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Journal articles on the topic 'Shoemaker's Holiday'

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1

Saenger, Michael Baird. "Dekker's the Shoemaker's Holiday." Explicator 57, no. 2 (January 1999): 73. http://dx.doi.org/10.1080/00144949909596820.

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2

Smith, Peter J. "Play Reviews: The Shoemaker's Holiday." Cahiers Élisabéthains: A Journal of English Renaissance Studies 88, no. 1 (October 2015): 197–99. http://dx.doi.org/10.1177/018476781508800120.

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3

BLANKENSHIP, BETHANY. "TENNIS BALLS IN DEKKER'S SHOEMAKER'S HOLIDAY." Notes and Queries 47, no. 4 (December 1, 2000): 467—b—468. http://dx.doi.org/10.1093/nq/47-4-467b.

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4

BLANKENSHIP, BETHANY. "TENNIS BALLS IN DEKKER'S SHOEMAKER'S HOLIDAY." Notes and Queries 47, no. 4 (2000): 467—b—468. http://dx.doi.org/10.1093/nq/47.4.467-b.

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5

Macintyre, Jeanne. "Shore's Wife and the Shoemaker's Holiday." Cahiers Élisabéthains: A Journal of English Renaissance Studies 39, no. 1 (April 1991): 17–28. http://dx.doi.org/10.1177/018476789103900106.

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6

In-Pyo Kim. "The Shoemaker's Holiday as a Festive Play." Journal of Classic and English Renaissance Literature 17, no. 2 (December 2008): 85–108. http://dx.doi.org/10.17259/jcerl.2008.17.2.85.

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7

Walsh, Brian. "Performing Historicity in Dekker's The Shoemaker's Holiday." SEL Studies in English Literature 1500-1900 46, no. 2 (2006): 323–48. http://dx.doi.org/10.1353/sel.2006.0022.

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8

TIMMS, L. D. "DEKKER'S THE SHOEMAKER'S HOLIDAY AND ELIZABETH'S ACCESSION DAY." Notes and Queries 32, no. 1 (March 1, 1985): 58—a—58. http://dx.doi.org/10.1093/nq/32-1-58a.

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9

Chapman, Alison A. "Whose Saint Crispins Day Is It?: Shoemaking, Holiday Making, and the Politics of Memory in Early Modern England." Renaissance Quarterly 54, no. 4-Part2 (2001): 1467–94. http://dx.doi.org/10.2307/1262159.

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This article demonstrates an early modern association between the trade of shoemaking and the act of altering the festal calendar. It traces this link through a series of sixteenth- and seventeenth-century English literary texts including Thomas Deloney's Gentle Craft, Thomas Dekker's Shoemaker's Holiday, and Shakespeare's Julius Caesar and — most notably — Henry V. The article argues that the depictions of cobblers making holidays resonated with the early modern English politics of ritual observance, and its concluding discussion of the Saint Crispin's Day speech in Henry V shows how the play imagines king and cobblers vying for control of England's commemorative practice.
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10

Straznicky, Marta. "The End(s) of Discord in The Shoemaker's Holiday." Studies in English Literature, 1500-1900 36, no. 2 (1996): 357. http://dx.doi.org/10.2307/450953.

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11

Smith, Amy L. "Performing Cross-Class Clandestine Marriage in The Shoemaker's Holiday." SEL Studies in English Literature 1500-1900 45, no. 2 (2005): 333–55. http://dx.doi.org/10.1353/sel.2005.0023.

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12

Fleck, Andrew. "Marking Difference and National Identity in Dekker's The Shoemaker's Holiday." SEL Studies in English Literature 1500-1900 46, no. 2 (2006): 349–70. http://dx.doi.org/10.1353/sel.2006.0015.

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13

Franssen, P. J. C. M. "'Lame and Blind': A Stage Emblem in The Shoemaker's Holiday." Notes and Queries 59, no. 4 (October 5, 2012): 557–59. http://dx.doi.org/10.1093/notesj/gjs150.

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14

Harmon, John. "The placement of the songs in Dekker's the shoemaker's holiday." English Studies 73, no. 2 (April 1992): 121–23. http://dx.doi.org/10.1080/00138389208598800.

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15

Kendrick, Matthew. "“A Shoemaker Sell Flesh and Blood—O Indignity!”: The Labouring Body and Community inThe Shoemaker's Holiday." English Studies 92, no. 3 (May 2011): 259–73. http://dx.doi.org/10.1080/0013838x.2011.564779.

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16

김재철. "Hospitality and Allophilia: Imagining a Multicultural England in The Shoemaker's Holiday." Journal of Medieval and Early Modern English Studies 24, no. 1 (May 2014): 23–44. http://dx.doi.org/10.17054/jmemes.2014.24.1.23.

