Relevant bibliographies by topics / Short stories, Burkinabe (French)

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  2. Dissertations / Theses
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  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Short stories, Burkinabe (French)'

Author: Grafiati
Published: 4 June 2021
Last updated: 27 July 2025

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Journal articles on the topic "Short stories, Burkinabe (French)"

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Mezei, Kathy, and Richard Teleky. "The Oxford Book of French-Canadian Short Stories." Yearbook of English Studies 15 (1985): 253. http://dx.doi.org/10.2307/3508558.

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Gilroy, James P., and Richard Teleky. "The Oxford Book of French-Canadian Short Stories." Rocky Mountain Review of Language and Literature 39, no. 2 (1985): 164. http://dx.doi.org/10.2307/1347343.

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M, Saratha, and Selvakumaran S. "Prabhanjan will narrates short stories Puduvai Tamil status of during the French rule." International Research Journal of Tamil 3, no. 4 (2021): 135–39. http://dx.doi.org/10.34256/irjt21417.

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This Article, The Position of The Tamils of Pondicherry during the French rule, which deals with the short stories of Vishwasan, who is one of the most important tamil short story creators, is based on the short stories of The Cycle, Security, Brother Oro and Business of The Universe. It also examines the difficulties faced by the inequalities of caste and religion and the racist activities of the French rulers, especially when Pondicherry was under the control of the French in the 16th and 19th centuries. This article also deals with the tragic history of the exile of tamil people by using th
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Semenchenko, Iurii I. "THE VOICE PHENOMENON IN BECKETT’S FRENCH-LANGUAGE SHORT STORIES." Вестник Пермского университета. Российская и зарубежная филология 12, no. 4 (2020): 128–35. http://dx.doi.org/10.17072/2073-6681-2020-4-128-135.

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The article deals with the specific features of the voice phenomenon representation and the peculiarities of its functioning in French-language short stories written by Beckett, namely in Premier amour (First Love), Le calmant (The Calmative) and Au loin un oiseau. The abovementioned texts allow us, on the one hand, to demonstrate the genesis of the writer’s artistic and aesthetic principles of representing the studied phenomenon, which were later reflected in theatrical, radio and television plays, and, on the other hand, – to shed light on the specificity of the literary world of these texts
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Badenas Roig, Sonia Rut. "El cuento como recurso didáctico en la enseñanza del francés lengua extranjera." Revista de Lingüística y Lenguas Aplicadas 13, no. 1 (2018): 21. http://dx.doi.org/10.4995/rlyla.2018.8694.

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<p>This article offers a pragmatic reflection on the use of short stories in the teaching of French as a foreign language. After analyzing the use of short stories in the foreign language classroom as didactic material, we briefly assess the different advantages of short stories and inquire about the validity of this genre as a suitable material for the teaching of written expression in the light of the Common European Framework of Reference for Languages (CEFRL). On this basis, we propose a practical approach in which short stories are integrated to the teaching of written expression wi
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Marsih, Linusia, and Christine Saragih. "SEX WORKER STIGMA IN MAUPASSANT’S “BOULE DE SUIF” AND TIRTAWIRYA’S “CATATAN SEORANG PELACUR”." Anaphora: Journal of Language, Literary and Cultural Studies 4, no. 2 (2022): 162–69. http://dx.doi.org/10.30996/anaphora.v4i2.6072.

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This study aims to reveal stigma toward sex worker depicted in two literary texts i. e. a short story entitled “Boule de Suif” by Guy de Maupassant, a French writer and a short story entitled “Catatan Seorang Pelacur” by Putu Arya Tirtawirya, an Indonesian writer. The two short stories are chosen for the reason that both works depect the life of a female sex worker. This study is designed as a descriptive qualitative study with sociological approach. The sociological approach is applied because this study looks at society’s views on female sex workers tht is reflected in the short stories. Mor
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Matiunina, Tatiana S. "The Motive of Imprisonment on Joan Rhys’s Short Stories “From a French Prison”, “The Sidi”, “Outside the Machine”." World Literature in the Context of Culture, no. 17 (2023): 44–54. http://dx.doi.org/10.17072/2304-909x-2023-17-44-54.

