6095-2018-4-151-158.

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8

Chkhatarashvili, Sophio. "TARAS SHEVCHENKO FROM THE POINT OF VIEW OF GEORGIAN WRITERS: SOVIET CULTURAL CONTEXT." Shevchenko Studies, no. 1 (27) (2024): 221–29. https://doi.org/10.17721/2410-4094.2024.1(27).2/221-229.

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B a c k g r o u n d . The article is devoted to the reception of Ukrainian classical writer Taras Shevchenko in Georgian literature during the Soviet period. The article examines the peculiarities of the perception of Tara Shevchenko's work in the Georgian Soviet cultural reality. Georgian writers met Taras Shevchenko and were interested in Ukrainian Kobzar even during his lifetime. Akaki Tsereteli, a classic of Georgian literature, knew him personally. Taras Shevchenko attracted the attention of many Georgian writers at different times along with the change of era. R e s u l t s . Hermeneutic

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9

Rakhaev, Jamal. "T. G. Shevchenko and the Georgian national movement of the second half of the nineteenth and early twentieth century." East Slavic Studies 2 (2023): 215–27. http://dx.doi.org/10.31168/2782-473x.2023.2.10.

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The article traces the influence of the outstanding Ukrainian poet and prose writer T. G. Shevchenko on the formation and development of the leaders of the Georgian national movement Tergdaleulebi (I. G. Chavchavadze, A. R. Tsereteli, N. I. Lomouri, etc.) in the second half of the nineteenth and early twentieth century. Tergdaleulebi members (literally: those who drank the water of the river Terek, meaning those educated in Russia), this patriotic-democratic direction of the Georgian educational thought of the 1860s and 1870s, was under the influence of T. G. Shevchenko, V. G. Belinsky, N. G.

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10

Ohirko, Oleh. "SPIRITUAL AND MORAL MOTIVES OF TARAS SHEVCHENKO'S CREATIVITY." Shevchenko Studies, no. 1 (27) (2024): 53–70. https://doi.org/10.17721/2410-4094.2024.1(27).2/53-70.

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B a c k g r o u n d . The creativity of our national prophet Taras Shevchenko during the Ukrainian-Russian war is an urgent problem today. His spiritual and moral appeals to the Ukrainian people need to be rethought from the standpoint of Christian faith and morality, since in the past Soviet ideology tried to present Kobzar as an atheist, blasphemer, and democratic revolutionary, a "forerunner of the October Revolution", who allegedly saw our future only in unity with the Russian by the people The word God, which Shevchenko always wrote with a capital letter, was traditionally presented with

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Karpinchuk, Halyna. "DMYTRO BAHALII IS THE FIRST DIRECTOR OF THE TARAS SHEVCHENKO INSTITUTE AND HIS CONTRIBUTION TO SHEVCHENKO STUDIES." Shevchenko Studies, no. 1 (27) (2024): 168–91. https://doi.org/10.17721/2410-4094.2024.1(27).1/168-191.

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B a c k g r o u n d . Scientific archievements of academician Dmytro Bahalii, the author of more than 600 historical studies, in the field of literary studies include only up to fifty works. This article analysis for the first time the Shevchenko studies of D. Bahalii, which he worked on mostly at the end of his life. M e t h o d s . The article wrote using general scientific methods (analysis, synthesis, description, generalization), historical-literary, textological, and source studies (biographical, cultural-historical, comparative, heuristic, critical). R e s u l t s . The work of the scie

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12

SHTURMAK-YAREMYSHYN, Ivanna. "CONTRIBUTION OF UKRAINIAN COMPOSERS OF THE 19TH CENTURY TO THE DEVELOPMENT OF VOCAL PEDAGOGY (BASED ON THE WORKS OF TARAS SHEVCHENKO)." Bulletin of the Lviv University. Series of Arts Studies 218, no. 24 (2023): 89–94. http://dx.doi.org/10.30970/vas.24.2023.89-94.

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The article examines the linguistic and intonation aspect of Shevchenko’s poetry and highlights its influence on the creative activity of Ukrainian composers of the 19th century. The main achievements of musical culture are characterized through the prism of vocal Shevchenko composers of the 19th century. Attention is focused on vocal works for different types of voices and the main points of their study are revealed. The figure of T. G. Shevchenko is revealed not only as a writer, but also as a melodist. Examples of works with the help of which it is possible to improve the performance skills

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13

Svіtlenko, Sеrhii. "Taras Shevchenko in Reflections of the Cyril and Methodius Society Members." Roxolania Historĭca = Historical Roxolania 2 (December 28, 2019): 11. http://dx.doi.org/10.15421/30190201.

