Relevant bibliographies by topics / Short film media

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Short film media'

Author: Grafiati
Published: 5 June 2025
Last updated: 24 June 2025

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Journal articles on the topic "Short film media"

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Legowo, W. W. "Adaptation Short Story into Short Film." Proceeding of International Conference on Business, Economics, Social Sciences, and Humanities 3 (December 1, 2022): 553–62. http://dx.doi.org/10.34010/icobest.v3i.185.

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The purpose of this study is to determine the changes that occur in the adaptation process of the short story “Berangkat” (Go) written by Akhmad Sekhu, into the short film “Krenteg” (Intention) written and directed by Marjo Klengkam Sulam. In collecting data, this study used a qualitative descriptive method. The analysis process is by reading the short story “Berangkat”, watching the short film “Krenteg”, study to personal communication with writer and filmmaker, identifying form of change, categorizing, describing, then concluding. Based on data analysis, it is concluded that there has been a change in the intrinsic elements of the short story “Berangkat” in the short film “Krenteg”. Such as changes to the title, characters, events, setting, plot, and language. These changes were made to strengthen the story and to bring out local wisdom. Changes divided into three categories: reduce, increase, and varying changes. In conveying the message, short stories use written media and short films use audio-visual media. When changing the media, there will be adjustments based on expression needs. The results of this study can be a reference for short film makers who want to adapt short stories and attract their interest in local wisdom.
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Pamungkas, Rezki Yoga, and Muhammad Muttaqien. "Capciptop short Film management production as Saos ABC Promotion Media." Symposium of Literature, Culture, and Communication (SYLECTION) 2022 3, no. 1 (2023): 255. http://dx.doi.org/10.12928/sylection.v3i1.13974.

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The film "Capciptop" is a short film produced through a collaboration between Ravacana Films and Heinz ABC Indonesia, aimed at promoting ABC sauce with spicy onion flavor. Heinz ABC Indonesia partnered with Ravacana Films, known for its credibility in film production, including the viral "Tilik" with 28 million viewers on the Ravacana Film YouTube channel. This served as the basis for Heinz ABC Indonesia to promote its production through the short film titled "Capciptop," uploaded on the ABC Indonesia and Ravacana Film YouTube channels. The research method used in this study is qualitative descriptive. The goal of this research is to understand how Ravacana Films manages the production to promote ABC products, from pre-production to post-production processes. Data collection techniques include interviews, observations, and documentations. The results of this study show that Capciptop films in the pre-production stage use the idea discovery, planning, and preparation stages. At the production stage, Ravacana Films not entirely referred to the script and improvised with what was in the production location environment. In the post-production stage, Ravacana Films worked according to their usual workflow. The conclusion is that Ravacana Films as a Production House has succeeded in fulfilling client requests in this production and still has principles in the managing of film production.
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Felando, Cynthia. "Editor’s Introduction." Short Film Studies 13, no. 1 (2023): 3–4. http://dx.doi.org/10.1386/sfs_00086_2.

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The ‘Editor’s introduction’ notes the two interviews and five critical/analytical articles included in issue 13.1, which include attention to the energy-focused Small File Media Festival; Richard Raskin’s book, The Yin and Yang of Short Film Storytelling (); Thai filmmaker Apichatpong Weerasethakul’s short films; two historical short film adaptations of the Ambrose Bierce story, ‘An Occurrence at Owl Creek Bridge’; the experimental short, Return to Forms; the Malaysian fiction short, Nor from the Second Level, and Portuguese science-fiction short Flores.
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Mareta, Rae Shella Tivani, and Adi Setyowati. "Media Transformation on Malaikat Juga Tahu Short Story by Dewi Lestari into Short Movie." Culturalistics: Journal of Cultural, Literary, and Linguistic Studies 7, no. 1 (2023): 65–75. http://dx.doi.org/10.14710/ca.v7i1.18114.

