Log in

Relevant bibliographies by topics / Shukshin

Contents

Journal articles
Dissertations / Theses
Books
Book chapters
Conference papers

Academic literature on the topic 'Shukshin'

Author: Grafiati

Published: 4 June 2021

Last updated: 15 February 2022

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the lists of relevant articles, books, theses, conference reports, and other scholarly sources on the topic 'Shukshin.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Journal articles on the topic "Shukshin"

1

Glushakov, P. S. "Destiny. Character. Soul-Baring. A panel discussion marking the 90th anniversary of Vasily Shukshin." Voprosy literatury, no. 3 (June 21, 2019): 14–43. http://dx.doi.org/10.31425/0042-8795-2019-3-12-41.

Full text

Abstract:

A publication of the materials from the panel discussion marking the 90th anniversary of the outstanding Russian writer V. Shukshin. Participating in the event were authors and literary critics A. Bolshev, A. Varlamov, E. Vodolazkin, P. Glushakov, I. Esaulov, M. Kucherskaya, Z. Niva, I. Sukhikh, M. Tarkovsky, M. Chudakova, L. Chudnova, and E. Shukshina. Varying in size and genres, the contributions (essays, archival documents, reminiscences, and interpretations) discuss Shukshin’s artistic phenomenology and reveal unique features of his poetics, which confirm the relation of his prose to the traditions of Russian and European literature. Included in the collection after a 45-year delay is a poem mourning Shukshin’s death. Further in the section one can find critical reviews of his works. A keen reader will notice a certain repetition of Shukshin’s ‘quotation’ and imagery in the works by different contributors. A special focus is given to the topic of ‘Shukshin and modernity’.

APA, Harvard, Vancouver, ISO, and other styles

2

Kulyapin, A. I. "OTHER SHUKSHIN: NOTES ON CONTEMPORARY STUDIES OF SHUKSHIN’S WORKS." Siberian Philological Forum 10, no. 2 (April 30, 2020): 39–52. http://dx.doi.org/10.25146/2587-7844-2020-10-2-41.

Full text

Abstract:

The article is devoted to the review of monographs on the work of V.M. Shukshin, published over the past five years. Researchers of the creative heritage of the writer and film director managed to offer new prospects in the study of his works. In the monograph by D.V. Maryin, “The non-artistic work of V.M. Shukshin,” for the first time, letters, documentary autobiographies, draft notes, and social and political essays of the writer were systematically studied. The scientific significance of the research by Altai philologists “Semiotics of the artistic space of V.M. Shukshin” and “Geopoetics of V.M. Shukshin” consists in attempts to describe a holistic model of the writer’s artistic world. A book by I.V. Shestakova, “The artistic and visual principles of cinema by V.M. Shukshin,” is distinguished by a synthetic approach to Shukshin’s creativity. According to the author of this work, Shukshin’s film making is a single space for the interaction of literary, pictorial, and musical forms of arts. In addition to film critics, historians, philosophers and sociologists actively joined in the work on Shukshin’s works. The textbook by Prof. S.I. Grigoriev, (Post-Doctoral degree in Sociology) has run through several editions. S.V. Tsyb, Barnaul historian, had published his book entitled “V.M. Shukshin and historical time” by the 90th anniversary of Shukshin.

APA, Harvard, Vancouver, ISO, and other styles

3

Urnov, D. M. "Glushakov, P. (2018). Shukshin and others: Articles, materials, commentaries. St. Petersburg: Rostok. (In Russ.)." Voprosy literatury, no. 3 (July 29, 2020): 289–94. http://dx.doi.org/10.31425/0042-8795-2020-3-289-294.

Full text

Abstract:

Glushakov’s book joins in the polemic about the status of Vasily Shukshin in 20th-c. Russian literature. The reviewer argues that it was Shukshin’s prose that gave voice to the hitherto unknown and disturbingly unusual stratum of the Russian people. He further points out that the book draws hardly any parallels between Shukshin and his predecessor Gorky. It is also argued that the compiler of the tome chose to forego a detailed examination of Shukshin’s numerous ties with world literature. Therefore, P. Glushakov’s opus seems a product of a respite, defined by renewed interest in Shukshin’s works and enthusiastic search by the post-Soviet people for a source of the much coveted and needed spiritual revival. Glushakov’s position appears highly uncertain: he places Shukshin in a hermetic environment with only echoes of his relations with contemporaries and his own spectral image for company.

