Relevant bibliographies by topics / Siena. Piazza del Campo

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
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Academic literature on the topic 'Siena. Piazza del Campo'

Author: Grafiati
Published: 28 July 2024
Last updated: 31 July 2025

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Journal articles on the topic "Siena. Piazza del Campo"

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Maslikova, I. I. "POLYFUNCTIONALITY AND CULTURAL VALUE OF PUBLIC SPACE: HISTORICAL AND CULTURAL STUDY OF AN URBAN SQUARE." UKRAINIAN CULTURAL STUDIES, no. 2 (5) (2019): 88–92. http://dx.doi.org/10.17721/ucs.2019.2(5).16.

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The article explores changes in the organization and functioning of public space in cities in the context of sociocultural dynamics – from antiq- uity to modernшен. The sociocultural features of open urban space in ancient Greece and Rome, Renaissance Italy, modern Europe, the USA, Latin America, Ukraine are clarified. The experience of the functioning and management of public space is analyzed on specific examples of world- famous urban squares – Antique agora, roman forum, piazza del Campo in Siena, piazza della Signoria in Florence, piazza San Marco in Venice, Union Square in New York, Lati
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Lin, Tianpeng, Hui Lin, and Mingyuan Hu. "Three-dimensional visibility analysis and visual quality computation for urban open spaces aided by Google SketchUp and WebGIS." Environment and Planning B: Urban Analytics and City Science 44, no. 4 (2015): 618–46. http://dx.doi.org/10.1177/0265813515605097.

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In this article, the authors has explored the feasibility of three-dimensional visibility analysis and visual quality computation via the aid of Google SketchUp and WebGIS, which may be beneficial for measurable evaluation of the environment in urban open spaces, and referential for urban planning and design to build an environment with better visual comfort. Considered for long-term significance, three-dimensional visibility analysis and visual quality computation are potential in enabling the quantitative analysis between urban open spaces and visual perception, providing appropriate standar
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Adams, Nicholas. "Natural Light and the Italian Piazza: Siena as a Case Study Sandra Davis Lakeman." Journal of the Society of Architectural Historians 55, no. 3 (1996): 347–48. http://dx.doi.org/10.2307/991164.

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Baldini, Mattia, Laura Mucciolo, and Francesco Filiberto Tonarelli. "Plan Oblique." FAMagazine. Ricerche e progetti sull'architettura e la città, no. 66-67 (August 21, 2024): 190–98. http://dx.doi.org/10.12838/fam/issn2039-0491/n66-2023/1004.

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La riflessione progettuale sul tema del monumento-memoriale individua nella scelta del “campo chiuso” di Climat de France un terreno per riflettere sul ruolo del monumento, rilevando e rivelando, attraverso una strategia “sovversiva”, incongruenze, limiti, forzature dell’impianto simmetrico. Una lama obliqua e calpestabile, ruotata rispetto alla simmetria del recinto del monumento, fende lo spazio interno della “piazza delle duecento colonne” come fosse una grande ferita. L’obiettivo del memoriale attraversabile è l’uscita dal recinto e l’uso della piazza come parte d’ombra. L’adozione dei “pu
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Marina, Areli. "From the Myth to the Margins: The Patriarch’s Piazza at San Pietro di Castello in Venice*." Renaissance Quarterly 64, no. 2 (2011): 353–429. http://dx.doi.org/10.1086/661795.

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AbstractThis study analyzes the campo of San Pietro di Castello from its mythologized origins to the Renaissance, paying particular attention to the architectural and political forces that shaped it. Although San Pietro was Venice’s cathedral from the ninth to the nineteenth centuries, civic leaders marginalized the site, which incarnated the contentious relationship between the Roman Church and the Venetian republic. The essay places the campo at the center of inquiry because the episcopal complex’s significance is best discerned through diachronic analysis of the urban landscape. The buildin
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Maletta, Rosalba. "Durs Grünbein in cerca d’Europa tra scomparsa delle piazze e genius loci." Altre Modernità, no. 28 (November 30, 2022): 404–37. http://dx.doi.org/10.54103/2035-7680/19187.