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The article examines the motive of imprisonment (supervision and punishment) in the concept of Jean Rhys’s short stories written in the first half of the XX century. The placement of female (Inez, Madame Tavernier, Mrs. Murphy) and male (the old man and the boy, Sidi) characters in the closed loci of the hospital and prison is seen as an emblem of alienation and identity crisis. The possibilities of philosophical and psychological interpretation of the imprisonment, the key leitmotif of the British writer’s stories, and the accompanying motives of loneliness, accidental encounter, non-involvem
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Harmuth, Sabine. "Sinnstruktur und Funktionsweise ironischer Gestaltungsmittel in einigen Kurzgeschichten aus <i>Uf, va dir ell</i> von Quim Monzó." Zeitschrift für Katalanistik 5 (July 1, 1992): 65–77. http://dx.doi.org/10.46586/zfk.1992.65-77.

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The success of Quim Monzó, born in 1952, who has already published various collections of short stories, is due to the author's ability to combine refined irony and comical effects with inexhaustible narrative ability and ideas. Monzó is in the literary tradition of the Anglo-American "short story” authors, of the Hispano-American "nueva novela" and also of French and Catalan Modernism, Symbolism and Surrealism. The protagonists of the stories gathered in Uf, va dir ell must act in extreme situations in a world of everyday appearance but full of absurd things. Monzó draws his characters from a
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Saktorová, Helena. "Zemepisná a cestopisná literatúra v šľachtickej knižnici Zičiovcov vo Voderadoch." Acta Musei Nationalis Pragae – Historia litterarum 67, no. 1-2 (2022): 30–36. http://dx.doi.org/10.37520/amnpsc.2022.005.

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The Slovak National Archives in Bratislava contain a large manuscript catalogue of an extensive book collection formerly located in one of the numerous residences of the branched aristocratic family Ziči, namely in Voderady near Trnava. The manuscript catalogue, entitled Catalogus Librorum Bibliothecae Vedrodiensis 1894 [A Catalogue of the Books of the Voderady Library 1894], presents a library which, according to information from the 19th century, contained about 12,000 volumes. In the catalogue, the books are divided into 19 thematic groups: theological works and prayer books, linguistic pub
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Luneau, Marie-Pier, and Jean-Philippe Warren. "Building a Virtual Community: Confession Magazines in French Canada." Journal of Modern Periodical Studies 12, no. 2 (2021): 131–57. http://dx.doi.org/10.5325/jmodeperistud.12.2.0131.

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ABSTRACT This article considers confessional magazines as “virtual communities.” Published from 1943 to 1957, Histoires vraies was a low-brow magazine that replicated True Story's success in French Canada. Like Bernarr Macfadden's True Story, Histoires vraies was entirely or mostly composed of short sentimental stories generated by its readers. Overall, our article sheds light on how, in 1950s Quebec, a virtual community was created to help readers cope with profound social change, offering both a space of liberty and empowerment and an institution of social control.
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Dissertations / Theses on the topic "Short stories, Burkinabe (French)"

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Konstantinova, Natalia P. "The short stories of Ivan Turgenev - the link between French and Russian naturalism : a comparative approach." Honors in the Major Thesis, University of Central Florida, 1999. http://digital.library.ucf.edu/cdm/ref/collection/ETH/id/70.

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This item is only available in print in the UCF Libraries. If this is your Honors Thesis, you can help us make it available online for use by researchers around the world by following the instructions on the distribution consent form at http://library.ucf.edu/Systems/DigitalInitiatives/DigitalCollections/InternetDistributionConsentAgreementForm.pdf You may also contact the project coordinator, Kerri Bottorff, at kerri.bottorff@ucf.edu for more information.<br>Bachelors<br>Arts and Sciences<br>Foreign Languages
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Nkealah, Naomi Epongse. "Islamic culture and the question of women's human rights in North Africa : a study of short stories by Assia Djebar and Alifa Rifaat." Pretoria : [s.n.], 2006. http://upetd.up.ac.za/thesis/available/etd-09102007-111635.

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Harris, John. "Structural coherence in early anthologies of French prose short stories : a study of the unframed collections compiled at the time of François I." Thesis, Royal Holloway, University of London, 1987. http://repository.royalholloway.ac.uk/items/2e430c40-9caa-4261-a000-45303faea6b4/1/.