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Many literary works, such as novels and short stories, have been transformed into works in the form of audio-visual or film. This results in a dualism between enthusiasts of both types of works. Many enthusiasts of original works (novels) are disappointed with the results of the transfer of media to films. However, some people are satisfied with the transfer of the media, even preferring the film version to the original novel. A collection of short stories entitled Rectoverso by Dee Lestari which was transferred into a film has received a lot of praise. A collection of short stories and films are equally able to achieve the attention of the public. The two versions of Rectoverso's works have also received many awards national and international. Thus, this makes researchers interested in studying one of the short stories in Rectiverso entitled Malaikat Juga Tahu and a short film version with the same title. This research aims to find out the differences in the elements of the work of Malaikat Juga Tahu in the form of a short story and short film and to find out how the short story of Malaikat Juga Tahu is narrowed, elaborated and varied to be presented in a short film. This research used a qualitative method with the use of Pamusuk Eneste's ecranization theory as an analytical tool. The results of this research indicate changes in aspects of expansion, narrowing and variations of stories from short stories to short films. These changes were made to make the audience more immersed in the story by adding dramatic elements. In addition, the visualization element that is prioritized in the film version demands changes in the story version so that it is more acceptable to the audience.
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Verakandhi, Diyah. "Perubahan Preferensi Menonton Film pada Era Media Sosial: Dampak Short Video dan Implikasinya pada Perilaku Menonton Film." Rekam 20, no. 1 (2024): 37–45. http://dx.doi.org/10.24821/rekam.v20i1.11286.

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This research investigates changes in film viewing preferences in the context of the social media era. The main focus of the research is the impact of short videos reviewing films and their implications for film watching behavior. In the face of dramatic changes in film accessibility and the influence of social media, this research seeks to understand how short videos, especially those containing spoilers, influence the way viewers enjoy and appreciate films. The research method used is a mixed method, namely qualitative and quantitative involving surveys, short video content analysis, and interviews with film producers and directors. The findings of this research illustrate significant changes in film viewing preferences and their implications for the way audiences explore and enjoy film works. This research provides in-depth insights into the transformation of film viewing behavior in the dynamic social media era and proposes recommendations that can be useful for the film industry and social media content creators.
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Suwarto, Dyna Herlina, Firly Annisa, and Febriansyah Kulau. "Utilizing YouTube for The Local Film Culture Expansion." Komunikator 15, no. 2 (2023): 156–66. http://dx.doi.org/10.18196/jkm.19229.

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This article explore the role of YouTube in developing local film culture. The Covid-19 pandemic has disrupted various local short film festivals and screenings. Local filmmakers are trying to find alternative channels to show their short films via YouTube. Using the media industries studies perspective, this research offers two cases, Tilik and Loz Jogjakartoz, to study the role of YouTube for local film the promotion and distribution. Based on in-depth interviews, Ravacana Films and Kebon Ijo Studio implement specific strategies such as film upload timing, social media promotion and audience attention management so that their films trend on YouTube. This research reveals that YouTube can play an important role in connecting local filmmakers with audiences and the national film industry.
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Jia, Lu. "Analysis of Short Film from the Perspective of Filmmakers and Audiences." Communications in Humanities Research 3, no. 1 (2023): 1163–67. http://dx.doi.org/10.54254/2753-7064/3/2022978.

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With the rapid expansion of the Internet and media in the present era, an increasing number of individuals like to relax by viewing a movie in their leisure time. People prefer to watch short videos rather than long movies, thanks to the rapid increase of short videos and self-media. This study investigates the motivators that drive short filmmakers to create each short film, as well as the real reasons why directors choose to make short films. Exploring the stories behind short films is critical for the future of short films. As they move forward, filmmakers should discover the core of existence from the past, rather than filming for the sake of shooting. In addition to exploring filmmakers, this paper conducts some audience research while viewing short films in order to explore the impact of audience behavior on the development of the entire short film business.
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Paramitasari, Ayu. "Enhancing Speaking Ability through Short Movie." Enrich: Jurnal Pendidikan, Bahasa, Sastra dan Linguistik 2, no. 2 (2021): 27–35. http://dx.doi.org/10.36546/pbi.v4i2.560.

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Speaking is one difficult element in English Language Education. It is complex and need some practice for developing this skill. Speaking also uses for communication. When we speak we produce the text and it should be meaningful. In the nature of communication, we can find the speaker, the listener, the message and the feedback. Speaking could not be separated from pronunciation as it encourages learners to learn the English sounds. One of the techniques is movie. Movie is interesting media for student to learn English language and developing their speaking ability. Movie can be effective media for teaching activity in the class, because movie is one of interactive media which can be used for teaching student understanding and comprehension of their ability besides that watching films or movies is a fun way to improve our English especially speaking ability. the benefits of using film in the language learning classroom, it is not surprising that many teachers are keen to use film with their students,and an increasing number of them are successfully integrating film into the language-learning syllabus.
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Jesica Vanessa, Hutapea, and Suwastini Ni Komang Arie. "USING SHORT FILMS FOR TEACHING ENGLISH WHILE BUILDING CHARACTERS." Lingua Scientia 26, no. 1 (2019): 33. http://dx.doi.org/10.23887/ls.v26i1.18846.

