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Journal articles on the topic 'Short stories, Malaysian (Chinese)'

Author: Grafiati

Published: 4 June 2021

Last updated: 27 July 2025

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1

Rojas, Carlos. "Language, Ethnicity, and the Politics of Literary Taxonomy: Ng Kim Chew and Mahua Literature." PMLA/Publications of the Modern Language Association of America 131, no. 5 (2016): 1316–27. http://dx.doi.org/10.1632/pmla.2016.131.5.1316.

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Through an examination of short stories from the Malaysian Chinese author Ng Kim Chew's 2001 collection From Island to Island, this essay reflects on the taxonomic functions of criteria such as language, ethnicity, and nationality, particularly as they inform contemporary discussions of Chinese, Sinophone, and Mahua (Malaysian Chinese) literature. Several of Ng's stories are set on remote islands and feature individuals who, having been forcibly separated from their original linguistic or social environment, offer a vehicle for reflecting on some of the consequences of literary taxonomies that

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2

Anwar, M. Shoim. "Cerita Pendek Malaysia: Interaksi Simbolik untuk Membangun Citra Etnis Cina." ATAVISME 22, no. 2 (2019): 185–99. http://dx.doi.org/10.24257/atavisme.v22i2.575.185-199.

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The population of ethnic Chinese in Malaysia ranks second, after ethnic Bumiputra. Some of ethnic Chinese residents write short stories in order to build an image of themselves. Their work pieces are written in the short story anthology of Menara 7 (1998). This Malay anthology is interesting because its authors speak their mother tongue instead of Malay language. The objective of this research was to describe how the symbolic interactions was constructed on the short stories of Menara 7. By using symbolic interaction theory and the Hermeneutic Circle analysis methods, in short stories written

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3

Sang Seong, Goh, and Boh Phaik Ean. "Publication of Translations of Modern Mahua Literature in Magazines Published by Dewan Bahasa dan Pustaka (DBP)." Malay Literature 34, no. 2 (2021): 229–56. http://dx.doi.org/10.37052/ml34(2)no5.

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This article documents the translations of works of modern Mahua literature in magazines published by Dewan Bahasa dan Pustaka (DBP). Discussion is made descriptively, guided by translation history theory employing eight objects of study proposed by D'hulst (2010), i.e. quis (who)?, quid (what)?, ubi (where)?, quibus auxiliis (which sort of support)?, cur (why)?, quomodo (how)?, quando (when)?, and cui bono (what are the effects)? The translations of modern Mahua literature in magazines published by DBP were collected manually from magazines from the collection stored at the National Library o

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Soleha binti Mohd Noor, Nurul, and Arbaayah Ali Termizi. "Analysing Resistance of Stereotyped Sexuality via ‘Gender Performance’ in The Silk Fan and Under the Blanket." International Journal of Applied Linguistics and English Literature 6, no. 3 (2017): 219. http://dx.doi.org/10.7575/aiac.ijalel.v.6n.3p.219.

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Existing studies had shown that gender stereotyping is still evident in contemporary Malaysian English literature particularly in novels. By using the concepts of ‘gender performance’ and ‘performativity’ introduced by Judith Butler’s Gender Trouble (1990), the current study aims to prove that there is an act of resistance among the new generations/contemporary Malaysian writers against the gender norms placed on sexuality. These writers resisted the norms by performing “gender trouble” through the construction of their characters’ gender identity. Two short stories are selected from 25 Malays

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Rahman, Ahmad Zufrie Abd, and Ida Baizura Bahar. "ETHNIC RELATIONS AND ETHNOCENTRISM IN SELECTED MALAYSIAN SHORT STORIES." AICLL: ANNUAL INTERNATIONAL CONFERENCE ON LANGUAGE AND LITERATURE 1, no. 1 (2018): 11–20. http://dx.doi.org/10.30743/aicll.v1i1.2.

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The issues of the ethnic diversity of the Malaysian way of life, have been explored in scholarship on Fernando’s selection of Malaysian Short Stories (2006), consisting of six fictional narratives on life in pre-independence Malaya namely “Nannan and A Certain Cry” by Cynthia Anthony, “Ratnamuni” by K.S. Maniam, “Pasang” by Pretam Kaur, “The Third Child” by K.S. Maniam, and “Birthday” by M. Shanmugalingam, through the lens of post-colonialism. The stories have been described as an exceptional compilation due to the fact that Fernando is able to assemble stories written by authors from differen

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Devi Pillai, Anitha. "An Interview with Malaysian Writer Malachi Edwin Vethamani." Southeast Asian Review of English 61, no. 2 (2024): 132–37. https://doi.org/10.22452/sare.vol61no2.9.