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Four anthologies of sixteenth-century French prose contes are examined, with the aim of elucidating the processes which informed their compilation and the reading strategies which they imply, and the relationship between the structural coherence of unframed anthologies and that of collections incorporating a frame-story structure.'Framed' collections and their structures have served as the yardstick against which unframed anthologies have been measured, and judged to be loose compilations whose component tales may be read in any order. Though the view of framed collections implied by this comp
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Champagne, Blanche. "La femme de gouttière, recueil de nouvelles ; suivi de L'évolution de l'espace féminin dans des nouvelles québécoises des années 1954-1992." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp02/NQ43053.pdf.

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Dion, Laetitia. "Histoires de mariage- Une contribution à l’histoire des formes narratives à la Renaissance : le mariage dans la fiction narrative française (1515-1559)." Thesis, Lyon 2, 2012. http://www.theses.fr/2012LYO20066.

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Les études consacrées à la représentation du mariage dans les textes narratifs au XVIe siècle cherchent le plus souvent à mettre en rapport l’image du lien conjugal construite par les récits avec les débats de l’époque. Nous avons voulu combiner cette approche, relevant davantage de l’histoire des idées, à une analyse des formes littéraires en nous interrogeant sur le rôle joué par le thème du mariage dans les évolutions du genre narratif à la Renaissance.Nous menons notre enquête sur un ensemble de douze fictions narratives en prose, de composition française, écrites entre 1515 et 1559. Duran
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Rolland, Tiphaine. "Le « vieux magasin » de Jean de La Fontaine. Les Fables, les Contes et la tradition européenne du récit plaisant (XVe-XVIIe s.)." Thesis, Paris 4, 2017. http://www.theses.fr/2017PA040132.

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Bien que La Fontaine ait explicitement placé ses Contes dans la lignée de grands recueils de narrations plaisantes, comme le Décaméron, les Cent Nouvelles Nouvelles ou l’Heptaméron, cette filiation assumée masque deux énigmes. La première concerne la transmission de ces modèles prestigieux jusqu’au poète ; ceux-ci ont en effet connu une diffusion européenne par le biais de compilations anonymes mal connues, agissant comme autant de filtres qu’il faut mieux évaluer. La seconde est celle de l’influence, sous-estimée, de cette production récréative multiforme sur l’autre versant de l’œuvre de La
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Hodges, Peter John. "Boris Vian (non) conformist: the translation of two collections of short stories in a theoretical context." Thesis, 2014. http://hdl.handle.net/1959.13/1055252.

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Research Doctorate - Doctor of Philosophy (PhD)<br>How translation theory and existing translation practices can be appropriately applied to an author who has for decades been essentially described as a non-conformist.
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Crous, Elsa. "L’enjeu du jeu dans Risibles amours de Milan Kundera." Thesis, 2013. http://hdl.handle.net/10210/8301.

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M.A. (French)<br>Milan Kundera is known for being almost obsessive in guarding his privacy, and in the manner in which he controls any translations of his writings. Despite such strictures, the works of this former exile from Czechoslovakia, who now resides in France and writes in French, have been translated and disseminated to a worldwide audience of readers. It is not only his fictional writings which have earned him kudos, but also his ventures into non-fiction, viz. literary criticism. Having April 1st as a birth date was to have a dramatic impact on Kundera, who later declared that this
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Tessier, Hugo. "Carnaval : le discours populaire et l'art du bonimenteur chez Bonaventure Des Périers ; suivi de Propos et contes avinés." Thèse, 2015. http://hdl.handle.net/1866/12461.

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Ce mémoire de maîtrise en recherche-création explore aussi bien la teneur populaire que l'aspect proprement théâtral associés aux figures narratives que sont les bonimenteurs. À partir d'une lecture critique des Nouvelles récréations et joyeux devis (1558) de Bonaventure Des Périers, le volet essai du mémoire tente de cerner quelle est la posture particulière que présente ce narrateur bonimenteur de la Renaissance française. Nous avons cette fois tenté de voir comment ce discours employé par Des Périers, grâce à une stylistique et une structure discursive qui lui sont propres,
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Mundevová, Lenka. "Překlad prostředků mluvenosti v beletrii. Stoletá historie překladu Maupassantovy povídky Ivrogne." Doctoral thesis, 2016. http://www.nusl.cz/ntk/nusl-352093.

