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Journal articles on the topic 'Showalter, Elaine'

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Published: 4 June 2021

Last updated: 1 February 2022

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1

Showalter, Elaine. "Elaine Showalter." Lancet 354, no. 9176 (1999): 438. http://dx.doi.org/10.1016/s0140-6736(05)75868-2.

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Larkin, Marilynn. "Elaine Showalter: hysteria's historian." Lancet 351, no. 9116 (1998): 1638. http://dx.doi.org/10.1016/s0140-6736(05)77699-6.

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3

Ryan, Pamela. "Interview with Elaine Showalter." Journal of Literary Studies 2, no. 1 (1986): 15–20. http://dx.doi.org/10.1080/02564718608529781.

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4

Moore, Jeanie Grant. "Speaking of Gender edited by Elaine Showalter." Rocky Mountain Review 44, no. 1-2 (1990): 125–28. http://dx.doi.org/10.1353/rmr.1990.0002.

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Jeffrey J. Williams. "Rewriting Literary History: An Interview with Elaine Showalter." symplokē 20, no. 1-2 (2012): 355. http://dx.doi.org/10.5250/symploke.20.1-2.0355.

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Souza, Rafael Zeferino de. "A VISIBILIDADE DA CRÍTICA FEMINISTA AMERICANA NO SÉCULO XX: APONTAMENTOS SOBRE TEXTOS DE KATE MILLET E ELAINE SHOWALTER." Revista Guará - Revista de Linguagem e Literatura 9, no. 2 (2020): 76. http://dx.doi.org/10.18224/gua.v9i2.7805.

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No século XX, estudos sobre a mulher ganha destaque em várias áreas do conhecimento e, não foi diferente com a Literatura, pois esta tornou-se tema em diversos trabalhos acadêmicos. Tendo isto em vista, esse artigo abordará as principais características das obras de Kate Millet, Política Sexual e de Elaine Showalter, A crítica feminista no território selvagem, pois são duas das obras que emergem os primeiros estudos sobre a Crítica Feminista.

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Licón Luna, Miriam. "Reseña del libro: Hystories. Hysterical Epidemics and Modern Media, Showalter, Elaine." Secuencia, no. 51 (January 1, 2001): 193. http://dx.doi.org/10.18234/secuencia.v0i51.758.

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Ronqui Oliva, Angela Simone. "MARINA COLASANTI E AS TRÊS FASES DA LITERATURA DE AUTORIA FEMININA." Pontos de Interrogação — Revista de Crítica Cultural 2, no. 1 (2015): 30. http://dx.doi.org/10.30620/p.i..v2i1.1531.

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ResumoO presente artigo visa analisar três pequenos contos da escritora contemporânea Marina Colasanti: “Para que ninguém a quisesse”, “Quando já não era mais necessário” e “Perdida estava a meta da morfose”, todos extraídos da obra Contos de amor rasgados (1986). Nosso intuito é verificar que, na literatura de Colasanti, ao analisarmos as atitudes das protagonistas, nota-se a presença de características que remetem às três fases da literatura de autoria feminina, propostas pela crítica e ensaísta norte-americana Elaine Showalter (1986).Palavras-chaveMarina Colasanti. Fases. Autoria feminina.

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9

Harris, Ruth. "The Female Malady: Women, Madness and English Culture, 1830-1980. Elaine Showalter." Signs: Journal of Women in Culture and Society 15, no. 2 (1990): 408–10. http://dx.doi.org/10.1086/494595.

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Guimarães, Rafael Eisinger. "Corpo sem fim, escrita sem margem: a problematização da identidade feminina na narrativa de Silvina Ocampo." Letras, no. 59 (May 20, 2020): 199. http://dx.doi.org/10.5902/2176148537581.

