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Relevant bibliographies by topics / Short stories in English Indian writers

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Academic literature on the topic 'Short stories in English Indian writers'

Author: Grafiati

Published: 4 June 2021

Last updated: 17 February 2022

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Journal articles on the topic "Short stories in English Indian writers"

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SURISETTY, RAJESWARI, and M. MARY MADHAVI. "Reflection Of Indian English And Philosophy In Writings Of R.K Narayan In English Literature." Think India 22, no. 2 (October 30, 2019): 494–97. http://dx.doi.org/10.26643/think-india.v22i2.8756.

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Rasipuram Krishnaswami Iyer Narayanaswami, a well-known South Indian writer, creator of a fictional town ‘Malgudi” developed a sense of interest among middle- class people in India to read short stories in English. He is the spell caster of encompassing Indianism into English literature through his writings. This celebrated Indian novelist brought an aroma of Southern Indian Coffee into English and indianized it through his fictional stories which connect with real time situations of a common Indian. This distinguished writer captivated readers through his meticulous mastery over foreign language on Indian soil. His short stories are the best paradigm to understand Indian English that is entangled with beliefs, traditions, culture to an extent superstitions existed in the routes of Indian lives. Contrast between the lives of Western and Indians’ lives in various aspects are illustrated through his short stories and novels. The present paper tries to highlight Indianized contexts into English literature by this outstanding writer. It also attempts to show how characters in the short stories of Narayan are related to Karmic philosophy.

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Ranaware, Ravindra. "Feministic Analysis of Shauna Singh Baldwin’s selected stories in English Lessons and Other Stories." Feminist Research 4, no. 1 (May 11, 2020): 1–5. http://dx.doi.org/10.21523/gcj2.19010102.

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The present paper aims at exploration of Shauna Singh Baldwin’s specific technique implemented to present women predicament in selected stories from feministic point of view. The feministic point of view has developed out of a movement for equal rights and chances for women society. The present search is based on analytical and interpretative methods. Shauna Singh Baldwin is a writer of short fiction, poetry, novels and essays. Her ‘English Lessons and Other Stories’ explores the predicament of earlier neglected women of Sikh community by putting them in the context of globalization, immigration to West and consumerism at Indian modern society. “Montreal 1962” presents a Sikh wife’s attachment, love, determination, struggles and readiness to do anything for survival in Canada where her husband is threatened to remove his turban and cut his hair short to get the job. “Simran” presents the story of sacrifice of individual desire by a young Sikh girl because of her mother’s fundamentalist attitude. The title of story “English Lessons” presents injustice to an Indian woman who has married to an American, who compels her to become a prostitute and a source of his earnings in the States. The fourth selected story “Jassie” tells us about the timely need of religious tolerance in the file of an Indian immigrant old woman. Being a feminist writer, though Baldwin has never claimed directly to be, she has very skillfully presented the issues of feminism through her own technique of presentation. She has used technique of presenting absence or opposite to highlight it indirectly. Thus, true to her technique, though not explicitly declared, Baldwin is one of the feminist writers who skillfully deals with feminine concerns.

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Tiwari, Jai Shankar. "A Study in the Short Stories of Kamala Das." Shanlax International Journal of English 8, no. 3 (June 2, 2020): 37–41. http://dx.doi.org/10.34293/english.v8i3.3225.

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The study has been able to ascertain and prove beyond doubt that Das’s prose works are of no less ranking than her poems and that she has effectively employed the short story form to present the predicaments of Indian womanhood and their quest for identity and self-assertion. The exhaustive evaluation and thorough scrutiny taking up various aspects of he stories right from her themes, structure and style, narrative techniques to her portrayal of Indian women, their status in society, and identity crisis have finally led to the emergence of the New Indian woman. Das’s feminist approach and overt outlook, along with the quest for a self-determined and self-affirmed identity for Indian women, have been well established through a methodical and exhaustive contemplation of the diverse women characters. The conclusion that emerges from this study undoubtedly corroborates and attests that Kamala Das’s name stands at par with the pioneer Indian woman short story writers. Das has efficiently and effectively used the short story genre as a document of social criticism and has established herself as a feminist crusader, campaigning to acquire for the Indian womanhood an independent identity and self-dignity. Das’s short story, with its innovative style and techniques, simple language, and concise form, has been brilliantly explored in discussing the problems facing Indian womanhood, especially her search for selfhood. Das has adeptly highlighted and presented her outlooks with the help of her characters. The fact that her English fictional work has remained obscure and un-honored is a sad story and a loss to literature.