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An interview with the award-winning author and academic, Malachi Edwin Vethamani. The Malaysian Publishers Association awarded his poetry anthology "Malchin Testament: Malaysian Poems", the National Book Award 2020 in the English Language category, two of his other works, a collection of short stories, "Complicated Lives" and an edited anthology, "Malaysian Millennial Voices" were both nominated for the National Book Award 2022 in the English Language category. He has been rightly described as "the most prominent figure in Malaysian poetry was Malachi Edwin Vethamani, who is, without doubt, on

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M., Ms Vijayalatchumy, and Mr Navin M. "History of Malaysian Tamil Short Stories and its Chronology." Journal of Tamil Peraivu 9, no. 2 (2020): 104–18. http://dx.doi.org/10.22452/jtp.vol9no2.11.

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Anwar, M. Shoim. "Problem Etnisitas India Dalam Cerita Pendek Malaysia." ATAVISME 18, no. 2 (2015): 195–208. http://dx.doi.org/10.24257/atavisme.v18i2.115.195-208.

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Karya sastra adalah dokumen kemanusiaan dan kebudayaan. Kumpulan cerita pendek Menara 7 (1998), terutama enam cerpen yang ditulis oleh pengarang Malaysia beretnis India, memberi gambaran problem kehidupan etnis India di Malaysia. Dengan meminjam teori etnisitas sebagai landasan, tulisan ini bertujuan mengungkap problem etnisitas India di Malaysia. Problem etnis India terkait dengan kemiskinan, pendidikan, gender, religi, budaya, dan persatuan. Keberadaan etnis India di Malaysia secara historis merupakan bagian dari kolonialisme Inggris di masa lampau. Residu kolonialisme menciptakan jejak hita

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9

Liu, Jian, Jingying Fei, and Mingkang Lv. "How “Foreign Influencer” Present Compelling Chinese Stories--Take “Chris”, a short video blogger in Tik Tok, as an example." Asia Social Science Academy 2, no. 3 (2022): 52–59. http://dx.doi.org/10.51600/isr.2022.2.3.52.

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In recent years, a large number of excellent foreign short video bloggers have been active on major social media platforms, comparing the differences between Chinese and Western cultures, introducing Chinese traditional culture and customs to followers, and becoming a new force in telling Chinese stories. This paper takes the short video blogger “Chris” and his short videos as the research object, and analyze how “foreign influencer” tells Chinese stories in the new media environment, which brings new inspiration for telling Chinese stories and spreading Chinese voices well in the new media en

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Osman, Sharifah Aishah. "Addressing Rape Culture through Folktale Adaptation in Malaysian Young Adult Literature." Girlhood Studies 14, no. 1 (2021): 117–33. http://dx.doi.org/10.3167/ghs.2021.140110.

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Rape culture is a provocative topic in Malaysia; the public discourse on it is plagued by gender stereotyping, sexism, misogyny, and rape myths. Recent literary works aimed at Malaysian adolescent girls have interrogated rape culture more pointedly as a means of addressing gender-based violence through activism and education. In this article, I discuss two short stories, “The Girl on the Mountain” and “Gamble” as retellings of Malaysian legends and feminist responses to the normalization and perpetuation of rape culture in this society. Through the emphasis on female agency, consent, and gende

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Wah, Kuan Chee. "Counter-narrating political ethnocracy: Interrogating Malay–Chinese ethnic relations in Flower in the Pocket and Nasi Lemak 2.0." Asian Cinema 31, no. 2 (2020): 253–68. http://dx.doi.org/10.1386/ac_00027_1.

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This article focuses on the analysis of two Sinophone films made by Chinese Malaysian filmmakers, which are Flower in the Pocket (Liew Seng Tat 2007) and Nasi Lemak 2.0 (Namewee/Wee 2011), and discusses how these films engage Malaysian ethnocracy by interrogating the ever-problematic Malay–Chinese relationship. Both filmmakers belong to the new generation of Chinese Malaysians who feel the need to question the political system and long for a more inclusive national identity. Flower in the Pocket depicts the uncomfortable relationship between Malays and Chinese by examining the stories of two f

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Fong, Yang Lai, Ramachandran Ponnan, and Antoon De Rycker. "Different Countries, Different Perspectives: A Comparative Analysis of the South China Sea Disputes Coverage by Malaysian and Chinese Newspapers." China Report 56, no. 1 (2020): 39–59. http://dx.doi.org/10.1177/0009445519895627.

