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1

Ken, Dancyger, ed. Writing the short film. Boston: Focal Press, 1994.

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2

Ken, Dancyger, ed. Writing the short film. 3rd ed. Burlington, MA: Elsevier/Focal Press, 2005.

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3

Ken, Dancyger, ed. Writing the short film. 2nd ed. Boston: Focal Press, 2000.

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4

Short orders: Film writing. London: Serpent's Tail, 1997.

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5

International Short Film Festival (1988- ) (3rd 1993 Dhaka, Bangladesh). Short film as alternative cinema. Edited by Mokāmmela Tānabhīra. Dhaka, Bangladesh: Festival Committee, Gold Leaf 3rd International Short Film Festival, Dhaka '93, 1993.

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6

Michael, Wood. Film: A very short introduction. Oxford: Oxford University Press, 2012.

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7

Dixon, Wheeler W. A short history of film. New Brunswick, N.J: Rutgers University Press, 2008.

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8

Venice International Short Film Festival (5th 2004). Circuito Off: Venice International Short Film Festival : 5. edizione. Bologna]: Pendragon, 2004.

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9

Festival of Short Films (1991 Nandan, Calcutta, India). The Short film scene in India. Calcutta: Nandan, West Bengal Film Centre, 1991.

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10

Kalinak, Kathryn Marie. Film music: A very short introduction. New York: Oxford University Press, 2010.

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11

A, Emmens Carol, ed. Short stories on film and video. 2nd ed. Littleton, Colo: Libraries Unlimited, 1985.

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12

Aufderheide, Patricia. Documentary film: A very short introduction. New York: Oxford University Press, 2007.

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13

Zaki, Tarek. Short-Channel Organic Thin-Film Transistors. Cham: Springer International Publishing, 2015. http://dx.doi.org/10.1007/978-3-319-18896-6.

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14

Kalinak, Kathryn Marie. Film music: A very short introduction. New York: Oxford University Press, 2010.

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15

Film music: A very short introduction. New York: Oxford University Press, 2010.

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16

Short films 101: How to make a short film and launch your filmmking career. New York: Perigee, 2004.

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17

The short screenplay: Your short film from concept to production. Boston, MA: Thomson Course Technology, 2007.

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18

The art of the short fiction film: A shot by shot study of nine modern classics. Jefferson, N.C: McFarland, 2002.

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19

Corrigan, Timothy. A short guide to writing about film. 2nd ed. New York: HarperCollinsCollegePublishers, 1994.

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20

Lamar, Kendrick. Good kid, M.A.A.D. city: A short film. Santa Monica, CA: Interscope Records, 2013.

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21

Faction: Short stories by 22 film personalities. Noida: Om Books International, 2013.

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22

Camara, Chike. Short Film Structure Secrets: Creating Film Festival Ready Short Films. Independently Published, 2018.

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23

Mūnnithi Nang Thai (Bangkok, Thailand), ed. Short film. Nakhō̜n Pathom: Mūnnithi Nang Thai, 2006.

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24

Lee, Drell. Secrets of Sad Men : Short Film Edition: Short Film Edition. Createspace Independent Publishing Platform, 2016.

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25

Dancyger, Ken, and Patricia Cooper. Writing the Short Film. Taylor & Francis Group, 2012.

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26

Dancyger, Ken, and Patricia Cooper. Writing the Short Film. Taylor & Francis Group, 2015.

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27

Dancyger, Ken, and Patricia Cooper. Writing the Short Film. Taylor & Francis Group, 2012.

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28

Dancyger, Ken, and Patricia Cooper. Writing the Short Film. Taylor & Francis Group, 2012.

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29

Dancyger, Ken, and Patricia Cooper. Writing the Short Film. Taylor & Francis Group, 2012.

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30

Emma, Crimmings, Graham Rhys, and Australian Centre for the Moving Image., eds. Short site: Recent Australian short film. [Melbourne] Victoria: Australian Centre for the Moving Image, 2004.

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31

Australian Centre for the Moving Image. Short Site: Recent Australian Short Film. Moving Image, 2004.

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32

Moritz, Charlie. Thoughts on Shorts: Analysing the Short Film. Taylor & Francis Group, 2023.

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33

Short History of Film. Rutgers University Press, 2018.

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34

Short History of Film. Rutgers University Press, 2013.

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35

Swallowing film: Short stories. London: Quasimodo, 2000.

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36

Short Film Scriptwriter's Handbook. Continuum International Publishing Group, 2004.

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37

Cooper, Patricia, and Ken Dancyger. Writing the Short Film. Routledge, 2012. http://dx.doi.org/10.4324/9780080492476.

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38

Bob, Geoghegan, ed. The short film index. Leeds: Short Film Index, 1994.

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39

Winston, Dixon Prof Wheeler, and Gwendolyn Audrey Foster. Short History of Film. Rutgers University Press, 2013.

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40

Foster, Gwendolyn Audrey, and Wheeler Winston Dixon. Short History of Film. Rutgers University Press, 2013.

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41

Foster, Gwendolyn Audrey, and Wheeler Winston Dixon. Short History of Film. Rutgers University Press, 2013.

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42

Foster, Gwendolyn Audrey, and Wheeler Winston Dixon. Short History of Film. Rutgers University Press, 2008.

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43

Foster, Gwendolyn, and Wheeler Dixon. Short History of Film. Rutgers University Press, 2008.

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44

Foster, Gwendolyn Audrey, and Wheeler Winston Dixon. Short History of Film. Rutgers University Press, 2018.

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45

Foster, Gwendolyn Audrey, and Wheeler Winston Dixon. Short History of Film. Rutgers University Press, 2008.

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46

Kornhaber, Donna. Silent Film: A Very Short Introduction. Oxford University Press, 2020. http://dx.doi.org/10.1093/actrade/9780190852528.001.0001.

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Silent Film: A Very Short Introduction covers the full span of the silent era, touching on films and filmmakers from every corner of the globe and focusing on how the public experienced these films. Silent film evolved during three main periods: early, transitional, and classical. First seen as a technological attraction, it rapidly grew into a medium for telling longer stories. Silent film was genuinely global, with countries around the world using cinema to tell stories and develop their own industries. Although sound was introduced to cinema in the late 1920s, elements of silent film persist even into the twenty-first century.
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47

Thomson, C. Claire. Symphony of a Short Film: A City Called Copenhagen. Edinburgh University Press, 2018. http://dx.doi.org/10.3366/edinburgh/9781474424134.003.0010.

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This chapter is devoted to a detailed account of the life cycle of one film, arguably the high water mark of Dansk Kulturfilm’s production: Jørgen Roos’ 1960 short A City Called Copenhagen. This film was nominated for an Academy Award in the Short Subject category. The commissioning process and funding negotiations for this film were prolonged and complex, and are referred to in the film itself, an example of its use of humour. The film was shot on the cusp of the 1960s, and so documents changes to the cityscape, including the presence of Arne Jacobsen’s SAS Hotel. A City Called Copenhagen also circulated very widely and in multiple languages, offering a rich history of distribution and reception. Shot on Eastmancolor stock, the film is an exemplar of how the material instantiation of informational films impacts on their life cycle, and illustrates how the use of digital restoration techniques can recover films for a new digital dispositif.
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48

Dancyger, Ken, and Patricia Cooper. Writing the Short Film, Second Edition. 2nd ed. Focal Press, 1999.

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49

Seckendorf, Jeffrey. Making of a Short Film. One On One Film Training, 2006.

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50

Make A Great Short Film. Teach Yourself, 2010.

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