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Goswami, Ramen. "Thematic Voyage, Images and Symbols; Household Disagreement and Post-Colonial Situation in Upamanayu Chatterjee’s The Last Burden." International Journal for Research in Applied Science and Engineering Technology 9, no. VI (June 15, 2021): 1178–80. http://dx.doi.org/10.22214/ijraset.2021.35157.

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Upamanayu Chatterjee is born in 1959 at Patna, Bihar. He is one of the original brilliant Indian writers of the modern generation. He is a commanding emergent voice in Indian postcolonial creative writing. He has written a handful of short stories and fictions. His English, August: An Indian story was first published in 1988 and reprinted in 2006. This is one of the significant urban Indian coming-of-age novel. His other novels include The Last Burden (1994), The Mammaries of the Welfare State (2000)- a sequel to The English August, Weight Loss (2006) , and Way to Go (2010)-a sequel to The Last Burden. Keywords: Burden, middle class family, portrays, patriarchy, emotions

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Sankar, G., and L. Kamaraj. "SOCIAL REALISM AND PSYCHOLOGICAL TRANSFORMATION OF WOMEN PROTAGONIST IN NAYANTARA SAHGAL’S STORM IN CHANDIGARH AND A SITUATION IN NEW DELHI-A STUDY." Scholedge International Journal of Multidisciplinary & Allied Studies ISSN 2394-336X 5, no. 2 (February 28, 2018): 17. http://dx.doi.org/10.19085/journal.sijmas050201.

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The Research paper aims to focus on Nayantara Sahgal’s position in it as a novelist. It also discusses in detail a critical study of the social realism and Psychological Transformation with survival strategies of the woman protagonist in Nayantara Sahgal’s Storm in Chandigarh and A Situation in New Delhi. How Nayanara Sahgal’s writing was different from other Indian writers. During almost six decades of post-colonial history of Indian English fiction, a wide variety of novelists have emerged focusing attention on a multitude of social, economic, political, religious and spiritual issues faced by three conceding periods of human experience. With the turn of the century the Indian English novelists have surpassed their male counterparts outnumbering hem quantitatively as well as maintaining a high standard of literary writing, equally applauded in India and abroad, experimenting boldly with not only technique but also incorporating tabooed subject matters in their novels and short stories.

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Posudiyevska, Olga. "Impressions of Anglo-Indian Society in R. Kipling’s Early Creative Art." International Letters of Social and Humanistic Sciences 71 (July 2016): 1–5. http://dx.doi.org/10.18052/www.scipress.com/ilshs.71.1.

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This study concentrates on the analysis of early works by Rudyard Kipling who was born into the family of English colonists to India, thus becoming a representative of the newly formed Anglo-Indian society. The writer’s sketch Anglo-Indian Society (1887) and his collection of short stories Plain Tales from the Hills (1888) depict the characteristic features of Anglo-Indians’ worldview and lifestyle, which are revealed and analyzed by the author of the article. Special attention is paid to biographical factors influencing the author’s choice of Anglo-Indian topic at the beginning of his writing career. The researcher concludes that Kipling presents in his works an outline of Anglo-Indian society which emerged from the writer’s observations of Anglo-Indians’ lives during his work as a reporter. Striving for credibility in consideration of advantages and shortcomings of Anglo-Indian worldview and lifestyle, the author tries to occupy the position of the unconcerned observer, being capable of assessing the situation with fresh mind. Kipling disguises himself under the image of the hero-narrator, being either a tourist traveler from abroad, or a reporter, accustomed to collecting factual material for the local paper, in such a way receiving an opportunity to speak ironically and sometimes even sarcastically about certain models of behavior, accepted by Anglo-Indians.

