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Journal articles on the topic 'Shukshin'

Author: Grafiati

Published: 4 June 2021

Last updated: 15 February 2022

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1

Glushakov, P. S. "Destiny. Character. Soul-Baring. A panel discussion marking the 90th anniversary of Vasily Shukshin." Voprosy literatury, no. 3 (June 21, 2019): 14–43. http://dx.doi.org/10.31425/0042-8795-2019-3-12-41.

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A publication of the materials from the panel discussion marking the 90th anniversary of the outstanding Russian writer V. Shukshin. Participating in the event were authors and literary critics A. Bolshev, A. Varlamov, E. Vodolazkin, P. Glushakov, I. Esaulov, M. Kucherskaya, Z. Niva, I. Sukhikh, M. Tarkovsky, M. Chudakova, L. Chudnova, and E. Shukshina. Varying in size and genres, the contributions (essays, archival documents, reminiscences, and interpretations) discuss Shukshin’s artistic phenomenology and reveal unique features of his poetics, which confirm the relation of his prose to the traditions of Russian and European literature. Included in the collection after a 45-year delay is a poem mourning Shukshin’s death. Further in the section one can find critical reviews of his works. A keen reader will notice a certain repetition of Shukshin’s ‘quotation’ and imagery in the works by different contributors. A special focus is given to the topic of ‘Shukshin and modernity’.

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2

Kulyapin, A. I. "OTHER SHUKSHIN: NOTES ON CONTEMPORARY STUDIES OF SHUKSHIN’S WORKS." Siberian Philological Forum 10, no. 2 (April 30, 2020): 39–52. http://dx.doi.org/10.25146/2587-7844-2020-10-2-41.

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The article is devoted to the review of monographs on the work of V.M. Shukshin, published over the past five years. Researchers of the creative heritage of the writer and film director managed to offer new prospects in the study of his works. In the monograph by D.V. Maryin, “The non-artistic work of V.M. Shukshin,” for the first time, letters, documentary autobiographies, draft notes, and social and political essays of the writer were systematically studied. The scientific significance of the research by Altai philologists “Semiotics of the artistic space of V.M. Shukshin” and “Geopoetics of V.M. Shukshin” consists in attempts to describe a holistic model of the writer’s artistic world. A book by I.V. Shestakova, “The artistic and visual principles of cinema by V.M. Shukshin,” is distinguished by a synthetic approach to Shukshin’s creativity. According to the author of this work, Shukshin’s film making is a single space for the interaction of literary, pictorial, and musical forms of arts. In addition to film critics, historians, philosophers and sociologists actively joined in the work on Shukshin’s works. The textbook by Prof. S.I. Grigoriev, (Post-Doctoral degree in Sociology) has run through several editions. S.V. Tsyb, Barnaul historian, had published his book entitled “V.M. Shukshin and historical time” by the 90th anniversary of Shukshin.

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3

Urnov, D. M. "Glushakov, P. (2018). Shukshin and others: Articles, materials, commentaries. St. Petersburg: Rostok. (In Russ.)." Voprosy literatury, no. 3 (July 29, 2020): 289–94. http://dx.doi.org/10.31425/0042-8795-2020-3-289-294.

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Glushakov’s book joins in the polemic about the status of Vasily Shukshin in 20th-c. Russian literature. The reviewer argues that it was Shukshin’s prose that gave voice to the hitherto unknown and disturbingly unusual stratum of the Russian people. He further points out that the book draws hardly any parallels between Shukshin and his predecessor Gorky. It is also argued that the compiler of the tome chose to forego a detailed examination of Shukshin’s numerous ties with world literature. Therefore, P. Glushakov’s opus seems a product of a respite, defined by renewed interest in Shukshin’s works and enthusiastic search by the post-Soviet people for a source of the much coveted and needed spiritual revival. Glushakov’s position appears highly uncertain: he places Shukshin in a hermetic environment with only echoes of his relations with contemporaries and his own spectral image for company.

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4

Kostylyova, Irina A. "The concept of personality of Vasily Shukshin in the biography novel by Aleksey Varlamov "Shukshin"." Vestnik of Kostroma State University, no. 2 (2019): 171–75. http://dx.doi.org/10.34216/1998-0817-2019-25-2-171-175.