APA, Harvard, Vancouver, ISO, and other styles

4

Kostylyova, Irina A. "The concept of personality of Vasily Shukshin in the biography novel by Aleksey Varlamov "Shukshin"." Vestnik of Kostroma State University, no. 2 (2019): 171–75. http://dx.doi.org/10.34216/1998-0817-2019-25-2-171-175.

Full text

Abstract:

The article discusses the concept of personality of Vasily Shukshin in the biography novel by Aleksey Varlamov in the context of the tradition of this genre in Russian literature, formed in creative work of Boris Zaytsev, Vladislav Khodasevich, Nina Berberova etc. The aim of the study is to analyse the characteristic of the typological principles of the genre in the artistic world of the modern writer and literary critic Aleksey Varlamov. The subject of study is the representation of the conceptual components of Vasily Shukshin's personality in the biography novel genre. The main attention is paid to the theme of Vasily Shukshin's dramatic fate, the motives of the writer's opposition to that time's power. The author's version of the "reading" of Vasily Shukshin's personality, which is slightly different from the textbook one, is analysed. As a result of the study, the conclusions about the specifi cs of the development of the biography novel genre in the works of Aleksey Varlamov, about the author's method of artistic research of the writer's biography in the system of "code of fate" of a Russian, the main motives of his life.

APA, Harvard, Vancouver, ISO, and other styles

5

Карташова, Е. Н. "V.M. Shukshin’s CREATIVITY: the prospects of linguistic rEsearch." Актуальные вопросы современной филологии и журналистики, no. 1(40) (March 19, 2021): 82–87. http://dx.doi.org/10.36622/aqmpj.2021.48.93.012.

Full text

Abstract:

В статье рассматриваются аспекты изучения творчества В.М. Шукшина. Описывается динамика исследования произведений писателя, подробно анализируются подходы к его творческому наследию. Подчеркивается большое внимание исследователей к творчеству В.М. Шукшина, обусловленное стремлением познать многогранность его таланта. Начиная с 1960-х годов важную роль в исследовании творческого наследия В.М. Шукшина играла литературная критика. На следующем этапе внимание исследователей привлекает как поэтика стиля, так и художественно˗речевая структура прозы писателя. В статье указаны работы исследователей, занимавшихся данными вопросами. Подчеркивается важность рассмотрения творческого наследия В.М. Шукшина как части мировой культуры, в связи с чем большой интерес представляет исследование словаря писателя. В статье представлена типология словарей языка В.М. Шукшина. В работе отмечается, что проза В.М. Шукшина имеет связь с жанрами русского фольклора, в его произведениях раскрывается русский национальный характер. Как отдельный аспект изучения выделяется исследование ономастики и образной лексики писателя с целью раскрытия образа русской женщины, представленного в шукшинских текстах. Недостаточная изученность ономастикона писателя делает актуальным дальнейшее изучение этого аспекта. The article considers the aspects of study of the creativity of V.M. Shukshin. The dynamics of research of the writer's works is described; the approaches to his creative heritage are analyzed in detail. The great attention of researchers to the work of V.M. Shukshin is emphasized. Since the 1960s, literary criticism has played an important role in the study of V.M. Shukshin's creative heritage. At the next stage, the attention of researchers is attracted both by the poetics of style and the artistic-verbal structure of the writer's prose. The article lists the work of researchers dealing with these issues. The importance of considering the creative heritage of V.M. Shukshin as a part of world culture is emphasized. In this connection, the study of the dictionary of the writer is of great interest. The article presents the typology of VM Shukshin's dictionaries. It is noted that V.M. Shukshin's prose has a connection with the genres of Russian folklore, in his works the Russian national character is revealed. As a separate aspect of the study, the linguistic study of onomastics and figurative vocabulary of the writer stands out in order to reveal the image of a Russian woman, is presented in Shukshin's texts. The writer's onomasticon makes has not been studied enough yet, which further research of this aspect relevant.

APA, Harvard, Vancouver, ISO, and other styles

6

Valyanov, N. A. "V. SHUKSHIN AND M. TARKOVSKY: AUTHOR’S DIALOGUE." Siberian Philological Forum 10, no. 2 (April 30, 2020): 27–38. http://dx.doi.org/10.25146/2587-7844-2020-10-2-40.