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Kumar, Dr Raman. "R. K. Narayan’s Mr. Sampath: A Study in the Dialectic of Being and Becoming." SMART MOVES JOURNAL IJELLH 7, no. 12 (December 28, 2019): 10. http://dx.doi.org/10.24113/ijellh.v7i12.10216.

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Rasipuram Krishnaswami Iyer Narayanaswami (1906-2001) popularly known as R. K. Narayan, an award winning novelist, essayist and storywriter is generally considered one of the greatest Indians writing in English. He shares this honour with Mulk Raj Anand and Raja Rao. D. S. Maini has observed in this regard: “Mulk Raj Anand, Raja Rao, and R. K. Narayan- brought the Indian novel to the point of ripeness”. But R. K. Narayan enjoys a place of rare distinction among these great writers too and it is partly because of the rare setting of his novels, his close association with the traditional Indian society, his simple language, his humour and irony, and his characterization, which is so varied and colourful. Many critics have praised R. K. Narayan for his literariness and for his aestheticism. V. Y. Kantak has observed, “…when we come to weigh Indian writing of fiction in English to date, Narayan with his penny whistle seems to have wrought more than most others with their highly pretentious and obstreperous brass” (21). R. K. Narayan has fourteen novels to his credit alongwith a large number of short stories. Narayan’s The Guide (1958) won him great fame and was widely acknowledged as a masterpiece by the world’s literary community. It also won him the much-coveted Sahitya Akademi Award in 1960.

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D Singh, Dr Madhu. "The Craft of Short Story : A Critique of The Habit of Love." SMART MOVES JOURNAL IJELLH 9, no. 7 (July 28, 2021): 130–38. http://dx.doi.org/10.24113/ijellh.v9i7.11130.

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Author of several works of fiction and non fiction , Namita Gokhale is a well known name in the field of Indian Writing in English not only as a writer but also as a publisher and as a founder director of Jaipur Literature Festival . Her short stories published under the title The Habit of Love ( 2012) are remarkable for adding a new dimension to the craft of short story writing. The Habit of Love is a collection of thirteen short stories encapsulating the myriad experiences of their female protagonists who lay bare before the readers their inner world – their desires , passions, fear , anxiety, happiness, anger , ennui and sadness – in kaleidoscopic lights. Based mainly on the themes of love, lust and death , these stories are interwoven with the motifs of time, memory , dreams travels and mountains. The writer frequently shifts from present to past or vice versa , making several technical innovations like unexpected , abrupt endings; use of startling similes/ metaphors; choice of queer , quirky titles for these short stories. The use of the technique of first person narrative in many of these stories imparts more intimacy to them as if the narrator is engaged in a tete- a- tete with her readers. Gokhale emphasizes the importance of a convincing narrative voice in making a short story effective. In response to a question as to which is the most critical part of a story: the storyline, the characters or the storytelling, she says, “Finding the right voice that convincingly tells the story, whether in first person or otherwise is the most crucial part.”( Recap: Twitter chat with Namita Gokhale,TNN,22 March 2018 )

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G., Ranjit, and Dr K. Rajkumar. "Eco-critical Elements in the Selected Poems of Jayanta Mahapatra." SMART MOVES JOURNAL IJELLH 8, no. 5 (May 28, 2020): 1. http://dx.doi.org/10.24113/ijellh.v8i5.10576.

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Jayanta Mahapatra is a well-known, distinguished, Indo-Anglican writer whose poems and short stories are acknowledged worldwide. He was awarded the Sahithya Akademi Award for his work Relationship in 1981, which enabled him to gain the name of one of the doyens of Indian English Poetry. His major themes are all linked with his native place Orissa. His poems mentions Puri, Konarka, Chilika lake, Bhubaneswar recurrently and each of them are pictured in detail. An Ecocritical study on his poems is worth probing as it deserves more attention and consideration in the current state of environmental crisis. His sole inspiration is his interaction with the nature and his intimate relationship to it. As ecocriticism rightly perceives it as the study of the relationship between human and nature, deserves a detailed study with his poems. River daya in his poem takes the role of a bearer of history and is the memory of the past valor and glory of Orissa. The study here focuses on the elements of ecocriticism in his selected poems.