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The article aims to study the personality of Taras Shevchenko in the reflections of the Cyril and Methodius Society Members. The investigators of the figures of the Cyril and Methodius Society, the epistolary and memoir legacy of the participants of the Ukrainian National Movement and their sympathizers are analyzed. As a result, it is argued that the Cyril and Methodius Society Members had fruitful intellectual contacts with T. Shevchenko, knew well and highly respected his work, realized the importance of the poet as a true Ukrainian populist, who made a significant contribution to the natio

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14

Shalak, Oksana. "MYKOLA BILOZERSKYI AND HIS "TARAS HRYGORYEVYCH SHEVCHENKO ACCORDING TO THE MEMORIES OF DIFFERENT PERSONS (1831–1861)": WHERE MEMORIES END AND FOLKLORE BEGINS." Shevchenko Studies, no. 1 (27) (2024): 230–24. https://doi.org/10.17721/2410-4094.2024.1(27).2/230-248.

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B a c k g r o u n d . Creating a source base for reconstruction of biography is one of the most urgent problems of biography. Little is known about the folklorist Mykola Bilozerskyi, the history of the study of his activities, which began with the obituary, includes the names of A. Krymskyi, B. Kyrdan, and N. Barabash, whose works only outline the main directions of research. The article by M. Bilozersky "Taras Grigoryevich Shevchenko according to the memoirs of various persons (1831–1861)" belongs to the undeservedly left on the margins of Shevchenko studies. The goal is to study the memories

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15

Kasіanova, Oleksandra. "TARAS SHEVCHENKO IN CHATGPT." Shevchenko Studies, no. 1 (27) (2024): 192–201. https://doi.org/10.17721/2410-4094.2024.1(27).1/192-201.

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B a c k g r o u n d . The modern world demands from scientists new approaches to the organization of educational activities. This is caused not only by the rapid development of information technologies, but also by the generation of modern youth, their different vision, thinking and perception. A student can, without leaving home, learn new things, attend online events in any country in the world. It gives freedom, promotes development and encourages learning. A modern teacher who is not limited by boundaries and can choose and involve various tools in the educational process. The challenge fo

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16

Shevchenko, Tetiana. ""MY SHEVCHENKO ENCYCLOPEDIA" BY L. USHKALOV AS A FORMAT OF AN ESSAY COLLECTION." Shevchenko Studies, no. 1 (27) (2024): 273–89. https://doi.org/10.17721/2410-4094.2024.1(27).2/273-289.

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В a c k g r o u n d . "My Shevchenko encyclopedia: from the experience of selfdiscovery" by L. Ushkalov is a special literary project that contains features of an encyclopedic work and a collection of essays. This book was practically not an object of scientific understanding, but it attracts literary critics from the point of view of format organization and genre features. The purpose of the article is to analyze L. Ushkalov's book from the point of view of the author's personalization method of T. Shevchenko, and from the point of view of the self-presentation of the author of this work in t

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17

Levchenko, Nataliia. "TARAS SHEVCHENKO IN CAMOUFLAGE: "KOBZAR" EDITED BY SERHIІ PUSHCHENKO". Shevchenko Studies, № 1 (27) (2024): 268–81. https://doi.org/10.17721/2410-4094.2024.1(27).1/268-281.

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B a c k g r o u n d . "Kobzar" by Taras Shevchenko edited by Serhiy Pushchenko, the text of which is woven from artistic modernized visual and Shevchenko verbal images, is a vivid embodiment of the creative essence of the poet-artist and at the same time convincing evidence of the growing relevance of the artist's work in the 21st century. M e t h o d s . Intermediate and hermeneutic methods were used. R e s u l t s . It was found that pilot study of the intermedial aspect of "Kobzar. (Front Kobzarya)" by T. Shevchenko edited by S. Pushchenko became the basis for the study of artistic means of

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18

Plechko, Antonina. "THE IMAGE OF HEAVENLY BODIES IN THE WORKS OF TARAS SHEVCHENKO." Shevchenko Studies, no. 1 (27) (2024): 89–105. https://doi.org/10.17721/2410-4094.2024.1(27).2/89-105.