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The article discusses the concept of personality of Vasily Shukshin in the biography novel by Aleksey Varlamov in the context of the tradition of this genre in Russian literature, formed in creative work of Boris Zaytsev, Vladislav Khodasevich, Nina Berberova etc. The aim of the study is to analyse the characteristic of the typological principles of the genre in the artistic world of the modern writer and literary critic Aleksey Varlamov. The subject of study is the representation of the conceptual components of Vasily Shukshin's personality in the biography novel genre. The main attention is paid to the theme of Vasily Shukshin's dramatic fate, the motives of the writer's opposition to that time's power. The author's version of the "reading" of Vasily Shukshin's personality, which is slightly different from the textbook one, is analysed. As a result of the study, the conclusions about the specifi cs of the development of the biography novel genre in the works of Aleksey Varlamov, about the author's method of artistic research of the writer's biography in the system of "code of fate" of a Russian, the main motives of his life.

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5

Карташова, Е. Н. "V.M. Shukshin’s CREATIVITY: the prospects of linguistic rEsearch." Актуальные вопросы современной филологии и журналистики, no. 1(40) (March 19, 2021): 82–87. http://dx.doi.org/10.36622/aqmpj.2021.48.93.012.

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В статье рассматриваются аспекты изучения творчества В.М. Шукшина. Описывается динамика исследования произведений писателя, подробно анализируются подходы к его творческому наследию. Подчеркивается большое внимание исследователей к творчеству В.М. Шукшина, обусловленное стремлением познать многогранность его таланта. Начиная с 1960-х годов важную роль в исследовании творческого наследия В.М. Шукшина играла литературная критика. На следующем этапе внимание исследователей привлекает как поэтика стиля, так и художественно˗речевая структура прозы писателя. В статье указаны работы исследователей, занимавшихся данными вопросами. Подчеркивается важность рассмотрения творческого наследия В.М. Шукшина как части мировой культуры, в связи с чем большой интерес представляет исследование словаря писателя. В статье представлена типология словарей языка В.М. Шукшина. В работе отмечается, что проза В.М. Шукшина имеет связь с жанрами русского фольклора, в его произведениях раскрывается русский национальный характер. Как отдельный аспект изучения выделяется исследование ономастики и образной лексики писателя с целью раскрытия образа русской женщины, представленного в шукшинских текстах. Недостаточная изученность ономастикона писателя делает актуальным дальнейшее изучение этого аспекта. The article considers the aspects of study of the creativity of V.M. Shukshin. The dynamics of research of the writer's works is described; the approaches to his creative heritage are analyzed in detail. The great attention of researchers to the work of V.M. Shukshin is emphasized. Since the 1960s, literary criticism has played an important role in the study of V.M. Shukshin's creative heritage. At the next stage, the attention of researchers is attracted both by the poetics of style and the artistic-verbal structure of the writer's prose. The article lists the work of researchers dealing with these issues. The importance of considering the creative heritage of V.M. Shukshin as a part of world culture is emphasized. In this connection, the study of the dictionary of the writer is of great interest. The article presents the typology of VM Shukshin's dictionaries. It is noted that V.M. Shukshin's prose has a connection with the genres of Russian folklore, in his works the Russian national character is revealed. As a separate aspect of the study, the linguistic study of onomastics and figurative vocabulary of the writer stands out in order to reveal the image of a Russian woman, is presented in Shukshin's texts. The writer's onomasticon makes has not been studied enough yet, which further research of this aspect relevant.

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6

Valyanov, N. A. "V. SHUKSHIN AND M. TARKOVSKY: AUTHOR’S DIALOGUE." Siberian Philological Forum 10, no. 2 (April 30, 2020): 27–38. http://dx.doi.org/10.25146/2587-7844-2020-10-2-40.

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Statement of the problem. The article is devoted to the problem of artistic continuity as fundamentally significant in contemporary literary criticism. The features of the literary dialogue are examined for two writers – V. M. Shukshin and M. A. Tarkovsky whose works are inscribed in the traditionalist world system. The attention is focused on the image of the hero and the problem of the chronotope. The purpose of the article is to identify the features of the poetics of M. A. Tarkovsky through the prism of artistic dialogue with the cultural tradition and with the works of his predecessor – V. M. Shukshin. Research materials and methods. On the material of early and mature texts of the writers, the author’s model of literary hero and the features of the chronotope are analyzed. The method of comparative typological analysis is chosen for the analysis of literary works. Research results. The study concludes that M. Tarkovsky’s works are generally associated with V. Shukshin’s artistic tradition, inherit his imagery and mythopoetic chronotope as a whole.