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Este ensaio propõe-se a demonstrar como a escrita de Silvina Ocampo problematiza as ideias de corpo e identidade feminina construídas pelo imaginário androcêntrico, tomando como objeto os contos “Autobiografía de Irene”, publicado na obra homônima de 1948, e “El diario de Porfiria Bernal”, que integra a obra Las invitadas, de 1961. Para empreender tal análise, será de fundamental importância a teorização levada a cabo por nomes como Elaine Showalter (1994), Hélène Cixous (1997), Luce Irigaray (2017), Lucía Guerra (2006), Nelly Richard (2003), Rita Terezinha Schmidt (2017), Simone de Beauvoir (

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11

Eyvazi, Mojgan, Mohsen Momen, and Homa Poorkaramali. "A Study of Selected Works of Iranian Female Novelists Based on Elaine Showalter’s Gynocriticism." International Journal of Applied Linguistics and English Literature 6, no. 4 (2017): 211. http://dx.doi.org/10.7575/aiac.ijalel.v.6n.4p.211.

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Iranian literature, like other literary works throughout the world, follows the social issues in society and attempt to depict them. One of such issues is portraying women position in the society. The present study focuses on three different novels by Iranian female writers to show three stages of female writing development in them based on Elain Showalter’s theory of gynocriticism: Feminine stage which is represented through concepts like home, immovability, consumption, reading, house chores, dependence and past, feminist stage dealing with concepts like mobility, production, independence an

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Hermawati, Yessy. "KENANGA: WOMEN’S CULTURE (AN ANALYSIS OF NOVEL, A WORK OF FEMALE AUTHOR WITH PRESPECTIVE ELAINE SHOWALTER CULTURE MODEL)." AICLL: ANNUAL INTERNATIONAL CONFERENCE ON LANGUAGE AND LITERATURE 1, no. 1 (2018): 176–86. http://dx.doi.org/10.30743/aicll.v1i1.25.

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In understanding the women’s culture, historians see and distinguish various aspects of identity, roles, relationships, attitudes and pictures of women's lives formed in the culture of society in general. Female writers also express and present the women’s culture in their works. This study discusses how the women’s culture is represented in a novel written by a woman. A work that is written with attention to the cultural elements of women that presents women's lives through experience and narration. The object analyzed in this study is Oka Rusmini's novel entitled "Kenanga" which tells the wo

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De Vargas, Andrea Quilian, and Rosani Ketzer Umbach. "A CIDADE DAS DAMAS NO CAMPO MOVEDIÇO DA LITERATURA COMPARADA E DOS ESTUDOS FEMINISTAS." Cadernos do IL, no. 51 (January 4, 2016): 203. http://dx.doi.org/10.22456/2236-6385.52355.

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Os estudos feministas representaram uma novidade significativa no campo acadêmico, configurando-se como uma tendência teórica de forte potencial crítico que deslocou o foco das investigações para a cultura subalterna. Dessa forma, desestabilizou a legitimidade cultural androcêntrica, incitando à desconstrução dos estereótipos relacionados à mulher. Sob uma perspectiva que prioriza a literatura comparada e suas relações com outras esferas do conhecimento, analisaremos a obra de Christine de Pizan, escritora do século XV que subverteu os costumes de seu tempo tornando-se a primeira mulher france

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Sedlarević, Maja. "Ancestresses and female legacy in Marijana Čanak's 'Foremothers'." Kultura, no. 169 (2020): 347–62. http://dx.doi.org/10.5937/kultura2069347s.

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Using the term "gynocriticism", coined by Elaine Showalter fifty years ago, and other critical practices which explore the creativity of women, the paper sets out to explore continuity of women's narratives about experience, change, happiness and misfortune represented in the second book of stories by Marijana Čanak. Her collection of stories, titled Pramatere easily translated as "Foremothers", delves deep into the lives of several generations of women who fight against the shortcomings of their respective lives, and struggle to keep the legacy of their grandmothers and mothers alive. Marijan

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Whitaker, Faye Pauli. "Review: The New Feminist Criticism: Essays on Women, Literature and Theory edited by Elaine Showalter." Explorations in Ethnic Studies ESS-5, no. 1 (1985): 77–78. http://dx.doi.org/10.1525/ess.1985.5.1.77.

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Mann, Doug. "The Body as an “Object” of Historical Knowledge." Dialogue 35, no. 4 (1996): 753–76. http://dx.doi.org/10.1017/s0012217300008611.

