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Books on the topic 'Shirin Neshat'

Author: Grafiati

Published: 4 June 2021

Last updated: 20 February 2023

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1

Neshat, Shirin. Shirin Neshat. Kassel: Museum Fridericianum, 1998.

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2

Neshat, Shirin. Shirin Neshat. London: Serpentine Gallery, 2000.

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3

Neshat, Shirin. Shirin Neshat. London: Serpentine Gallery, 2000.

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4

Neshat, Shirin. Shirin Neshat. Høvikodden: Henie Onstad Kunstsenter, 1999.

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5

Flammersfeld, Anna. Shirin Neshat. Berlin, Heidelberg: Springer Berlin Heidelberg, 2014. http://dx.doi.org/10.1007/978-3-662-58324-1.

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6

Neshat, Shirin. Shirin Neshat. Wien: Kunsthalle Wien, 2000.

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7

Gallery, Barbara Gladstone, ed. Shirin Neshat: 2002-2005. Milano: Charta, 2005.

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8

Neshat, Shirin. Shirin Neshat: Games of desire. Milano: Charta, 2009.

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9

Gallery, Barbara Gladstone, and Galerie Jérôme de Noirmont, eds. Shirin Neshat: Games of desire. Milano: Charta, 2009.

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10

Neshat, Shirin. Shirin Neshat: Women of Allah. Vancouver: Artspeak Gallery, 1997.

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11

Neshat, Shirin. Shirin Neshat, women of Allah: Photographies, films, vidéos. Paris: Paris audiovisuel, 1998.

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12

Neshat, Shirin. Shirin Neshat: La última palabra = the last word. León, España: MUSAC, 2005.

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13

Neshat, Shirin. Shirin Neshat: 17. oktober-23. november 1997 = 17 October-23 November 1997. Ljubljana, Slovenia: Moderna galerija, 1997.

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14

1957-, Neshat Shirin, Zaya Octavio 1954-, Dabashi Hamid 1951-, Museo de Arte Contemporáneo de Castilla y León., and Centro Atlántico de Arte Moderno., eds. Shirin Neshat: La última palabra = the last word / [texts by Octavio Zaya, Hamid Dabashi]. Milano: Charta, 2005.

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15

Virginia Museum of Fine Arts., ed. Outer & inner space: Pipilotti Rist, Shirin Neshat, Jane & Louise Wilson, and the history of video art. Richmond, VA: Virginia Museum of Fine Arts, 2002.

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16

Paola, Tognon, ed. Vocazioni: Arte e vita come necessità : Shirin Neshat, Manuela Cirino, Cecilia Guastaroba, Silvia Levenson, Maria Morganti. Cinisello Balsamo (Milano): Silvana, 2000.

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17

Anna, Flammersfeld, ed. Shirin Neshat: Das Oeuvre der Künstlerin von den Women of Allah (1993-1997) bis zu den Women without Men (2009) im Spannungsfeld der Kritik an ihrem Werk. Köln: Kölner Wissenschaftsverlag, 2014.

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18

Kohen, Galyah. Neshef ha-nefesh: Shirim. Tel-Aviv: "Saʻar", 1985.

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19

Kohen, Galiyah. Neshef ha-nefesh: Shirim. Tel-Aviv: Saʻar, 1985.

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20

La-harog ṿeli-neshom: Shirim. Tel Aviv: Aḥuzat bayit, 2006.

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21

Cohen-Assif, Shlomit. Neshiḳat haftaʻah: Shirim ṿe-sipurim. [Tel Aviv]: ha-Ḳibuts ha-meʼuḥad, 1993.

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22

Assis, Adi. ha-Nesheḳ ha-ḥam: Shirim. Tel-Aviv: Heliḳon, 2009.

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23

Shirin Neshat. Rizzoli, 2010.

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24

1957-, Neshat Shirin, Hart Rebecca R, Princenthal Nancy, and Detroit Institute of Arts, eds. Shirin Neshat. Detroit Institute of Arts, 2013.

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25

1957-, Neshat Shirin, ed. Shirin Neshat. Milano: Charta, 2002.

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26

Goldberg, RoseLee, Shirin Neshat, and Giorgio Verzotti. Shirin Neshat. Charta, 2002.

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27

(Editor), Beatrice Stammer, and Britta Schmitz (Editor), eds. Shirin Neshat. Steidl, 2006.