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The role of teachers in EFL/ESL classroom is very important for the improvement of the students since it is believed that professional and creative English teachers can help students in learning English well. However, many teachers still lack the effort in finding new ideas and in improving their professionalism as a good English teacher. Yet, with the development of technology nowadays, many media are worth to be considered in teaching English. One of the media that is being actively mentioned in educational world nowadays is short film. In this case, short film is believed to be one of the appropriate ways in teaching English especially in teaching the character education presented in it. With short film, students can have more exposure to authentic English and the culture of the target language. But another important benefit is often overlooked by teachers, that is the possibility of learning values for building the students’ characters through the use of short film in the learning process. This present paper will try to respond to this fact by identifying the values of character educations in a short film entitled Piper from Pixar animation through textual analysis. There are character educations that revealed about parenting, self-supporting, and friendship value in the film. Thus, it can be concluded that when chosen correctly, short films can be a media for building students’ characters while developing their English, all in a more entertaining, relaxed, and enjoyable media that meet the students’ 21st century contexts.
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Nugraini, Siti Hadiati. "Perancangan Film Pendek “Simbah” sebagai Media Pembelajaran pada Mata Kuliah Audio Visual." ANDHARUPA: Jurnal Desain Komunikasi Visual & Multimedia 7, no. 2 (2021): 401–10. http://dx.doi.org/10.33633/andharupa.v7i2.5074.

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AbstrakPenelitian ini membahas tentang perancangan film pendek dengan judul “Simbah” sebagai salah satu media yang dapat digunakan sebagai media pembelajaran mata kuliah Audio Visual pada mahasiswa semester 5. Film ini dibuat sebagai media untuk memberikan pendidikan moral kepada mahasiswa. Film ‘Simbah’ berisi nilai-nilai moral untuk orang dewasa yang sangat penting untuk dikenalkan pada mahasiswa. Salah satu aspek dari nilai-nilai moral dalam film tersebut adalah keinginan yang perlu dikendalikan. Keinginan merupakan salah satu sifat dasar yang dimiliki manusia dan harus dikendalikan sejak usia muda. Salah satu strategi yang dapat digunakan pendidik untuk menanamkan nilai tersebut adalah dengan media audio visual berupa film pendek. Metode yang digunakan dalam penelitian ini adalah metode kualitatif karena dapat mengungkapkan aspek-aspek yang harus ditekankan dalam sebuah film pendek, sehingga penanaman nilai bahwa keinginan perlu dikendalikan dapat dilakukan. Sebagai hasilnya film pendek ‘Simbah’ menjadi salah satu media pembelajaran yang menarik dan dapat mengarahkan serta membuat mahasiswa mengerti dengan latar belakang budaya. Selain itu sinematografi film ‘Simbah’ memudahkan mahasiswa untuk memahami alur cerita dan menjadi referensi dalam perancangan mata kuliah audio visual. Kata Kunci: audio visual, film pendek, media pembelajaran, simbah AbstractThis research discusses the design of a short movie with the title "Simbah" as one of the media that uses as a learning medium for studying Audio Visual courses for 5th-semester students. This short movie was made as a medium to provide moral education for students. 'Simbah' contains moral values for adults that are very important to introduce to students. One aspect of the moral values in the movie is the desire that needs to control. Desire is one of the primary human traits and must restrain from a young age. One strategy that educators can use to instill these values is with audio-visual media in the form of short movie. The method used in this study is qualitative because it can reveal aspects that must be emphasized in a short film so that the inculcation of the value that desires need to control can be carried out. As a result, the short movie 'Simbah' became one of the interesting learning media and could direct students to understand the cultural background. In addition, the cinematography of the 'Simbah' movie makes it easier for students to understand the storyline and becomes a reference in making short films in audio visual courses. Keywords: audio visual, learning media, short movie, simbah
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Dissertations / Theses on the topic "Short film media"

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Pereira, Joshua R. "GRAND: A Short Film." ScholarWorks@UNO, 2016. http://scholarworks.uno.edu/td/2235.

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In this paper I will describe the creative process throughout the making of my short film thesis GRAND. I will describe this in three parts: pre-production, wherein I will detail developing the concept, writing the script, and funding/preparing for production; production, wherein I will detail the set construction, visual planning, and the day-to-day operations on set; and post-production, wherein I will detail the editing of the film and the composition of the score. All of this will be framed in reference to the proposed theme of the film, and I will conclude by evaluating whether or not the finished short film achieves what I initially set out to achieve.
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Gebacz, Chloe C. "Why So Short?: The Changing World of the Short Film Industry and Online Distribution." Ohio University Honors Tutorial College / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=ouhonors1429898301.