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Body theory is the work of historians, sociologists, philosophers, and other scholars in the past twenty to twenty-five years that explicitly focuses on the body, especially on sexuality and gender. The body is seen as an ideological surface on which history and politics inscribe their truths. It is, in short, a corporeal epistemology standing in opposition to all the old cognitive epistemologies (e.g., Descartes, Locke, and modern analytic thought as a whole). Régimes of power are known through the way they oppress, manipulate, and construct the human body. Body theory includes the work of Mi

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Bemis, Virginia T. "BOOK REVIEW: Elaine Showalter. HYSTORIES: HYSTERICAL EPIDEMICS AND MODERN CULTURE New York: Columbia University Press, 1997." NWSA Journal 10, no. 1 (1998): 172–73. http://dx.doi.org/10.2979/nws.1998.10.1.172.

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Poovey, Mary. "Recent Studies of GenderGender and Theory: Dialogues on Feminist Criticism. Linda KauffmanSpeaking of Gender. Elaine Showalter." Modern Philology 88, no. 4 (1991): 415–20. http://dx.doi.org/10.1086/391893.

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Steffen, Ana Cristina. "A personagem feminina em Margarida La Rocque: a ilha dos demônios, de Dinah Silveira de Queiroz." Letrônica 13, no. 1 (2020): 35107. http://dx.doi.org/10.15448/1984-4301.2020.1.35107.

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Este trabalho tem como objetivo central analisar a protagonista do romance Margarida La Rocque: a ilha dos demônios (1949), de Dinah Silveira de Queiroz. A autora produziu uma vasta e diversificada obra - que transitou do romance histórico à ficção científica. As narrativas da escritora, em geral, são centradas em personagens femininas e, em Margarida, essa personagem mostra- se uma mulher que busca novos caminhos possíveis para si. Dessa forma, o romance coloca-se dentre aqueles pertencentes a uma fase de transição em que começavam a ser postas em discussão as assimetrias das relações de gêne

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Bourrier, Karen. "NARRATING INSANITY IN THE LETTERS OF THOMAS MULOCK AND DINAH MULOCK CRAIK." Victorian Literature and Culture 39, no. 1 (2010): 203–22. http://dx.doi.org/10.1017/s1060150310000355.

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Scholars have had a difficult time assessing the significance of Dinah Mulock Craik (1824–1887), best remembered as the author of John Halifax, Gentleman (1856). The critical verdict on her life and letters has swung toward extremes. Some critics have seen her, to quote Henry James, as “kindly, somewhat dull, pious, and very sentimental” (172); her novels embody the Victorian values of self-help, moral earnestness, and hard work, and it is assumed that her life did too. Elaine Showalter's and Sally Mitchell's feminist recoveries of Craik's work in the 1970s and early 1980s found that just the

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Ali, Abdul Halim, and Ida Roziana Abdullah. "PERWATAKAN WANITA MELAYU MUSLIM DALAM NOVEL ‘DIARI SEORANG JURURAWAT’ KARYA AMINAH MOKHTAR \n[THE CHARACTERISTICS OF A MALAY MUSLIM WOMAN IN THE NOVEL ‘DIARI SEORANG JURURAWAT’ BY AMINAH MOKHTAR]." Journal of Nusantara Studies (JONUS) 3, no. 2 (2018): 147. http://dx.doi.org/10.24200/jonus.vol3iss2pp147-161.

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This paper aims to analyse the characteristics of a Muslim Malay woman as portrayed in the novel titled ‘Diary of a Nurse’ by Aminah Mokhtar from the perspective of Feminism Talbiah. The concept of Feminism Talbiah integrates Elaine Showalter’s notion of Feminism and Yusuf al-Qardhawi’s thoughts of Muslim women. Talbiah means a total surrender to Allah SWT. Tauhid is an essential element of a Muslim Malay woman who engages in total surrender to Allah SWT in terms of her personality, psychology, spiritual and other aspects of life. Textual analysis of the novel reveals that the main character,

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Schaffer, Talia. "Introduction." Victorian Literature and Culture 47, no. 1 (2018): 3–4. http://dx.doi.org/10.1017/s1060150318001316.

