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Journal articles on the topic 'Short stories, Dutch – 20th century'

Author: Grafiati

Published: 4 June 2021

Last updated: 29 July 2025

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1

Ferent-Pipas, Marina. "‘Flexibility’ and ‘security’ from rivals to teammates: a short history of flexicurity." Virgil Madgearu Review of Economic Studies and Research 16, no. 1 (2024): 15–31. http://dx.doi.org/10.24193/rvm.2023.16.102.

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This article provides a short yet comprehensive historical review of ‘flexicurity,’ an equally acclaimed and debated public policy of the first two decades of the 20th century. Early understandings of ‘flexibility’ and ‘security’ in labor economics placed the two terms in antithetic positions, generally defining ‘flexibility’ as the lack of ‘security’ or considering ‘security’ as the cause for the lack of ‘flexibility.’ The change in social standards in the early 1990s generated the emergence of ‘transitional labor markets,’ a concept that further facilitated the appearance of a new labor mark

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Karivets, Ihor, and Andrii Kadykalo. "Egzistencializmas literatūriniuose vaizdiniuose V. Pidmohylny’o ir M. Yatskivo novelėse." Problemos 105 (April 10, 2024): 88–101. http://dx.doi.org/10.15388/problemos.2024.105.7.

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This article analyses little-known short stories of modern Ukrainian writers Valerian Pidmohylny and Mykhailo Yatskiv in the context of the 20th century existentialism. It can be considered as a cultural phenomenon which combines philosophy with literature. Pidmohylny’s short stories were significantly influenced primarily by the ideas of the European philosophers of the late 19th and early 20th centuries. Therefore, we can search for similar motives in the works of Pidmohylny and the existentialists, which developed under the influence of the ideas of Schopenhauer, Kierkegaard, and Nietzsche.

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Mahardika, Moch Dimas Galuh. "MODERNIZING OF JAVANESE WOMEN DRESSING STYLE CULTURE IN 20TH CENTURY: THE EDUCATION IMPACT." Haluan Sastra Budaya 6, no. 1 (2022): 128. https://doi.org/10.20961/hsb.v6i1.54816.

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<p><em>The Dutch colonialism not only leaves stories about exploitation, the breakdown of social strata, and other inhumane stories. On the other hand, the presence of Dutch colonialism in Nusantara gives the influence of modern culture to several aspects of bumiputra people's lives. After the colonization runs for centuries in Nusantara, the colonial government seems to have the awareness for"return the favor" to the bumiputra people by implement the Ethical Policy that are aimed at improving the welfare of bumiputra people. After the enactment of Ethical Policy, Javanesse people

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Neves, Letícia Maria dos Santos. "Gênesis do homem moçambicano nos contos de João Dias e Luís Bernardo Honwana." Revista Crioula, no. 33 (November 30, 2024): 235–58. https://doi.org/10.11606/issn.1981-7169.crioula.2024.225399.

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The aim of this article is to analyze how the short stories of João Dias and Luís Bernardo Honwana dialogue with African revolutionary movements in the 20th century. By analyzing two short stories, Gênesis and As Mãos dos Pretos, we seek to understand how colonial structures are articulated and how Mozambican intellectuals respond to the historical and cultural erasure imposed by the Portuguese colonial government.

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Kwiatkowska, Anna. "Representations of Women in Selected Short Stories by Katherine Mansfield Viewed Through Seventeenth-century Genre Paintings." Tekstualia 1, no. 4 (2018): 35–52. http://dx.doi.org/10.5604/01.3001.0013.5150.

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The goal of the paper is to demonstrate the influence of the Dutch masters on the representation of women in Mansfield’s short stories. The correspondences discernible between Mansfieldian women characters and the women figures from the Dutch Old Masters’ canvases as well as Dutch painters’ techniques dealing with perspective and Mansfield’s treatment of narration show a lot in common. When introducing her female protagonists, Mansfield seems to employ certain narrative strategies that are reminiscent of the techniques utilised by the Old Masters. The paper addresses, therefore, two issues. Fi

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Liu, Liu, and Yu Sun. "A Cultural Interpretation of the Bodies of Marginalized People in Welty’s - A Curtain of Green and Other Stories." Review of European Studies 10, no. 3 (2018): 72. http://dx.doi.org/10.5539/res.v10n3p72.

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A Curtain of Green and Other Stories is a collection of short stories written by Southern American writer Eudora Welty. In the story collection, Welty portrays life and people in Mississippi in the first half of the 20th century, including quite a few marginalized people. Being a photographer as well, Welty has a unique vision for body expression. This essay tries to make an analysis of the body narration of two types of marginalized people in A Curtain of Green and Other Stories, including physically disabled people and black people. By analyzing the body culture in Welty’s works, this essay

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FARISTA, RUPAL a. "Short stories of Mulk Raj Anand: A Storehouse of Indian Myths and Traditions." Dev Sanskriti Interdisciplinary International Journal 4 (July 31, 2014): 79–86. http://dx.doi.org/10.36018/dsiij.v4i0.48.

