Academic literature on the topic 'Shoemaker's Holiday'

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Journal articles on the topic "Shoemaker's Holiday"

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Saenger, Michael Baird. "Dekker's the Shoemaker's Holiday." Explicator 57, no. 2 (January 1999): 73. http://dx.doi.org/10.1080/00144949909596820.

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Smith, Peter J. "Play Reviews: The Shoemaker's Holiday." Cahiers Élisabéthains: A Journal of English Renaissance Studies 88, no. 1 (October 2015): 197–99. http://dx.doi.org/10.1177/018476781508800120.

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BLANKENSHIP, BETHANY. "TENNIS BALLS IN DEKKER'S SHOEMAKER'S HOLIDAY." Notes and Queries 47, no. 4 (December 1, 2000): 467—b—468. http://dx.doi.org/10.1093/nq/47-4-467b.

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BLANKENSHIP, BETHANY. "TENNIS BALLS IN DEKKER'S SHOEMAKER'S HOLIDAY." Notes and Queries 47, no. 4 (2000): 467—b—468. http://dx.doi.org/10.1093/nq/47.4.467-b.

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Macintyre, Jeanne. "Shore's Wife and the Shoemaker's Holiday." Cahiers Élisabéthains: A Journal of English Renaissance Studies 39, no. 1 (April 1991): 17–28. http://dx.doi.org/10.1177/018476789103900106.

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In-Pyo Kim. "The Shoemaker's Holiday as a Festive Play." Journal of Classic and English Renaissance Literature 17, no. 2 (December 2008): 85–108. http://dx.doi.org/10.17259/jcerl.2008.17.2.85.

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Walsh, Brian. "Performing Historicity in Dekker's The Shoemaker's Holiday." SEL Studies in English Literature 1500-1900 46, no. 2 (2006): 323–48. http://dx.doi.org/10.1353/sel.2006.0022.

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TIMMS, L. D. "DEKKER'S THE SHOEMAKER'S HOLIDAY AND ELIZABETH'S ACCESSION DAY." Notes and Queries 32, no. 1 (March 1, 1985): 58—a—58. http://dx.doi.org/10.1093/nq/32-1-58a.

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Chapman, Alison A. "Whose Saint Crispins Day Is It?: Shoemaking, Holiday Making, and the Politics of Memory in Early Modern England." Renaissance Quarterly 54, no. 4-Part2 (2001): 1467–94. http://dx.doi.org/10.2307/1262159.

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This article demonstrates an early modern association between the trade of shoemaking and the act of altering the festal calendar. It traces this link through a series of sixteenth- and seventeenth-century English literary texts including Thomas Deloney's Gentle Craft, Thomas Dekker's Shoemaker's Holiday, and Shakespeare's Julius Caesar and — most notably — Henry V. The article argues that the depictions of cobblers making holidays resonated with the early modern English politics of ritual observance, and its concluding discussion of the Saint Crispin's Day speech in Henry V shows how the play imagines king and cobblers vying for control of England's commemorative practice.
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Straznicky, Marta. "The End(s) of Discord in The Shoemaker's Holiday." Studies in English Literature, 1500-1900 36, no. 2 (1996): 357. http://dx.doi.org/10.2307/450953.

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Dissertations / Theses on the topic "Shoemaker's Holiday"

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Green, Shawna Jo. "Outwitting and out working: female representation in Thomas Dekker's The Shoemaker's Holiday." The Ohio State University, 2003. http://rave.ohiolink.edu/etdc/view?acc_num=osu1399884845.

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Bowerman, Damian Francis. "Finding the impulsive self: the creation of Simon Eyre in The Shoemaker's Holiday." The Ohio State University, 2002. http://rave.ohiolink.edu/etdc/view?acc_num=osu1374836405.

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Manvich, Jennifer Harley. "Hearing Margery Eyre: Devising Strategies to Overcome Central 'Auditory Processing Deficit in Rehearsal and Performance of Thomas Dekker's The Shoemaker's Holiday." The Ohio State University, 2002. http://rave.ohiolink.edu/etdc/view?acc_num=osu1392816405.

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Meier, Jeremy. "Discovery and Disguise: An Analysis of the Rehearsal and Performance for the Character of Roland Lacy in Thomas Dekker's Play, The Shoemaker's Holiday." The Ohio State University, 2002. http://rave.ohiolink.edu/etdc/view?acc_num=osu1392916790.

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Van, Note Beverly Marshall. "Performing Women’s Speech in Early Modern Drama: Troubling Silence, Complicating Voice." Thesis, 2010. http://hdl.handle.net/1969.1/ETD-TAMU-2010-08-8327.