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In May 2017, the annual City University of New York (CUNY) Victorian Conference addressed the history of Victorian feminist criticism. Our conference coincided with the fortieth anniversary of A Literature of Their Own and the thirtieth anniversary of Desire and Domestic Fiction, affording us a chance to think about the legacy of these groundbreaking texts. Elaine Showalter, Martha Vicinus, and Nancy Armstrong spoke about their struggles to establish and maintain Victorian feminist work in the twentieth century, often against outright hostility. We also heard about issues in twenty-first-centu

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Nogueira, Nícea Helena de Almeida, and Fernanda Barroso e. Silva. "A subversão da personagem feminina em The bloody chamber and other stories, de Angela Carter." Acta Scientiarum. Language and Culture 41, no. 2 (2019): e45152. http://dx.doi.org/10.4025/actascilangcult.v41i2.45152.

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O presente artigo se dedica ao estudo da obra The bloody chamber and other stories (O quarto do barba-azul e outras histórias) (1989) da escritora inglesa Angela Carter (1940-1992). Para esta pesquisa foram distribuídas, ao longo de três seções, análises dos contos presentes na obra com embasamento teórico em Toril Moi e em Elaine Showalter. São discutidas a resiliência das protagonistas femininas, primordialmente autossuficientes, a relação dessas personagens com a questão financeira e o contexto familiar que as envolvem. Nesse viés, o objetivo da pesquisa foi apontar e analisar como a autora

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Muller, Vivienne. "‘I Have My Own History’: Queensland Women Writers from 1939 to the Present." Queensland Review 8, no. 2 (2001): 69–89. http://dx.doi.org/10.1017/s132181660000684x.

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It has become a commonplace to note that women writers in Australia have historically produced their work in a literary and social context that has largely been regarded as a male domain. Second wave feminism in the wake of the counter-cultural movements of the sixties and seventies, together with the developments in poststructuralist theories have contested this privileged intellectual space and triggered new ways of looking at literary history, the relations between production and consumption, and the significance of gender, race and class in literary analysis (Ferrier 1992:1). This chapter

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Crimlisk, Helen. "Hystories: Hysterical Epidemics and Modern Culture By Elaine Showalter. London: Picador. 1997. 244 pp. £19.99 (hb). ISBN 0-3303467-09." British Journal of Psychiatry 173, no. 1 (1998): 90. http://dx.doi.org/10.1192/s0007125000150718.

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Lousa, Pilar Lago e. "Corpo como resistência: questões de gênero em poemas de Elizandra Souza." Letras Escreve 7, no. 4 (2018): 159. http://dx.doi.org/10.18468/letras.2017v7n4.p159-180.

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<p>A poética de Elizandra Souza traz uma preocupação estética, literária e política com a subalternização das mulheres periféricas, relegadas pelo cânone literário nacional e marginalizadas tato pela questão de gênero quanto pelo viés geográfico-econômico e, na maioria das vezes, pelo viés racial. Importante expoente da literatura marginal-periférica, a autora tem como prática literária a busca constante pela desconstrução da representação feminina tradicional e eurocêntrica, a problematização de mitos e tabus, além de denunciar a violência e o estigma imputados às mulheres periféricas.

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Lousa, Pilar Lago e., and Flávio Pereira Camargo. "O corpo da mulher como acumulação de sabedoria e resistência no poema “Virgem ”, de Luiza Romão." Raído 12, no. 31 (2018): 24–40. http://dx.doi.org/10.30612/raido.v12i31.8304.

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A obra poética de Luiza Romão desvela a figura feminina sob a ótica da desconstrução da representação clássica, permeada de mitos e tabus que através dos séculos foram utilizados para educar e controlar opressivamente os corpos das mulheres. Sabendo que a disciplinarização do corpo feminino obedece a um estereótipo que serve a grupos que controlam e detém posições privilegiadas nas relações de poder, propomos não rechaçar o corpo, mas partir dele para desconstruir e dessacralizar sua representação, que atualmente está alinhada às instituições patriarcais vigentes. Neste sentido, este artigo te

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Jones, Katie. "Pathology and Poly-vocality in Nina Yargekov's Tuer Catherine (2009)." Nottingham French Studies 53, no. 1 (2014): 49–62. http://dx.doi.org/10.3366/nfs.2014.0072.

