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Relevant bibliographies by topics / Short stories, Malaysian (Chinese)

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Academic literature on the topic 'Short stories, Malaysian (Chinese)'

Author: Grafiati

Published: 4 June 2021

Last updated: 27 July 2025

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Journal articles on the topic "Short stories, Malaysian (Chinese)"

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Rojas, Carlos. "Language, Ethnicity, and the Politics of Literary Taxonomy: Ng Kim Chew and Mahua Literature." PMLA/Publications of the Modern Language Association of America 131, no. 5 (2016): 1316–27. http://dx.doi.org/10.1632/pmla.2016.131.5.1316.

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Through an examination of short stories from the Malaysian Chinese author Ng Kim Chew's 2001 collection From Island to Island, this essay reflects on the taxonomic functions of criteria such as language, ethnicity, and nationality, particularly as they inform contemporary discussions of Chinese, Sinophone, and Mahua (Malaysian Chinese) literature. Several of Ng's stories are set on remote islands and feature individuals who, having been forcibly separated from their original linguistic or social environment, offer a vehicle for reflecting on some of the consequences of literary taxonomies that

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Anwar, M. Shoim. "Cerita Pendek Malaysia: Interaksi Simbolik untuk Membangun Citra Etnis Cina." ATAVISME 22, no. 2 (2019): 185–99. http://dx.doi.org/10.24257/atavisme.v22i2.575.185-199.

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The population of ethnic Chinese in Malaysia ranks second, after ethnic Bumiputra. Some of ethnic Chinese residents write short stories in order to build an image of themselves. Their work pieces are written in the short story anthology of Menara 7 (1998). This Malay anthology is interesting because its authors speak their mother tongue instead of Malay language. The objective of this research was to describe how the symbolic interactions was constructed on the short stories of Menara 7. By using symbolic interaction theory and the Hermeneutic Circle analysis methods, in short stories written

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Sang Seong, Goh, and Boh Phaik Ean. "Publication of Translations of Modern Mahua Literature in Magazines Published by Dewan Bahasa dan Pustaka (DBP)." Malay Literature 34, no. 2 (2021): 229–56. http://dx.doi.org/10.37052/ml34(2)no5.

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This article documents the translations of works of modern Mahua literature in magazines published by Dewan Bahasa dan Pustaka (DBP). Discussion is made descriptively, guided by translation history theory employing eight objects of study proposed by D'hulst (2010), i.e. quis (who)?, quid (what)?, ubi (where)?, quibus auxiliis (which sort of support)?, cur (why)?, quomodo (how)?, quando (when)?, and cui bono (what are the effects)? The translations of modern Mahua literature in magazines published by DBP were collected manually from magazines from the collection stored at the National Library o

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Soleha binti Mohd Noor, Nurul, and Arbaayah Ali Termizi. "Analysing Resistance of Stereotyped Sexuality via ‘Gender Performance’ in The Silk Fan and Under the Blanket." International Journal of Applied Linguistics and English Literature 6, no. 3 (2017): 219. http://dx.doi.org/10.7575/aiac.ijalel.v.6n.3p.219.

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Existing studies had shown that gender stereotyping is still evident in contemporary Malaysian English literature particularly in novels. By using the concepts of ‘gender performance’ and ‘performativity’ introduced by Judith Butler’s Gender Trouble (1990), the current study aims to prove that there is an act of resistance among the new generations/contemporary Malaysian writers against the gender norms placed on sexuality. These writers resisted the norms by performing “gender trouble” through the construction of their characters’ gender identity. Two short stories are selected from 25 Malays

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Rahman, Ahmad Zufrie Abd, and Ida Baizura Bahar. "ETHNIC RELATIONS AND ETHNOCENTRISM IN SELECTED MALAYSIAN SHORT STORIES." AICLL: ANNUAL INTERNATIONAL CONFERENCE ON LANGUAGE AND LITERATURE 1, no. 1 (2018): 11–20. http://dx.doi.org/10.30743/aicll.v1i1.2.

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The issues of the ethnic diversity of the Malaysian way of life, have been explored in scholarship on Fernando’s selection of Malaysian Short Stories (2006), consisting of six fictional narratives on life in pre-independence Malaya namely “Nannan and A Certain Cry” by Cynthia Anthony, “Ratnamuni” by K.S. Maniam, “Pasang” by Pretam Kaur, “The Third Child” by K.S. Maniam, and “Birthday” by M. Shanmugalingam, through the lens of post-colonialism. The stories have been described as an exceptional compilation due to the fact that Fernando is able to assemble stories written by authors from differen

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Devi Pillai, Anitha. "An Interview with Malaysian Writer Malachi Edwin Vethamani." Southeast Asian Review of English 61, no. 2 (2024): 132–37. https://doi.org/10.22452/sare.vol61no2.9.