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Programmata su basi tecno-scientifiche, la città europea del terzo millennio rischia di dimenticare o banalizzare le distruzioni e i massacri di massa provocati dalla Seconda guerra mondiale. La poetica del frottage di Durs Grünbein mostra quanto i camouflages che addobbano le nostre città sconfessino l’unicità del vivente, suscettibile di emergere in ogni pietra e piazza d’Europa. Il cosmopolitismo perseguito da Grünbein lo radica a Dresda e a Hellerau come luoghi in cui per un breve periodo si realizzarono progetti di Lebensreform, tra i quali un’architettura e un’istruzione che comprendesse
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NOORMOHAMMADI, Susan. "IMAGES OF INHABITING AT CAMPO SQUARE IN SIENA: THE INTEGRATION OF BACHELARD’S TOPOANALYSIS IN THE INTERPRETATION OF ARCHITECTURAL AND URBAN SPACES." JOURNAL OF ARCHITECTURE AND URBANISM 42, no. 1 (2017): 80–94. http://dx.doi.org/10.3846/20297955.2017.1306464.

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This paper focuses on the perceptual-psychological experience of place in Campo Square, in the Italian city of Siena. Viewed from this perspective, it contributes to Gaston Bachelard’s topoanalysis and aims to address a phenomenological analysis of the real, and inhabited images embedded in Campo Square. Bachelard focuses on topoanalysis, which is mainly based on the association of all our senses, most importantly the visual, aural, and tactile, with our lived experiences. The main objectives of this paper are to discover, examine, and interpret the real images that are influential in the crea
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Corritore, Renzo Paolo. "Verona e Mantova nell’età comunale: Mercatum fori, granai privati e istituzioni annonarie nell’area medio transpadana nel Duecento." Mélanges de l École française de Rome Moyen Âge 120, no. 1 (2008): 55–72. http://dx.doi.org/10.3406/mefr.2008.9469.

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La chiave annonaria è forse il miglior grimaldello per penetrare l’essenza delle compagini statali nell’età medievale e moderna. Focalizzare l’attenzione sui sistemi annonari veronese e mantovano nel Duecento, prima della comparsa di più sofisticate politiche pubbliche, rende evidente la fondamentale varietà degli assetti urbani. In una dimensione temporale e in un campo di osservazione tanto ristretti, in territori così contigui e parenti per giacitura, la supposta omogeneità degli istituti annonari si rivela ingannevole. Nelle due città si palesano regole e pratiche differenti in tema di cen
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Colao, Floriana. "Il giudice e lo storico. Per una storia della strage di Piazza della Loggia." Italian Review of Legal History, no. 10/2 (December 23, 2024): 387–414. https://doi.org/10.54103/2464-8914/27627.

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Questo saggio ricostruisce la storia dei processi celebrati per la strage di Piazza della Loggia – 28 maggio 1974, otto morti e oltre cento feriti – legata – come altre tra il 1969 e il 1980 – alla strategia della tensione. Al tempo della guerra fredda, per la paura del comunismo al potere anche in Italia, i Servizi opposero il segreto politico-militare agli inquirenti, depistarono le indagini, ritardarono di decenni la condanna dei responsabili, esecutori materiali, fiancheggiatori, mandanti; molti rimasero impuniti. In quegli anni la magistratura e la cultura giuridica avvertirono un campo d
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Böschung, Urs. "Francesca Vannozzi, Inventario del Patrimonio dell’Ateneo senese — Gli strumenti scientifici. Siena, Università degli Studi, Tipografia Senese, 1992. 126 S., ili. (kein Preis; Adresse der Autorin: Istituto di Patologia speciale medica, Cattedra di Storia della Medicina, Piazza Duomo, 2, 1-53100 Siena)." Gesnerus 49, no. 2 (1992): 251–52. http://dx.doi.org/10.1163/22977953-04902028.