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Nina Yargekov's debut novel Tuer Catherine (2009) updates longstanding conceptual links between madness and writing by borrowing ideas and terminology from clinical discourses, including the recently identified dissociative identity disorder. According to Elaine Showalter in Hystories (2007), hysterical conditions such as DID become widespread due to cultural processes analagous to intertextuality which construct their causes and symptoms as part of a shared narrative. Yargekov's intertextual borrowings in Tuer Catherine, presented as voices inside her narrator's head, combine literary and psy

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Tarigan, Priska, Martha Pardede, and Siamir Marulafau. "The Body of Woman and Woman’s Rights as Portrayed in Rupi Kaur’s milk and honey Based on Elaine Showalter’s Gynocriticism." Journal of Language and Literature 21, no. 1 (2021): 68–78. http://dx.doi.org/10.24071/joll.v21i1.2809.

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In the time of modern writing, women writers are increasingly free in raising the theme of their writing. Women are no longer reluctant to write things related to a woman’s body and it’s issue. This research aims to analyze the body of women and woman’s rights as portrayed in Rupi Kaur’s milk and honey (2014). This research belongs to library research that applied descriptive qualitative method with gynocriticism approach. Reading and selecting data techniques were used to collect the data. 28 poems raise the theme of the body of a woman and its issue used as the data in this research. To anal

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Caser, Maria Mirtis, and Mariana Marise Fernandes Leite. "Hasta no verte jesús mío: uma leitura descolonial de Josefina Bórquez." Scripta 23, no. 47 (2019): 167–78. http://dx.doi.org/10.5752/p.2358-3428.2019v23n47p167-178.

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Este artigo analisa a obra Hasta no verte Jesús Mío, de Elena Poniatowska, propondo a possibilidade de a narração, que é baseada em uma série de entrevistas cedidas por uma mexicana real chamada Josefina Bórquez, ser uma releitura crítica da realidade histórica e social na qual Bórquez viveu e a partir da qual surgiram suas memórias Desse ponto de vista, defende que essa releitura está em diálogo com o feminismo e, mais especificamente, com o conjunto de propostas ao qual se vincula o feminismo descolonial. Para tal fim, a análise parte do princípio de que o texto, pela ausência que possuiria

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Spadoni, Giulia. "Samar Yazbek: el compromiso de una autora siria contemporánea." Anaquel de Estudios Árabes 32 (May 25, 2021): 263–81. http://dx.doi.org/10.5209/anqe.70726.

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El presente artículo tiene como objetivo dar a conocer la biografía y obra literaria de la autora y periodista siria Samar Yazbek (Latakia, 1970). Su obra se compone de textos que pertenecen a distintos géneros literarios y hablan abiertamente de la sociedad siria desde una perspectiva interna y con un enfoque de género. La autora explora en profundidad las creencias y las costumbres de la sociedad siria, tratando explícitamente temas tabúes sociales y políticos, y criticando el poder de la dictadura como mano invisible que impide el progreso de la sociedad. Asimismo, describe la condición de

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Neves, Caroline Resende, and Nícea Helena de Almeida Nogueira. "VIRGINIA WOOLF E SEU PAPEL COMO CRÍTICA LITERÁRIA." IPOTESI – REVISTA DE ESTUDOS LITERÁRIOS 23, no. 2 (2019): 28–38. http://dx.doi.org/10.34019/1982-0836.2019.v23.29178.

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Em 2019, Um teto todo seu celebrou seus 90 anos de publicação e Três guinéus foi traduzido e publicado no Brasil pela primeira vez. Esses dois eventos, mais a participação na palestra A room of my own (Um teto todo meu) organizado pelo Durham Book Festival (Festival do Livro de Durham), onde os participantes discutiram os desafios que as escritoras ainda enfrentam nos dias atuais, nos inspirou a publicar o presente artigo, para analisar o papel de Virginia Woolf como crítica e apresentar algumas de suas teorias mais relevantes. Palavras-chave: Virginia Woolf. Autoria feminina. Crítica fe

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Ramel, Annie. "The Crevice in the Canvas: A Study of The Mayor of Casterbridge." Victorian Literature and Culture 26, no. 2 (1998): 259–72. http://dx.doi.org/10.1017/s1060150300002412.