Full text

Abstract:

Statement of the problem. The article is devoted to the problem of artistic continuity as fundamentally significant in contemporary literary criticism. The features of the literary dialogue are examined for two writers – V. M. Shukshin and M. A. Tarkovsky whose works are inscribed in the traditionalist world system. The attention is focused on the image of the hero and the problem of the chronotope. The purpose of the article is to identify the features of the poetics of M. A. Tarkovsky through the prism of artistic dialogue with the cultural tradition and with the works of his predecessor – V. M. Shukshin. Research materials and methods. On the material of early and mature texts of the writers, the author’s model of literary hero and the features of the chronotope are analyzed. The method of comparative typological analysis is chosen for the analysis of literary works. Research results. The study concludes that M. Tarkovsky’s works are generally associated with V. Shukshin’s artistic tradition, inherit his imagery and mythopoetic chronotope as a whole.

APA, Harvard, Vancouver, ISO, and other styles

7

Богумил, Т. А. "FACES OF V.M. SHUKSHIN: MARTIN IDEN, HAMLET, STEPAN RAZIN." Актуальные вопросы современной филологии и журналистики, no. 4(39) (February 2, 2021): 59–65. http://dx.doi.org/10.36622/aqmpj.2020.39.4.008.

Full text

Abstract:

В статье предлагается концепция жизни и творческого роста В.М. Шукшина сквозь призму тезаурусного и кластерного подходов. Объяснительными «персональными моделями» для интерпретации биографического текста писателя являются кластеры Мартина Идена, Гамлета и Степана Разина. Ранее биографы и литературоведы указывали на важность этих персон для Шукшина, но разрозненно. Впервые предпринята попытка свести указанные персональные модели воедино, в целостный сюжет становления писателя в пространстве культуры. На разных этапах эволюции автора доминирует одна из указанных моделей, последовательно сменяя друг друга, но не вытесняя, а «внахлест». Ранний этап творчества, ориентированный на стратегию Мартина Идена, является попыткой «вписаться» в наличный культурный мейнстрим. Выражено это в следовании поэтике соцреализма. Второй этап подспудно начинается с реабилитации отца Шукшина в 1956 года, когда актуализируется «гамлетовский комплекс», проявляющийся в чувстве вины перед отцом, через стратегию утаивания подлинного «я», мотивы чудаковатости. Третий этап связан с личностью реального исторического лица, Степана Разина, и выражается в открытом протесте против власти. Все важные для В.М. Шукшина поведенческие модели объединены мотивом одинокого противостояния враждебному социуму и имеют трагический финал, что обусловило ранний уход писателя и порождение мифов о насильственном характере его смерти. В.М. Шукшин одновременно был фигурой неординарной и типичной, что позволило его биографии стать «персональной моделью» для последующих авторов, выходцев из сельской глубинки. The article proposes the concept of life and creative growth of V.M. Shukshin through the prism of the thesaurus and cluster approach. The explanatory "personal models" for interpreting the biographical text of the writer are clusters of Martin Eden, Hamlet and Stepan Razin. Earlier, biographers and literary critics pointed out the importance of these people for Shukshin, but it was scattered. For the first time, an attempt was made to bring these personal models together into an integral plot of the formation of the writer in the space of culture. At different stages of the writer’s evolution, one of these models dominates, successively replacing each other, but not crowding out, but “overlapping”. The early stage of creativity, focused on Martin Eden’s strategy, is an attempt to “fit in” the current cultural mainstream. This is expressed in following the poetics of socialist realism. The second stage implicitly begins with the rehabilitation of Shukshin’s father in 1956, when the “Hamletian complex” is actualized. It is manifested in a sense of guilt towards his father, the strategy of concealing the true “I”, eccentricities. The third stage is connected with the personality of a real historical person, Stepan Razin, and is expressed in an open protest against the authorities. All important for V.M. Shukshin's behavioral models are united by the motive of a lonely confrontation with a hostile society and have a tragic ending, which led to the early departure of the writer and the generation of myths about the violent nature of his death. V.M. Shukshin was an extraordinary and typical figure at the same time. That allowed his biography to become a “personal model” for subsequent authors who came from the rural outback.