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Chandran, K. Narayana. "To the Indian Manner Born: How English Tells its Stories." Hermēneus. Revista de traducción e interpretación, no. 20 (December 13, 2018): 87–104. http://dx.doi.org/10.24197/her.20.2018.87-104.

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Writing from outside the Anglo-American world is appreciated largely for the social life of English in worlds elsewhere, the linguistic oddities of its non-native cast of characters that spot poor translations. While English is easily granted inordinate powers of cultural assimilation, the languages of erstwhile colonies, the bhashas of India for example, from which this ‘translation’ presumably takes place, are seen to be rather weak and ill-equipped to meet the challenging demands of western narrative gambits. This essay offers three concrete examples of English fiction where its Indian writers afford us glimpses of a phenomenon critics have barely begun to notice. The passages examined here show how the bhashas sound differently when cast in English, or how English begins to breathe an unmistakable Indian ethos and idiom. When the Indian bhashas and English so happen together, there is no discrete language from which or into which translation occurs. It is evident that the writers here are no ‘Indianizers’ of a language whose fortunes now are global in reach and affect. For readers in India, English is still a bhasha-in-the-making, which is neither set in a ‘colonial’ far away and long ago, nor yet within current precincts of some ‘postcolonial’ felicity. If the efforts of these writers at resisting translation win, it is because they have asserted their right to imagine a language as a form of global life toward which English has taken them.

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Dissertations / Theses on the topic "Short stories in English Indian writers"

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Gaylard, Rob. "Writing black : the South African short story by black writers /." Thesis, Link to the online version, 2008. http://hdl.handle.net/10019/3224.

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Simpson, Hyacinth Mavernie. "Orality and the short story Jamaica and the West Indies /." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2000. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp02/NQ59155.pdf.

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Fox, Heather A. "Arranging Stories: The Implications of Narrative Decision in Short Story Collections by Southern Women Writers, 1894-1944." Scholar Commons, 2017. https://scholarcommons.usf.edu/etd/7254.

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Southern writer Ellen Glasgow once told an audience that “the longer one lives in this world of hazard and disaster, the more reckless one should become . . . in the matter of words.” Between the 1880s and the 1940s, opportunities for southern women writers like Glasgow increased dramatically, first bolstered by readership demands for southern stories in northern periodicals and followed by their acceptance into the southern literary canon during the 1920s-30s Southern Renaissance movement. And yet, it remained difficult for southern women writers to be reckless with words. Confined by magazine requirements and sociocultural expectations, writers often used regional settings to attract publishers and readers. Once a readership was established, they sought to publish a collection of stories separate from popular magazine contexts. This project examines the selection and arrangement of previously-published magazine stories into first short story collections by Kate Chopin, Ellen Glasgow, Marjorie Kinnan Rawlings, and Katherine Anne Porter. Publishing a collection enabled authors to revise their stories outside of magazines’ requirements and provided the agency to arrange individual stories into a collective narrative. In “Arranging Stories,” I argue that selecting and ordering magazine stories for these collections was not arbitrary nor dictated by editors. Instead, it allowed women writers to privilege stories, or to contextualize a particular story by its proximity to other tales, as a form of sociopolitical commentary. This project, supported by archival research at ten institutional repositories, invites a reconsideration of women writers’ authorial control throughout the publication process.

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Books on the topic "Short stories in English Indian writers"

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Desi girls: Stories by Indian women writers abroad. London: HopeRoad Publishing, 2015.

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The heterogeneity of story writing: A critical evaluation of eight Indian short story writers in English. New Delhi: Authorspress, 2015.

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Desai, Anita. In custody. Harmondsworth: Penguin, 1985.

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Desai, Anita. In custody. New York: Penguin, 1985.