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The second chapter of The Mayor of Casterbridge opens with a metaphor that is worth considering: “The morning sun was streaming through the crevices of the canvas when the man awoke” (17; ch. 2). The “crevices of the canvas” are, in my opinion, emblematic of the breach by which Henchard has just severed the bonds between himself and humankind. Not only has he shaken loose from his wife, he has also, more importantly, discarded his own daughter. As Elaine Showalter has pointed out, the sale of the child brings to the fore the question of paternity; Henchard has broken the symbolic chain which c

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Koman, Aleksandra. "Ofelia Pirandella: rozważania nad kobiecym szaleństwem." Annales Universitatis Paedagogicae Cracoviensis | Studia Historicolitteraria 17 (October 12, 2018): 150–58. http://dx.doi.org/10.24917/20811853.17.13.

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Ophelia of Pirandello: reflections around female madnessAbstractThe article is devoted to an analysis of Luigi Pirandello’s drama As You Desire Me which drawsinspiration from an actual event connected with questions on the identity of a person sufferingfrom amnesia. Unlike the real incident, the main character of Pirandello’s is a woman knownonly by her alias Stranger, as the main theme of the drama is establishing her true identity. Thepresent article aims at proving that Pirandello’s drama is not a criminal mystery, but rathera deep reflection on the notion of human personality which in the

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Macleod, Christine. "The Politics of Gender, Language and Hierarchy in Mamet's “Oleanna”." Journal of American Studies 29, no. 2 (1995): 199–213. http://dx.doi.org/10.1017/s002187580002082x.

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Ever since it was first staged in May 1992, Mamet's Oleanna seems, on both sides of the Atlantic, to have been perceived, publicised and reviewed almost exclusively as a manifestation of backlash sexual politics — that is, as a work characterised by outrage and hostility towards the agenda of contemporary feminism. Although the play entered the public arena too late to be addressed in Susan Faludi's 1992 study Backlash: The Undeclared War Against Women, its attitudes have typically been read as symptomatic of the same aggrieved and aggressive masculinity which Faludi diagnoses in such exemplar

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Cvetkovich, Ann. "HISTORIES OF MASS CULTURE: FROM LITERARY TO VISUAL CULTURE." Victorian Literature and Culture 27, no. 2 (1999): 495–99. http://dx.doi.org/10.1017/s1060150399272129.

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VICTORIAN STUDIES has always been, for me, a form of cultural studies. As early as my sophomore year in college, while reading Raymond Williams’s Culture and Society for a modern humanities course, I was fascinated to learn that a case could be made for the nineteenth century as the period during which notions of culture were constructed. Williams’s work was presented without much contextualization and it was only much later that I came to associate it with either British cultural studies or Marxism. My somewhat unconscious interest in forging connections between culture and politics, which I

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Showalter, Pamela S. "The Gendered Terrain of Disaster: Through Women ’s Eyes, Edited by Elaine Enarson and Betty Hen Morrow, Westport CT: Praeger Press, 1998. Reviewed by Pamela S. Showalter." Journal of Political Ecology 6, no. 1 (1999): 87. http://dx.doi.org/10.2458/v6i1.21498.

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Davis, Aimee. "Adapting Elaine: Tennyson’s “The Lady of Shalott” and Feminist Young Adult Novels." ALAN Review 44, no. 3 (2017): 36–46. http://dx.doi.org/10.21061/alan.v44i3.a.4.

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One of the hallmarks of young adult literature is its focus on adolescent protagonists who struggle to reconcile what they want with what they are supposed to want. Indeed, some of the most enduring works of young adult literature, from L. M. Montgomery’s Anne of Green Gables (2006) to Judy Blume’s Forever (1975), place their young characters at a crossroads between cultural convention and individual desire. Foundational scholarship in the field of young adult fiction has suggested a recurring conflict in novels for young readers in which a protagonist finds himself or herself directly at odds

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Hedges, Elaine. "Edith Wharton's "Prisoners of Shame": A New Perspective on Her Neglected Fiction. Lev RaphaelMasks Outrageous and Austere: Culture, Psyche, and Persona in Modern Women Poets. Cheryl WalkerSister's Choice: Tradition and Change in American Women's Writing. Elaine Showalter." Signs: Journal of Women in Culture and Society 19, no. 2 (1994): 507–11. http://dx.doi.org/10.1086/494897.