APA, Harvard, Vancouver, ISO, and other styles

8

Vasiliev, V. K. "About the Problem of Exposure of Author’s Coding Methods in Works of V. M. Shukshin." Critique and Semiotics 38, no. 2 (2020): 364–79. http://dx.doi.org/10.25205/2307-1737-2020-2-364-379.

Full text

Abstract:

The unicity of Shukshin’s oeuvre is that from the middle of 1960s when he is consciously seeking for and invents coding tools of his creations. The author himself has pointed out some methods of «code» creation. He pays attention to the “change of emphasis”, “hints”, “nuances”, things which are said at a glance, cursorily, on parts of text which appear to be secondary. The actual problems, questions, node of the conflict and the conflict itself can be described by Shukshin in one creation, but the extension, comments, answers or the variant of the pay-off are described in another one, which is published many years after. That is why there are a lot of double characters, double episodes, story- lines, which stand in the inter decoding position. So everything that is about author’s code should be considered as the main thing as the author directed to us. The aim of such art strategy is to tell the truth about the time, to state the hate and revolt. This article is about the methods, which Shukshin used, while coding the novels “Director”, “Rhetorical device” and “Order”, and also about clearing up the point of this code.

APA, Harvard, Vancouver, ISO, and other styles

9

Sobennikov, Anatoly. "TRUTH AS AN AXIOLOGICAL DOMINANT (V. M. SHUKSHIN IN A RETROSPECTIVE OF RUSSIAN LITERATURE)." Проблемы исторической поэтики 19, no. 2 (May 2021): 373–86. http://dx.doi.org/10.15393/j9.art.2021.8482.

Full text

Abstract:

The concept of “truth” in Russian literature is historically associated with justice, righteousness, truth and fairness. In the second half of the 19th century, this concept was actualized in the works of F. M. Dostoevsky, L. N. Tolstoy, and A. P. Chekhov. In Dostoevsky's “ideological novel,” the emphasis is on the hero's finding “truth-verity,” “to live according to the truth” means to live with Christ. Besides the “truth of God”, the “truth of the people” is also of great importance in Dostoevsky's axiology. It is the people who carry the ideal of Christ in their hearts. The writer also discusses the truth of everyday life in his work: in politics, in the relationships among people in society. Leo Tolstoy created a whole gallery of characters who live “according to the truth.” First and foremost, the works of A. P. Chekhov reveal the truth of life; the writer is interested in the character's existential choice. God's truth and the people's truth, as a rule, are revealed to him in the self-awareness of a character "of the people." In 20th century Russian literature, the concept of “truth” plays an important role in the work of V. M. Shukshin and other rustic writers. Shukshin suggests distinguishing between truthfulness and truth, the truth of character and the truth of action. The truth of life involves the problem of the meaning of life. According to Shukshin, “people know the truth,” and this is not rational knowledge, but a way of life. The truth becomes the basis of national existence. Shukshin's Pravda was provocative in relation to the aesthetics of socialist realism with its main principle of partisanship. The writer relied on Russian axiology, rather than on party attitudes. The concept of “truth,” which is associated with the Christian worldview and Christian values, is the foundation of Russian culture and determines the main vectors of its development.

APA, Harvard, Vancouver, ISO, and other styles

10

Yuan, Xinyu. "Particle “just” in the Vasily Shukshin’s stories." Litera, no. 2 (February 2020): 65–72. http://dx.doi.org/10.25136/2409-8698.2020.2.31999.

Full text

Abstract:

This article is dedicated to examination of the particle just” in the Vasily Shukshin’s stories. Analysis is conducted on the syntagmatic and paradigmatic properties of the particle “just”. The object of this research is the particle “just” in the stories of V. Shukshin. The subject is the syntagmatic and paradigmatic properties of the particle “just”. The goal of this study consists in the comprehensive description of the meaning system of the particle “just”, its synonyms and concurrence in the stories of V. Shukshin. The research methodology contains descriptive method with application of the method of contextual analysis, quantitative method, and comparative method. The following conclusions were acquired: in the stories of V. Shukshin, the particle “just” most often is used to highlight the concurrence of situations in time or space; there are instances of combination of meanings of the particle “just”; the particle “just” has no limitations in compatibility. The scientific novelty is defined by the fact that the author is first to analyze the utilization of the particle “just” in the works of a single author; as well as determine the instances of utilization that are not described in the dictionaries.