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Our traditions and beliefs give rise to many myths. Many a times the Indian authors used their knowledge about myths and traditions and made stories based on them. Mulk Raj Anand is also highly traditional author who was impressed by the stories told to him as a child by his grandmother and he uses the mythical tales in his short stories. By reading these short stories, any reader is also acquainted with the traditional myths of our country. This article is an endeavor to bring to notice various myths used by Anand in his various short stories and the effect of these myths on the readers. Anan

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Graca, Joanna. "Deutsche Kürzestgeschichte: Erzähltheoretische Analyse ausgewählter „short short stories“ von Kerstin Hensel und Heiner Feldhoff." Studia Litteraria 15, no. 4 (2020): 253–62. http://dx.doi.org/10.4467/20843933st.20.021.12542.

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German Shortest Story: A Narratological Analysis of Chosen „Short Short Stories” by Kerstin Hensel and Heiner Feldhoff Kürzestgeschichte (lit. shortest story), which is the German term for a subcategory of short story, became established as a literary genre in the 20th century. Its condensed content conformed to the hectic pace of life but, in terms of the issues discussed, it was more essential and dedicated to an experienced reader. In this paper, a narratological analysis of selected shortest stories by Heiner Feldhoff and Kerstin Hensel will be conducted. A methodological basis for the ana

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A, Anitha. "Feminist Virtues in Jayakanthan Short Stories." International Research Journal of Tamil 4, S-14 (2022): 62–66. http://dx.doi.org/10.34256/irjt224s1410.

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Introduction the various stages of development Took place in the 20th century extended to the field of literature. Literary scholars have been instrumental in over coming notion of superiority, inferiority and gender in equality conventional ideas were rejected and new ideas began go emerge. Among them ideas about feminism have gained much popularity and development in the 21st century. Jayakanthan is also notable for his desire for women's emancipation from the perspective of society, politics, economy and religion free from such conditions. He as created works with the aim of librating women

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Tailanga, Soranat. "Modernist Thai Short Stories, 1964–1973: The Relationship with Art." MANUSYA 11, no. 2 (2008): 125–41. http://dx.doi.org/10.1163/26659077-01102007.

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A number of distinguished Thai short stories from 1964 to 1973 reveal new and distinctive features in terms of subject, form, concepts and style. These features are similar to those of modernism, which was an international movement in literature and the arts that began in the late 19th century and continued into the early 20th century. The similarity suggests the direct and indirect influences of the modernist style upon Thai writers. Furthermore, the change in style of some of the short stories indicates a relationship with the art movements: impressionism, expressionism, cubism and surrealis

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Lyapin, Ivan V. "Images of eccentric characters in Raymond Carver’s short stories (Based on the short-stories from the collection “Will You Please Be Quiet, Please?”)." Izvestiya of Saratov University. Philology. Journalism 22, no. 4 (2022): 457–62. http://dx.doi.org/10.18500/1817-7115-2022-22-4-457-462.

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The article deals with the images of eccentric characters in the short stories “Jerry and Molly and Sam” (1972), “Fat” (1971), “They Are Not Your Husband” (1973), “Neighbors” (1971), “The Idea” (1972) written by an outstanding American writer of the second half of the 20th century R. Carver. The definitions of the concepts of “eccentricity” and “grotesque” are given, the fundamental difference between “eccentric” and the related concepts of “jester” and “rogue” is highlighted, examples of the interpretation of “eccentricity” in the previous literary tradition are given. The selected stories ar

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Maszewska, Jadwiga. "Travel and “Homing In” in Contemporary Ethnic American Short Stories." Text Matters, no. 2 (December 4, 2012): 239–49. http://dx.doi.org/10.2478/v10231-012-0067-2.

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In American ethnic literature of the last three decades of the 20th century, recurrent themes of mobility, travel, and “homing in” are emblematic of the search for identity. In this essay, which discusses three short stories, Alice Walker’s “Everyday Use,” Louise Erdrich’s “The World’s Greatest Fishermen,” and Daniel Chacon’s “The Biggest City in the World,” I attempt to demonstrate that as a consequence of technological development, with travel becoming increasingly accessible to ethnic Americans, their search for identity assumes wider range, transcending national and cultural boundaries.

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Zokhriddinovna, Mukhiddinova Dilafruz. "The Works Of Modern Jordanian Writer Ilias Farquh." American Journal of Social Science and Education Innovations 02, no. 11 (2020): 160–65. http://dx.doi.org/10.37547/tajssei/volume02issue11-29.