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Jones, Auri-Christopher Colin. "Millennial Media a fantasy theme analysis of the short film "Narrow Roads" /." Lynchburg, Va. : Liberty University, 2007. http://digitalcommons.liberty.edu.

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Hui, Seewai. "Running." Digital Commons at Loyola Marymount University and Loyola Law School, 2020. https://digitalcommons.lmu.edu/etd/928.

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Running is a short pilot presentation setting up the story of a young woman who has just lost both of her parents. In the midst of grieving, she discovers her grandmother’s travel diary. She’s inspired by her grandmother’s story of finding herself during her travels and decides to take off on a journey of her own.
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Blackburn, Taylor. "The Pleasure Center." Digital Commons at Loyola Marymount University and Loyola Law School, 2018. https://digitalcommons.lmu.edu/etd/686.

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Frey, Jonathan. "The Release: A Thesis." ScholarWorks@UNO, 2014. http://scholarworks.uno.edu/td/1798.

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Possessing elements of both dark comedy and dramatic suspense, The Release is the story of Sean Coleman, a young, idealistic documentary filmmaker, who, in fighting for his film's release, discovers that his beliefs may not be as strong as his desire to get what he wants. This paper will examine the total production process that went into the development, creation and finalization of this film.
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Galpin, Kennedy L. "DuIK Bassel in Usage in After Effects and an Animated Short Film." Digital Commons @ East Tennessee State University, 2019. https://dc.etsu.edu/honors/480.

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This thesis was made with the goal of creating a 2D short film in the end, with mainly using a program that is not normally used for character animation: Adobe After Effects. With the usage of an originally French plugin called DuIK Bassel (v16.0.9), I was able to create a model in Adobe Photoshop and then put it into After Effects. When the files were imported, the plugin would then assist in the rigging process, wherein I would be able to create the character’s rig and make the 2D model within the program. This document discusses the entire creation of the short film that I progressed through, from the storyboarding, character creation, rigging process, and putting the elements together.
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Torres, Ines Galiano. "Exploring Ethnic Stereotypes through the Production of Five Short Films." Digital Commons @ East Tennessee State University, 2016. https://dc.etsu.edu/etd/3035.

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This is a nontraditional thesis that combines social research in ethnic stereotypes in TV and film with the creative process of film production. This paper contains the formal step of research, in addition to the details on the production and creation of five original short films related to the issue of ethnic representations.
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Zhang, Ruiqi. "Parallel Narrative: Short-Video Social Media Platforms’ Influences on Contemporary Narrative." VCU Scholars Compass, 2019. https://scholarscompass.vcu.edu/etd/5935.

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Through the study of Kwai, a popular short-video social media platform in China, this thesis investigates the social issues, media class divides and aesthetics specific to Kwai culture. It further proposes a strategy of artistic practice - parallel narrative - an experiment in video art production and editing techniques that explores new possibilities of narrative in video art. Integrating theoretical research on Post-Internet art and object-oriented ontology, this thesis reveals people’s ability to digest multisource information and shows how mobile technologies and open-source materials contribute to the formation of parallel narratives.
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Mace, Stephanie Ewing. "The Places that Became Home: a Collection of Short Stories and Memories." Scholarship @ Claremont, 2017. http://scholarship.claremont.edu/cmc_theses/1532.

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This is a collection of short stories and memories from the eight places that I have lived. Through these stories and memories, I reflect on themes of identity and community. I also consider the idea of home: what defines a home, how we make a place feel like a home, and what transforms a city or a town into a home. Each chapter also includes my own original designs and photographs. The stories about Sharon and Westwood, small towns in Massachusetts, focus on childhood and familial relationships. The narratives about St. Louis, Missouri and Toluca Lake, California, consider the transition from childhood to adulthood. Meanwhile, the memories from Claremont, California, Silver Lake, California and Santa Monica, California all meditate on the idea of belonging. Lastly, the recollections from London, England, contemplate how a foreign city can become a home.
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Books on the topic "Short film media"

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Stevens, E. Charlotte. Fanvids. Amsterdam University Press, 2020. http://dx.doi.org/10.5117/9789462985865.