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An interview with the award-winning author and academic, Malachi Edwin Vethamani. The Malaysian Publishers Association awarded his poetry anthology "Malchin Testament: Malaysian Poems", the National Book Award 2020 in the English Language category, two of his other works, a collection of short stories, "Complicated Lives" and an edited anthology, "Malaysian Millennial Voices" were both nominated for the National Book Award 2022 in the English Language category. He has been rightly described as "the most prominent figure in Malaysian poetry was Malachi Edwin Vethamani, who is, without doubt, on

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M., Ms Vijayalatchumy, and Mr Navin M. "History of Malaysian Tamil Short Stories and its Chronology." Journal of Tamil Peraivu 9, no. 2 (2020): 104–18. http://dx.doi.org/10.22452/jtp.vol9no2.11.

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Anwar, M. Shoim. "Problem Etnisitas India Dalam Cerita Pendek Malaysia." ATAVISME 18, no. 2 (2015): 195–208. http://dx.doi.org/10.24257/atavisme.v18i2.115.195-208.

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Karya sastra adalah dokumen kemanusiaan dan kebudayaan. Kumpulan cerita pendek Menara 7 (1998), terutama enam cerpen yang ditulis oleh pengarang Malaysia beretnis India, memberi gambaran problem kehidupan etnis India di Malaysia. Dengan meminjam teori etnisitas sebagai landasan, tulisan ini bertujuan mengungkap problem etnisitas India di Malaysia. Problem etnis India terkait dengan kemiskinan, pendidikan, gender, religi, budaya, dan persatuan. Keberadaan etnis India di Malaysia secara historis merupakan bagian dari kolonialisme Inggris di masa lampau. Residu kolonialisme menciptakan jejak hita

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Liu, Jian, Jingying Fei, and Mingkang Lv. "How “Foreign Influencer” Present Compelling Chinese Stories--Take “Chris”, a short video blogger in Tik Tok, as an example." Asia Social Science Academy 2, no. 3 (2022): 52–59. http://dx.doi.org/10.51600/isr.2022.2.3.52.

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In recent years, a large number of excellent foreign short video bloggers have been active on major social media platforms, comparing the differences between Chinese and Western cultures, introducing Chinese traditional culture and customs to followers, and becoming a new force in telling Chinese stories. This paper takes the short video blogger “Chris” and his short videos as the research object, and analyze how “foreign influencer” tells Chinese stories in the new media environment, which brings new inspiration for telling Chinese stories and spreading Chinese voices well in the new media en

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Osman, Sharifah Aishah. "Addressing Rape Culture through Folktale Adaptation in Malaysian Young Adult Literature." Girlhood Studies 14, no. 1 (2021): 117–33. http://dx.doi.org/10.3167/ghs.2021.140110.

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Rape culture is a provocative topic in Malaysia; the public discourse on it is plagued by gender stereotyping, sexism, misogyny, and rape myths. Recent literary works aimed at Malaysian adolescent girls have interrogated rape culture more pointedly as a means of addressing gender-based violence through activism and education. In this article, I discuss two short stories, “The Girl on the Mountain” and “Gamble” as retellings of Malaysian legends and feminist responses to the normalization and perpetuation of rape culture in this society. Through the emphasis on female agency, consent, and gende

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Dissertations / Theses on the topic "Short stories, Malaysian (Chinese)"

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陳淸貴 and Ching-kooi Chan. "Narrative techniques of Taiwan short stories." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2003. http://hub.hku.hk/bib/b30252866.

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劉燕萍 and Yin-ping Grace Lau. "Tragic elements in Tang short stories." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1989. http://hub.hku.hk/bib/B3120871X.

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Fang, Zhihua White Ray Lewis. "Twentieth century Chinese and American short fiction a comparative analysis /." Normal, Ill. Illinois State University, 1993. http://wwwlib.umi.com/cr/ilstu/fullcit?p9411037.

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Thesis (D.A.)--Illinois State University, 1993.<br>Title from title page screen, viewed February 21, 2006. Dissertation Committee: Ray Lewis White (chair), William Bohn, Irene Brosnahan, Douglas Hesse, Curtis White. Includes bibliographical references and abstract. Also available in print.