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Desai, Anita. In custody. London: Vintage, 1999.

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Sharma, Vera. The visit & other Indian stories. Calcutta: Writers Workshop, 1999.

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Marcus, David. Writers' week award-winning short stories, 1973-1994. Dublin: Marino, 1995.

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Trump, Martin. Armed vision: Afrikaans writers in English. Craighall: AD. Donker, 1987.

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Indian Short Stories:1900-2000£e by Ramakrishnan. New Delhi: Sahitya Akademi, 2000.

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Stephen, Alter, and Dissanayake Wimal, eds. The Penguin book of modern Indian short stories. New Delhi: Penguin Books, 1989.

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Book chapters on the topic "Short stories in English Indian writers"

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Chaudhry, Ishmeet Kaur. "Social Imagination and Nation Image: Exploring the Sociocultural Milieu in Regional Indian Short Stories Translated in English." In The English Paradigm in India, 73–89. Singapore: Springer Singapore, 2017. http://dx.doi.org/10.1007/978-981-10-5332-0_5.

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Basu, Kaushik. "By Debt If Need Be." In An Economist's Miscellany, 239–43. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190120894.003.0012.

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Shibram Chakraborty was a celebrated Bengali writer who fought for India’s independence, and, as a result, did time in jail. Thereafter, he lived a bachelor in a single-room rented apartment, filling up both paper and walls with his writings. His writings were celebrated for humour, alliteration, and a satirical strain. This chapter is a translation into English by the author of this book of one of Shibram’s most celebrated short stories on indebtedness and loan juggling. Quite apart from the delightful humour that binds this tale, the author has argued elsewhere that the story sheds light on debt problems in economics, including the Latin American debt crisis of the early 1990s.

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Grice, Annalise. "‘It is astonishing how little literature has to show of the life of the poor’: Ford Madox Ford’s The English Review and D. H. Lawrence’s Early Short Fiction." In The Modern Short Story and Magazine Culture, 1880-1950, 86–107. Edinburgh University Press, 2020. http://dx.doi.org/10.3366/edinburgh/9781474461085.003.0005.

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Ford Madox Ford’s founding (but short lived) editorship of The English Review from 1908-1910 inspired and provided an early publication venue for the young D. H. Lawrence, who wrote several of his early stories and sketches to please his new literary mentor as he began to move in metropolitan literary circles. This chapter identifies a consistent focus on working-class themes across contributions to The English Review and outlines Ford’s interest in the conte, or what he termed ‘the real short story’, which was in Ford’s eyes best modelled by Henry James and the nineteenth-century European tradition of Maupassant and Balzac. These were writers Lawrence also admired and Ford deemed Lawrence’s earliest regional stories to be apposite for his cultural journal which called for more working class voices, an insight into the life of the poor and greater experimentation in the short form by English writers. The chapter also considers that Lawrence’s production of several (little-known) short sketches on his experiences as a schoolteacher in Croydon were intended for Ford’s journal.

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Stavans, Ilan. "5. Into the mainstream." In Jewish Literature: A Very Short Introduction, 50–60. Oxford University Press, 2021. http://dx.doi.org/10.1093/actrade/9780190076979.003.0006.

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“Into the mainstream” looks at immigrant Jewish writers in America, such as Abraham Cahan (The Rise of David Levinsky), Anzia Yezierska (Bread Givers), and Isaac Bashevis Singer (Gimpel the Fool and Other Stories), all of whom transitioned from Yiddish into English, and analyzes Henry Roth’s Call It Sleep as a transitional novel. We notice here the transition from “ethnic” to “national” writer in the careers of Bashevis Singer, Saul Bellow, Philip Roth, Grace Paley, and Cynthia Ozick. Much was gained and lost in Jewish literature as a result of Jews becoming a “successful minority” in America. Jewish readers have always been a voracious audience of international literature.

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"Robert Morgan." In Writing Appalachia, edited by Katherine Ledford and Theresa Lloyd, 315–19. University Press of Kentucky, 2020. http://dx.doi.org/10.5810/kentucky/9780813178790.003.0047.