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B a c k g r o u n d . The article presents the author's view on the symbolism of images of Heavenly bodies in the work of Taras Shevchenko, summarizes the materials of previous studies on the image of nature in Shevchenko's work. Natural landscapes in the poems of T. Shevchenko were studied by many scientists: M. Sumtsov, V. Gorodecka, L. Zadorozhna, A. Kalynchuk, V. Kononenko, etc. The relevance of our research is due to the fact that the theme of the symbols of the Sun, Moon and Stars in Shevchenko's poems has not yet been sufficiently revealed. M e t h o d s . The research process uses the

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19

Kupchyk, Oleh. "Taras Shevchenko Kyiv State University’s international cooperation with scientific and educational institutions of Northern and Southern America countries in 1944–1975’s." American History & Politics: Scientific edition, no. 14 (2022): 1–14. http://dx.doi.org/10.17721/2521-1706.2022.14.3.

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The world’s leading countries use international cooperation in the education and science field to influence and confirm their authority. The countries of North and South America and the USSR used scientific and educational relations as a means of communication. For Kyiv State University named after T. G. Shevchenko, this provided an opportunity to expand the geography of international relations. Therefore, the aim of the article is a comprehensive study of the connections of KSU named after T. G. Shevchenko with scientific and educational institutions of the countries of North and South Americ

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20

Lebid-Hrebeniuk, Yevheniia. "SHEVCHENKO STUDIES AT THE INSTITUTE OF LITERATURE IN THE PERIOD FROM THE POGROM TO THE END OF THE WAR: THE MAIN TREND (1936–1945)." Shevchenko Studies, no. 1 (27) (2024): 252–67. https://doi.org/10.17721/2410-4094.2024.1(27).1/252-267.

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B a c k g r o u n d . The relevance of the work is due to the need for a revision study and rethinking of the Soviet literary heritage, when the study of Taras Shevchenko's work paid attention not so much to literary problems as to ideological and populist slogans. Accordingly, the goal of our study was to objectively consider the works of academic critics of Shevchenko, pointing out the obvious tendency, the contentiousness of certain literary judgments and to identify those works that most vividly, productively and talentedly trace the peculiarities of the poetics and language of the Shevche

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Prylipko, Iryna. "FEATURES OF THE POETIC CREATIVITY OF OLEKSANDR NAVROTSKYI." Shevchenko Studies, no. 1 (27) (2024): 129–46. https://doi.org/10.17721/2410-4094.2024.1(27).2/129-146.

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B a c k g r o u n d . The creative output of Oleksandr Navrotskyi – a poet, translator, member of the Cyril and Methodius Society, comrade of Taras Shevchenko – still remains little known and mostly unstudied, and a big part of it is unpublished. O. Navrotskyi's poetry as a separate component of his creative heritage is an original and interesting page of Ukrainian literature of the second half of the 19th century, which needs to be understood and introduced into scientific circulation. The purpose of the article: to outline the significant aspects of O. Navrotskyi's poetic work, in particular

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Shevchuk, Tetiana. "A JOKE ABOUT TARAS SHEVCHENKO AS AN ARTIST IN THE NOTES OF IVAN PAN'KEVYCH (FROM THE PHONOGRAM ARCHIVES OF THE AUSTRIAN ACADEMY OF SCIENCES AND THE PRAGUE LITERARY ARCHIVES)." Shevchenko Studies, no. 1 (27) (2024): 290–300. https://doi.org/10.17721/2410-4094.2024.1(27).2/290-300.

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B a c k g r o u n d . The search and publishing of archival folklore texts about Taras Shevchenko remain a current task of the modern Shevchenko heritage studies. This research considers one iteration of the joke about T. Shevchenko and the General's Portrait painted by him. M e t h o d s . The author employs a comparative-historical approach, while also considering the specifics of the field anthropological research methodology introduced by the Austrian scholar Rudolf Pöch in the early 20th century. R e s u l t s . This variant was discovered by an author in two foreign archives: the Phonogr

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Orlova, N. I. "TARAS'S HOME ON THE KOZYNE BOLOTO: POLEMICS, FACTS." Shevchenko Studies, no. 1(25) (2022): 188–210. http://dx.doi.org/10.17721/2410-4094.2022.1(25).188-210.