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The South China Sea disputes involve both island and maritime claims among several sovereign states within the region, namely China, Malaysia, the Philippines, Brunei, Vietnam and Taiwan. Framing an analysis of international news and diplomatic relations allows researchers to examine how news organisations provide their audiences with context regarding news stories through content promotion and exclusion. This study examined how the Malaysian and Chinese newspapers reported about the South China Sea disputes and Malaysia–China bilateral relations. The findings indicated that the newspapers rep

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Zuo, Jingying, and Lan Yang. "Chinese Stories in Chinese Animation: A Semiotic Interpretation of Chinese Folktales—Goose Mountain." International Journal of Languages, Literature and Linguistics 10, no. 1 (2024): 93–96. http://dx.doi.org/10.18178/ijlll.2024.10.1.492.

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Goose Mountain is the second episode in the Chinese animation Chinese folktales. Rooted in traditional Chinese culture, this short film deconstructs Chinese stories into Chinese landscapes, Chinese legends and Chinese allusions. Although there is not a single line of dialogue in the whole film, it still presents a strong sense of Chinese style. Peirce’s study focuses on the role of representament in personal perception. Based on Peirce’s semiotic theory, this study adopted the definition of representament and trichotomy as theoretical framework to explore the important role of cultural represe

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Tian, Jianing. "The dark side of genius: Researching Nabokov’s short stories in China." Philology. Issues of Theory and Practice 17, no. 5 (2024): 1626–32. http://dx.doi.org/10.30853/phil20240235.

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The purpose of this paper is to reveal the characteristics of reception, on the one hand, and philological study, on the other hand, of the short stories of V. V. Nabokov in China. The article discusses such aspects of the topic as research on the works of V. V. Nabokov in the world scientific community; the reasons for the low degree of study of the stories of V. V. Nabokov in Chinese philological science; the current state of scientific research in the field of the Russian writer’s work in China; the problems of studying Nabokov’s stories in China. The paper notes that over the centuries-old

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Liu, Mengmeng. "Research on Innovative Models of Chinese Mythical and Legendary Films in the New Media Era." Frontiers in Humanities and Social Sciences 4, no. 1 (2024): 274–79. http://dx.doi.org/10.54691/a3j68t34.

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The new media era has revolutionized the dissemination of traditional culture, and the dissemination and development of Chinese mythological and legendary films are facing challenges. In order to achieve effective dissemination of Chinese mythological stories in the era of new media short videos, this article focuses on exploring the creative characteristics of iQiyi's self-made drama "Soul Ferry". Based on this, it is discussed that Chinese mythological and legendary films should pay attention to the effective combination of ancient and modern in innovation, and empower the dissemination of C

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Mohd Noor, Nurul Soleha, and Arbaayah Ali Termizi. "Traumatic Characters’ Re-Victimisation Through Death Instincts In Selected Contemporary Malaysian Noir Narratives." Platform : A Journal of Management and Humanities 6, no. 2 (2023): 16. http://dx.doi.org/10.61762/pjmhvol6iss2art25226.

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Sigmund Freud first coined the concept of ‘death instinct’ in his controversial work Beyond the Pleasure Principle (1920) by stating that all beings are driven towards death as the result of living. The concept was introduced to explain the reasons for traumatised individuals to undergo a ‘compulsion to repeat’ their traumatic state. This concept will be applied to the textual analysis of selected characters who had undergone traumatic experience(s) fromthree Malaysian noir short stories published by Fixi Novo and written by three different authors. These stories were chosen since they took pl

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17

Wu, Fatima, and Jeanne Tai. "Spring Bamboo: A Collection of Contemporary Chinese Short Stories." World Literature Today 63, no. 4 (1989): 737. http://dx.doi.org/10.2307/40145747.

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18

Shen, Min. "C-E Translation of Jiang Zilong’s Short Story Mr. Big on the Basis of Functional Equivalence Theory." Journal of Language Teaching and Research 11, no. 3 (2020): 486. http://dx.doi.org/10.17507/jltr.1103.18.

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In recent years, an increasing amount of excellent foreign novels and short stories are translated and introduced into China while limited Chinese short stories are presented overseas. This paper, on the basis of Nida’s functional equivalence theory, analyzes and reviews the translated version of the short story “Mr. Big” written by Jiang Zilong through the application of functional equivalence theory from lexical and syntactic level. The translator, with the target language reader at the core, fully comprehends the original text, emotions, style, and mood of the short story, and appropriately

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19

Horoshkevych, O. Н. "The image of China in the short stories of Akutagawa Ryunosuke." MESSENGER of Kyiv National Linguistic University. Series Philology 27, no. 1 (2024): 40–49. http://dx.doi.org/10.32589/2311-0821.1.2024.309603.