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28

Matt, Gerald, Ruth Noack, and Matt Gerald. Neshat Shirin. Art Data, 2000.

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29

Shirin Neshat. Musee D'Art Contemporain de Montreal, 2001.

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30

Melkonian, Neery. Neshat Shirin. Henie Onstad Art Centre,Norway, 1999.

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31

Neshat, Shirin. Shirin Neshat. Charta, 2001.

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32

Neshat, Shirin, and Shoja Youssefi Azari. Shirin Neshat. Charta, 2005.

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33

curator, Karroum Abdellah, and Arab Museum of Modern Art (Dawḥah, Qatar), eds. Shirin Neshat: Afterwards. 2015.

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34

Rondeau, James. Shirin Neshat - Rapture. Galerie Jerome de Noirmont, 1999.

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35

Henry, Madoff Steven, Afkhami Mahnaz, and Hirshhorn Museum and Sculpture Garden, eds. Shirin Neshat: Facing history. 2015.

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36

Shirin Neshat - Dreamers Trilogy. Vfmk, 2019.

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37

(Contributor), Sherri Geldin, ed. Shirin Neshat: Two Installations. Wexner Center for the Arts, 2000.

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38

Neshat, Shirin, and Hamid Dabashi. Shirin Neshat: The Last Word. Charta/MUSAC, 2006.

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39

Shirin Neshat: Women in Society. Wasmuth Verlag GmbH & Company, Ernst J., 2018.

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40

Lippard, Lucy, and Shirin Neshat. Shirin Neshat: Land of Dreams. Radius Books, 2022.

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41

Projects: Shirin Neshat, Simon Patterson, Xu Bing. New York: Museum of Modern Art, 1999.

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42

Milani, Abbas. Shirin Neshat: I Will Greet the Sun Again. Prestel Verlag GmbH & Co KG., 2019.

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43

M, Hassan Salah, and Herbert F. Johnson Museum of Art., eds. Genders & nations: Artistic perspectives : Shirin Neshat, Chila Kumari Burman. Ithaca, N.Y: Herbert F. Johnson Museum of Art, 1998.

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44

Neshat, Shirin, and Judith Csiki. Shirin Neshat: Living in One Land, Dreaming in Another. DISTANZ Verlag GmbH, 2022.

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45

Flammersfeld, Anna. Shirin Neshat: Das Oeuvre der Künstlerin von den Women of Allah bis zu den Women without Men im Spannungsfeld der Kritik an ihrem Werk. Springer Gabler, 2019.

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46

Morgan, Ann Lee. The Oxford Dictionary of American Art and Artists. Oxford University Press, 2018. http://dx.doi.org/10.1093/acref/9780191807671.001.0001.

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‘Provides a wealth of information in succinct entries’ American Reference Books AnnualMore than 1,600 entriesAn indispensable biographical and critical guide to American art from colonial times to contemporary postmodernism, this dictionary offers readers a wealth of factual detail on and analysis of America’s leading artists, along with analysis of their work. The new edition includes more than 4,000 links to online resources, providing quick access to images of almost all of the works discussed. There are new entries on topics such as fiber art, light and space, Native American art, and shaped canvas, as well as new or expanded entries on artists such as Ellen Day Hale, John Hesselius, and Shirin Neshat. Providing a wealth of authoritative information and well-informed analysis and criticism, this is the ideal reference for students of American art and an invaluable resource for art lovers everywhere.

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47

Jiwa, Munir. Muslim Artists in America. Edited by Jane I. Smith and Yvonne Yazbeck Haddad. Oxford University Press, 2014. http://dx.doi.org/10.1093/oxfordhb/9780199862634.013.027.

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This chapter draws on ethnographic fieldwork I conducted with Muslim artists in New York City. Working with artists allows us to think about Muslims in new ways that neither restricts them to theological belief nor locates them only at mosques. It allows us to rethink and remap the locations where we normatively find Muslims, to think about artistic practices and identity in different contexts, and to question and make more complex secular and religious divides. Focusing on the works of Zarina Hashmi, Shirin Neshat, Ghada Amer, and Shahzia Sikander, “celebrities” in the mainstream art worlds in the United States and internationally, provides us insight into the processes of art making and creative expression by Muslim artists in secular contexts. By looking at the landscapes of a wider range of Muslim artists and cultural producers, both within the art worlds and in Muslim communities in America, we are better able to appreciate the diversity of their commitments and practices, aesthetic and/or theological.

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