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17

Maynard, Stephen. "Feasting on Eyre: Community, Consumption, and Communion in The Shoemaker's Holiday." Comparative Drama 32, no. 3 (1998): 327–46. http://dx.doi.org/10.1353/cdr.1998.0018.

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18

Ullmann, Anna N. "Gentle Craft: Genre and Ideology in Thomas Dekker's The Shoemaker's Holiday." Journal for Early Modern Cultural Studies 21, no. 1 (2021): 26–55. http://dx.doi.org/10.1353/jem.2021.0001.

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19

Williamson, Matt. "“Cry Clubs for Prentices”: (Not) Performing Riot in Thomas Dekker'sThe Shoemaker's Holiday." Shakespeare 14, no. 3 (July 3, 2018): 216–25. http://dx.doi.org/10.1080/17450918.2018.1504813.

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20

Harris, Jonathan Gil. "Ludgate Time: Simon Eyre's Oath and the Temporal Economies ofThe Shoemaker's Holiday." Huntington Library Quarterly 71, no. 1 (March 2008): 11–32. http://dx.doi.org/10.1525/hlq.2008.71.1.11.

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21

Korda, N. ""The Sign of the Last": Gender, Material Culture, and Artisanal Nostalgia in The Shoemaker's Holiday." Journal of Medieval and Early Modern Studies 43, no. 3 (September 12, 2013): 573–97. http://dx.doi.org/10.1215/10829636-2338608.

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22

Booth, R. J. "Meddling with Awl: reading Dekker's The Shoemaker's Holiday: (With a note on The Merry Wives of Windsor)." English 41, no. 171 (September 1, 1992): 193–211. http://dx.doi.org/10.1093/english/41.171.193.

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23

Ann C. Christensen. "Being Mistress Eyre in Dekker's The Shoemaker's Holiday and Deloney's The Gentle Craft." Comparative Drama 42, no. 4 (2008): 451–80. http://dx.doi.org/10.1353/cdr.0.0035.

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24

Worden, Thomas. "Idols in the Early Modern Material World (1599): Deloney's The Gentle Craft, Dekker's The Shoemaker's Holiday, and Shakespeare's Henry V." Exemplaria 11, no. 2 (January 1999): 431–71. http://dx.doi.org/10.1179/exm.1999.11.2.431.

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25

Cañadas, Ivan. "Class, Gender and Community in Thomas Dekker's The Shoemaker's Holiday and Lope de Vega's Fuente Ovejuna." Parergon 19, no. 2 (2002): 119–50. http://dx.doi.org/10.1353/pgn.2002.0046.

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26

Ross, Gordon N. "Dekker's the Shoemakers' Holiday." Explicator 46, no. 3 (April 1988): 7–9. http://dx.doi.org/10.1080/00144940.1988.9934712.

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27

Skuse, Alanna. "Missing Parts inThe Shoemaker’s Holiday." Renaissance Drama 45, no. 2 (September 2017): 161–79. http://dx.doi.org/10.1086/694329.

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28

Chi-Fang Sophia Li. "The Shoemaker’s Holiday (review)." Shakespeare Bulletin 27, no. 3 (2009): 503–7. http://dx.doi.org/10.1353/shb.0.0094.

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29

Price, Eoin. "The Shoemaker’s Holiday by Royal Shakespeare Company." Shakespeare Bulletin 33, no. 3 (2015): 517–21. http://dx.doi.org/10.1353/shb.2015.0042.

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30

GASPER, JULIA. "DEKKER'S WORD-PLAY IN THE SHOEMAKERS' HOLIDAY." Notes and Queries 32, no. 1 (March 1, 1985): 58—b—59. http://dx.doi.org/10.1093/nq/32-1-58b.

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31

Auer, Anita, and Marcel Withoos. "Social stratification and stylistic choices in Thomas Dekker’s The Shoemaker’s Holiday." English Text Construction 6, no. 1 (April 5, 2013): 134–57. http://dx.doi.org/10.1075/etc.6.1.07aue.

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The English playwright Thomas Dekker belonged to a generation of dramatists, along with Shakespeare and Jonson, who, particularly in comedy, discriminated their characters through lexical and stylistic choices. This new conception of the dramatic character is well illustrated in Dekker’s play The Shoemaker’s Holiday (1600). Written and produced in London at a time when the city attracted many migrants from all over England and Wales as well as the European continent, the speech of the characters created by Dekker represents different social groups as well as nationalities. This paper seeks to investigate socio-linguistic choices associated with selected characters and code-switching between English and Dutch in Dekker’s play. Keywords: Thomas Dekker; The Shoemaker’s Holiday; Dutch; London English; standardisation and language change; socio-historical linguistics
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32

Morrow, Christopher L. "Corporate Nationalism in Thomas Dekker’s The Shoemaker’s Holiday." SEL Studies in English Literature 1500-1900 54, no. 2 (2014): 423–54. http://dx.doi.org/10.1353/sel.2014.0014.