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One of the promising directions in modern comparative studies is imagology, which examines literary ethno-images, encompassing both the self-image (auto-image) and the images of other ethno-cultures in national literature (hetero-images). This research aims to trace the features of Ryunosuke Akutagawa’s complex and multifaceted attitude towards China, as embodied in his short stories, and to identify the main features of the ethno-image of China in his works. Chinese literature, history, philosophy were significant components of the education for aristocrats in the early 20th century, the peri

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20

Venugopal, Sababathy. "The identity of the Malaysian Tamils in the Tamil Short Stories of Malaysia." Journal of Tamil Peraivu 1, no. 1 (2015): 44–54. http://dx.doi.org/10.22452/jtp.vol1no1.4.

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21

Yu, Linghong. "Chinese text in the short stories "The Concrete Ones" and "Lu" by Vladimir Sorokin." Litera, no. 8 (August 2024): 59–68. http://dx.doi.org/10.25136/2409-8698.2024.8.71446.

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The article is devoted to the identification and analysis of Sinoisms and other markers of Chinese culture in Vladimir Sorokin's short stories "The Concrete Ones" and "Lu", from the collection "Feast" in 2001. The author examines in detail the Chinese motives in the above-mentioned stories, as well as analyzes the perception of the image of China in the socio-cultural context in Russia. Recall that in the previous novel "Blue Lard" the author's interest in China is already evident. The influence of Chinese culture on Sorokin's work is also noticeable in the stories "The Concrete Ones" and "Lu"

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Li, Yan. "A Comparative Study on the Character Modeling of Chinese Shadow Play and Malaysian Wayang Kulit." Vol. 5 No. 1 (2024) 5, no. 1 (2024): 89–100. http://dx.doi.org/10.33093/ijcm.2024.5.1.6.

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The shadow play cultures of China and Malaysia have a long history and rich cultural connotations, both of which belong to folk art forms. Due to the origin of shadow play culture and the differences in cultures between the two countries, the character designs of shadow play have formed unique regional cultures. This article mainly compares the character styles of shadow play between the two countries, summarizes the similarities and differences in artistic forms of shadow play, and showcases the beauty of different styles. In Chinese shadow play culture, the modelling of characters is usually

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23

Wang, Jiaming, and Zhongqing Hu. "A Cross-Cultural Perspective on the Short Videos of "Mr. You Yisi" on Bilibili." Journal of Education, Teaching and Social Studies 7, no. 1 (2025): p96. https://doi.org/10.22158/jetss.v7n1p96.

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In the process of globalization, with the rapid development of internet technology, the interaction between world cultures has become increasingly frequent. The development of various network social media platforms has provided a space for civil exchanges between countries, making the exchange and dissemination of different cultures more convenient, reducing and bridging misunderstandings and conflicts caused by cultural differences. As the most popular short video platform among young people in China, bilibili has attracted a large number of foreign bloggers. These bloggers tell Chinese stori

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Paoliello, Antonio. "Becoming Muslim or Becoming Malay? Conversion to Islam in Two Sinophone Malaysian Short Stories." Canadian Review of Comparative Literature / Revue Canadienne de Littérature Comparée 46, no. 3 (2019): 470–87. http://dx.doi.org/10.1353/crc.2019.0031.

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Huang, Xiuqi. "Universe of Pluralism: Extraterrestrial Intelligence in Liu Cixin's Short Stories." Science Fiction Studies 51, no. 2 (2024): 238–57. http://dx.doi.org/10.1353/sfs.2024.a931154.

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ABSTRACT: This paper examines extraterrestrial intelligence in the short stories of Chinese science fiction writer Liu Cixin and their relation to the alien civilization in Liu's immensely successful Remembrance of Earth's Past trilogy. I will discuss the topic from three aspects: extraterrestrial intelligence's role as both metaphorical and literal mirrors in Liu's short stories; various alien worldviews and existential states that derive their conflicting diversity from the scientific and humanistic divide in the literary tradition of Chinese science fiction; aliens that represent either the

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Au, Wee Chan, and Pervaiz K. Ahmed. "Sustainable people management through work-life balance: a study of the Malaysian Chinese context." Asia-Pacific Journal of Business Administration 6, no. 3 (2014): 262–80. http://dx.doi.org/10.1108/apjba-02-2014-0024.

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Purpose – The purpose of this paper is to explore the harmful effects of negative externality at both national and firm level by identifying practices that impact Malaysian Chinese ' s well-being in the form of work-life imbalance. Design/methodology/approach – This paper adopts an emic approach using phenomenological enquiry to investigate what factors influence and shape work-life balance experience of Malaysian Chinese working adults. Emic approach, which takes into account elements that are indigenous to a particular culture, is useful to explore the uniqueness of the Malaysian context. Se

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Zheng, Yi. "Writing about women in ghost stories: subversive representations of ideal femininity in “Nie Xiaoqian” and “Luella Miller”." Neohelicon 47, no. 2 (2020): 751–66. http://dx.doi.org/10.1007/s11059-020-00524-3.