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The study of short stories in Jordan in the early 60-80s of the 20th century shows that the problem of Palestine is one of the leading topics, received a deeper and more comprehensive coverage in their works. A characteristic side of the short story writers of Jordan 70-80s is that they take a biased anti-Israeli position. During this period, the writers create the short story which possesses a new form and content. It should be noted that the anti-Israeli position is characteristic of the short stories of Ilias Farquh, where the writer’s short story “Abo, illuminating the silence”, discusses

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Anténe, Petr. "“The most famous Jew outside the Old Testament”: Recontextualizing Shakespeare in Clive Sinclair’s Shylock Must Die." Iudaica Russica, no. 1(8) (June 21, 2022): 1–13. http://dx.doi.org/10.31261/ir.2022.08.09.

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The posthumously published short story collection Shylock Must Die (2018) by the British Jewish writer Clive Sinclair works with Shakespeare’s play The Merchant of Venice in a variety of creative ways. The short stories borrow from The Merchant of Venice especially the theme of antisemitism and Shylock as the main Jewish character but are usually set in the 20th or 21st century rather than in the Renaissance. Some stories react to notable productions of the play across the globe, e.g. in Stockholm in 1944, London in 2012 or in Venice in 2016, the year of the quincentennial commemorations of th

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Kaewert, Rebecca. "Juan Rulfo’s El Llano en llamas (1953) as Literary Expression of Agrarian Protest." SubStance 53, no. 3 (2024): 110–27. http://dx.doi.org/10.1353/sub.2024.a944510.

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Abstract: The history of Mexico in the first half of the 20th century is almost completely dominated by the Mexican Revolution (1910–1920/40). Revolutionary events continue to shape Mexican society up to the present day. Due to the unequal distribution of resources and land and political instability, persistent social tensions have developed, resulting primarily from a collective impoverishment accompanied by de facto lawlessness, violence, and oppression of the Mexican rural population, and a rising elite in the cities. Mexican author Juan Rulfo (1917–1986) experienced violent clashes between

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Waters, Tony. "The “Consulting Detective” Nithan Thong-in by King Vajiravudh." Journal of the Siam Society 112, no. 1 (2024): 191–96. http://dx.doi.org/10.69486/112.1.2024.10.

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This short study explores detective stories by Crown Prince Vajiravudh, later King Rama VI, in early 20th-century Siam. Compiled in Nithan Thong-in, these tales provide insights into Siamese society, culture, and history. Despite multiple reprints, an English translation is currently unavailable. This notice introduces the cultural richness of Mr Thong-in’s adventures, along with brief summaries of each story.

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Romera Galán, Fernando. "El cuento de tradición oral en la obra de García Lorca: La niña que riega la albahaca y Juego de damas." Boletín de Literatura Oral 15 (July 4, 2025): 254–71. https://doi.org/10.17561/blo.v15.9425.

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This article explores the relationship that some works of Federico García Lorca may have had with traditional tales, especially with fairy tales. Some short texts by the author from Granada are an interesting example of the knowledge that Lorca may have had of these folkloric stories, such as The Girl Who Watered the Basil and Game of Ladies. It also addresses how these stories became important in his texts and how they had a notable influence in the early years of the 20th century, eventually becoming a source of creation in Lorca's work

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Thi Thu Giang, HOANG. "The plot and artistic language of Vietnamese short stories in the early 20th century - transitions towards modernity." Vinh University Journal of Science 52, no. 2B (2023): 79–88. http://dx.doi.org/10.56824/vujs.2023b065.

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From the late 19th century, Vietnamese literature started to change and transform from the medieval to the modern. In the early 20th century, especially from the 1920s onwards, Vietnamese literature gradually entered the trajectory of modern literature quickly and comprehensively with the appearance of many talented writers with remarkable artistic innovations. This is clearly shown in the short story, the “short narrative” genre, which is dynamic and can easily catch up with the changes of society in general and of literature in particular. The process of modernization of short stories in thi

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Aksenova, K. "TYPES AND FUNCTIONS OF EXTENDED RETICENCE IN ENGLISH SHORT STORIES OF THE 20TH CENTURY." Bulletin of the Moskow State Regional University (Linguistics), no. 4 (2015): 132–38. http://dx.doi.org/10.18384/2310-712x-2015-4-132-138.

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20

Chen, Hongwei. "Analysis of Hemingway’s Ecofeminism in Cat in the Rain and Hills Like White Elephants." International Journal of Education and Humanities 10, no. 1 (2023): 195–99. http://dx.doi.org/10.54097/ijeh.v10i1.11118.