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Dissertations / Theses on the topic "Siena. Piazza del Campo"

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WILSCHUTZ, SETH DOUGLAS. "Embodying Civil Society in Public Space: Re-Envisioning the Public Square of Mansfield, Ohio." University of Cincinnati / OhioLINK, 2005. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1112648545.

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Books on the topic "Siena. Piazza del Campo"

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Marina, Gennari, and Barzanti Roberto, eds. I colonnini di piazza e le ultime trasformazioni del Campo di Siena. Betti ed, 2003.

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Banfi, Maria Luisa. Delitto in Piazza del Campo. Cideb, 2000.

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Profeti, Sergio. Nel campo le vittorie. Sunto, 1991.

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Alessandro, Falassi, ed. A bella mostra: Le monture di piazza del 2000. Alsaba, 2001.

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Bernardino. Le prediche volgari sul campo di Siena 1427. Rusconi, 1989.

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Matteini, Ottavio. Siena fuori campo: Guida della provincia in 12 itinerari. Libri del Bargello, Trainer International, 1991.

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Campeggi, Silvano. È Palio: Silvano Campeggi : pittura in diretta dalla piazza. Pagliai Polistampa per Santa Maria della Scala, 2001.

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Spina, Alessandro. Conversazione in Piazza Sant'Anselmo: Per un ritratto di Cristina Campo. Libri Scheiwiller, 1993.

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9

Lakeman, Sandra Davis. Natural light and the Italian piazza: Siena, as a case study. Alsaba Grafiche, 1993.

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Lakeman, Sandra Davis. Natural light and the Italian piazza: Siena, as a case study. 2nd ed. Natural Light Books, 1994.

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Book chapters on the topic "Siena. Piazza del Campo"

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Reardon, Colleen. "Alla Citta’Ritorna." In Holy Concord Within Sacred Walls. Oxford University PressNew York, NY, 2001. http://dx.doi.org/10.1093/oso/9780195132953.003.007.

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Abstract The Palazzo Pubblico is one of Siena’s most impressive buildings. It dominates the Campo, the lovely fan-shaped piazza that lies at the city’s heart. For centuries, Sienese leaders convened inside its walls to deliberate the governance of the city. After the fall of the republic in 1555, when the magistracies that met there had little power, the Public Palace came to be exploited for a new purpose: entertainment. In 1560, on the occasion of Cosimo I de’ Medici’s first visit to his newly acquired dominion, the Great Counsel Hall (“Sala grande del Consiglio”) was transformed into a thea
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"64. Ordering the Piazza del Campo of Siena (1309) translated from Italian by Fabrizio Nevola." In Medieval Italy. University of Pennsylvania Press, 2009. http://dx.doi.org/10.9783/9780812206067.261.

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Delpozzo, Eleonora. "La domus in Piazza." In Spring Archaeology: Atti del Convegno, Siena, 15-17 maggio 2020. Archaeopress Publishing Ltd, 2021. http://dx.doi.org/10.2307/j.ctv1zcm1x8.8.

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Cecchini, Isabella. "The Early Modern Business Area of the piazza." In The Layers of Venice Architecture, Arts and Antiquities at Rialto. Fondazione Università Ca’ Foscari, 2023. http://dx.doi.org/10.30687/978-88-6969-729-6/004.

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Hardly the mercantile character of early modern Venice fails to pervade almost every corner of the city. As a trading hub since its very beginning, and as an important manufacturing centre from the Renaissance onward, warehouses and shops dotted above all the central districts of the city, with the highest commercial density: the areas around Piazza San Marco and its banks on the Bacino of San Marco, those around the urban route of the Mercerie linking San Marco and Rialto, and beyond the Rialto bridge the dense and cramped space of the market. It was mainly this latter area to concentrate the
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