APA, Harvard, Vancouver, ISO, and other styles

More sources

Dissertations / Theses on the topic "Shukshin"

1

Alaverdian, Karine. "La petite prose de Vasilij Suksin." Doctoral thesis, Universite Libre de Bruxelles, 1992. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/212954.

Full text

APA, Harvard, Vancouver, ISO, and other styles

2

Nickerson, Craig D. "God, vodka, and gender relationships : depictions of Soviet life in the fiction of Vasily Shukshin, 1958-74." Virtual Press, 1998. http://liblink.bsu.edu/uhtbin/catkey/1074535.

Full text

Abstract:

This thesis analyzes the work of Vasily Shuksin, an actor, director and writer in the Soviet Union during the Khrushchev and early Brezhnev eras, roughly 1958-1974. Shukshin's short stories, in particular, are of great value to anyone interested in Soviet attitudes during this period. The research suggests that Shukshin's work represents a sort of underground history. While the writer's stories are fictional, the issues are very real. Much of Shukshin's work provided the means for discussion on important topics such as gender relationships, alcohol use, and religious worship.Under Communism, nearly all sources of information were unable to tell the truth about Soviet society, but Shukshin's depictions of Soviet life appear to present a truer picture of the Khrushchev and Brezhnev eras. The author portrays women as "second class citizens" and often equates them with evil, while Shukshin's depictions of drunken males indicate that alcoholism was a serious problem in the Soviet Union. Finally, the author's religious symbolism provides evidence that Russian Orthodoxy was alive and well, despite a Communist government that continued to wage war against religion.
Department of History

APA, Harvard, Vancouver, ISO, and other styles

3

Christian, Nicole Claire. "Emancipating the eccentric : an examination of the dominant themes in the life and works of Vasilii Shukshin." Thesis, University of Bristol, 1997. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.361096.

Full text

APA, Harvard, Vancouver, ISO, and other styles

4

Сунь, Я., and Y. Sun. "Языковые средства выражения субъективной модальности в художественном тексте (на материале рассказов В. М. Шукшина) : магистерская диссертация." Master's thesis, 2016. http://hdl.handle.net/10995/43294.

Full text

Abstract:

The problems of the subjective modality expression in a literary text with the help of various language means have been considered in the present work. The typology of subjective modal meanings has been outlined on the material of V. M. Shukshin’s stories. As result of linguistic analysis of the literary text, the classification of language means, necessary, for the expression of subjective modality, including the items of all language levels, has been made.
В данной работе рассмотрены проблемы выражения субъективной модальности в художественном тексте с помощью различных языковых средств. На материале рассказов В. М. Шукшина выявлена типология субъективно-модальных значений. В результате лингвистического анализа художественного текста была дана классификация языковых средств выражения субъективной модальности, включающая в себя единицы всех языковых уровней.

APA, Harvard, Vancouver, ISO, and other styles

Books on the topic "Shukshin"

1

Vasiliĭ, Shukshin, ed. Vasily Shukshin. Moscow: Ragusa Publishers, 1986.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

2

Korobov, V. I. Vasilii Shukshin. 2nd ed. Moskva: Sovremennik, 1988.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

3

Korobov, V. I. Vasiliĭ Shukshin. 2nd ed. Moskva: "Sovremennik,", 1988.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

4

Efimov, Ė. Vasily Shukshin. Moscow: Raduga Publishers, 1986.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

5

Vozchikov, V. Shukshin: Russkai︠a︡ tema. Biĭsk: Izdatelʹskiĭ dom "Bii︠a︡", 2009.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

6

Grishaev, V. Shukshin, Srostki, Piket. Barnaul: Altaĭskoe knizhnoe izd-vo, 1994.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

7

Korobov, V. I. Shukshin: Veshchee slovo. Moskva: Molodai͡a︡ gvardii͡a︡, 1999.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

8

Mezhdunarodnyĭ fond edinstva pravoslavnykh narodov, ed. V.M. Shukshin i pravoslavie: Sbornik stateĭ o tvorchestve V.M. Shukshina. Moskva: K edinstvu, 2012.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

9

Vasiliĭ Shukshin: Zemnoĭ pravednik. Moskva: Algoritm, 2009.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

10

Shukshin, Vasiliĭ Makarovich. Vasiliĭ Shukshin: Zhiznʹ v kino. Barnaul: Gos. muzeĭ istorii literatury, iskusstva i kulʹtury Altai︠a︡, 2009.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

More sources

Book chapters on the topic "Shukshin"

1

Tołkaczewski, Filip. "“I’ll Give Them a Piece of My Mind”: Translating the Idiomatic Language of Vasily Shukshin." In Second Language Learning and Teaching, 29–44. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-12590-5_3.