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rnest Hemingway is regarded as one of the greatest American writers in the 20th century. This paper aims to interpret Hemingway’s ecofeminism by analyzing his short stories Cat in the Rain and Hills Like White Elephants. In these two short stories, Hemingway’s ecofeminism is reflected mainly in three aspects: the relationship between man and nature, the relationship between man and woman, and the resonance between woman and nature. It is clear that Hemingway’s Ecofeminism is interwoven closely with the social and economic condition of America, the awakening of female consciousness, Hemingway’s

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Guanqiong, Lin. "Pidgin as the style in Russian prose of Harbin (“Gamblers” by P.V. Shkurkin)." Philological Sciences. Scientific Essays of Higher Education, no. 5 (September 2020): 70–76. http://dx.doi.org/10.20339/phs.5-20.070.

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The article presents a linguopoetic analysis of ethnographic short stories which compiled the cycle “Gamblers” (1926) by the Russian writer of the Harbin emigration P.V. Shkurkin. The Far Eastern Russian-Chinese pidgin is one of the brightest and richest pidgin branches of the second half of the 19th century and the first half of the 20th century, widespread in the cultural and commercial exchanges. As a sinologist, Shkurkin actively used pidginized vocabulary instead of Russian equivalent words and phrases in “Gamblers”. The subject of this study is the Far Eastern Russian-Chinese pidgin in “

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Kharrasova, E. A. "Features of subtext in E. Hemingway and R. Carver’s dialogues (based on the analysis of their short stories)." Philology and Culture, no. 1 (April 6, 2024): 106–12. http://dx.doi.org/10.26907/2782-4756-2024-75-1-106-112.

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The article provides a comparative analysis of the implication features used in the dialogues of the stories by Ernest Hemingway and Raymond Carver, his follower of the second half of the 20th century. Our analysis is based on their texts written in different years. Employing specific examples, we analyzed the authors’ work on the use of the main subtext elements: A pause or silence, incompleteness and repetitions. The highlighted elements of the implication allow us to make conclusions about the direct influence of Hemingway on the poetics of Raymond Carver’s stories. The comparison of the pr

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Poltoratsky, I. S. "The Elements of Ornamental Prose in the Works of Venedikt Matveev (Mart). “Martelias. Stories of My Death”." Studies in Theory of Literary Plot and Narratology 4 (2023): 24–32. http://dx.doi.org/10.25205/2713-3133-2023-4-24-32.

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Venedikt Matveev (Mart) is a prominent figure in the literature of the Far Eastern Russian emigration. His cycle of ornamental miniatures (“martelias”) “The Story of My Death” reflects the original features of the new mythopoetic thinking corresponding to the modernist literature of the early 20th century. In this article we analyze avant-garde compositional and stylistic techniques employed in these short stories in the historical and theoretical context.

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Kim, soon gum. "A study on the tragedy for the Xiao Hong's short stories: Focusing on “Wangasujeoksa”, “Gyo”, and “Soseongsamwol”." Society for Chinese Humanities in Korea 86 (April 30, 2024): 211–26. http://dx.doi.org/10.35955/jch.2024.04.86.211.

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The purpose of this study is to elucidate the tragic elements in the short stories “Wangasujeoksa,” “Gyo,” and “Soseongsamwol” by Xiao Hong. All three works connect their characters to the tragedy of death. This reflects how, despite China's attempts at new progress and innovation through the Xinhai Revolution and the May Fourth Movement in the early 20th century, lower-class women remained in poverty and became victims of an irrational social structure. This study aims to examine the tragedy in Xiao Hong's short stories within the unique historical context of China's modern and contemporary e

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Hossain, S. M. Faisal. "শৈলজানন্দ মুখোপাধ্যায়ের ছোটগল্প : নাগরিক নিম্নবিত্ত জীবনের বিচিত্র বীক্ষণ". International Journal of Sustainability and Multidisciplinary Research 1, № 1 (2025): 89–109. https://doi.org/10.71214/k383yx47.

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Shailajanand Mukherjee (1901-1976) is a leading figure among the many storytellers who have made a name for themselves in 20th-century Bengali literature with their extraordinary artistic creations. He is the first to bring regionalism to Bengali short stories. He is the one who bypassed idealized reality and gave place to pure reality based on experience in Bengali literature. The diverse picture of the life of the coal mining workers is beautifully depicted in his short stories. Not only the working people, but also the joys and sorrows of the lower-class people of the city of Kolkata, outsi

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Обретенова-Велинов, Илияна. "РАЗКАЗИТЕ НА ЕЛИН ПЕЛИН В НЕМСКОЕЗИЧНОТО СПИСАНИЕ „DER BULGARIENWART“ В КОНТЕКСТА НА СЪБИТИЯТА В МЕЖДУВОЕННА БЪЛГАРИЯ". Годишник на Шуменския университет. Факултет по хуманитарни науки XXХIII A, № 3 (2022): 99–115. http://dx.doi.org/10.46687/eghm6534.