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7

Богумил, Т. А. "FACES OF V.M. SHUKSHIN: MARTIN IDEN, HAMLET, STEPAN RAZIN." Актуальные вопросы современной филологии и журналистики, no. 4(39) (February 2, 2021): 59–65. http://dx.doi.org/10.36622/aqmpj.2020.39.4.008.

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В статье предлагается концепция жизни и творческого роста В.М. Шукшина сквозь призму тезаурусного и кластерного подходов. Объяснительными «персональными моделями» для интерпретации биографического текста писателя являются кластеры Мартина Идена, Гамлета и Степана Разина. Ранее биографы и литературоведы указывали на важность этих персон для Шукшина, но разрозненно. Впервые предпринята попытка свести указанные персональные модели воедино, в целостный сюжет становления писателя в пространстве культуры. На разных этапах эволюции автора доминирует одна из указанных моделей, последовательно сменяя друг друга, но не вытесняя, а «внахлест». Ранний этап творчества, ориентированный на стратегию Мартина Идена, является попыткой «вписаться» в наличный культурный мейнстрим. Выражено это в следовании поэтике соцреализма. Второй этап подспудно начинается с реабилитации отца Шукшина в 1956 года, когда актуализируется «гамлетовский комплекс», проявляющийся в чувстве вины перед отцом, через стратегию утаивания подлинного «я», мотивы чудаковатости. Третий этап связан с личностью реального исторического лица, Степана Разина, и выражается в открытом протесте против власти. Все важные для В.М. Шукшина поведенческие модели объединены мотивом одинокого противостояния враждебному социуму и имеют трагический финал, что обусловило ранний уход писателя и порождение мифов о насильственном характере его смерти. В.М. Шукшин одновременно был фигурой неординарной и типичной, что позволило его биографии стать «персональной моделью» для последующих авторов, выходцев из сельской глубинки. The article proposes the concept of life and creative growth of V.M. Shukshin through the prism of the thesaurus and cluster approach. The explanatory "personal models" for interpreting the biographical text of the writer are clusters of Martin Eden, Hamlet and Stepan Razin. Earlier, biographers and literary critics pointed out the importance of these people for Shukshin, but it was scattered. For the first time, an attempt was made to bring these personal models together into an integral plot of the formation of the writer in the space of culture. At different stages of the writer’s evolution, one of these models dominates, successively replacing each other, but not crowding out, but “overlapping”. The early stage of creativity, focused on Martin Eden’s strategy, is an attempt to “fit in” the current cultural mainstream. This is expressed in following the poetics of socialist realism. The second stage implicitly begins with the rehabilitation of Shukshin’s father in 1956, when the “Hamletian complex” is actualized. It is manifested in a sense of guilt towards his father, the strategy of concealing the true “I”, eccentricities. The third stage is connected with the personality of a real historical person, Stepan Razin, and is expressed in an open protest against the authorities. All important for V.M. Shukshin's behavioral models are united by the motive of a lonely confrontation with a hostile society and have a tragic ending, which led to the early departure of the writer and the generation of myths about the violent nature of his death. V.M. Shukshin was an extraordinary and typical figure at the same time. That allowed his biography to become a “personal model” for subsequent authors who came from the rural outback.

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8

Vasiliev, V. K. "About the Problem of Exposure of Author’s Coding Methods in Works of V. M. Shukshin." Critique and Semiotics 38, no. 2 (2020): 364–79. http://dx.doi.org/10.25205/2307-1737-2020-2-364-379.

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The unicity of Shukshin’s oeuvre is that from the middle of 1960s when he is consciously seeking for and invents coding tools of his creations. The author himself has pointed out some methods of «code» creation. He pays attention to the “change of emphasis”, “hints”, “nuances”, things which are said at a glance, cursorily, on parts of text which appear to be secondary. The actual problems, questions, node of the conflict and the conflict itself can be described by Shukshin in one creation, but the extension, comments, answers or the variant of the pay-off are described in another one, which is published many years after. That is why there are a lot of double characters, double episodes, story- lines, which stand in the inter decoding position. So everything that is about author’s code should be considered as the main thing as the author directed to us. The aim of such art strategy is to tell the truth about the time, to state the hate and revolt. This article is about the methods, which Shukshin used, while coding the novels “Director”, “Rhetorical device” and “Order”, and also about clearing up the point of this code.