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AbstractOn the one hand, because of the double historical prejudices from literary criticism against ghost stories and women’s writing, little attention has been paid to investigate the ideals of femininity in women’s ghost stories in nineteenth-century America. This article examines “Luella Miller,” a short story by Mary E. Wilkins Freeman, who indirectly but sharply criticized the ideal of femininity in her time by creating an exaggerated example of the cult of feminine fragility. On the other hand, although extensive research has been done on Chinese ghost stories, especially on the ghost h

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Ziyamuhamedov, Jasur. "TARJIMALARDA XITOY JAMIYATI VA MAFKURASI BILAN BOG'LIQ AYRIM MASALALARNING BERILISHI ("LIAO JAYNING G'AROYIBOTLAR HAQIDAGI HIKOYALARI" TARJIMA KITOBI MISOLIDA)." Oriental Renaissance: Innovative, educational, natural and social sciences 2, no. 25 (2022): 163–70. https://doi.org/10.5281/zenodo.7393717.

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<em>Mazkur maqolada badiiy asarlarni, jumladan novella va hikoyalarni xitoy tilidan o‘zbek tiliga tarjima qilishda jamiyat va mafkura bilan bog‘liq ba’zi masalalarning berilishi xususida fikr yuritiladi. Xitoy tilidagi mazkur hikoya va novellalarda “jamiyat va mafkura” masalalarinig  o‘ziga xos bayon tarzi va uslubi tahlil qilinadi.  </em> <em>This article discusses some issues related to society and ideology when translating literary works, including stories and short stories from Chinese into Uzbek. The unique style of narration and the style of

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Wu, Fatima, and Zhihua Fang. "Chinese Short Stories of the Twentieth Century: An Anthology in English." World Literature Today 70, no. 3 (1996): 759. http://dx.doi.org/10.2307/40042306.

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Mirzieva, L. R., E. N. Kulikova, and Li Siyuan. "EFFICIENCY OF SHORT STORIES IN INTENSIVE READING TEACHING ON CHINESE LESSONS." KAZAN LINGUISTIC JOURNAL 3, no. 3 (2020): 265–88. http://dx.doi.org/10.26907/2658-3321.2020.3.3.265-288.

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Жирова, И. Г., and Ц. Чжан. "Adaptive translation of A.P. Chekhov's short stories from Russian into Chinese." Modern scientist, no. 5 (July 23, 2024): 68–73. http://dx.doi.org/10.58224/2541-8459-2024-5-68-73.

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в настоящее время антропоцентризм выступает актуальной и востребованной лингвистической парадигмой, которая обусловлена появлением новых подходов при сопоставительном исследовании аутентичного художественного текста оригинала и его перевода на иностранные языки. Целью статьи является изучение лексико-семантических особенностей перевода коротких рассказов А. П. Чехова с выявлением русско-китайских соответствий. Важен анализ переводческих проблем в языковой паре «русский / китайский» с точки зрения лексическо-семантических особенностей идиостиля выдающегося русского писателя Антона Павловича Чех

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Philip, Susan. "Malachi Edwin Vethamani, ed. <i>Ronggeng-Ronggeng: Malaysian Short Stories</i>." Asiatic: IIUM Journal of English Language and Literature 14, no. 1 (2020): 330–32. http://dx.doi.org/10.31436/asiatic.v14i1.1875.

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Yu, Renqiu. "Anita Chan, China's Workers Under Assault: The Exploitation of Labor in a Globalizing Economy. Armonk, New York: ME Sharpe, 2001. 250 pp. $58.95 cloth; $22.95 paper." International Labor and Working-Class History 65 (April 2004): 205–7. http://dx.doi.org/10.1017/s0147547904330139.

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This is a powerful book that documents and examines the horrible exploitation of labor in contemporary China, particularly the vulnerable migrant workers from rural areas. The bulk of the book is the compilation of more than twenty investigative stories that Chan selects from the Chinese language newspapers and journals published in China, Hong Kong, and Taiwan. All the investigative stories were written by Chinese reporters—some took great risks to do it—and translated into English by Chan and her collaborators. For each case Chan provides a short introduction and “comment” to help the reader

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Li, Li, and Foo Ai Peng. "Analysis of the Ugly Female Images in "Strange Tales from a Chinese Studio" from the Perspective of Bourdieu's Sociological Theory." International Journal of Education and Humanities 12, no. 1 (2024): 24–27. http://dx.doi.org/10.54097/s8k75x11.