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Ribeiro, Gilvan Procópio, Alessandra Barros Pereira Ferreira, and Aline Guimarães Couto. "REFLEXÕES SOBRE GÊNERO NA POESIA CONTEMPORÂNEA BRASILEIRA: O ÚTERO ARMADO PELA PALAVRA." IPOTESI – REVISTA DE ESTUDOS LITERÁRIOS 23, no. 2 (2019): 39–53. http://dx.doi.org/10.34019/1982-0836.2019.v23.29179.

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Entre as produções poéticas de autoria feminina da atualidade, a que mais se destaca são as obras de Angélica de Freitas. Com punhos armados de humor, ironia e sarcasmo, ela passa por cima de qualquer tabu. Suas poesias são como pedras atiradas, defendendo que a pluralidade de vozes implica numa pluralidade de gêneros, que expõem as dicotomias sobre o homem e a mulher que a sociedade patriarcal quer impor. Palavras-chave: Gênero. Poesia. Autoria feminina. Referências ALVES, Branca Moreira; PITANGUY, Jacqueline. O que é feminismo? São Paulo: Abril Cultural/Brasiliense, 1985.&#

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Queiroz, Fernanda Roberta Rodrigues, and Thales Nascimento Buzan. "OS CAMINHOS DA LITERATURA INFANTIL ESCRITA POR MULHERES." IPOTESI – REVISTA DE ESTUDOS LITERÁRIOS 23, no. 2 (2019): 159–69. http://dx.doi.org/10.34019/1982-0836.2019.v23.29203.

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Este artigo tem como finalidade abordar questões relacionadas à autoria feminina na Literatura Infantil, como a trajetória histórica dessa escrita, a abertura para debates, a desconstrução de estereótipos, a escrita feminina infantil do século XIX e a literatura infantil escrita por mulheres negras. Buscamos abordar, nesse contexto, a representação social da mulher e os caminhos para a escrita infantil junto com uma bagagem ideológica que proporcionou uma grande mudança desse campo literário. Palavras-chave: Literatura Infantil. Autoria feminina. Gênero. Raça. Referências AVA

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Forman, Ross G. "A PARASITE FOR SORE EYES: REREADING INFECTION METAPHORS IN BRAM STOKER'S DRACULA." Victorian Literature and Culture 44, no. 4 (2016): 925–47. http://dx.doi.org/10.1017/s1060150316000280.

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Since the late 1980s and Elaine Showalter's influential Sexual Anarchy, it has become axiomatic to read Bram Stoker's 1897 novel Dracula as a text that responds to anxieties of degeneration through metaphors of infection (184). Given the obvious sexual nature of the threat represented by the vampire, critics have focused on syphilis as the text's most immediate disease of reference. They have identified many important correspondences between Stoker's text and racialized fears of decline through blood and bloodlines, drawing connections between Stoker's own possible demise from syphilis, the hi

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Eliseeva, Aleksandra V. "“WOMEN’ WRITING” AS AN AREA OF DISCOURSIVE, GENRE AND NARRATIVE CONFLICTS (A CASE STUDY OF GERMAN-LANGUAGE FEMALE PROSE OF THE LATE XIX – EARLY XX CENTURY)." Practices & Interpretations: A Journal of Philology, Teaching and Cultural Studies 5, no. 2 (2020): 17–47. http://dx.doi.org/10.18522/2415-8852-2020-2-17-47.

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The paper focuses on the phenomenon of “women’s writing”, a discussion about which began in the 1970s. Based on Elaine Showalter’s concept of “doubled-voiced discourse” as well as on Franco Moretti’s theory of literary forms development from the center to the periphery, which generates unstable compromises in the structure, its “cracks” and gaps, the article offers an interpretation of “women’s writing” as an area of increased conflict. The case study of three literary works of the late XIX – early XX century written in German language – Elsa Asenijeff’ essay “Women’s Riot and the Third Sex” (

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Loesberg, Jonathan. "FIN-DE-SIÈCLE WORK ON VICTORIAN AESTHETICISM." Victorian Literature and Culture 29, no. 2 (2001): 521–34. http://dx.doi.org/10.1017/s1060150301002157.