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The third decade of the 20th century are considered in history as the time of preparation for the Second World War. Certainly propaganda is the way to reach the masses and the printed media was usually the tool to promote ideas to as many people as possible. In the periodical Der Bulgarienwart along with the publicistic texts there are many literary ones to find as well. The following article presents seven short stories by Elin Pelin, translated into German and published in the journal. By means of discourse analysis a first attempt is made to establish an interdisciplinary connection between

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Yulianti, Yulianti. "JEJAK BUDDHISME DALAM NOVEL KARYA KWEE TEK HOAY “BOENGA ROOS DARI TJIKEMBANG”: PERSPEKTIF FENOMENOLOGI." SASDAYA: Gadjah Mada Journal of Humanities 2, no. 1 (2019): 255. http://dx.doi.org/10.22146/sasdayajournal.31750.

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In the first half of the 20th century, many Buddhist background texts were published, primarily by private publishers. One of the scriptwriters was a Chinese Peranakan named Kwee Tek Hoay (KTH). As a Chinese philosopher and philosopher, KTH has written many short stories, novels, and translations in the field of kebatinan. The article attempts to investigate Buddhism, especially Buddhist phenomena with a phenomenological paradigm in one of the KTH works entitled Boenga Roes from Tjikembang.

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Halamová, Martina. "Zobrazování nákazy v českých uměleckých textech s tematikou války v prvních dekádách dvacátého a jednadvacátého století." Slavica Wratislaviensia 177 (December 30, 2022): 213–20. http://dx.doi.org/10.19195/0137-1150.177.18.

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The paper is focused on the comparison of discourses formed in the literary texts which depict motifs of war at the beginning of 20th and 21st centuries. Images associated both with First and Second World War emphasize the shock of the changing world and lend literary credence to the texts. However, this goal is achieved by different means in the early 20th and the early 21st centuries. In expressionist novels and short stories metaphors of infection are used to describe the decline and the fall of the world of the early 20th century. Compared to that, the literary texts created in the early 2

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Wójcik, Tomasz. "Zoppot / Sopoty. The unobvious dialectic of (temporary) neighbourhood (writingsby Stanisław Dygat)." Tekstualia 1, no. 76 (2024): 35–44. http://dx.doi.org/10.5604/01.3001.0054.4470.

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The subject of this article is the non-obviousness of the holiday neighbourhood of Polish visitorsand German hosts in Sopot in the fi rst decades of the 20th century, especially in the interwarperiod. Admittedly, this was a temporary neighbourhood, but its context was obviously the historicalneighbourhood of the two nations. The crucial question, then, is: what is the result of the particularintermingling of these two communities? The answer to it must take into account the history of twentieth-century Sopot. Stanisław Dygat’s writings – selected novels, short stories and columns – serveas a l

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Kotyńska, Katarzyna. "Rekonstruowanie pamięci. Problemy udostępniania ukraińskiej prozy lat dwudziestych i trzydziestych XX wieku polskiemu odbiorcy." Slavica Wratislaviensia 173 (October 7, 2020): 267–75. http://dx.doi.org/10.19195/0137-1150.173.22.

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In the 1920s and 1930s novels and short stories crucial for understanding Ukrainian culture of the 20th century were written and published both in Soviet Ukraine and in Galicia. Such literary texts are essential in creating a comprehensive picture of Ukraine, as well as the Ukrainian-Polish relations. Because of politics and history, literary texts of the mature Ukrainian modernism were almost entirely unavailable in Polish translations. This paper discusses key historical, cultural and political reasons that have caused this situation. It also presents the new Polish scholarly and publishing

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Saprykina, Elena Yu. "Humanized Artificial Body in the 20th Century Italian Literature." Studia Litterarum 5, no. 3 (2020): 186–99. http://dx.doi.org/10.22455/2500-4247-2020-5-3-186-199.

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In various epochs, science fiction writers shared an interest in problems related to the humanization of an artificial body and the process of human interaction with a man’s own creation. In the 20th century Italian literature, in particular, this theme emerged already at the dawn of the century (e.g. а futuristic novel by F.T. Marinetti) and was present up until the beginning of the current “age of artificial intelligence.” Fantastic plots of several short stories and novellas by D. Buzzati and T. Landolfi, written in the 1950s and 60s, depicted ambivalent perception of the technogenic civili

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FRANCO JÚNIOR (UNESP), Arnaldo. "LITERATURA E CINEMA NO CONTO ESCOLA DE HERÓIS, DE IDELMA DE RIBEIRO FARIA." Margens 16, no. 27 (2022): 65. http://dx.doi.org/10.18542/rmi.v16i27.13447.