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From the end of April 1846 the house of the Kiev official I. Zhytnytskyi on Kozyne Bolote street became for one year a temporary residence for T. Shevchenko and his friend (poet O. Afanasiev-Chuzhbinsky and artist M. Sazhin). Polish writer Yu. Belina-Kenjitsky, who was a student of the Imperial University of St. Vladimir, acquaintance of T. Shevchenko, who repeatedly visited him, noted in memoirs that in 1862 visiting Kiev, he saw that the house I. Zhytnytskyi is not preserved. The problem of reliability of the house I. Zhytnytskyi on Kozyne Boloto street, in which November 10, 1928 the House-

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24

Ruban, Alla. "The title as a constituent and structural component of T. G. Shevchenko's poetic works: general characteristics, specifics." Journal of V. N. Karazin Kharkiv National University, Series "Philology", no. 94 (June 15, 2024): 13–18. https://doi.org/10.26565/2227-1864-2024-94-02.

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The author of the article focuses on the paratextuality of "Kobzar" by T G. Shevchenko, particularly, on the relationship between the poetic texts of the collection and the titles. There made an attempt to classify the titles of the works from different positions. The poetic book of the well-known Ukrainian author includes 237 works, only 80 of them have material names. Materially expressed titles of poems, ballads and poems are in the researcher’s special consideration. The titles of T G. Shevchenko's poetic works are diverse in terms of substantive and factual information: they indicate the

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Verkhovenko, Olha. "Peculiarities of Women Ballet Performance 1970–1980s. (on the Example of Stage Activities of T. Lytvynova and S. Prykhodko)." Bulletin of Kyiv National University of Culture and Arts. Series in Stage Art 4, no. 1 (2021): 17–27. https://doi.org/10.31866/2616-759X.4.1.2021.234233.

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The purpose of the article is the stage achievements of the leading soloists of the capital’s ballet stage – Tatiana Lytvynova and Svetlana Prykhodko, who successfully worked on the stage of Kyiv State Academic Opera and Ballet Theater (SAOBT) named after T. Shevchenko during the 1970s and 1980s. Research methods include the use of the following research methods: general historical (in order to study the historical processes that took place in the artistic environment of Ukraine during the last quarter of the twentieth century), historical and cultural (allowed study

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26

Bucharskaya, I. "“Bukvar Yuzhnorusskіy, 1861” by Taras Shevchenko in the communicative space of Ukraine: the reality and prospects of presence". Communications and Communicative Technologies, № 19 (5 травня 2019): 19–25. http://dx.doi.org/10.15421/291903.

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This study is an attempt to determine the role of the last text of T. G. Shevchenko’s “Bukvar Yuzhnorusskіy, 1861” in the whole communicative space of Ukraine.For this purpose, study was conducted in the following areas: characteristics of the era of writing the text and its entry into the communicative space; determining the place of the text in the creative history of the author; the study of the internal structure of the text; the characteristics of modernity regarding the presence of the text in the mass consciousness.In the process of the study, the following results have been obtained: a

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Нагайко, Катерина. "Біографічний простір Т. Г. Шевченка на сторінках часопису «Київська старовина» (огляд публікацій членів Київської Громади)". Простір в історичних дослідженнях 5 (22 грудня 2024): 119–28. https://doi.org/10.5281/zenodo.14516928.

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<em>У статті проаналізовано розвідки та матеріали членів Київської Громади, опубліковані в часописі «Київська Старовина», що стосуються біографії Т. Г. Шевченка. Це праці громадівців В. М. Доманицького, О. Ф.</em><em> </em><em>Лазаревського, О. І. Лашкевича, Ф. Г. Лебединцева, О. І. Левицького, М. В. Стороженка, а також українофілів, які формували близьке коло вищевказаного товариства: Л. М. Мацієвича та Н. В. Молчановського. Біографічний простір Т. Г. Шевченка окреслюється публікаціями про окремі періоди його життя та творчості: дитинство, навчання в Петербурзькій академ

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Mtchedeladze, Ivane. "THE POETRY OF TARAS SHEVCHENKO IN THE LITERARY-CRITICAL AND TRANSLATOLOGICAL STUDIES OF RAUL CHILACAVA: THE FORMATION OF A TRANSNATIONAL LITERARY FIELD." Shevchenko Studies, no. 1 (27) (2024): 5–23. https://doi.org/10.17721/2410-4094.2024.1(27).2/5-23.