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Fanvids, or vids, are short videos created in media fandom. Made from television and film sources, they are neither television episodes nor films; they resemble music videos but are non-commercial fanworks that construct creative and critical analyses of existing media. The creators of fanvids-called vidders-are predominantly women, whose vids prompt questions about media historiography and pleasures taken from screen media. Vids remake narratives for an attentive fan audience, who watch with a deep knowledge of the source text(s), or an interest in the vid form itself. Fanvids: Television, Women, and Home Media Re-Use draws on four decades of vids, produced on videotape and digitally, to argue that the vid form's creation and reception reveals a mode of engaged spectatorship that counters academic histories of media audiences and technologies. Vids offer an answer to the prevalent questions: What happens to television after it's been aired? How and by whom is it used and shared? Is it still television?
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Michael, Franti, and Sarandon Susan, eds. This is what democracy looks like: An Independent Media Center / Big Noise film shot by over 100 media activists. Independent Media Center, 1999.

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Ch'oe, Ch'ang-hyŏn. Kungnyŏk iran muŏt in'ga. K'ŏmyunik'eisyŏn Puksŭ, 2015.

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Teaching Short Films (Teaching Film and Media Studies S.). British Film Institute, 2007.

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Naremore, James. Film Noir: A Very Short Introduction. Oxford University Press, 2019. http://dx.doi.org/10.1093/actrade/9780198791744.001.0001.

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Film noir is usually associated with a series of darkly seductive Hollywood thrillers from the 1940s and 1950s—shadowy, black-and-white pictures about private eyes, femme fatales, outlaw lovers, criminal heists, corrupt police, and doomed or endangered outsiders. But Film Noir: A Very Short Introduction demonstrates that the genre has much earlier origins and is more international in scope. The key themes and styles of film noir are discussed along with some of the most iconic film noirs, exploring important aspects of their history and ongoing influence: their critical reception, major literary sources, methods of dealing with censorship and budgets, social and cultural politics, variety of styles, and future in a world of digital media and video streaming.
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Developing digital short films. New Riders, 2004.

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Swimming Upstream: A Lifesaving Guide to Short Film Distribution. Focal Press, 2007.

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Badal, Sharon. Swimming Upstream: A Lifesaving Guide to Short Film Distribution. Taylor & Francis Group, 2014.

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Badal, Sharon. Swimming Upstream: A Lifesaving Guide to Short Film Distribution. Taylor & Francis Group, 2012.

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Badal, Sharon. Swimming Upstream: A Lifesaving Guide to Short Film Distribution. Taylor & Francis Group, 2012.

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Book chapters on the topic "Short film media"

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Hueth, Alan C. "Short films." In Scriptwriting for Film, Television, and New Media. Routledge, 2019. http://dx.doi.org/10.4324/9780429461361-8.

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Thomson, C. Claire. "“It All Comes from Beer”: Tuborg, Carlsberg, and the Role of Film in Danish Cultural Diplomacy." In Nordic Media Histories of Propaganda and Persuasion. Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-031-05171-5_3.

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AbstractIt All Comes from Beer is the title of a 1952 short film, commissioned by Carlsberg to showcase its philanthropic contributions to science and art in Denmark to anglophone viewers. But Carlsberg and its rival brewery, Tuborg, used film at least a quarter-century earlier as “propaganda”, not just for their beer but also for the culture, industry, and landscape of their home country. The case studies in this chapter show how inter-war film genres such as tourist films, promotional footage, educational films, and even science films tended to overlap and merge, depending on where they travelled and to which audiences they were screened. The movement of films and of the material culture (from beer glasses to science equipment) that accompanied them facilitated an entrepreneurial form of cultural diplomacy on Denmark’s behalf.
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Susanto, Endro Prajoko, Ngatman Ngatman, and Erwin Setyo Kriswanto. "Short Film Media for learning Sexual Education in Elementary School Children." In Advances in Social Science, Education and Humanities Research. Atlantis Press SARL, 2024. http://dx.doi.org/10.2991/978-2-38476-234-7_2.

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Ratni, Tri, Antonius Ian Bayu Setiawan, and Budi Astuti. "The Development of Short Film Entitled “Kursi Kosong”: Media to Prevent Bullying." In Advances in Social Science, Education and Humanities Research. Atlantis Press SARL, 2023. http://dx.doi.org/10.2991/978-2-38476-034-3_36.

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Husna, Ruuhuly Ikbari, Antonius Ian Bayu Setiawan, and Budi Astuti. "The Development of Short Film Media to Increase Tolerance in High School Students." In Advances in Social Science, Education and Humanities Research. Atlantis Press SARL, 2023. http://dx.doi.org/10.2991/978-2-38476-184-5_18.