Full text

APA, Harvard, Vancouver, ISO, and other styles

2

Givens, John. "Siberia as Volia: Vasilii Shukshin’s Search for Freedom." In Between Heaven and Hell, 171–84. New York: Palgrave Macmillan US, 1993. http://dx.doi.org/10.1007/978-1-137-08914-4_10.

Full text

APA, Harvard, Vancouver, ISO, and other styles

3

Ignashev, Diane Nemec. "XII. Vasilii Shukshin’s “Cut Down to Size” (Srezal) and the Question of Transition." In The Russian Twentieth Century Short Story, edited by Lyudmila Parts, 217–38. Boston, USA: Academic Studies Press, 2019. http://dx.doi.org/10.1515/9781618110169-015.

Full text

APA, Harvard, Vancouver, ISO, and other styles

4

Brown, Edwin H. "Geology of the Shuksan Suite, North Cascades, Washington, U.S.A." In Geological Society of America Memoirs, 143–54. Geological Society of America, 1986. http://dx.doi.org/10.1130/mem164-p143.

Full text

APA, Harvard, Vancouver, ISO, and other styles

Conference papers on the topic "Shukshin"

1

Malykh, O. D. "HOAX IN THE STORY «TICKET TO THE SECOND SESSION» BY V. SHUKSHIN." In ACTUAL PROBLEMS OF LINGUISTICS AND LITERARY STUDIES. Publishing House of Tomsk State University, 2020. http://dx.doi.org/10.17223/978-5-94621-901-3-2020-89.

Full text

APA, Harvard, Vancouver, ISO, and other styles

2

Figedyová, Marianna. "Изображение литературных героев в избранных произведениях В. М. Шукшина." In Пражская Русистика 2020 – Prague Russian Studies 2020. Charles University, Faculty of Education, 2020. http://dx.doi.org/10.14712/9788076032088.8.

Full text

Abstract:

The article is dedicated to the leading representative of Russian village prose, Vasily Shukshin. It focuses on the role of figural compositional pairs in the author ́s selected short prose, follows their gradual development and changes in the portrayed characters, deals with the motivation of the main characters and the social space for their realization. The fulfillment of the characteristics of village prose in a specific literary realization is studied as well.

APA, Harvard, Vancouver, ISO, and other styles

3

Figedyová, Marianna. "POETIC TEXT OF VASILY SHUKSHIN – THE RED GUELDER ROSE IN RUSSIAN AS A FOREIGN LANGUAGE CLASS." In Aktuální problémy výuky ruského jazyka XIV. Brno: Masaryk University Press, 2020. http://dx.doi.org/10.5817/cz.muni.p210-9781-2020-2.

Full text

Abstract:

The paper is devoted to teaching the interpretation of the artistic text in the master’s degree program at the Department of Russian Studies, Faculty of Arts, UCM. In the process of study, we look for the most effective way to bring students to learn about fiction, to help them discover the meaning of the work of art and find its place in the Russian and world artistic heritage. The paper aims to approach the teaching process as a synthesis of the reader’s own experiences and work with relevant scientific resources. The aim of such work is to gain deeper and more professional knowledge of students.

APA, Harvard, Vancouver, ISO, and other styles

4

Maruszczak, Alex D., Glenn T. Thompson, Kristy M. Zalud, Shanna C. Stingu, Courtney R. Fernandez, Brittaney C. Jaeger, Gregory J. Reed, and James H. MacDonald. "MINERALOGY AND METAMORPHISM OF SHUKSAN BLUESCHIST, EASTON METAMORPHIC SUITE, KACHESS LAKE INLIER, CENTRAL CASCADES, WASHINGTON." In GSA Annual Meeting in Denver, Colorado, USA - 2016. Geological Society of America, 2016. http://dx.doi.org/10.1130/abs/2016am-277240.

Full text

APA, Harvard, Vancouver, ISO, and other styles

We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!