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IN MASCULINE DESIRE:The Sexual Politics of Victorian Aestheticism, his study of the role of male same-sex attraction among Victorian aestheticist writers, Richard Dellamora refers to Elaine Showalter’s claim that Gerard Manley Hopkins was one of a series of writers who tried to reclaim male literary dominance from women writers in the wake of George Eliot’s death in 1880. Dellamora proposes instead what he thinks a more likely source of creative anxiety: “Insofar as he may appear at times to regard literary creativity as a male prerogative, his anxieties are better referred to a celibate homos

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Hartanto, Erika Citra Sari, and Miftahur Roifah. "Madurese Women and Binding Culture in Muna Masyari’s Martabat Kematian: Gynocriticism Analysis." HUMANIKA 27, no. 2 (2020): 155–69. http://dx.doi.org/10.14710/humanika.v27i2.33531.

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Muna Masyari is a famous female author from Pamekasan, Madura, whose one of her short stories, Sortana, won an award from Kompas, a national newspaper, as the best short story in 2017. Through her short stories, she consistent in depicting the social problems, particularly, related to Madurese women. This article discusses the portrayal of Madurese women in four short stories, namely Kembang Pengantin, Rumah Hantaran, Are’ Lancor, and Topeng Gelur. This article focuses on Madurese women as daughter and mother and their relation to nature and oppressed culture. This study uses descriptive appro

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Kohlrausch, Regina, and Maria Edilene de Paula Kobolt. "CHICAS MUERTAS, DE SELVA ALMADA: TRÊS ASSASSINATOS E O SILENCIAMENTO DA VIOLÊNCIA CONTRA AS MULHERES." IPOTESI – REVISTA DE ESTUDOS LITERÁRIOS 23, no. 2 (2019): 65–78. http://dx.doi.org/10.34019/1982-0836.2019.v23.29184.

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O presente artigo volta-se para a análise da obra Chicas muertas (2014), de Selva Almada, visando mostrar de que maneira se cumpre a função social da arte, conforme Candido (2000), na voz dessa escritora argentina e também indicar como exemplo do processo de ocupação de espaço pela mulher no universo literário. Apresentam-se ainda dados biográficos situando-a também como mulher que se inclui na própria obra ficcional. Palavras-chave: Autoria feminina. Selva Almada. Chicas muertas. Referências ALMADA, Selva. Biografia. Disponível em: https://www.portaldaliteratura.com/autores.

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Cheruiyot, Chemutai Beatrice, Christopher Okemwa, and Nyangemi Bwocha. "Social Strategies Used by the Kipsigis Women to Contest Patriarchal Structures as Highlighted in the Songs of Diana Chemutai Musila and Babra Chepkoech." East African Journal of Interdisciplinary Studies 2, no. 1 (2020): 100–112. http://dx.doi.org/10.37284/eajis.2.1.215.

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Many women in Kenya, and in particular those in the Kipsigis community, are still faced with many challenges due to the patriarchal nature of their society, although the new Kenya constitution passed in 2010 provides a framework for attaining gender equality. Among the many methods of protest, art has been used in many societies as an instrument for contesting social ills including patriarchy. This has also been true to the Kipsigis community. Therefore, this research aimed to investigate the use of selected popular Kipsigis songs of Diana Chemutai Musila (Chelele) and Babra Chepkoech to conte

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Warwick, Robert, and Robert G. Sewell. "Elaine Showalter Collection Bibliography." Journal of the Rutgers University Libraries 60, no. 1 (2003). http://dx.doi.org/10.14713/jrul.v60i1.6.

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Townsend, Kim. "Review: Elaine Showalter, ed., Speaking of Gender." ADE Bulletin, 1990, 53–56. http://dx.doi.org/10.1632/ade.95.53.

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Lojo-Rodríguez, Laura. "‘The Saving Power of Hallucination’: Elizabeth Bowen’s “Mysterious Kôr” and Female Romance." Zeitschrift für Anglistik und Amerikanistik 62, no. 4 (2014). http://dx.doi.org/10.1515/zaa-2014-0044.

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AbstractThis article discusses Elizabeth Bowen’s appropriation of a traditionally male-addressed literary genre, namely, of what Elaine Showalter has termed “male romance,” which Bowen radically reformulates in order to foreground the complexity of female subjectivity and sexuality against a backdrop of war. In her short story “Mysterious Kôr” (1945), Bowen both draws and departs from Henry Rider Haggard’s prototypical male romance

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