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Heffernan, Valerie. "Adapting (to) Non-Motherhood: Ulrike Kofler’s Film What We Wanted (2020)." In Palgrave Macmillan Studies in Family and Intimate Life. Springer Nature Switzerland, 2024. http://dx.doi.org/10.1007/978-3-031-66697-1_12.

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AbstractAustria’s entry for the Best International Feature Film at the 2020 Academy Awards was a drama by director Ulrike Kofler called Was Wir Wollten (What We Wanted, 2020). Kofler’s film tells the story of a childless couple, Alice and Niklas, who decided to take a holiday to recover from yet another failed attempt to conceive via IVF. However, their plans for a restful break are disrupted by the family next door, whose beautiful children serve as a constant reminder of what is lacking in their life. The film is based on a short story by Swiss writer Peter Stamm, and this chapter focuses on how that written text was adapted for the big screen. In particular, it considers how Alice’s ambivalent stance towards motherhood, which is already present in Stamm’s narrative, is expressed in visual and cinematic form in Kofler’s film. This chapter argues that both the film and its narrative source text offer a more nuanced view of the story of childlessness and non-motherhood than that which is often presented in the media and society.
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Olibet, Ylenia, and Alanna Thain. "Vidéo de Femmes Dans le Parc: Feminist Rhythms and Festival Times Under Covid." In Rethinking Film Festivals in the Pandemic Era and After. Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-14171-3_8.

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AbstractVidéo de Femmes dans le Parc (VFP) (Women’s Videos in the Park) is a summertime open-air screening of independent short videos, held annually since 1991 at Park La Fontaine in Montreal, Canada, by Groupe Intervention Vidéo (GIV), an independent feminist/queer distribution company. In this essay, we explore VFP’s historical use of public space and its reimagination under Covid’s urgent sanitary crisis and chronic social inequities. Within the media ecology of Montreal’s outdoor cinemas, we see GIV’s creative decision to move VFP online during Covid as part of a longer history of alternative media’s unconventional exhibition modes that address social inequalities. As such, we first situate VFP within GIV’s wider mandate of dissemination of video work by women. We then analyze VFP’s “visual architecture” under Covid, stressing the organizers’ original strategies to reproduce a sense of eventness even through online exhibition. We conclude with questions of embodied and affective labor, including audiences’ wellbeing, artist renumeration, and self-care, that the shift online entails for the organizers of VFP.
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Maksudyan, Nazan. "Mediatized Witnessing, Spectacles of Pain, and Reenacting Suffering: The Armenian Genocide and Humanitarian Cinema." In Documenting the Armenian Genocide. Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-36753-3_5.

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AbstractFocusing on the conception, production, distribution (and disappearance) of Ravished Armenia (1919) and Alice in Hungerland (1921), two silent films on the Armenian Genocide from a gendered perspective, this chapter combines media history (“technologies of witnessing”) with the history of global humanitarianism. These two oldest movies on the genocide were shot with the initiative of the Near East Relief in order to raise donations and international awareness through the reenactment of suffering, sensationalization of violence, and victimized Armenian bodies. Both films enjoyed a short-lived fame and revenue, followed by disappearance and subsequent oblivion. The early humanitarian cinematic representation of the Armenian genocide sheds light on the ferocious mediatization and marketing strategies of humanitarian agencies, specifically as to how they targeted the corporal bodies of their lead orphan actresses, Arshalouys Mardigian and Esther Razon, through extensive bodily interventions, enormous workload, and reenactment of suffering.
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Chang, Chia-Ling. "An Exploration on Creative Approach of Animated Short Films Using Traditional Crafts as Media by Expert Analysis Method." In Lecture Notes in Computer Science. Springer Nature Switzerland, 2024. http://dx.doi.org/10.1007/978-3-031-61546-7_11.

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Kalinak, Kathryn. "Conclusion." In Film Music: A Very Short Introduction, 2nd ed. Oxford University PressNew York, 2023. http://dx.doi.org/10.1093/actrade/9780197628034.003.0008.

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Abstract Film music continues to be an important part of film production in the early twenty-first century. In fact, its practice has become indispensable to the marketability of films in the United States and globally. Soundtracks often precede a film’s release and may bring in higher profits than the film itself. It is hard to imagine a film without any music whatsoever. The conclusion speculates on the future of film music as it ponders its connections to television, music videos, gaming, and the Internet. To what extent do these new media forms depend on music? What functions that music affords film might also apply to these new media?
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Conference papers on the topic "Short film media"

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Liu, Huiying. "Short Film in the History of New Media." In Proceedings of the 3rd International Conference on New Media Development and Modernized Education, NMDME 2023, October 13–15, 2023, Xi’an, China. EAI, 2024. http://dx.doi.org/10.4108/eai.13-10-2023.2341333.