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Strange Tales from a Chinese Studio is a collection of classical Chinese short stories created by Pu Songling, a Qing Dynasty novelist in China. It is known as a representative work of ancient Chinese classical short stories. Since its inception, it has been loved by the public and subsequently translated into multiple languages, spreading overseas. The English version of Strange Tales from a Chinese Studio, translated by British sinologist Minford in 2006, was published by Penguin Publishing, a leading publishing house in the UK, and is listed as one of the Penguin Classic series. This articl

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Kim, soon gum. "A study on the tragedy for the Xiao Hong's short stories: Focusing on “Wangasujeoksa”, “Gyo”, and “Soseongsamwol”." Society for Chinese Humanities in Korea 86 (April 30, 2024): 211–26. http://dx.doi.org/10.35955/jch.2024.04.86.211.

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The purpose of this study is to elucidate the tragic elements in the short stories “Wangasujeoksa,” “Gyo,” and “Soseongsamwol” by Xiao Hong. All three works connect their characters to the tragedy of death. This reflects how, despite China's attempts at new progress and innovation through the Xinhai Revolution and the May Fourth Movement in the early 20th century, lower-class women remained in poverty and became victims of an irrational social structure. This study aims to examine the tragedy in Xiao Hong's short stories within the unique historical context of China's modern and contemporary e

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Fazyudi Ahmad Nadzri, Ridwan Wahid, and Zahariah Pilus. "The rise tone in the English and Malay intonations of Malay learners of English." Asiatic: IIUM Journal of English Language and Literature 16, no. 2 (2022): 56–71. http://dx.doi.org/10.31436/asiatic.v16i2.2648.

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   English is a widely spoken language around the world and its intonation may vary significantly across its varieties. Miscommunication is possible given that intonation may function differently in different varieties. Given this context, this study sets out to describe functions of the rise tone in the English and Malay intonations of Malay learners, and to determine the influence of their L1 on the use of the rise tone in Malaysian English. Sixty ESL learners were asked to narrate a short story individually according to a series of pictures presented to them. Eight of them

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Zheng, Zexia. "A Summary of the Enlightenment of Short Videos in Intercultural Communication." Frontiers in Humanities and Social Sciences 2, no. 8 (2022): 12–15. http://dx.doi.org/10.54691/fhss.v2i8.1652.

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As a short video creator, Li Ziqi has become popular on various online platforms in recent years. Her short videos attract the attention of tens of millions of fans, thus trigger the "Li Ziqi Phenomenon". Those videos take Chinese traditional culture as its core to tell Chinese stories well in intercultural communication, and forms a new research field. This paper would make a preliminary review and evaluation of the intercultural communication of Li Ziqi's videos, and systematically combs the phenomenon and ways of intercultural communication, in order to provide a useful reference for the in

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Preece, Abdul Shakour, Homam Al Tabaa, and Wan Mazwati Wan Yusoff. "Exploring Teachers' Responses to a Workshop for Developing Critical & Creative Thinking Through Storytelling." Journal of Islam in Asia (E-ISSN 2289-8077) 19, no. 1 (2022): 218–33. http://dx.doi.org/10.31436/jia.v19i1.1104.

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Current Malaysian educational policy requires school teachers to include critical and creative thinking in their classrooms; however, few teachers have been trained to do so. The research investigated an approach for developing teachers’ critical and creative thinking through story writing. Qualitative research methodology was employed to explore teachers' understanding and views of the program. The results yielded four main themes, namely: Benefits, Challenges, Satisfaction and Improvement of the Writing Thinking Stories (WTS) program. Participants acknowledged that the program presented new

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Chongjie, Chen, Yoan Yoan, and Kelly Kelly. "Analysis of Society Conditions/Reality During Chinese Feudal Era in the Novel Liaozhai Zhiyi." Lingua Cultura 4, no. 2 (2010): 173. http://dx.doi.org/10.21512/lc.v4i2.365.

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Liaozhai Zhiyi is a compilation of short stories created by the Qing Dynasty novelist, Pu Songling. The main concept is not centered on regular ghost stories, but the author told a story on real life and the fantasy world by describing realities of society life in the feudal era. The author, through stories in Liaozhai Zhiyi, analyses social reality in their education, politics, love, economic and moral aspects. The author of Liaozhai Zhiyi uses of a lot of stories concerning fox spirits, ghosts, and other types of spirits in portraying his critics and anger towards incidents happening in feud

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Syukriani, Yoni Fuadah, and Yuyun Hidayat. "Pinpointing the Short-tandem Repeats Alleles for Ethnic Inferencing in Forensic Identification by K-medoids Approach." Journal of Forensic Science and Medicine 9, no. 4 (2023): 347–52. http://dx.doi.org/10.4103/jfsm.jfsm_36_23.

