Relevant bibliographies by topics / Short stories, Hindi Women in literature. Hindi literature

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Academic literature on the topic 'Short stories, Hindi Women in literature. Hindi literature'

Author: Grafiati
Published: 4 June 2021
Last updated: 16 February 2022

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Journal articles on the topic "Short stories, Hindi Women in literature. Hindi literature"

1

Mani, Preetha. "What Was So New about the New Story? Modernist Realism in the Hindi Nayī Kahānī." Comparative Literature 71, no. 3 (2019): 226–51. http://dx.doi.org/10.1215/00104124-7546181.

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AbstractThis essay examines the Hindi Nayī Kahānī, or New Story, Movement of the 1950s and 1960s, which was influential for the short stories, criticism, and literary history that its writers produced. Incorporating a view toward the larger “metaliterary” corpus in relation to which properly “literary” nayī kahānī texts were written, the essay shows how the movement inaugurated a modernist realism characterized by attention to genre, rhetoric, and style on one hand, and commitment to social reality on the other. Combining rhetorical strategies—such as shifting narrative voice, allegorical desc
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2

Et.al, Poonam Pichanot. "Portrayal of Women from Stereotype to Empowered in Film Studies." Turkish Journal of Computer and Mathematics Education (TURCOMAT) 12, no. 3 (2021): 3282–87. http://dx.doi.org/10.17762/turcomat.v12i3.1577.

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Nowadays, without films, we can't really imagine contemporary India society. Although this is Unable to conceptualize a film without a 'story.' A film must 'tell' and 'show' Story, unravelling layer by layer, introducing the magic of the silver narrative on the screen. The stories rooted in culture are praised by the viewer. More so, if they are widely acknowledged in oral or written form, right from the beginning, there has been an indelible connection between literature and films. The policy begins with depictions of women protagonists in mainstream Bollywood films. This topic is considered
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3

Kumar, Saurav. "Experiences of Old Age in Indian Fiction: A Study of Two Indian Short Stories." Gerontologist, August 6, 2021. http://dx.doi.org/10.1093/geront/gnab114.

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Abstract In India, where around 19,500 dialects are spoken, there is a great abundance of fiction quite rich in varied descriptions of old age and aging. While scholars like Pramod K. Nayar and Ira Raja have recently begun studying Indian literary texts written in English from the perspective of literary gerontology, those literary experiences of aging (which are originally in languages like Bengali, Tamil, Hindi, Oriya, etc.) are yet to be analyzed from a gerontological point of view. The present paper aims at studying the experiences of old age in two Indian short stories (one from Bengali L
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4

Bhaumik, Mahuya. "The Voice of a Dalit Feminist." Writers in Conversation 7, no. 1 (2020). http://dx.doi.org/10.22356/wic.v7i1.67.

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Urmila Pawar is a prolific Dalit feminist writer who belongs to the Mahar community ofMaharashtra. She is a social activist whose protesting voice has been a source of inspiration forthousands of Dalit women. Despite encountering diverse levels of discrimination on the basis ofcaste and gender she completed her Masters in Marathi Literature and chose to write about thewomen of her society and their marginalised position. Her autobiography Aaidan, written inMarathi, has been translated into English as The Weave of My Life: A Dalit Woman’s Memoirsand published by Columbia University Press. Her s
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5

Solis, Randy Jay C. "Texting Love." M/C Journal 10, no. 1 (2007). http://dx.doi.org/10.5204/mcj.2600.

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 The mobile phone found its way to the Philippines when the first generation of Global Systems for Mobile Communication or GSM handsets was introduced in the country in 1994. This GSM protocol eventually developed to introduce a faster and more efficient means of storing, manipulating, and transmitting data by allowing data to be translated into a series of ones and zeroes. Digital technology furthered the mobile phone’s potentials from being a mere “talking device on the move” (Leung and Wei 316) to a more dynamic participant in the new information age. The capacity to mer
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6

West, Patrick. "Regionalism, Well-Being, and Domestic Violence in Tony Birch’s “The Red House”." M/C Journal 22, no. 3 (2019). http://dx.doi.org/10.5204/mcj.1526.

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Introduction: The Creative Arts and Regional Well-BeingThe relationship between regionalism, well-being, and the creative arts has enjoined significant attention from community activists, commercial entrepreneurs, policy analysts, artists, and researchers over recent years (Australia Council for the Arts, “Living Culture”; Australia Council for the Arts, “The Arts in Regional Australia;” Drummond, Keane, and West; Elg; Warren, and West; Woodward, Bremner, and Cahalan). Underpinning most of the activity and research in this area is the understanding (occasionally bordering on an un-critical pre
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Dissertations / Theses on the topic "Short stories, Hindi Women in literature. Hindi literature"

1

Dymén, David. "Dalit Literature and Experience A Journey towards Empathy : Character portrayals in short stories of Jayprakash Kardam and Ajay Navaria." Thesis, Uppsala universitet, Institutionen för lingvistik och filologi, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-392447.

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During the last decades, a Hindi Dalit literary movement has emerged in North India. This essay is a study and comparison on character portrayals in short stories by two authors from this movement, Jayprakash Kardam and Ajay Navaria. The aim of this essay is to explore the implications of these portrayals considering these authors’ views on social change, their literary affiliations and a theoretical discussion on Dalit literature. The methodical basis for this study is a detailed character analysis of these short stories’ protagonists, antagonists and other relevant characters, supported by n
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Books on the topic "Short stories, Hindi Women in literature. Hindi literature"

1

Guptā, Reṇu. Hindī lekhikāoṃ kī kahāniyoṃ meṃ nārī. Abhiruci Prakāśana, 1997.

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2

Rāgā, Vijayā Vārada. Sāṭhottarī Hindī kahānī aura mahilā lekhikāem̐. Vikāsa Prakāśana, 1993.

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Rāgā, Vijayā Vārada. Sāṭhottarī Hindī kahānī aura mahilā lekhikāem̐. Vikāsa Prakāśana, 1993.

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Naveṃ daśaka kī Hindī kahāniyoṃ meṃ narī parikalpanā. Milinda Prakāśana, 2005.

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5

Dāsa, Gaṇeśa. Svātantryottara Hindī kahānī meṃ nārī ke vividha rūpa. Akshaya Prakāśana, 1992.

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Bhuṭūrā, Ghanaśyāma. Samakālīna Hindī kahāniyoṃ meṃ nārī ke vividha rūpa. Atula Prakāśana, 1993.

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Dāsa, Gaṇeśa. Svātantryottara Hindī kahānī meṃ nārī ke vividha rūpa. Akshaya Prakāśana, 1992.

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8

Ashk, Upendra Nath. Ādhī zamīna. Nīlābha Prakāśana, 1997.

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9

Bhuṭūrā, Ghanaśyāma. Samakālīna Hindī kahāniyoṃ meṃ nārī ke vividha rūpa. Atula Prakāśana, 1993.

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10

Hindī kahāni meṃ nāriyoṃ kī pārivārika samasyāem̐. Klāsikala Pabliśiṅga Kampanī, 2008.

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