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Weng, Peishi, and Yijie Ou. "The Integration of Cross-Cultural Communication in Performing Arts: A Short Video Making Project." In The Asian Conference on Media, Communication & Film 2024. The International Academic Forum(IAFOR), 2024. https://doi.org/10.22492/issn.2186-5906.2024.13.

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Spence, Peter. "Re-considering History and Narrative Through the Short Factual Film The Archive (UK 2018)." In The Asian Conference on Media, Communication and Film 2021. The International Academic Forum(IAFOR), 2022. http://dx.doi.org/10.22492/issn.2186-5906.2022-1.2.

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Spence, Peter. "Re-considering History and Narrative Through the Short Factual Film The Archive (UK 2018)." In – The Asian Conference on Media, Communication and Film 2021. The International Academic Forum(IAFOR), 2022. http://dx.doi.org/10.22492/issn.2186-5906.2022.2.

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Ali, Mohd Nor Shahizan. "Once Media Texts Meets Realism through Experimental Short Film." In Proceedings of the First International Conference on Communication, Language, Literature, and Culture, ICCoLLiC 2020, 8-9 September 2020, Surakarta, Central Java, Indonesia. EAI, 2020. http://dx.doi.org/10.4108/eai.8-9-2020.2301321.

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Tham, Kim Kong, Ryosuke Kushibiki, and Shin Saito. "Effect of C replacement on magnetic properties and nanostructure of FePt-nitride granular film for HAMR media." In 2023 IEEE International Magnetic Conference - Short Papers (INTERMAG Short Papers). IEEE, 2023. http://dx.doi.org/10.1109/intermagshortpapers58606.2023.10228314.

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Pramucitra, Sinta. "Honesty Value on Film Pentad Analysis on Short Movie Djitoeng." In International Conference on Media and Communication Studies(ICOMACS 2018). Atlantis Press, 2018. http://dx.doi.org/10.2991/icomacs-18.2018.8.

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Baba, Kazutaka, Kizuku Yamaki, and Mitsunobu Miyagi. "Metal Island Films for Write-Once Optical Data Storage Media." In Chemistry and Physics of Small-Scale Structures. Optica Publishing Group, 1997. http://dx.doi.org/10.1364/cps.1997.csud.7.

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Write-once (WO) optical disks with high reflectance are becoming attractive data storage media for small production runs of specific compact discs (CD) or Digital Video Discs (DVD). A metal island film is one of the interesting media proposed for such WO optical disk media [1-3]. The metal island film is composed of metal nanoclusters (i.e., islands) and exhibits resonance-type absorption in a visible - near infrared region. Near the resonance peak wavelength, it has not only large absorptance but also high reflectance due to the resonance of free electrons in the metal islands. As the optical characteristics of the metal island film are greatly changed by heating the film, it can be used as heat-mode WO media. The metal island films have some advantages over other WO media, i.e. (1) high reflectance, (2) large absorbance, and (3) low stress in the films from those discontinuous island structure. In addition, the very short recording time is expected since the optical characteristics of the metal island films can be greatly changed by the slight changes of the nanometer-size metal islands [1,3]. We have investigated gold (Au), silver (Ag), copper (Cu), and aluminum (Al) island films for the WO optical data storage media. In this paper, we show the optical changes of those island films at the commercially useful wavelength of 800 nm and demonstrate the highly reflective WO media with the reflectance of 70 % using the Ag island films. It seems that those island films are useful as CD-DVD compatible WO optical data storage media.
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Peng, Changrong. "Art Characteristics of Experimental Animation Short Film Studies Under the Background of New Media." In 2016 2nd International Conference on Education Technology, Management and Humanities Science. Atlantis Press, 2016. http://dx.doi.org/10.2991/etmhs-16.2016.167.

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Shin, Daniel D., and Gregory P. Carman. "Operating Frequency of Thin Film NiTi in Fluid Media." In ASME 2001 International Mechanical Engineering Congress and Exposition. American Society of Mechanical Engineers, 2001. http://dx.doi.org/10.1115/imece2001/mems-23832.