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B a c k g r o u n d . The article examines the latest Georgian scientific-critical, translated and fiction literature (poetry) about Taras Shevchenko, belonging to the modern bilingual poet, translator and scientist Raul Chilachava. Particular attention is paid to the newest bilingual collection "My Thoughts", the extensive preface and translations of which represent an important fact in the history of Georgian-Ukrainian literary relations of the post-colonial period. R e s u l t s . For analysis, the article uses many concepts of translation studies and comparative studies, cultural studies –

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Tovstolyak, Nadiya. "Vasyl Tarnovsky: New Materials for the Biography." Roxolania Historĭca = Historical Roxolania 1 (November 15, 2018): 195. http://dx.doi.org/10.15421/30180114.

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The article have been based on a little known and new documents about life and social activity Ukrainian patriot, philanthropist and museum worker V. V. Tarnovsky (1838–1899). He was born 180 years ago in Antonivka village of Poltavsky province. It was ascertain on a basis of correspondence Tarnovsky family and his friends: he got secondary education at Ennes boarding-school, studied at Main Engineer School in Sankt-Petersburg, and after than he graduated a historical philological deparment at Saint Volodymyr University in Kiev, but he hadn't final examinations. In 1857–1866 he was a manager i

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Shaf, Olga. "ANTI-COLONIAL TEXTUAL STRATEGIES IN THE POETRY OF TARAS SHEVCHENKO: ON THE ISSUE OF POSTCOLONIAL RECEPTION OF THE ARTIST'S WORK." Shevchenko Studies, no. 1 (27) (2024): 249–72. https://doi.org/10.17721/2410-4094.2024.1(27).2/249-272.

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B a c k g r o u n d . Development of post-colonial studies in Ukraine requires exploration of ways to adapt the theory to the socio-political and cultural situation in the country, as well as to the format of post-colonial reception of the works of Ukrainian artists, including Taras Shevchenko. The implementation of these tasks is complicated by the reactivation of neo-colonial threats, which actualize, in particular, the nationalist approach to Shevchenko's artistic heritage. The purpose of the article is to study the anti-colonial textual strategies in the work (primarily in the pre-arrest p

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Slipushko, Oksana, and Olha Shchelkunova. "IDEAS OF UKRAINIAN STATEHOOD IN THE HISTORICAL WORKS OF TARAS SHEVCHENKO." Shevchenko Studies, no. 1 (27) (2024): 162–82. https://doi.org/10.17721/2410-4094.2024.1(27).2/162-182.

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B a c k g r o u n d . The article is devoted to the analysis of the idea of Ukrainian statehood in the historical works of Taras Shevchenko. The relevance of the writer's poetry for the formation of the national worldview and national identity of the Ukrainian people is determined. The idea of statehood is represented as a concept, which is based on historical traditions and the struggle for freedom and independence. The attention is focused on T. Shevchenko's formation of the idea of the state tradition, its evolution in different cultural and historical eras. M e t h o d s . The article uses

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SYNIEOK, Vira, and Kostiantyn KALIIEVSKYI. "ARTISTIC IMAGES OF WOMEN IN THE POETRY OF T. G. SHEVCHENKO AND THEIR EXPRESSION THROUGH CHOREOGRAPHIC ART." Humanities science current issues 4, no. 60 (2023): 40–46. http://dx.doi.org/10.24919/2308-4863/60-4-6.

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Мирончук, Д. Ф. "D.F. Krasitsky is a historian and a shevchenko scientist." Problems of Political History of Ukraine, no. 14 (June 12, 2019): 216–20. http://dx.doi.org/10.33287/11918.

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The article is devoted to the scientific, pedagogical and literary activities of Dmitry Filimonovich Krasitsky (1901–1989) – the great-grandson of the genius Kobzar, who in the early 40s. worked in the Dnipropetrovsk State University, as Vice-Rector of the Dnipropetrovsk State University (1943–1944), Head of the Pulpit History Peoples of the Soviet Union (1943–1946). He was patriot of his native language, as evidenced by the materials of the Museum of the History of the Oles Gonchar Dnipro National University. A member of the Writers’ Union of Ukraine (1960), a known writer who devoted almost

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Sydorenko, T. D. "RELATED ARTS AS A MEANS OF FORMATION PEDAGOGICAL CULTURE FUTURE MUSIC TEACHER." Educational Dimension 1 (May 19, 2022): 32–39. http://dx.doi.org/10.31812/educdim.5006.