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Lenka Mundevová Translation of Colloquial Language Devices in Fiction: A Century of Maupassant's Ivrogne in Czech Translation Abstract The dissertation compares the stylization of the dialogues in the French original of Maupassant's short story Ivrogne (The Drunkard), written in 1884, with five Czech translations published between 1902 and 1997. The comparative analysis is focused on the devices of colloquial language, including dialect, which appear frequently in the dialogues of the story and prove to be extraordinarily useful when interpreting Maupassant's text. The analysis of the excerpte
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Books on the topic "Short stories, Burkinabe (French)"

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Sanou, Joseph, Zakaria Dabone, and Odile Sankara. Recueil de nouvelles: Grand Prix national des arts et des lettres : Semaine nationale de la culture, Bobo 2004. Éditions Léonce Deprez, 2004.

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Mahamoudou, Ouédraogo, and Burkina Faso. Ministère de la culture, des arts et du tourisme., eds. Nouvelles du Burkina Faso. 2nd ed. PUO, 2005.

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Louis, Tauxier, ed. Contes du Burkina: (anciennement Haute-Volta). Conseil international de la langue française, 1985.

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Somda, B. Jean-Louis. Soirées enchantées: Contes pour enfants. Ministère de la communication et de la culture, Direction du livre et de la promotion littéraire, 1994.

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Brian, Masters, and Folio Society (London England), eds. French short stories. Folio Society, 1998.

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King, Stephen. Short Stories/Nouvelles. Pocket, 1990.

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1900-, Flores Angel, ed. Great nineteenth-century French short stories. Dover Publications, 1990.

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Ouedraogo, R. Mathieu. A deal is a deal, or, How much for your head and other stories: A reader for Burkina Faso secondary schools. s.n., 1989.

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Elizabeth, Fallaize, ed. The Oxford book of French short stories. Oxford University Press, 2002.

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Dao, Bernadette. La dernière épouse: Recueil de nouvelles. EDILIS, 1997.

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Book chapters on the topic "Short stories, Burkinabe (French)"

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Jacquelin, Alice. "Didier Daeninckx, Le roman noir de l’Histoire (2019): Dismantling the Tale of French History through Disseminated Micro-Histories." In Contemporary European Crime Fiction. Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-21979-5_9.

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AbstractThis chapter examines the excavation of memories and truths that officialdom would rather remain buried in the work of French noir novelist Didier Daeninckx. It examines Daeninckx’s (Le roman noir de l’Histoire. Lagrasse: Verdier, 2019) magnum opus Le roman noir de l’Histoire. This is not a novel as historical document or as historical mimesis but rather a collection of seventy-six short stories that collectively recount eleven periods in French and European history from 1855 to 2030—and where the emphasis is placed on the kaleidoscopic nature of ‘history from below’, that is, individu
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Nisticò, Simona. "Chapter 5. Translating conflict in written fiction." In Pragmatics and Translation. John Benjamins Publishing Company, 2023. http://dx.doi.org/10.1075/pbns.337.05nis.

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This chapter focuses on the pragmatic aspects of translating conflictual moments in written fiction, whose meaning is mediated by translators to target-text readers across languages and cultures. Building on notions of characterization, stance, voice, im/politeness, and relational work, this contribution illustrates the preliminary findings of a qualitative analysis of conflict scenes taken from a trilingual corpus of short stories. In the two target languages considered (French and Italian), each translator uniquely modulates address forms, speech-reporting verbs, ambiguity, and unpleasant co
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Odber De Baubeta, Patricia Anne. "Children’s literature in translation." In Benjamins Translation Library. John Benjamins Publishing Company, 2013. https://doi.org/10.1075/btl.107.16bau.

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This paper considers an early international publishing franchise, in which titles published in French by Gautier-Languereau for their children’s Série 15 were purchased by foreign publishing houses, translated, then marketed in Portugal, Spain and Italy. The books contain short stories (15 in each) that may originally have been intended for adult readers but have now been appropriated by literary editors for a juvenile audience, thus moving into the category of ‘crossover’ fiction. In some cases, the original story was published in English, translated into French, then re-translated from Frenc
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Pasco, Allan H. "On Defining Short Stories." In The Nineteenth-Century French Short Story. Routledge, 2019. http://dx.doi.org/10.4324/9780429319006-1.

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Malinovich, Nadia. "Jewish Literature in France 1920–1932." In French and Jewish. Liverpool University Press, 2007. http://dx.doi.org/10.3828/liverpool/9781904113409.003.0008.