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Ng, Ting-fai. "A linguistic approcah to Cantonese story puns." Click to view the E-thesis via HKUTO, 2008. http://sunzi.lib.hku.hk/hkuto/record/B41004905.

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符傳豐 and Suan-fong Foo. "A study of Lao She's (1899-1966) short stories." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1997. http://hub.hku.hk/bib/B31215233.

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Wang, Xiaodi. "Introducing modernist short stories through participatory drama to Chinese students in higher education." Thesis, University of Warwick, 2016. http://wrap.warwick.ac.uk/78162/.

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This thesis explores the possibilities of introducing modernist literature to Chinese university students by means of participatory drama. The target students are not principally those studying in literature departments but those from other disciplines. The potential space for this teaching is in the courses of general education that many universities have introduced in China in recent years. The research is premised on evidence that intelligent readers in China nonetheless find it very difficult to engage with modernist texts. The thesis begins with a literature review that explores why this

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Du, Willy Chenja. "Taiwan Xiangtu writer Huang Chunming: three short stories, with a critical introduction." Thesis, University of Iowa, 2011. https://ir.uiowa.edu/etd/4966.

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This introduction serves to provide a sketch of the circumstances that led to the prominence of "nativist," or xiangtu literature from the Republic of China (i.e. Taiwan) in the late twentieth century. Huang Chunming, the author of the stories featured in this thesis, has been a prolific writer from the east of the Taiwan Straits since 1962, and has contributed to the popularization of Taiwanese xiangtu literature in the decades of the island's industrialization experience. In Huang's world of fictional characters, readers have multifaceted records of the Taiwanese people's lives and the cultu

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HARMON, COY LEON. "CH'U YU'S "CHIEN-TENG HSIN-HUA": THE LITERARY TALE IN TRANSITION (CH'UAN-CH'I)." Diss., The University of Arizona, 1985. http://hdl.handle.net/10150/187951.

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The literary tale or ch'uan-ch'i, "transmission of the strange," evolved from the short fictional writings of the Six Dynasties and early T'ang periods and found full form as a short story in the classical language during the latter T'ang dynasty. Ch'uan-ch'i flourished through the Sung dynasty but fell into a period of relative inactivity during the Yuan dynasty. With the founding of the Ming in 1368 came renewed interest in the literary tale with the appearance of Ch'u Yu's collection of ch'uan-ch'i known as Chien-teng hsin-hua. Ch'u's tales became so popular that they soon inspired poet-off

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Xu, Xueqing. "Short stories by Bao Tianxiao and Zhou Shoujuan during the early years of the Republic." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2000. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp03/NQ53719.pdf.

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Dai, Ping Emma, and 戴平. "The concept of love in the Ming short stories of Sanyan and Erpan." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2000. http://hub.hku.hk/bib/B31222559.

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Books on the topic "Short stories, Malaysian (Chinese)"

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Zeng, Pei. Malaixiya dang dai wei xing xiao shuo xuan. Malaixiya Hua wen zuo jia xie hui, 2010.

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Lin, Wanli. Tuo ni de fu. Huo yi chu ban shi ye you xian gong si, 2001.

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3

guan, Xuelong Hainan hui, ed. Duan pian xiao shuo chuang zuo bi sai: De jiang zuo pin zhuan ji : di qi jie (2002) Ma Hua Wen xue jie. Xuelong Hainan hui guan, 2003.

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4

Chen, Yizhi, and Mohd Saleeh Rahamad. Anthology of short stories: Malaysia-Taiwan. Institut Terjemahan & Buku Malaysia Berhad, 2014.

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Zhuang, Huaxing. Cerpen Mahua dan cerpen Melayu: Suatu perbandingan. Dewan Bahasa dan Pustaka, 2006.

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6

Lyons, Kay. Malaysian children's favorite stories. Tuttle Pub., 2004.

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Ong, Charissa T. Y. Midnight monologues: Poems and short stories. Penwings Publishing, 2016.

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8

Hamdani, Hamzah, ed. The changing tide: The best Malaysian short stories. Dewan Bahasa dan Pustaka, 1997.

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9

Tan, Yet Mee. Faultlines. Edited by Shazwani Abdul Kabur author, Chin Ai-May author, Ng Jenny author, V. Shazra Aishath author, Tan Teja Salehuddin author, and Raman Krishnan editor. Silverfish Books Sdn. Bhd., 2015.

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Rozario, Brigitte. Writing KL: A young writers' anthology. MPH Group Publishing Sdn Bhd, 2020.