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9

Sobennikov, Anatoly. "TRUTH AS AN AXIOLOGICAL DOMINANT (V. M. SHUKSHIN IN A RETROSPECTIVE OF RUSSIAN LITERATURE)." Проблемы исторической поэтики 19, no. 2 (May 2021): 373–86. http://dx.doi.org/10.15393/j9.art.2021.8482.

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The concept of “truth” in Russian literature is historically associated with justice, righteousness, truth and fairness. In the second half of the 19th century, this concept was actualized in the works of F. M. Dostoevsky, L. N. Tolstoy, and A. P. Chekhov. In Dostoevsky's “ideological novel,” the emphasis is on the hero's finding “truth-verity,” “to live according to the truth” means to live with Christ. Besides the “truth of God”, the “truth of the people” is also of great importance in Dostoevsky's axiology. It is the people who carry the ideal of Christ in their hearts. The writer also discusses the truth of everyday life in his work: in politics, in the relationships among people in society. Leo Tolstoy created a whole gallery of characters who live “according to the truth.” First and foremost, the works of A. P. Chekhov reveal the truth of life; the writer is interested in the character's existential choice. God's truth and the people's truth, as a rule, are revealed to him in the self-awareness of a character "of the people." In 20th century Russian literature, the concept of “truth” plays an important role in the work of V. M. Shukshin and other rustic writers. Shukshin suggests distinguishing between truthfulness and truth, the truth of character and the truth of action. The truth of life involves the problem of the meaning of life. According to Shukshin, “people know the truth,” and this is not rational knowledge, but a way of life. The truth becomes the basis of national existence. Shukshin's Pravda was provocative in relation to the aesthetics of socialist realism with its main principle of partisanship. The writer relied on Russian axiology, rather than on party attitudes. The concept of “truth,” which is associated with the Christian worldview and Christian values, is the foundation of Russian culture and determines the main vectors of its development.

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10

Yuan, Xinyu. "Particle “just” in the Vasily Shukshin’s stories." Litera, no. 2 (February 2020): 65–72. http://dx.doi.org/10.25136/2409-8698.2020.2.31999.

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This article is dedicated to examination of the particle just” in the Vasily Shukshin’s stories. Analysis is conducted on the syntagmatic and paradigmatic properties of the particle “just”. The object of this research is the particle “just” in the stories of V. Shukshin. The subject is the syntagmatic and paradigmatic properties of the particle “just”. The goal of this study consists in the comprehensive description of the meaning system of the particle “just”, its synonyms and concurrence in the stories of V. Shukshin. The research methodology contains descriptive method with application of the method of contextual analysis, quantitative method, and comparative method. The following conclusions were acquired: in the stories of V. Shukshin, the particle “just” most often is used to highlight the concurrence of situations in time or space; there are instances of combination of meanings of the particle “just”; the particle “just” has no limitations in compatibility. The scientific novelty is defined by the fact that the author is first to analyze the utilization of the particle “just” in the works of a single author; as well as determine the instances of utilization that are not described in the dictionaries.

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11

Heller, Leonid. "Poetics of Being Free. Shukshin and the Tradition of “Anarchic” Literatur." Pitannâ lìteraturoznavstva, no. 100 (December 27, 2019): 7–24. http://dx.doi.org/10.31861/pytlit2019.100.007.