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Abstract Background: The role of DNA analysis for ethnicity inferencing is a topic that attracts much interest from researchers in forensic identification, especially for identifying unknown bodies and trace evidence. So far, the approaches considered effective for ethnic inferencing are autosomal single-nucleotide polymorphisms, Y-chromosome short-tandem repeats (STRs), and mitochondrial DNA haplotyping, which successfully demonstrates the association of specific nucleotides or patterns with population groups. Ethnic inferencing based on autosomal STRs is complex due to the nature of recombin

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Zakharova, Natalya Vladimirovna. "Pu Songling. Liao Zhai Zhi Yi (Strange Tales from a Chinese Studio): Complete Collection in 12 Juan: in 7 vols. / translated from Chinese by Academician V. M. Alekseev and Professor A. G. Storozhuk. St. Petersburg: St. Petersburg State University Publishing House, 2022. Vol. 1. 568 p., ill.: Book review." Philology. Issues of Theory and Practice 17, no. 4 (2024): 1135–36. http://dx.doi.org/10.30853/phil20240165.

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The book under review presents the first volume of short stories by Pu Songling (1640-1715) translated from Chinese by Academician V. M. Alekseev and Professor A. G. Storozhuk. This is the first complete edition in our country of all the works of the medieval Chinese writer, who is extremely popular not only in his own country, but throughout the world.

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Guanqiong, Lin. "Pidgin as the style in Russian prose of Harbin (“Gamblers” by P.V. Shkurkin)." Philological Sciences. Scientific Essays of Higher Education, no. 5 (September 2020): 70–76. http://dx.doi.org/10.20339/phs.5-20.070.

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The article presents a linguopoetic analysis of ethnographic short stories which compiled the cycle “Gamblers” (1926) by the Russian writer of the Harbin emigration P.V. Shkurkin. The Far Eastern Russian-Chinese pidgin is one of the brightest and richest pidgin branches of the second half of the 19th century and the first half of the 20th century, widespread in the cultural and commercial exchanges. As a sinologist, Shkurkin actively used pidginized vocabulary instead of Russian equivalent words and phrases in “Gamblers”. The subject of this study is the Far Eastern Russian-Chinese pidgin in “

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Jiang, Lingqin, Mengdi Li, and Zhongqing Hu. "Examining China from the Perspective of the “other” -- Take the Videos of the Foreign Blogger "I am Jerry Kowal" on Bilibili as an Example." Journal of Education, Teaching and Social Studies 7, no. 1 (2025): p123. https://doi.org/10.22158/jetss.v7n1p123.

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In the current environment of actively advocating the telling of Chinese stories in China, with the rise of short video platforms of "we media", many foreign bloggers take this opportunity to share Chinese stories, show their eyes of China from the perspective of the "other", and arouse the attention and discussion of the majority of netizens through the comparison of cultural differences, becoming ambassadors of cross-cultural communication. This study selected "I am Jerry Kowal", a well-known foreign blogger on bilibili, a very representative short video platform in China, as the research ob

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Maraya, Senior Lecturer Dr Ravindaran, Senior Lecturer Dr Silllalee S. Kandasamy, та Ms Ashwini Kannappan. "‘ஆறிலிருந்து அறுபது வரை’ தமிழ்த் திரைப்படம் மற்றும் மலேசியத் தமிழ் சிறுகதைகளில் வெளிப்படும் தமிழர்களின் சமூகவியல் வாழ்வாதாரம் (A Review of Tamils’ Sociological Livelihood Portrayed in the Tamil Film ‘Aaril Irunthu Arupathuvarai' and Malaysian Tamil Short Stories)". Journal of Tamil Peraivu 11, № 2 (2022): 43–52. https://doi.org/10.22452/jtp.vol11no2.5.

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ஆய்வுச் சுருக்கம் இவ்வாய்வுக் கட்டுரையானது ‘ஆறிலிருந்து அறுபது வரை’ எனும் தமிழ்த்திரைப்படத்தை மையமாகக் கொண்டுள்ளது. 'ஆறிலிருந்து அறுபது வரை’ தமிழ்த் திரைப்படத்தில் வெளிப்படும் தமிழர்களின் சமூகவியல் வாழ்வாதாரத்தைக் கண்டறிவதுடன் அக்கருத்துக்கள் மலேசியத் தமிழ் இலக்கியமான சிறுகதையில் எவ்வாறு வெளிப்பட்டுள்ளது என்பதை ஆராய்வதே இவ்வாய்வுக் கட்டுரையின் நோக்கமாகத் திகழ்கிறது. மேலும், பண்புசார் ஆய்வின் அடிப்படையில் இவ்வாய்வு மேற்கொள்ளப்பட்டிருக்கிறது. இவ்வாய்வில் குடிப்பழக்கம், கல்விக்கு முக்கியத்துவம் வழங்க முடியாமை, வறுமையில் வாடும் சமூகம், அன்பைப் போற்றாத குடும்ப உறவுகள், மேல் வர்க்கத்தினரின் ஆதிக்கம்

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Binti Ismail, Hanita Hanim, and Mohammad Nusr Al-Subaihi. "STATES OF MALAY POWERLESSNESS IN THE WORKS OF CHE HUSNA AZHARI." Journal of Nusantara Studies (JONUS) 5, no. 1 (2020): 211–33. http://dx.doi.org/10.24200/jonus.vol5iss1pp211-233.