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The present article deals with the guestion of formation of pedagogical culture of music teachers and the role o f the interaction of different aspects of art in this process. Using the examples of life and activity o f well-known figures of national culture such as G. Skovoroda, T. Shevchenko, M. Lysenko, Lesya Ukrainka etc. The author shows the importance and influence of the introduction of students with the contiguous aspects o f art on the development and formation o f broad-minded and of great erudition teachers to come.

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Syzonov, Dmytro. "SHEVCHENKO'S APHORISMS AS REPRESENTATIVES OF NEW MEDIA MEANINGS." Shevchenko Studies, no. 1 (27) (2024): 147–61. https://doi.org/10.17721/2410-4094.2024.1(27).2/147-161.

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B a c k g r o u n d . The article identifies and analyzes new reflections on Taras Shevchenko's texts in the media space. Emphasis is placed on Shevchenko's aphorisms, which acquire new meanings in mass communication, in particular, socio-political, economic, artistic and cultural processes in Ukraine are emphasized, which are accompanied by T. Shevchenko's texts to strengthen the argumentation and facts of the presented material. The use of Shevchenko's aphorism is based on the background knowledge of the recipients, because the intended effect of impact on the audience is possible only with

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Величко, Є. І. "Економічна ефективність виробництва молока в сільськогосподарських підприємствах". Вісник Полтавської державної аграрної академії, № 4 (25 грудня 2015): 103–8. http://dx.doi.org/10.31210/visnyk2015.04.26.

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Розглянуто економічну ефективність виробницт-ва молока в сільськогосподарських підприємствах.Досліджено економічну ефективність виробництвамолока на прикладі СТОВ «АФ ім. Т. Г. Шевченка»Вовчанського району Харківської області. Для цьогобули використані основні статистичні показникирезультативності діяльності досліджуваного госпо-дарства. У результаті вивчення та узагальнення да-них дослідження обґрунтовано, що СТОВ «АФ ім.Т. Г. Шевченка» є ефективним сільськогосподарськимпідприємством. Визначені основні шляхи підвищеннярентабельності молочного тваринництва підприєм-ства. Economic efficie

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Belimova, Tetiana. "A POETIC VISION OF THE RUSSIAN-UKRAINIAN WAR: FROM SHEVCHENKO TO THE PRESENT DAY." Shevchenko Studies, no. 1 (27) (2024): 5–31. https://doi.org/10.17721/2410-4094.2024.1(27).1/5-31.

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B a c k g r o u n d . Poetic art can not only resist, forming its own narratives in opposition to the imperial ones, but also record major historical events, perform an accumulative function, and preserve disparate fragments of cultural memory. Taras Shevchenko was the first artist to point to the enemy, Russian imperialism, and to outline the main coordinates of popular resistance. Contemporary Ukrainian poets have expanded and supplemented the artistic paradigm born of Shevchenko's word. M e t h o d s . The methods of postcolonial studies, memory studies, and trauma studies were applied in t

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Burganova, V., A. Nowak, M. Dulevych, et al. "INTERNATIONAL SCIENTIFIC CONFERENCE "POLITICS AND CHANGE IN CENTRAL AND EASTERN EUROPE"." International and Political Studies, no. 34 (October 21, 2021): 254–74. http://dx.doi.org/10.18524/2707-5206.2021.34.237612.

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The scientific conference for students majoring in 291 International Relations, Public Communications and Regional Studies at the initiative of the Head of the Department of International Relations Olga Brusylovska brought together Masters of ONU and Bachelors of AMU in Poznan. The conference took place on June 1, 2021 online. Among the issues considered at the conference were: the analysis of international relations and foreign policy of the states (Elkhair A., Superson I., Novatska O., Switalska N., Palyonova G., Lubinska M.), systemic transformation of post-communist countries (Burganova

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Rapatskaya, Ludmila A., and Svetlana A. Poronok. "Musical Enlightenment as a Way of Preserving the Cultural Identity of Students Foreign Russian Universities." Musical Art and Education 7, no. 2 (2019): 9–23. http://dx.doi.org/10.31862/2309-1428-2019-7-2-9-23.