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The paper describes the cultural and historical context between 19th and 20th centuries which witnesses a rise of a particular “anarchic” tradition (we take the precaution to distinguish such a creative stance from the theoretical and/or polemical "anarchist" production). Our intention is to inscribe into this context Vassily Shukshin's novel “I came to set you free” and some of his short prose. Showing the importance of the anarchist movement for the political and cultural turmoil of this era, we stress the strong connection that in Western countries as well as in Russia linked the anarchist perception of world and/or society to that of the avant-garde. The Russian situation owes its specific nature, among other factors, to the representation of Stepan Razin who epitomizes the spirit of revolutionary anarchy for the modernist artists and writers. The poetry and prose od Velimir Khlebnikov, Vassily Kamensky, Alexander Shiryaevets in the 1910s–1920s, the novels of Alexey Chapygin (1927), Stepan Zlobin (1951), Vassily Shukshin (1971) constitute a filiation, the presence whereof throughout the Soviet period is in itself a problem to tackle for a literary historian. In the last part of the paper we present a brief analysis of the Shukshin texts; we conclude that not only the Razin's figure brings his prose close to the “anarchic” tradition; the same could be said of his favorite characters, “chudiki”, extravagant searchers of freedom, as well as of such themes as fighting against the time (a frequent subject in the “anarchic” literature of Khlebnikov, Platonov etc.).

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12

Maryin, Dmitry V. "V. M. Shukshin vs V. G. Belinsky (based on V. M. Shukshin’s draft notes)." Sibirskiy filologicheskiy zhurnal, no. 3 (September 1, 2014): 20–23. http://dx.doi.org/10.17223/18137083/48/3.

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13

Maryin, Dmitry V. "Earliest creative works of V.M. Shukshin." Sibirskiy filologicheskiy zhurnal, no. 2 (June 1, 2010): 59–70. http://dx.doi.org/10.17223/18137083/31/9.

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14

Maryin, Dmitry V. "Тhе еpistolary art of V.M. Shukshin." Sibirskiy filologicheskiy zhurnal, no. 4 (December 1, 2010): 109–18. http://dx.doi.org/10.17223/18137083/33/15.

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15

Andreev, Aleksey A. "V.M. Shukshin's literary works: encyclopaedic dictionary-handbook. Vol.1: Philological study of Shukshin. V.M. Shukshin personality. The language of V.M. Shukshin's works / Sci. ed. A.A. Chuvakin; Ed.-Compil. V.A. Chesnokova, A.A. Chuvakin. Barnaul: AltSU." Sibirskiy filologicheskiy zhurnal, no. 3 (September 1, 2004): 141–42. http://dx.doi.org/10.17223/18137083/8/15.

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16

P. Glushakov. "Some remarks to a theme «Shukshin and Sholokhov»." Russian Language and Literature ll, no. 39 (February 2012): 97–108. http://dx.doi.org/10.24066/russia.2012..39.005.

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17

Yakovleva, Natalya Aleksandrovna. "V.M. SHUKSHIN`S TRADITIONS IN L.K. IVANOV’S WORKS." Sovremennye issledovaniya sotsialnykh problem, no. 5 (August 14, 2015): 374. http://dx.doi.org/10.12731/2218-7405-2015-5-31.

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18

Maryin, D. V. "Role and place of dubia in Shukshin studies." Sibirskiy filologicheskiy zhurnal, no. 1 (2020): 170–78. http://dx.doi.org/10.17223/18137083/70/13.

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19

Voronina, Ludmila P. "EXPRESSIVE MEANINGS OF DIMINUTIVES IN TEXTS OF V.M. SHUKSHIN." Vestnik Tomskogo gosudarstvennogo universiteta, no. 408 (July 1, 2016): 5–10. http://dx.doi.org/10.17223/15617793/408/1.

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20

Kuzmin, Nikolay N. "Berdyaev, Shukshin and Crimea as Discovery of the Essence." Almanac “Essays on Conservatism”, no. 3 (January 1, 2014): 124–26. http://dx.doi.org/10.24030/2409-2517-2014-3-124-126.

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21

Есаулов, Иван. "“ALYOSHA BESKONVOINY” BY VASILIY SHUKSHIN AND THE ESCORTED RUSSIA." Проблемы исторической поэтики 13 (2015): 662–72. http://dx.doi.org/10.15393/j9.art.2015.3161.

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22

Kukueva, Galina Vasilievna. "DETAIL IN TEXTS OF STORIES-ESSAYS BY V.M. SHUKSHIN." Ural Philological Herald. Series Russian Literature of XX-XXI centures: Directions and Trends, no. 1 (2020): 12–22. http://dx.doi.org/10.26170/ufv20-01-01.