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The short story School of Heroes, by the São Paulo writer Idelma Ribeiro de Faria, was one of the winners of the National Contest of Short Stories of Paraná, in 1978, being published in the book The Winners in the same year. In this short story, the literary narrative incorporates cinematographic narrative procedures (editing, cutting, scene) to the narration in order to, through the narrated story, criticize militarism – a strong feature of its historical context, both particular (the civil-military dictatorship in Brazil ) and general (the 20th century marked by wars). In this communication,

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Szymonik, Danuta. "Man against the elements of nature: from the pages of Aleksandr Kuprin’s works." Acta Universitatis Lodziensis. Folia Litteraria Rossica, no. 8 (January 1, 2015): 111–20. http://dx.doi.org/10.18778/1427-9681.08.13.

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The topic of this paper is discussed on the basis of two stories, ‘The Bog’ (‘Boloto,’ 1903) and ‘The Black Lightning’ (‘Chernaya molnia,’ 1913), and the short story cycle ‘The Laestrygonians’ (‘Listrigony’, 1911) by an eminent Russian writer of the turn of the 20th century, Aleksandr Kuprin. The stories bring images of the four basic natural elements – earth, fire, water and air. In particular, in ‘The Laestrygonians’ Kuprin shows the power of the sea, combined with the unimaginable force of the wind. The author presents man fighting a one-sided battle with the forces of nature. There are, as

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Pham, Thuy Giang. "Conceptual Metaphor “WOMEN ARE ANIMALS” In 20th-century Vietnamese Literature." ICTE Conference Proceedings 3 (January 6, 2023): 26–40. http://dx.doi.org/10.54855/ictep.2333.

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From the perspective of Cognitive Linguistics, the paper analyzes the conceptual metaphor WOMEN ARE ANIMALS in 20th-century Vietnamese literary works. The theoretical framework for this study includes the Conceptual Metaphor Theory of Lakoff and Johnson (1980), the Great Chain of Being model of Lakoff and Turner (1989), and the Metaphor Identification Procedure of Pragglejaz Group (2007). Through a survey of 50 short stories and novels written by famous Vietnamese authors, 6 low-level metaphors as well as the mapping mechanism from the source domain to the target domain, is discovered and expl

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Casas Malagón, Pedro Javier. "José María Rivas Groot: un acercamiento a la dimensión pragmática de su narrativa breve en «Rocinante» y «Día de inocentes»." Studia Romanistica 21, no. 2 (2021): 7–18. http://dx.doi.org/10.15452/sr.2021.21.0006.

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José María Rivas Groot: an Approach to the Pragmatic Dimension of his Short Stories in «Rocinante» and «Día de inocentes». Having a multiform intellect, José María Rivas Groot (Bogotá, 1863-Rome, 1923) stood out as a public figure and a man of letters. Acting director of the National Library, senator, minister of state, plenipotentiary minister of Colombia to the Holy See, journalist, editor and writer, vocation this latter forged in the family bosom and in which his conservative and Christian thought, defender of tradition, is manifested. His intellectual production covers a wide variety of l

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Li, Yafeng. "TEXTUAL ANALYSIS OF THE COP AND THE ANTHEM FROM THE PERSPECTIVE OF FUNCTIONAL STYLISTIC." International Journal of Social Science & Economic Research 08, no. 05 (2023): 1012–19. http://dx.doi.org/10.46609/ijsser.2023.v08i05.007.

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As the most influential theory in the last 20th century, Systemic Functional Linguistics provided a brand new perspective for analysis of literary works. This theory enables the linguistics and scholars to analyze language concisely and deeply. The Cop and the Anthem, as one of O. Henry’s famous short story, revealed the real side of American society in humorous language. This paper interprets the text of the Cop and the Anthem from the perspective of Functional Stylistic to analyze its language expression characteristics, plot setting and full-text cohesion. It’s expected to provide reference

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Halilović, Elma. "Anthologist Enes Duraković." Društvene i humanističke studije (Online) 10, no. 1(27) (2025): 35–50. https://doi.org/10.51558/2490-3647.2025.10.1.35.

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The paper sheds light on the activities of Enes Duraković (1947–2024) in preparing and editing anthologies of Bosniak and Bosnia-Herzegovina literature as an important and influential area of his overall engagement. The corpus that is the focus of this research is represented by Duraković’s following anthologies: Muslim poetry of the XX century (1990), Anthology of Bosniak poetry of the XX century (1995), Anthology of Bosniak short stories of the XX century (1995), as well as anthologies that Duraković edited as a co-author Anthology of Bosniak poetry of the XX century (2000), or he was the ed

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Skrebtsova, Tatiana G., Alexander O. Grebennikov та Natalya M. Marusenko. "Сolour terms in the Russian short stories of the early XX and XXI centuries: a corpus study". Slovo.ru: Baltic accent 16, № 1 (2025): 59–73. https://doi.org/10.5922/2225-5346-2025-1-4.