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33

Wiles, David. "‘That Day are You Free’: The Shoemakers Holiday." Cahiers Élisabéthains: A Journal of English Renaissance Studies 38, no. 1 (October 1990): 49–60. http://dx.doi.org/10.1177/018476789003800109.

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34

Lee, Huey-ling. "The Social Meaning of Money in Dekker’s The Shoemaker’s Holiday and Shakespeare’s The Merchant of Venice." Comparative Drama 49, no. 3 (2015): 335–66. http://dx.doi.org/10.1353/cdr.2015.0035.

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35

Zabolotnykh, Elizaveta A., and Elena M. Glavatskaya. "“Hey, Guys, Hide behind Stones and Bushes… ”: The Life and Fate of Jewish Soldiers in Yekaterinburg, Russia: 1843–58." Herald of an archivist, no. 2 (2021): 555–68. http://dx.doi.org/10.28995/2073-0101-2021-2-555-568.

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While the Jewish studies in Russia include many publications devoted to the history of Jewish population beyond the Pale of Settlement, the historiography on the Jewish cantonists is rather limited. Most studies are based almost exclusively on the negative experiences and sad memories of the cantonists themselves. This article aims to reconstruct the environment in which the Jewish soldiers lived when serving in the Orenburg Line Battalion No. 8 housed in Yekaterinburg between 1843 and 1858. We have based our research on administrative records of the battalion stored in the State Archive of the Sverdlovsk Region. Thorough analyses of the newly discovered documents permits quite balanced view on the Jewish conscripts’ fate in the Urals. The newly discovered and analyzed documents have allowed us to reconstruct the soldiers’ everyday life: what they were doing; what they ate; what opportunities they had for maintaining Judaism and how they adapted to the new conditions. The study has revealed that Jewish soldiers were often involved in work unrelated to military service; many took their opportunity to learn new crafts of military musicians, shoemakers, tailors, and barbers. During their years of service in Yekaterinburg, many Jewish soldiers received awards, regular military ranks, some got married and fathered children. Jewish soldiers had the opportunity to preserve their ethno-religious identity: they could gather on Saturdays for collective prayer, celebrate major religious holidays, conduct life cycle rituals, and follow main religious prescriptions. Former cantonists were not barred from contacts with their relatives and other Jewish residents of the Ural-Siberian region. At the same time, they actively contacted the urban Orthodox population, which sometimes entailed conversion to Orthodoxy. This could have been prompted by such factors as unfavorable personal circumstances and desire to radically change their fate. Baptism could provide opportunity for extraordinary promotion, it enabled them to marry Orthodox girls, to obtain the status of a city dweller, to join one of the Orthodox parishes in Yekaterinburg, and to obtain legal residence in the city. According to our calculations, about 20% of the Jewish soldiers converted to Orthodoxy during their stay in Yekaterinburg. The study has allowed us to detail the situation of Jewish soldiers and to assess the Yekaterinburg period in the cantonists’ life with regard to preserving traditional religion and to integration into the urban community as well. How unique was the Yekaterinburg 15-year episode in the life of former cantonists can only be ascertained after studying similar documents from other battalions.
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36

Lawson, Andrea C. "Saying Farewell with Shoes: The Gift Cycle and Unresolved Class Tensions in The Shoemaker's Holiday." Early Theatre 15, no. 2 (August 2, 2011). http://dx.doi.org/10.12745/et.15.2.911.

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37

"Gibbons, B. (ed.), Elizabethan and Jacobean Comedies: The Old Wife's Tale; The Shoemaker's Holiday; Eastward Ho!; Bartholomew Fair; The Malcontent; A Trick to Catch the Old One. Pp. xxii + 686 (The New Mermaids). London: Ernest Benn, 1984. Paper-bound £5.95." Notes and Queries, September 1986. http://dx.doi.org/10.1093/notesj/33.3.411-a.

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38

Di Salvo, Gina M. "Saints' Lives and Shoemakers' Holidays: The Gentle Craft and the Wells Cordwainers' Pageant of 1613." Early Theatre 19, no. 2 (December 21, 2016). http://dx.doi.org/10.12745/et.19.2.2706.

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<p>This essay considers the 1613 Wells Cordwainers’ pageant of SS Crispin and Crispianus through an exploration of hagiographical appropriation in two other contemporary iterations of the St Crispin legend and the conditions of English occasional pageantry. A comparison with the prose tale <em>The Gentle Craft</em> by Thomas Deloney and the stage play <em>A Shoemaker, A Gentleman </em>by William Rowley<em> </em>indicates that the Cordwainers improvised on a popular Jacobean version of their patron saints as romance heroes instead of holy martyrs. </p>
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