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23

Kriklivets, E. V. "MYTHOPOETICS OF NOVELS BY V. SHUKSHIN “VIBURNUM RED” AND A. KUDRAVETS “RADANITSA”." Siberian Philological Forum 10, no. 2 (April 30, 2020): 16–26. http://dx.doi.org/10.25146/2587-7844-2020-10-2-39.

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In the last third of the twentieth century, Russian and Belarusian traditionalist prose activates mythopoetic archetypes, and there is a synthesis with individual elements of romantic, modernist and postmodern aesthetics. The purpose of the article is to identify national features of the appeal of Russian and Belarusian writers of the twentieth century to mythological structures (on the example of novels by V. Shukshin “Viburnum red” and A. Kudravets “Radanitsa”). The results of the study. Mythologism in the works by Russian and Belarusian writers in the last decades of the twentieth century is deeply conscious, reflective in nature, which determines the philosophical, intellectual orientation of their works. Separate mythologemes, reminiscences, allusions are used by writers so that they could be recognized by a reader and contain the “code” of the artistic message. The article reveals the ways V. Shukshin and A. Kudravets address mythological structures, the meaning and functions of the elements of mythopoetics in realistic prose. The author of the article notes that the compositional organization of the novels “Viburnum red” and “Radanitsa” correlates with the gospel parable of the prodigal son, which made it possible to reveal some existential issues that were relevant in the last third of the twentieth century

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24

Maryin, Dmitry Vladimirоvich. "Autographs of V.M. Shukshin as an object of philological studies." Sibirskiy filologicheskiy zhurnal, no. 4 (December 1, 2011): 141–46. http://dx.doi.org/10.17223/18137083/37/22.

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25

Maryin, D. V. "«The Family Idea» in the epistolary works by V.M. Shukshin." Sibirskiy filologicheskiy zhurnal, no. 2 (June 1, 2012): 134–40. http://dx.doi.org/10.17223/18137083/39/19.

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26

Alieva, Raisa Radzhabovna, Gyul’nara Nizamovna Alieva, and Gyul’chimen Seyfullakhovna Radzhabova. "I. Bunin and V. Shukshin: Russian national character problem reflection." Proceedings of Southern Federal University. Philology, no. 1 (March 24, 2016): 69–76. http://dx.doi.org/10.18522/1995-0640-2016-1-69-76.

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27

Maryin, D. V. "Problems of textuality of nonfiction works by V. M. Shukshin." Sibirskiy filologicheskiy zhurnal, no. 2 (January 1, 2031): 83–93. http://dx.doi.org/10.17223/18137083/55/10.

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Frolova, E. A. "The Concept of «Road» in the Movie-essay «Pozovi Menya v Dal’ Svetluyu» by V.M. Shukshin (To the 90th Anniversary of the Birth)." Russian language at school 80, no. 4 (July 18, 2019): 62–66. http://dx.doi.org/10.30515/0131-6141-2019-80-4-62-66.

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The article discusses the functioning of the concept «road» in the movie-essay «Pozovi menya v dal’ svetluyu» by V.M. Shukshin. The goal is to identify semantic increments to the vocabulary definitions of the lexeme road in the figurative structure of a literary text. The author emphasizes the core and peripheral zones in the structure of the concept, their lexical and phraseological content, explains the semantic shifts by the peculiarities of the writer’s artistic perception, the specifics of his worldview.

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Sigov, Vladimir K. "How Vasily Shukshin Celebrated the Fiftieth Anniversary of the October Revolution." Journal of Siberian Federal University. Humanities & Social Sciences 11, no. 3 (March 2018): 458–75. http://dx.doi.org/10.17516/1997-1370-0240.

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P. Glushakov. "Problems of interpretation of semantic poetics Vasily Shukshin: a modernist substrat." Russian Language and Literature ll, no. 37 (June 2011): 87–106. http://dx.doi.org/10.24066/russia.2011..37.004.

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Shorokhov, A. A. "V.M. SHUKSHIN AND “NEW PEASANT POETS”: SURVIVED CHILDREN OF NOT SURVIVED FATHERS." Siberian Philological Forum 10, no. 2 (April 30, 2020): 4–15. http://dx.doi.org/10.25146/2587-7844-2020-10-2-38.