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The paper presents a comparative analysis of colour terms frequencies in the Russian short stories of the early 20th and 21st centuries. The study draws on the Russian Short Stories Corpus 1900—1930, word frequency lists compiled from the stories by particular authors (Ivan Bunin, Alexander Kuprin, Anton Chekhov, Leonid Andreev), and the Russian National Corpus. Two major statistic parameters are used, i. e. relative frequency (ipm) and rank distribution. The study focusses on the most common colour terms. A multifold comparison has revealed differences due to the author’s personality, histo

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Bleizgienė, Ramunė. "Practices of Peasant Literacy in the Short Stories by Žemaitė." Tautosakos darbai 58 (December 20, 2019): 118–48. http://dx.doi.org/10.51554/td.2019.28394.

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This article focuses on various literacy-related activities of the Lithuanian peasants from the end of the 19th – beginning of the 20th century, as described in the short stories by the renowned female Lithuanian writer and educator Julija Žymantienė (1845–1921) writing under a pen name Žemaitė. According to the recent research on literacy, such activities can be perceived as social practices depending on specific social and cultural context. Lithuanian research works addressing the issues of peasant literacy at the turn of the 19th – 20th centuries typically deal with cases of higher, i.e. fu

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Khan, Abdul Waseh, Dr Barkat Shah Kakar, and Samiullah Samiullah. "The Amir's Homily of Rudyard Kipling: A Binary of Colonial Attitude Towards Afghans." International Research Journal of Management and Social Sciences 3, no. 1 (2022): 124–31. http://dx.doi.org/10.53575/irjmss.v3.1(22)13.124-131.

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This article deals with the analysis of the short story, ‘The Amir’s Homily’ of Rudyard Kipling’. It questions the colonial attitude of the very prominent British poet, short story writer and novelist of 20th century whose depiction of the natives is based on stereotyping. Kipling penned down number of poems, short stories, and novels from the last decade of the 19th century to the third decade of 20th century. The story “Amir’s Homily” mirrors the character of Afghan nations and a subsequent coercion of the iron ruler, Amir Abdul Rahman Khan. Analysis of the contents shows that throughout the

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Bosgraaf, Emke. "Asceticism in Transition: Exploring the Concepts of Memory, Performance and Ambiguity in 20th Century Dutch Monastic Life." Numen 55, no. 5 (2008): 536–60. http://dx.doi.org/10.1163/156852708x338068.

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AbstractAsceticism is a topic of interest among a wide range of scholars. In the past two decades the corpus on asceticism has been growing steadily and contributions have been made from a variety of perspectives (for an overview see Wimbusch and Valantasis, Asceticism [1995]). In this article I will focus on the almost unknown history of asceticism in 20th century Dutch monastic life. This is a history that, especially after the 1950s, reflects a period of transition in which a radical erosion of asceticism occurred. In order to understand and explore asceticism in this specific period and co

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Saavedra-Hernández, Debbie. "“A Dense and Maddening Dream”: Horror and Domesticity in the Stories of Amparo Davila." Open Journal for Studies in Linguistics 5, no. 1 (2022): 23–32. http://dx.doi.org/10.32591/coas.ojsl.0501.03023s.

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Amparo Dávila is considered one of the most prolific Mexican horror writers of the 20th century. Her literary techniques have been compared to some of the most famous horror writers such as Edgar Allan Poe and Franz Kafka. However, her writing is indicative of further social orders present in Mexican culture and other spaces. In this study, Critical Discourse Analysis (CDA) is implemented as an approach to analyze how horror in two short stories is used to reflect Mexican and American social issues. The findings suggest that there is a critique on the social order in societies by transforming

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Landen, Miranda. "Novelltiteln hos Hjalmar Söderberg." Tidskrift för litteraturvetenskap 43, no. 2 (2013): 29–38. http://dx.doi.org/10.54797/tfl.v43i2.10858.

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Hjalmar Söderberg’s Short Story Titles This article examines short story titles by Hjalmar Söderberg (1869–1941). Like many short story writers in the late 19th and early 20th centuries, Söderberg uses very short titles. The majority of his titles are comprised of one or two nouns and a definite article. For example: ”Pelsen” [”The Fur Coat”], ”Kyssen” [”The Kiss”] and ”Kinesen” [”The Chinese”]. In comparison to other short story writers of the same period, Söderberg uses a broad variety of titles: he may use a double title in an ”exotic” travel story, or a dichotomous title in a debate-

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Laksani, Hening, Martono, Martono,, and Endang Setyaningsih. "Cohesion in 20th Century American Short Stories Compiled By Jean A. McConochie, and Its Contribution to Teach Reading in Senior High School." English Education 5, no. 2 (2016): 16. http://dx.doi.org/10.20961/eed.v5i2.36050.