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The concept of the research is based on the idea of a high educational mission of universities in the Russian Diaspora, using the example of the Pridnestrovian State University named after T. G. Shevchenko, which is the bearer of the spiritual values of Russian culture, including Russian musical classics. The article highlights the problem of preserving the cultural identity of students of foreign Russian-speaking universities in the post-Soviet space in the context of educational science. The authors consider the historical origins of music education in the Russian Diaspora and analyze the ty

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Kotsur, Anatoliy, and Mariia Kazmyrchuk. "HISTORICAL HERITAGE OF G. D. KAZMIRCHUK (IN VIEW OF THE 75TH ANNIVERSARY)." Journal of Ukrainian History, no. 40 (2019): 148–54. http://dx.doi.org/10.17721/2522-4611.2019.40.20.

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The article analyzes the life and creative path of the outstanding Ukrainian historian, Professor Grygorii D. Kazmyrchuk, who turns 75 years old. He has devoted more than 30 years of teaching to Taras Shevchenko Kyiv National University, a well-known Decembrists-scholar, historiographer and researcher of his native village of Kalknyk. The article also covers the genus of the hero of the anniversary, his family circle. A brief historical note was given of GrygoriiDmitrovich's hometown of Kalknyk village, where he was born, thanking the Kalnitsky community, investigating his history. Grygorii D.

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Chystiak, Dmytro. "FRENCH-SPEAKING TRANSLATIONS OF SHEVCHENKO'S POETRY: PROBLEMS AND PERSPECTIVES." Shevchenko Studies, no. 1 (27) (2024): 209–20. https://doi.org/10.17721/2410-4094.2024.1(27).2/209-220.

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B a c k g r o u n d . Contemporary translation studies are increasingly attracting the attention of Ukrainian philologists, which is in line with poststructuralist trends in interdisciplinary studies in the humanities. The symbolic figure of Taras Shevchenko can become a model for conceptualising the image of Ukraine abroad, taking into consideration the exceptional role of his work in the formation of Ukrainian literature, and therefore the problem of reception and interpretation of his work through translation seems extremely relevant. The purpose of our article is to highlight the problem o

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Dorofieieva, O. Yu. "Activity of the T. Shevchenko Kharkov Theater in the coverage of theatrical criticism (the second half of the 1930s – 1940s)." Problems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education 51, no. 51 (2018): 84–101. http://dx.doi.org/10.34064/khnum1-51.04.

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Background. In the Ukrainian art history, the problems of theatre criticism and the interrelations between criticism and stage art until remain insufficiently studied. The article considers the activities of the T. Shevchenko Kharkov Theatre (until 1935 – the Theatre «Berezil») in the second half of the 1930s–1940s in the coverage of theatre criticism. Since 1933, the aesthetic course of this theatre had changed dramatically from avant-garde searches to socialist realism in connection with the defeat of the position of Les Kurbas and his dismissal from the theatre. This reversal of the creativ

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Nakhlik, Yevhen. "DOMESTIC RESEARCH UKRAINIAN-POLISH LITERARY RELATIONS AND TYPOLOGICAL ASPECTS (2000–2019)." Polish Studies of Kyiv, no. 36 (2020): 235–62. http://dx.doi.org/10.17721/psk.2020.36.235-262.

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The article considers monographs, dissertations and collections on various topics related to Ukrainian-Polish literary comparative studies that appeared in independent Ukraine 2000–2019. The author considers Ukrainian-Polish literary relations and typological aspects of the 19th – the beginning of the 21st centuries: from the era of pre-romanticism and romanticism, then to positivism and hence to modernism and postmodernism. These are primarily works focused on the «Ukrainian school» in Polish Romanticism (R. Radyshevskyi, Ye. Nakhlik, M. Bratska, I. Rudenko), dedicated to Juliusz Słowacki’s c

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Ігнатенко, Марина Миколаївна. "T. G. Shevchenko chernihiv pedagogical institute as the center of local history studies of region (70-80 years of the 20th century)." ScienceRise 4, no. 1 (9) (2015): 45. http://dx.doi.org/10.15587/2313-8416.2015.40928.