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Born in Hendersonville, North Carolina, Robert Morgan grew up on his family’s farm and wrote his first short story in the sixth grade at the prompting of a teacher. During college, after a professor said reading one of Morgan’s stories moved him to tears, Morgan transferred from North Carolina State University, where he was studying mathematics and engineering, to the University of North Carolina at Chapel Hill, majoring in English. He began encouraging young writers himself when he accepted a teaching position at Cornell University in 1971. Since then, Morgan has made his academic home at Cornell in Ithaca, New York, on the northern edge of Appalachia, but his creative home is the southern mountains of his boyhood and young adult years....

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Al-Jarf, Reima. "Exploring Discourse and Creativity in Facebook Creative Writing by Non-Native Speakers." In Advances in Multimedia and Interactive Technologies, 1–31. IGI Global, 2018. http://dx.doi.org/10.4018/978-1-5225-5622-0.ch001.

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Facebook and other social media sites have been used by young Arabs for many purposes such as exchanging ideas and information, reporting breaking news, posting special events, launching political campaigns, announcing family gatherings, and sending seasons' greetings. Another emerging type of timeline posts is creative writing in English. Some Arab Facebook users post lines of verse, short anecdotes or points of view, express emotions, personal experiences, and/or inspirational stories or sayings written in literary style. A sample of Facebook creative writing pages/clubs and creative timeline posts was collected and analyzed to find out the forms and themes of creative writing texts. A sample of Facebook Arab creative writers was also surveyed to find out the reasons for their creative writing activities in English. This chapter describes the data collection and analysis procedures and reports results quantitatively and qualitatively. Implications for developing creative writing skills in foreign/second language learners using Facebook and other social media are given.

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McDonagh, Josephine. "‘Infinite Kindness’." In Literature in a Time of Migration, 150–82. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780192895752.003.0005.

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A new kind of topographical writing about English village life in the 1820s established conventions for writing about provincialism that would be widely adopted in Anglophone writing throughout the century. Invented by the writer Mary Russell Mitford as a response to her financial precarity, it consisted of short, inconsequential narratives about places and characters in her own village, linked by a female narrative voice distinctive for its intimate mode of address. Despite appearing to be nostalgic in its representation of village life, this style of writing constituted a complex and significant response to global modernity and the kinds of mobility that it brought. It introduced a mode of long-distance intimacy which appealed to readers and writers who had made transoceanic journeys, and represented a way of inhabiting village space as though it were a new settlement. Published serially in a magazine, the stories were frequently reprinted. They were pirated in America, where Mitford nurtured an enthusiastic following through developing a personal network of correspondents. Her relationship with the American publisher J. T. Fields, was mutually beneficial in developing lucrative new readerships for her work, and in helping to consolidate Ticknor and Fields’s position at the forefront of the American book trade. Mitford’s village provided a frame in which to imagine transatlantic literary culture. Between the 1820s and the 1850s, the idea of the literary village transformed from being a place of fugitive living to a conservative and conserving idea of transatlantic accord in the context of settler colonialism.

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Conference papers on the topic "Short stories in English Indian writers"

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Амирова, Луиза Захаровна, and Тамилла Ибрагимовна Рагимханова. "FRENCH BORROWINGS IN MODERN ENGLISH LANGUAGE." In Наука. Исследования. Практика: сборник избранных статей по материалам Международной научной конференции (Санкт-Петербург, Июнь 2021). Crossref, 2021. http://dx.doi.org/10.37539/srp297.2021.34.22.003.

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Данная статья посвящена актуальной проблеме определения и использования французских заимствований в произведениях англоязычных писателей. В статье приводится обзор видов французских заимствований. Рассматриваются особенности использования французских заимствований на примере коротких рассказов О. Генри и Грэма Грина. This article is devoted to the actual problem of the definition and usage of French borrowings in the works of English-speaking writers. The article provides an overview of the types of French borrowings. The features of the use of French borrowings are considered on the example of short stories by O. Henry and Graham Green.

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