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Book chapters on the topic "Short stories, Malaysian (Chinese)"

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Amran, Rinni Haji. "Trashy Tales and Tales of Trash (2016): The Making of Waste in Contemporary Malaysian Short Stories." In A Malaysian Ecocriticism Reader. Springer Nature Singapore, 2024. http://dx.doi.org/10.1007/978-981-99-9466-3_8.

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Hao, Sabrina Yuan. "Jiaohua in Ming Collections of Gong’an Short Stories: Law, Punishment, and Popular Conceptions of Justice." In Chinese Culture. Springer Nature Singapore, 2024. https://doi.org/10.1007/978-981-97-9487-4_6.

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Cavalletto, Silvia. "Note al testo e alla traduzione." In Traduzione di A China fica ao lado / La Cina è accanto. Firenze University Press, 2022. http://dx.doi.org/10.36253/978-88-5518-637-7.06.

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Pillai, Stefanie, and Siti Zaidah Zainuddin. "Top-down policies and the language profiles of Malaysians in a multilingual language ecology." In Hamburg Studies on Linguistic Diversity. John Benjamins Publishing Company, 2025. https://doi.org/10.1075/hsld.9.06pil.

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Abstract Malaysia is a multilingual country with more than 100 languages comprising, among others, Standard Malay and its mainly geographical varieties as well as indigenous, Chinese, and Indian languages. Over the years, language and education policies have put the national and official language, Malay, at the forefront of the language ecology in the country, while English continues to be given considerable attention in the education and employment sectors. The language ecology in Malaysia is dynamic in reflecting the dominant languages within a multicultural environment. This chapter examine

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Graziani, Michela, and Anna Tylusinska-Kowalska. "Introduzione. Maria Ondina Braga, A China fica ao lado / La Cina è accanto." In Traduzione di A China fica ao lado / La Cina è accanto. Firenze University Press, 2022. http://dx.doi.org/10.36253/978-88-5518-637-7.02.

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This miscellaneous volume aims to present for the first time, in Italian language, the collection of short stories A China fica ao lado / La Cina è accanto by the Portuguese writer Maria Ondina Braga, concerning the Chinese migration flows to Macao in the ’60s of the past century. The collection was published for the first time in Lisbon in 1968 and translated for the first time in Chinese language in Macao in 1991.

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Xin, Hongjuan. "A descriptive study of Lu Xun’s short stories in the English-speaking world – with focus on Yang Xianyi & Gladys Yang’s translation." In A Century of Chinese Literature in Translation (1919–2019). Routledge, 2020. http://dx.doi.org/10.4324/9780429316821-9.

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Rampolla, Giulia. "Transnational urban encounters: existential wanderings in Xue Yiwei’s collection Shenzheners." In Studi e saggi. Firenze University Press, 2023. http://dx.doi.org/10.36253/979-12-215-0068-4.15.

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The fictional works of the Chinese writer Xue Yiwei, who migrated to Canada in 2002, can be regarded as a byproduct of cross-border mobility and cultural displacement. This paper examines the relationship between the individual and the metropolis in four short stories from the collection Shenzheners, focusing on the impact of the writer’s transcontinental relocation on his representation of city dwellers and intercultural encounters. This research adopts an interdisciplinary framework, which merges textual analysis with the approaches of Cultural Studies and Literary Urban Studies, and places

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Hang, Yu. "The Reception of Dostoevsky in Early Twentieth-Century China." In Translating Russian Literature in the Global Context. Open Book Publishers, 2024. http://dx.doi.org/10.11647/obp.0340.23.

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This chapter begins with an overview of the translation of Russian literature in China and of Fedor Mikhailovich Dostoevsky (1821-1881) in particular. It next examines two translators Geng Jizhi and Lu Xun, whose work respectively demonstrates the value of microhistorical methodology in translation history (Geng) and the difficulty of assimilating Dostoevsky’s philosophy into the Chinese cultural mode (Lu Xun). The early twentieth century witnessed the gradual reception of Dostoevsky in China, including the publication and introduction of his short stories in newspapers. Originally, English tr

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Ganser, Alexandra. "Going Nowhere: Oceanic Im/Mobilities in North American Refugee Fiction." In Maritime Mobilities in Anglophone Literature and Culture. Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-030-91275-8_11.