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Abstract For the present paper, the operating frequencies for thin film Nickel-Titanium (NiTi) shape memory alloy were investigated. The results thus far have shown that careful delivery of power to NiTi membrane increased the operating frequency by an order of magnitude. The method of power delivered to the membrane seemed to depend on the thermal conductivity of the fluid in contact. Stagnant air and mineral oil required shorter heating times and less power due to then-low conducting characteristics. De-ionized water on the other hand required greater power and longer heating time. Although heat dissipation to the surrounding was inevitable, it was determined that delivering large bursts of energy in a short heating time can minimize such loss. This way, more energy was used to heat the membrane rather than dissipating to the surroundings. While only 60Hz was measured using the thin film membrane, higher operating frequencies are achievable if power delivery to the membrane is carefully controlled.
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Reports on the topic "Short film media"

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Babenko, Oksana. Ідеї екуменізму в публіцистиці митрополита Андрея Шептицького: сучасне прочитання. Ivan Franko National University of Lviv, 2023. http://dx.doi.org/10.30970/vjo.2023.52-53.11717.

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Subject of the article’s study – ecumenism of Metropolitan Andrei Sheptytskyi and reflection of this phenomenon in the works of scientists and modern Ukrainian media. Main objective of the study: analyze what Ukrainian scientists, journalists and different media are writing about Sheptytkyi’s ecumenism. Methodology: We used a bibliographic method to accumulate factual material, a qualitative content analysis to isolate the ideas of ecumenism from the journalism of Metropolitan Andrey Sheptytskyi, a cultural-historical method that made it possible to consider the ideas of ecumenism in the context of the era, the connection with the historical context, as well as methods of synthesis and generalization, induction and deduction. The study process description: In our scientific article, we analyzed the doctoral dissertation of His Beatitude Lubomyr Huzar entitled «Andrei Sheptytskyi, Metropolitan of Halytskyi (1901-1944). Herald of ecumenism». His Beatitude Lubomyr defended this fundamental work at the Pontifical Urbaniana University in Rome back in 1972. Therefore, we observed how this work reflects the historical prerequisites, features and development of Sheptytskyi’s ecumenism, who, according to His Beatitude Lubomir, was a kind of innovator in this field, a person who was ahead of his time. We also analyzed the reflections on the ecumenism of Sheptytskyi´s father, doctor Ivan Datsk, which are reflected in his book «In Search of Faithfulness and Truth». In addition, we turned to the scientific text «Ecumenism of Sheptytskyi» by professors Mykola Vegesh and Mykola Palinchak. Subsequently, it was analyzed how the scientific work became a useful basis for the coverage of Sheptytskyi’s ecumenism in the press. In particular, in the columns of the cultural and social site «Zbruch» in Diana Motruk’s article «In Search of Church Unity». We also turned to the «Spiritual Greatness of Lviv» website, where in 2020 an interview with Mykhailo Perun, who shot the film «Sheptytskyi: Relevant information», was published, illustrating the ecumenical initiatives of this figure. In addition, we analyzed the publication on Radio Svoboda for 2022, dedicated to the anniversary of Sheptytsky’s stepping into eternity. It is also mentioned there about of Sheptytskyi’s ecumenism as his landmark activity. Subsequently, we found an article on the website «Christian and the World», where in a conversation with the scientist Dr. Andrii Sorokovskyi entitled «Andrei Sheptytskyi believed that the union is a synthesis, communion and dialogue between the East and the West, – Andrii Sorokovskyi» also analyzed the phenomenon of Sheptytskyi’s ecumenism. Results: we discovered that Sheptytskyi’s ecumenism was studied not only by numerous scientists, but this meaningful legacy of his is a valuable phenomenon for media coverage. Therefore, Sheptytskyi’s ecumenism becomes the subject of interest of journalists not only of publications that write mainly on church topics, but also socio-political and artistic ones. We are sure that Sheptytskyi’s ecumenism will continue to be studied by professional scientists and representatives of the wider media community. Significance: journalism of a religious orientation, high-quality and substantiated coverage of religious processes and phenomena in the press is still something quite new for modern Ukraine. In Soviet times, journalists were afraid to write about religion in order not to incur the wrath of the authorities, so such materials could not be included in the press. That is why it is very important to study how today’s journalists cover important issues of religion, which, in addition, have a strong scientific basis. In addition, the development of ecumenism and religious unity are extremely important for building national unity, which is necessary for our state to effectively confront the enemy in full-scale war. Key words: ecumenism; Metropolitan Andrey Sheptytskyi; media; interreleigion cooperation; dialogue.
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