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The article combines two significant historical and literary phenomena. The first is a group of Russian poets and prose writers of the early twentieth century, known under the general name “new peasant poets”. The second is a group of Russian writers of the late twentieth century, whose work has received a steady definition of “village prose”. V.M. Shukshin’s works are also referred to this cultural phenomenon. The article attempts to get away from simplifying definitions of “urban romance”, “village prose”, and to establish the civilizational continuity of Shukshin’s work with “new peasant poets” of the early twentieth century. The author also tries to consider the phenomenon of the group of “new peasant poets” from the cultural, philosophical and historical-biographical points of view – In the unity of their work, fate and dramatic changes in the history of Russia. The article uses theoretical works on Russian and world literature and history by M.M. Bakhtin, V.V. Kozhinova, I.R. Shafarevich, G.I. Shmeleva, P.F. Alyoshkina, S.Yu. and S.S. Kunyaevs, recent publications on Shukshin’s works by V.I. Belov, A.D. Zabolotsky, and A.N. Varlamov.

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Kulyapin, Aleksandr I. "«Circles of ruins»: Russian history in the story «Master» by V.M. Shukshin." Sibirskiy filologicheskiy zhurnal, no. 3 (September 1, 2003): 48–51. http://dx.doi.org/10.17223/18137083/4/5.

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Vekovishcheva, Svetlana N., Maria I. Guseinova, Elena M. Priorova, and Elena P. Savchenko. "Lexico-Semantic Transformations in Translation of Stories by V.M. Shukshin into English." RUDN Journal of Language Studies, Semiotics and Semantics 10, no. 3 (December 15, 2019): 622–33. http://dx.doi.org/10.22363/2313-2299-2019-10-3-622-633.

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This article is dedicated to the analysis of a lexico-semantic transformation in translation of fiction. The aim of the paper is to identify frequently and less frequently used translation transformations that we treat as cross-language transformations. These transformations are based on selection of the lexical units in target language closed in sematic meaning to those used in source language. V.M. Shukshin’s texts are used as the linguistic material for the conducted research. The translations are prepared by R. Daglish, L. Michael and J. Givens. The study shows that the most difficult units for translation are those having specific meaning due to cultural factors. Cultural associations in V.M. Shukshin’s texts are based on territorial and ethnographic information. Items actively participate in formation of the cultural code. They can be considered as a marker of cultural feature of a text. Translators’ functions include the pragmatic adaptation of texts and different comments. The phenomenon can be explained by the fact that the translator does not always possess enough background knowledge (as far as dialectal words are concerned) or in other words associative links between the object and the name it identifies. The results of the research explain the necessity of a new approach in professional practice.

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Качесова, Ирина Юрьевна. "Discursive Practices of V.M. Shukshin: on the Principles of Secondary Text Modeling." Philology & Human, no. 4 (2018): 89–101. http://dx.doi.org/10.14258/filichel(2018)4-07.

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Kulyapin, Aleksander I. "Chronotope of a restaurant in the artistic world of V. M. Shukshin." Sibirskiy filologicheskiy zhurnal, no. 3 (September 1, 2014): 24–30. http://dx.doi.org/10.17223/18137083/48/4.

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Sigov, Vladimir. "The Third Cock Has Not Yet Crowed: The Russian Idea of Vasilii Shukshin." Russian Studies in Literature 37, no. 3 (July 2001): 44–59. http://dx.doi.org/10.2753/rsl1061-1975370344.

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37

Chuvakin, Aleksey A. "Communication in the stories of the literary journal «Novy Mir»: Shukshin and modernity." Sibirskiy filologicheskiy zhurnal, no. 3 (September 1, 2014): 6–13. http://dx.doi.org/10.17223/18137083/48/1.

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Voronina, Ludmila P. "Diminutives in the texts of V.M. Shukshin (functional actualization of the system-language possibilities)." Vestnik Tomskogo gosudarstvennogo universiteta, no. 395 (June 1, 2015): 5–9. http://dx.doi.org/10.17223/15617793/395/1.

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Thakur, S. K. "THE DICHOTOMY OF “CITY AND VILLAGE” IN STORIES OF V.M SHUKSHIN AND PHANISHWARNATH RENU." RUDN Journal of Studies in Literature and Journalism 22, no. 1 (2017): 76–83. http://dx.doi.org/10.22363/2312-9220-2017-22-1-76-83.