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AbstractIn philosophy and theory, the terms flight and territorialization are tightly connected to Gilles Deleuze and Félix Guattari’s A Thousand Plateaus. Through “lines of flight”—unpredictable routes defying spatial control—they conceptualize the breakup of a hegemonic spatial semantics through the mobility of the nomad. These lines make the paths of “deterritorialization,” contravening normative spatial structures (“striated” space) and producing “smooth space” that escapes structuration and control. Postcolonial critics such as Gayatri Spivak have held Deleuzian philosophy accountable for

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Prosperi, Martina Renata. "Writing for the wor(l)ds: the reflection on language in Yiyun Li’s literary production." In Studi e saggi. Firenze University Press, 2023. http://dx.doi.org/10.36253/979-12-215-0068-4.14.

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Yiyun Li, b. 1972, moved from Beijing to the US in 1996, where she soon realized to be a talented writer. Although her early works, including the collections of short stories A Thousand Years of Good Prayers (2005) and Gold Boy, Emerald Girl (2010), and the novels The Vagrants (2009) and Kinder Than Solitude (2014), still privileged Chinese settings and characters, after the publication of her memoir Dear Friend, from My Life I Write to You in Your Life (2017) the literary landscape depicted by Li was amplified with autobiographical anecdotes and reflections on literature, human relations and

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Conference papers on the topic "Short stories, Malaysian (Chinese)"

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Lin, Guanqiong. "MYTHOPOETICS OF THE FOX SPIRIT IN THE SHORT STORIES OF B. M. YULSKY AND PU SONGLING." In 9th International Conference ISSUES OF FAR EASTERN LITERATURES. St. Petersburg State University, 2021. http://dx.doi.org/10.21638/11701/9785288062049.29.

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The article is devoted to the hermeneutic and comparative analysis of the short story The Fox’s Footprint (1939) by the Russian writer of the Harbin diaspora B. M. Yulsky. The mystical, mythological, adventure aspects are studied. The image of the fox spirit in Chinese culture, in particular, in the collection of stories Liao Zhai zhi yi (17th century) by the Chinese writer Pu Songling, is researched. The emphasis is placed on the cult of immortal foxes in Manchuria in the 19th — first half of the 20th century. It is proved that in his prose Yulsky relied on the eastern cultural context and th

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Storozhuk, Alexander. "PU SONGLING’S LITERARY HERITAGE AND ITS TRANSLATIONS INTO RUSSIAN." In 9th International Conference ISSUES OF FAR EASTERN LITERATURES. St. Petersburg State University, 2021. http://dx.doi.org/10.21638/11701/9785288062049.06.

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While speaking of Pu Songling’s (1640–1715) impact on the Chinese literature one can’t help mentioning his short stories about fox turnskins and other wonders, known in English as Strange Tales from the Chinese Studio (Liao Zhai zhi yi). Commonly here the general survey concludes, and the main efforts are directed to analysis of the author’s pencraft and concealed political implications, since most of the plots are believed to be not original but adopted from earlier oeuvre. Thus the two major implied notions can be worded in the following fashion: 1) Strange Tales are the only work by Pu Song

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Levitskaia, Tatiana. "THE FORGOTTEN WAR: WORKS BY N. A. LUKHMANOVA ABOUT MANCHURIA." In 9th International Conference ISSUES OF FAR EASTERN LITERATURES. St. Petersburg State University, 2021. http://dx.doi.org/10.21638/11701/9785288062049.28.

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Nadezhda Lukhmanova (1841–1907) was a novelist, playwright, publicist, lecturer. Today her name is almost forgotten, but at the turn of the 19th–20th centuries she was well-known throughout Russia: her artistic and dramatic works were widely in demand, she gave lectures in the capital and abroad, worked as a journalist in the leading St. Petersburg newspapers. At the age of 62, she took part in the Russian-Japanese war as a nurse of the Red Cross and war correspondent (Peterburgskaia gazeta, Yuzhniy Krai). During her stay in the war and later in Japan, Lukhmanova wrote not only travel notes an

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Pan, Hezhu, and Mengfei Liu. "Social media in rural life: Design innovation for participatory cultural communication in China." In 14th International Conference on Applied Human Factors and Ergonomics (AHFE 2023). AHFE International, 2023. http://dx.doi.org/10.54941/ahfe1003435.

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The development of internet technology and social media has rapidly changed everyday experiences. Rural people benefit from new technology. They share their stories on digital social media platforms, and promote agricultural products on Live Streaming platforms and E-commerce platforms. Rural communities have been an active part of the booming social media phenomenon in the past few years, especially in China. The study is based on fieldwork in a rural village in the Hunan Province of China, which has a rich ethnic culture, including intangible cultural heritage such as Huayao cross stitch. Lo

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