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<p>Five types of cohesive devices are identified by Halliday and Hasan (1976), namely, reference, substitution, ellipsis, conjunction and lexical cohesion. Each of the five types is about the formal links within sentences. This qualitative research method describes the kind of cohesive devices employed in 20<sup>th</sup> Century American Short Stories and discusses its implication for developing teaching material for reading skill in Senior High School. The result of the study shows that cohesive devices mostly appeared in the short stories are lexical cohesion followed by re

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Osmukhina, Olga Yurievna, and Nikita Mikhailovich Mironov. "The image of the vampire in Russian short stories of the early 20th century (“The Red-Headed Guest” by F. Sologub and “The Vampire” by S. Solomin)." Philology. Theory & Practice 18, no. 6 (2025): 2331–36. https://doi.org/10.30853/phil20250327.

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The article is devoted to the analysis of the specifics of the representation of the vampire image in Russian short stories of the early 20th century. The scientific novelty is determined by the research material itself and consists in the fact that for the first time the image of the vampire in the comparative aspect is conceptualized in the stories of Russian novelists belonging to different aesthetic systems (symbolist manner – F. Sologub and realistic manner – S. Solomin). The aim of the work is to reveal the artistic originality of the vampire image in the stories of the early twentieth c

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HAMIDOVIĆ, Kimeta, and Snežana PASER-ILIĆ. "HOW TO WRITE HISTORY IN LITERATURE: A TOMB FOR BORIS DAVIDOVICH BY DANILO KIŠ." Lingua Montenegrina 27, no. 1 (2021): 379–92. https://doi.org/10.46584/lm.v27i1.851.

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The book A Tomb for Boris Davidovich, a collection of mutually inter-dependent short stories, first published in 1967, controversial in its time, has not ceased to provoke attention of the contemporary researchers. The short stories were built on historical grounds, written in the light of medieval history and history of the first half of the 20th century, the one reconstructed from the textbooks and from the memories of its contemporaries. Regardless of the period each of the short stories is related to, the theme of political and religious delusion, betrayals and murders represents their com

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Ramin, Zohreh, and Reza Dadafarid. "Nije ograničeno ni definirano, već konstruirano i internalizirano." Anafora 10, no. 2 (2023): 415–35. http://dx.doi.org/10.29162/anafora.v10i2.10.

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Donald Barthelme’s short fiction is marked by a dashing concentration on everyday life, construction of meaning, and plurality of reality in addition to his playful, metafictional, and fragmentary style. Although a fertile ground for exploring sociopolitical matters, particularly in the mid and late 20th century America, the review of studies on Barthelme’s works highlights a lacuna in the application of conceivably pertinent sociological and political theories on Barthelme’s short stories. Accordingly, Peter L. Berger and Thomas Luckmann’s The Social Construction of Reality (1966) could be a

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Ye, Yinuo. "On the Absurdity and Reality in Kafka's "The Castle"." Communications in Humanities Research 34, no. 1 (2024): 1–4. http://dx.doi.org/10.54254/2753-7064/34/20240083.

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The 20th-century capitalist world was turbulent and crisis-ridden, and Western literary creation as a whole presented a state of nihilism, loneliness, loss, and anxiety. Many writers regarded ugliness as beauty, using absurdity to represent reality, among whom Kafka was one. "The Castle," as a representative of his short stories, constructs many bizarre events that do not exist in real life, enhancing the absurdity of the work. The author combines absurdity with reality, integrating philosophical parables and his own real-life reflections into the work, aiming to express the ruthless satire on

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Gorbachevsky, C. А. "THE NOISE OF TIME IN LITERARY WORKS DEVOTED TO KOLYMA BY G. G. DEMIDOV." Bulletin of the South Ural State University Series «Social Sciences аnd the Humanities» 24, no. 1 (2024): 72–77. http://dx.doi.org/10.14529/ssh240109.

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This paper focuses on the analysis of Georgiy Demidov’s camp prose. Many camp survivors write about Kolyma penal servitude of the 20th century in different genres (novels, novellas, short stories, essays, tragedies, requiems, notes, diaries, confessions, etc.). Demidov’s vision of the Kolyma world with its specific northern realities is presented in his stories and novels. He focuses on the ritualized camp routine. In the majority of the cited texts, the word ritual, as a set of prison actions, is used mainly in lay and negative senses. Ritual, a constant attribute of prison-camp life in Kolym

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Starostina, Natalia. "The Construction of a New Émigré Self in 20th-Century Russian Paris in Short Stories by Nadezhda Teffi." Canadian Review of Comparative Literature / Revue Canadienne de Littérature Comparée 42, no. 1 (2015): 81–93. http://dx.doi.org/10.1353/crc.2015.0001.

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