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Kukueva, Galina V. "Lingua-poetic typology of the texts of short stories by V.M. Shukshin (theoretical aspect)." Sibirskiy filologicheskiy zhurnal, no. 3 (September 1, 2007): 57–65. http://dx.doi.org/10.17223/18137083/20/9.

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41

Tokatova, L. Y., and Y. A. Belousova. "The conceptual dominants in “All alone” and “The villagers” stories by V. M. Shukshin." Science of the Person: Humanitarian Researches 14, no. 3 (2020): 24–33. http://dx.doi.org/10.17238/issn1998-5320.2020.14.3.3.

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Gillespie, David C. "The Sounds of Music: Soundtrack and Song in Soviet Film." Slavic Review 62, no. 3 (2003): 473–90. http://dx.doi.org/10.2307/3185802.

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In this article, David C. Gillespie explores the deliberate foregrounding of music and song in Soviet film. He begins with a discussion of the structural and organizing roles of music and song in early Soviet sound films, including tiiose by Sergei Eizenshtein, Grigorii Aleksandrov, Ivan Pyr'ev, and Aleksandr Ivanovskii. Gillespie then focuses on the emphasis on urban song in some of the most popular films of the stagnation years, such as The White Sun of the Desert (1969) and Moscow Does Not Believe in Tears (1979), adding considerably to the appreciation of these films. To conclude, he analyzes folk music in films about village life, especially those directed by Vasilii Shukshin, and explores the role of music in constructing a mythical and nationalistic discourse.

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43

Szubin, Roman. "Герменевтические подступы к русской литературе." Kultury Wschodniosłowiańskie - Oblicza i Dialog, no. 6 (September 22, 2018): 245–57. http://dx.doi.org/10.14746/kw.2016.6.20.

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The article is devoted to the search for a new space in the methodological studies on Russian literature. The author takes as its basis the method of hermeneutics of words by Vardan Hayrapetyan. Especially the basic categories such as the world man (homo mundi), the Other and its variants: the self (rus. самость), otherness (rus. другость), the alien (rus. чужесть) and two triads, which postulate two types of intellectual situations. In this regard, the author identifies the concept of the hybrid man of the hero of Russian literature in which a small person is a representative of an impersonal collective personality of the world man, home, family, ideas, etc. The author demonstrates the type of a hybrid man on the example of the protagonist of the novel by Vasily Shukshin Stepan Razin.

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Chuvakin, Alexey A. "Creative activity of Vasily Shukshin in researches of philologists of Altai State University (1989-1999)." Sibirskiy filologicheskiy zhurnal, no. 1 (December 1, 2002): 11–26. http://dx.doi.org/10.17223/18137083/1/2.

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Kukueva, Galina V. "Composition-speech structure of the subtype of the neutralized short stories-sketches by Vasily Shukshin." Sibirskiy filologicheskiy zhurnal, no. 3 (September 1, 2008): 205–10. http://dx.doi.org/10.17223/18137083/24/28.

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Christian, Nicole. "Vasilii Shukshin and the Russian Fairy Tale: A Study of "Until the Cock Crows Thrice"." Modern Language Review 92, no. 2 (April 1997): 392. http://dx.doi.org/10.2307/3734810.

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Givens, John. "Vasilii Shukshin and the “Audience of Millions”: Kalina krasnaia and the Power of Popular Cinema." Russian Review 58, no. 2 (April 1999): 268–85. http://dx.doi.org/10.1111/0036-0341.711999071.

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48

Maryin, Dmitriy Vladimirovich. "The Literary Scenario «It is reported from Lebyazhye» by V.M. Shukshin (from Text to Screen)." Sibirskiy filologicheskiy zhurnal, no. 3 (September 1, 2013): 147–52. http://dx.doi.org/10.17223/18137083/44/20.

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Kulyapin, A. I., and E. A. Khudenko. "The plot of «a provincial in the capital» in the works of V. M. Shukshin." Sibirskiy filologicheskiy zhurnal, no. 64 (September 1, 2018): 120–27. http://dx.doi.org/10.17223/18137083/64/11.

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Maryin, D. V. "The genre “a letter to a leader” in the literary heritage of V. M. Shukshin." Sibirskiy filologicheskiy zhurnal, no. 1 (March 1, 2019): 126–33. http://dx.doi.org/10.17223/18137083/66/11.

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