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Ozadovsky, Vladislav. "Influence of T. G. Shevchenko's creativity on Russian social life of 60-beginning of 70 years of the XIX century." nauka.me, no. 3 (2019): 0. http://dx.doi.org/10.18254/s241328880007955-4.

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VDOVYCHENKO, Heorhii. "KYIV PHILOSOPHICAL SCHOOL AND THE DESTRUCTION OF MARXISM-LENINISM AT T. G. SHEVCHENKO KYIV STATE UNIVERSITY (SECOND HALF OF THE 1960S – 1970S)." Sophia. Human and Religious Studies Bulletin 23, no. 1 (2024): 73–81. https://doi.org/10.17721/sophia.2024.23.15.

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B a c k g r o u n d . Kyiv philosophical school of the second half of the 20th century was presented, first of all, by its creators in the 1960s, namely graduates of the Faculty of Philosophy of the said university and employees of the Institute of Philosophy of the Academy of Sciences of the Ukrainian SSR, headed by its director in 1962–1968, Academician of this Academy of Sciences P. Kopnin. It was under his leadership this school began and made a major contribution to the professional but censored revaluation and destruction of Marxism-Leninism in the Ukrainian SSR. Throughout the 1940s – 1

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Kupchyk, Oleh. "Taras Shevchenko Kyiv State University’s international cooperation with scientific and education institutions of Western countries in 1944–1975’s." European Historical Studies, no. 22 (2022): 71–85. http://dx.doi.org/10.17721/2524-048x.2022.22.5.

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The article reveals the international cooperation of Taras Shevchenko Kyiv State University with scientific and educational institutions of Western countries in 1944–1975. It was noted that at the end of the Second World War (1944–1945), Kyiv University couldn’t establish ties with educational and scientific institutions of Western countries due to the reconstruction of the city and the university itself. During the period of post-war reconstruction (1946–1950), the Soviet-Western confrontation was added to the mentioned problems, which then turned into the Cold War. However, the liberal socia

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Rohozha, Mariya, and Valentyna Panchenko. "From history of moral culture toward applied ethics: T. G. Abolina's ethical researches at Kyiv university." UKRAINIAN CULTURAL STUDIES, no. 2 (11) (2022): 18–23. http://dx.doi.org/10.17721/ucs.2022.2(11).04.

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The article is focused on the academic legacy of Tetyana G. Abolina (1950–2015), doctor of philosophical sciences, professor of Taras Shevchenko National University of Kyiv. Ethics as the science paved the way with difficulties at domestic academic environment in the mid of the previous century. It has been transforming from the marxist-leninist propaganda toward moral theory. The ability of a professional ethicist to find one's own path in the field and create personal intellectual niche for academic activity testified the uprise of the worthy of attention theorist. Thus, the 'star' of T. G.

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Horpynych, Yurii. "The specifics of the formation and development of the artistic style of Mykola Malyshko (1961–1967)." Almanac "Culture and Contemporaneity", no. 1 (August 31, 2021): 187–93. http://dx.doi.org/10.32461/2226-0285.1.2021.238619.

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The purpose of the article. The article identifies the main factors that influenced the formation and development of Mykola Malyshko’s artistic style in the context of the cultural and artistic processes of the 1960s. Methodology. The following scientific methods are combined: analytical, systematic, historico-cultural, contextual, comparative, and art analysis. The use of these methods allowed us to investigate the period of study of Mykola Malyshko at the Kyiv State Art Institute in 1961–1967, to outline the circle of communication of the artist, as well as to determine the characteristic fe

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Катерина, Нагайко. "ТАРАС ШЕВЧЕНКО ТА КИЇВСЬКА ГРОМАДА: ПРОСТОРОВИЙ ВИМІР". Простір в історичних дослідженнях 3 (27 жовтня 2022): 62–69. https://doi.org/10.5281/zenodo.7323581.

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The article examines the mutual influence of the figure of T. G. Shevchenko and the activities of the Kyiv Society – Ukrainophile organization that had a significant impact on the formation and development of Ukrainian national life in the Russian Empire from the 1850s to the beginning of the 20th century. Spatial aspects of the problem are outlined. Emphasis is placed on places and practices of intellectual space formation, creation of Kobzar's image as a national poet. The focus is on honoring his memory. Particular facts of meetings that took place in Kyiv, Kanev, Kharkiv, Poltava

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