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This chapter covers a set of concerns surrounding the emergence of a modern Jewish literature in the French language. It explains what the novelty of a few maverick intellectuals in the pre-war years that became a recognized genre of writing in the 1920s. It identifies Jewish writers who began to publish novels, plays, poems, collections of folklore, and short stories about different aspects of Jewish life and the issues of assimilation and acculturation in modern society. The chapter discusses Jewish literature in translation that comprised important components of literary renaissance. It als
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"Social Hierarchies in the Short Stories of Joseph Zobel." In Perspectives on Culture and Politics in the French Antilles. Modern Humanities Research Association, 2018. http://dx.doi.org/10.2307/j.ctv16km0fp.13.

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"French translations of Munshi Premchand’s short stories: a critical enquiry." In Premchand in World Languages. Routledge India, 2016. http://dx.doi.org/10.4324/9781315616698-14.

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de Maupassant, Guy. "The Tribulations of Walter Schnaffs." In Mademoiselle Fifi and Other Stories, edited by David Coward. Oxford University Press, 2024. https://doi.org/10.1093/owc/9780198884958.003.0006.

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Ever since arriving on French soil with the invading Prussian army, Walter Schnaffs had considered himself the most unhappy of mortals. He was fat and found marching painful, for he was always short of breath and suffered agonies with his feet, which were very...
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Lamy-Vialle, Elisabeth. "Foreign Languages and Mother Tongues: From Exoticism to Cannibalism in Katherine Mansfield’s Short Stories." In Katherine Mansfield and Translation. Edinburgh University Press, 2015. http://dx.doi.org/10.3366/edinburgh/9781474400381.003.0008.

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This chapter discusses the way Katherine Mansfield uses the French language in her short-stories, and specifically in the stories set in France. Mansfield does not only use the French language as a semiological tool but confronts English-speaking readers with a foreign language that constantly interacts with their mother-tongue, imposing on them the Other’s tongue – Derrida’s ‘monolingualism of the Other’. She opens up an in-between space in which the two languages are questioned and unsettled, a process echoing the ‘becoming-other of language’ described by Deleuze. This chapter examines how t
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Savina, Anfisa D. "Villiers de l’Isle-Adam’s Short Stories in the New Way magazine." In Merezhkovskys’ Circle: On the Occasion of the 150th Anniversary of Z.N. Gippius. A.M. Gorky Institute of World Literature of the Russian Academy of Sciences, 2021. http://dx.doi.org/10.22455/978-5-9208-0679-6-194-205.

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The article shows how the acquaintance with the work of the late French Romanticist Villiers de l’Isle-Adam was reflected in the activities of Merezhkovsky’s circle. Villiers’ short stories published in the “Novy Put’” 195 (New Way) magazine are noted with particular attention to The Swan Killer translated by Z.N. Gippius. It is revealed that the artistic features of this short story allow D.V. Filosofov and D.S. Merezhkovsky to use Villiers’ text as an illustration in their own works. The difference in the interpretation of the story by Filosofov (Nihilists) and Merezhkovsky (The Swan Killer)
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Conference papers on the topic "Short stories, Burkinabe (French)"

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Sathvik, Msvpj, Abhilash Dowpati, and Revanth Narra. "French GossipPrompts: Dataset For Prevention of Generating French Gossip Stories By LLMs." In Proceedings of the 18th Conference of the European Chapter of the Association for Computational Linguistics (Volume 2: Short Papers). Association for Computational Linguistics, 2024. https://doi.org/10.18653/v1/2024.eacl-short.1.

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Амирова, Луиза Захаровна, and Тамилла Ибрагимовна Рагимханова. "FRENCH BORROWINGS IN MODERN ENGLISH LANGUAGE." In Наука. Исследования. Практика: сборник избранных статей по материалам Международной научной конференции (Санкт-Петербург, Июнь 2021). Crossref, 2021. http://dx.doi.org/10.37539/srp297.2021.34.22.003.

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Данная статья посвящена актуальной проблеме определения и использования французских заимствований в произведениях англоязычных писателей. В статье приводится обзор видов французских заимствований. Рассматриваются особенности использования французских заимствований на примере коротких рассказов О. Генри и Грэма Грина. This article is devoted to the actual problem of the definition and usage of French borrowings in the works of English-speaking writers. The article provides an overview of the types of French borrowings. The features of the use of French borrowings are considered on the example o
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