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Background and Purpose: The development of scholarship on Malaysian Literature in English (MLiE) continuously receives attention, especially on one particular direction, which is the studies of the Malays. Inspired by the Malay proverb “Diluah mati mak, ditelan mati bapa” (Malay for ‘between the devil and the deep sea), this study looked into local literature in relation to powerlessness and its social complexity where we argue that the Malays are often caught in-between entanglements that prohibit individualism, as due to societal prejudice.  Methodology: This study employed thema

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Kasarełło, Lidia. "Introducing Taiwan Chinese Contemporary Short Stories in Poland: Cultural Contexts, Fields of Representation and Equivalence." Roczniki Humanistyczne 69, no. 9 (2021): 159–74. http://dx.doi.org/10.18290/rh21699-8.

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This paper investigates basic issues related to the translation of Taiwanese literature in Poland. Assuming the Juliane House’s definitions that translation is “a cognitive procedure and a social, cross-linguistic and cross-cultural practice”, I discuss this matter theoretically and practically on three major levels pertaining to literature and communication between both languages and cultures. According to the system approach, the model is divided into: 1) Source/Taiwan literature; 2) Target/Polish reader; 3) Mediation/Translator and is imbued with reflection on representation, cultural and p

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Zhao, Shanshan, Ziqian Tang, and Zitong Feng. "Research on International Cultural Diffusion Strategies for Excellent Chinese Traditional Culture via Short Videos." Communication, Society and Media 8, no. 1 (2025): p82. https://doi.org/10.22158/csm.v8n1p82.

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Short videos have amassed a substantial overseas user base as a vital channel for Chinese international communication. A critical challenge is how to harness short video platforms as “amplifiers” to tell China’s stories and spread its voice effectively. This endeavour is essential for the transformation and modernization of Chinese international communication strategies, thus establishing a unique Chinese framework for global cultural dissemination. This paper conducts a comprehensive analysis of the current status and challenges faced by short video content creation and cross-cultural communi

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Shiguo, Shan, та Т. Esembekov. "А study on the dissemination and pragmatic adaptation of chekhov's short stories in china". Iasaýı ýnıversıtetіnіń habarshysy 134, № 4 (2024): 268–85. https://doi.org/10.47526/2024-4/2664-0686.120.

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Anton Chekhov's short stories have enjoyed widespread readership in China, with Chinese translations remaining popular for over a century. This popularity was driven by China’s foreign language education policy at the time, which prioritized Russian as the primary foreign language and led to the training of numerous Russian language experts. The themes of Chekhov’s works resonated strongly with China’s social context, and the active promotion by scholars and inclusion of his works in textbooks further contributed to their widespread dissemination in China. However, as many of the Chinese trans

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Nalurita, Baiq Annisa Yulfana, and Tristanti Apriyani. "JEJAK KOLONIAL DAN PERAN ORIENTALISME DALAM KUMPULAN CERPEN TEH DAN PENGHIANAT KARYA IKSAKA BANU." MIMESIS 3, no. 1 (2022): 1–9. http://dx.doi.org/10.12928/mms.v3i1.4893.

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The colonial period was the planting of orientalist concepts towards the East, where the differences between East and West were very much shown. This of course did not escape the views of several Indonesian writers and writers who then tried to record this phenomenon in their literary works. One of the Indonesian writers, Iksaka Banu, who discusses the conflict between the natives and the Dutch, the Dutch and ethnic Chinese, to the conflict between the Dutch and the Dutch in various experiences and one of them is Iksaka Banu's latest collection of short stories entitled Teh dan Penghianat whic

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Strelkova, Guzel V. "Creations of Ch. S. Guleri and His Role in the Formation of a Small Narrative Form in Hindi Literature." Vestnik of Saint Petersburg University. Asian and African Studies 15, no. 4 (2023): 673–86. http://dx.doi.org/10.21638/spbu13.2023.404.

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The genre form of the story appeared in Hindi literature relatively late, in the first decades of the twentieth century. The formation and development of the short story genre in Hindi literature of the twentieth century attracts the attention of researchers both in India and abroad. In this regard, it is important to consider the work of Chandradhar Sharma Guleri, the author of one of the first stories written in Hindi. Together with famous writers Jayashankar Prasad and Premchand, Geleri is considered one of the founders of modern Hindi literature. He wrote mostly short stories. It is notewo

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