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This dissertation attempts to fill a void in early modern English drama studies by offering an in-depth, cross-gendered comparative study emphasizing representations of women’s discursive agency. Such an examination contributes to the continuing critical discussion regarding the nature and extent of women’s potential agency as speakers and writers in the period and also to recent attempts to integrate the few surviving dramas by women into the larger, male-dominated dramatic tradition. Because statements about the nature of women’s speech in the period were overwhelmingly male, I begin by establishing the richness and variety of women’s attitudes toward marriage and toward their speech relative to marriage through an examination of their first-person writings. A reassessment of the dominant paradigms of the shrew and the silent woman as presented in male-authored popular drama—including The Taming of the Shrew and Epicene—follows. Although these stereotypes are not without ambiguity, they nevertheless considerably flatten the contours of the historical patterns discernable in women’s lifewriting. As a result, female spectators may have experienced greater cognitive dissonance in reaction to the portrayals of women by boy actors. In spite of this, however, they may have borrowed freely from the occasional glimpses of newly emergent views of women readily available in the theater for their own everyday performances, as I argue in a discussion of The Shoemaker’s Holiday and The Roaring Girl. Close, cross-gendered comparison of two sets of similarly-themed plays follows: The Duchess of Malfi and The Tragedy of Mariam, and A Midsummer Night’s Dream and Love’s Victory. Here my examination reveals that the female writers’ critique of prevailing gender norms is more thorough than the male writers’ and that the emphasis on female characters’ material bodies, particularly their voices, registers the female dramatists’ dissatisfaction with the disfiguring representations of women on the maledominated professional stage. I end with a discussion of several plays by women—The Concealed Fancies, The Convent of Pleasure, and Bell in Campo—to illustrate the various revisions of marriage offered by each through their emphasis on gendered performance and, further, to suggest the importance of the woman writer’s contribution to the continuing dialectic about the nature of women and their speech.
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Books on the topic "Shoemaker's Holiday"

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Dekker, Thomas. The shoemaker's holiday. Chicago: Ivan R. Dee, 2003.

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2

Anthony, Parr, ed. The shoemaker's holiday. 2nd ed. London: A&C Black, 1990.

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Tselfe, Penelope. A selective, partially annotated bibliography of works on city comedy in its social context: With particular reference to Thomas Dekker's "The Shoemaker's Holiday". [s.l.]: typescript, 1992.

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Shoemaker's Holiday. Bloomsbury Publishing Plc, 2009.

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5

Thomas, Dekker. The Shoemaker's Holiday. W. W. Norton & Company, 1987.

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(Editor), Robert Smallwood, and Stanley Wells (Editor), eds. The Shoemaker's Holiday: Thomas Dekker (The Revels Plays). Manchester University Press, 1999.

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The Shoemaker's Holiday or the Gentle Craft (Drama Classics). Nick Hern Books, 2004.

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(Editor), Anthony Parr, ed. Shoemakers Holiday. Methuen, 2007.

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9

Ben, Jonson, Dekker Thomas, Thomas Middleton, Eugene Giddens, and Knowles James. The Roaring Girl and Other City Comedies [The Shoemaker's Holiday, Every Man In His Humour, Eastward Ho!] (Oxford English Drama). Oxford University Press, USA, 2001.

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Lin, Erika T. Festivity. Edited by Henry S. Turner. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199641352.013.11.

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This chapter locates festivity within the early modern theatre. Through an analysis of Thomas Dekker’sThe Shoemaker’s Holiday, it considers how holidays functioned not as communal rituals but as commodified entertainments; how one-off experiences tied to the cyclical rhythms of the seasons came to be understood as performances that could be enacted year-round—that is, rendered intelligible as theatre within linear models of historical time; and how playing came to be imagined not only as a mode of sociality but also as a vendible commodity. The chapter shows how the commercialization of theatre altered the economic exchanges at the heart of traditional festivity and argues that the professional stage was engaged in a complex project to situate its own performances in relation to existing festive practices. By focusing on early modern contexts, it highlights the ways in which theatricality serves and produces multiple—and, from a modern perspective, often unexpected—cultural functions and effects.
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Book chapters on the topic "Shoemaker's Holiday"

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Dekker, Thomas. "The Shoemakers Holiday or The Gentle Craft." In Four Renaissance Comedies, 33–104. London: Macmillan Education UK, 2004. http://dx.doi.org/10.1007/978-1-4039-3886-2_2.

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Auer, Anita, and Marcel Withoos. "Social stratification and stylistic choices in Thomas Dekker’s The Shoemaker’s Holiday." In Multilingualism in the Drama of Shakespeare and his Contemporaries, 137–60. Amsterdam: John Benjamins Publishing Company, 2015. http://dx.doi.org/10.1075/bct.73.07aue.

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Deng, Stephen. "Foreign Coins and Domestic Exclusion in Thomas Dekker’s The Shoemaker’s Holiday." In Coinage and State Formation in Early Modern English Literature, 161–86. New York: Palgrave Macmillan US, 2011. http://dx.doi.org/10.1057/9780230118249_7.

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Clark, Rachel Ellen. "“Lame Doings”: Amputation, Impotence, and Community in The Shoemaker’s Holiday and A Larum for London." In Amputation in Literature and Film, 21–41. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-74377-2_2.

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Anderson, Linda. "“As Proud as a Dog in a Doublet”: The Importance of Clothing in The Shoemaker’s Holiday." In Encountering Medieval Textiles and Dress, 223–31. New York: Palgrave Macmillan US, 2002. http://dx.doi.org/10.1007/978-1-137-08394-4_14.

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"8. A Shoemakers' Holiday." In The Widening Gate, 251–77. University of California Press, 1991. http://dx.doi.org/10.1525/9780520914520-013.

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"Corporate Life in Thomas Dekker’s The Shoemaker’s Holiday." In Historical Affects and the Early Modern Theater, 194–209. Routledge, 2015. http://dx.doi.org/10.4324/9781315776514-24.

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"Singing a New Song in The Shoemaker’s Holiday." In Religion and Drama in Early Modern England, 53–68. Routledge, 2016. http://dx.doi.org/10.4324/9781315604749-8.

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